5 Patches with the Befaco Iroi module

video upload by Modular Fungi and Omri Cohen

"The tracks from this video are also available as a free EP on Bandcamp - https://omricohencomposer.bandcamp.co...

Check out my Modular books:
US: https://bit.ly/40armbo
UK: https://bit.ly/4rX6NeO
EU: https://bit.ly/4srcTUt
Online Courses about Modular Synthesis - https://bit.ly/learnmodular

Patch 1 - 00:00
--------

In this one, I'm using noise from Noise Plethora to excite Iroi. I'm using a band pass filter on Noise Plethora, sequencing it with the Voltage Block. On Iroi, I'm using the comb filter with internal modulation on the resonance. I'm also using the resonator with modulation on the feedback, and the echo and ambience. The levels of the resonator, echo, and ambience, are sequenced by the Voltage Block. I'm then sending Iroi to the Zagreb filter from Xaoc, using its low pass filter with noise modulation of the spread control. I'm also using the high pass output of Zagreb, sending it through the Guillotine distortion module, and from there, to the EON filter. This is going to 2 delays on Samarkanda, so only when I open the EON filter, the sound goes to the delays, and I play with the delay times.

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Sinewave Feedback FM | Make Noise Shared System

video upload by Akihiko Matsumoto

"A textural expedition into modular synthesis
This pack is a deep dive into the sonic world of Make Noise, the Asheville-based modular synthesizer company known for redefining how musicians interact with sound.
Drawing inspiration from the vision of founder Tony Rolando, who sought to create instruments that invite play, exploration, and complexity, this collection offers sounds you cannot extract from conventional DAWs or virtual synths alone.

All material was produced entirely with Make Noise modular systems, capturing their distinctive tonal character and lively unpredictability. It is designed for electronic music producers who value raw texture, voltage-driven chaos, and intricate sound design rooted in hardware.

That is 1951 oneshots and 1059 loops, each chosen for its uniqueness and modular authenticity.
This pack is not static. All purchases include free lifetime updates. Files are continuously added over time, rewarding those who support early and stay involved. If you've already bought the pack, you now have access to the latest additions at no extra cost. If not, this is a perfect moment to jump in.
Perfect for those working in experimental club music, ambient, glitch, techno, leftfield bass, or soundtracks that need something unfamiliar yet compelling.
This is not just a sample pack. It is a collection of sonic experiments born from voltage and possibility."




Make Noise Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store...

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Elektronische Musik with the Audrey II Horrorscape Synth processed by the Make Noise Morphagene

video upload by Genshi Media Group

"::| WARNING! EXTREME FREQUENCIES AHEAD! USE CAUTION |::

Elektronische Musik with the ‪@SynthuxAcademy‬ Audrey II Horrorscape Synthesizer processed by the ‪@MAKEN0ISEMUSIC‬ Morphagene, QPAS, and Mimeophon... with modulation provided by the Make Noise MultiMod.

#ElektronischeMusik #MakeNoise #Morphagene"

RYK TimeSlice Looper Module New Firmware V1.2 - sound demos and technique tutorials

video upload by RYK Modular

"The New V1.2 Time Slice firmware unleashes some super cool new features including Polyphonic sample playback, Autoslice + Slice marker editing, Morphagene Reels support, and some funky quantised trigger input and output options amongst others . . .

NEW FEATURES LIST:

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Giovanni Grandi drone/ambient modular performance @ Spazio Gerra

video upload by Giovanni Grandi

"A drone/ambient modular performance built around a fed-back Strymon BlueSky shimmering reverb. Textures by Frap Tools Brenso oscillator processed through Fumana filterbank and Make Noise Morphagene.

The performance was recorded as part of the Giardiniera streaming concert in February 2021 at Spazio Gerra, Reggio Emilia.

Video by Ali Beidoun AKA ‪@fotoniknoise‬

#dronemusic #ambientmusic #modularsynth #live

Moments:

00:00 Starting drone
01:22 Shaping the reverb feedback with Frap Tools Fumana filterbank
04:00 Adding texture through Make Noise Morphagene
05:00 A hint of pulsation
06:27 Modulating FUMANA with a contact microphone for spectral transfer
07:49 The pulse is real
10:53 Further rhythmic development through Brenso's wavefolder"

Korg Phase8 + Make Noise Morphagene & Mimeophon (in two parts)

video upload by Genshi Media Group

"::| WARNING! EXTREME FREQUENCIES AHEAD. USE CAUTION! |::

A second test of the @KORG_INC Phase8 Acoustic Synthesizer, this time paired with the @MAKEN0ISEMUSIC Morphagene and Mimeophon. Sadly, at around the 7:29 mark, the Morphagene crashed! I have never experienced that before in the 9 years of owning the Morphagene (I made a separate "crash report" video which I am sending to Make Noise as I am able to reproduce this bug 100% of the time.)

As for the Phase8... I love this thing! As a percussionist first (my Father started me on the drums when I was 4 years old and over the years I picked up many different percussion instruments) the Phase8 just warms my heart. The kind of interesting rhythms you can get, along with the accents that can be achieved by placing objects on the Resonators (no, it's not just a gimmick) allows for the creation of everything from India Tabla style sounds, to West African rhythms, and more! It really is a creative and inspiring tool...."

Creating wavetables and Morphagene reels with Gemini 3 and Google Colab.

video upload by Cinematic Laboratory

"When I asked Gemini 3 if it could create wavetables, a new world opened up. Now, I am aware it's about artificial intelligence taking over the wonderful job of creating wavetables by hand (64 cycles of 256 bytes) I'd rather make music and noise with them. In this workflow, you'd describe what kind of 'morph' or 'animation' you'd want, and Gemini 3 would write the code in the Python programming language.

Next question is obviously: how do I run it because we don't want code, we want a WAV file in WaveEdit format. It turned out to be just a matter of pasting the code in Google's Co-laboratory (COLAB) environment and press 'play'. Then COLAB would run the code and output a .WAV with a pre-coded descriptive name. So next is to install them on your VCO of choice, which hopefully has an SD card or USB 'disk mode'.

But then the real fun begins. You can also ask Gemini 3 to code a 48K/32 bit Morphagene reel with a splice marker for every wave. These waves can be much longer, much more complex, and they can be stereo. You can create wobbles, sweeps, morphs, ticks, hiss, grains, anything. And then you can take your files to the modular, disconnect from the internet and lock the doors."

An Ambient Exploration in Microsound in Two Parts with Morphagene & Mimeophon

video upload by Genshi Media Group

"::| TO HEAR THE FULL RANGE OF FREQUENCIES AND STEREO EFFECTS, A GOOD PAIR OF HEADPHONES IS HIGHLY RECOMMENDED |::

An Ambient Exploration in Microsound in Two Parts with the ‪@MAKEN0ISEMUSIC‬ Morphagene & Mimeophon. Part one also includes the Make Noise QPAS. Both parts towards the end also include a pair of Radio Music modules (though in Part One the second Radio Music module wouldn't trigger). I will be releasing a 5 Track Album with more of these explorations within a week or two. Further details of this video:

You may be asking 'Why didn't he just use modulation on those parameters?' When I'm using a small setup with just two or three modules, I like to manually "play" the modules like an instrument; using my intuition to guide how I am going to evolve the sound. In my main, bigger system, I of course use all sorts of modulation for some of these things with modules like Batumi, Samara, Zadar and others, but I still always leave room to play the instrument manually.

I've been interested in Granular synthesis and Microsound ever since getting Curtis Roads' book 'Microsound' when it first came out in 2001, but even before that, I had been interested in Musique Concrète, with my first experience of that being when my father (who was a Radio DJ and Concert Promoter) brought home the just released Beatles 'White' album and hearing 'Revolution No. 9' for the first time. I was four years old, and it freaked me out! Part two of this video towards the end gets a little 'haunted' as well, inspired by that revolution of musique concrète!

#Morphagene #Mimeophon #musiqueconcrete"

Keeper // Nagra IV-D, Pladask Elektrisk Draume, Make Noise Morphagene

video upload by Mete Sezgin

Ways To Make Noise | Make Noise

video upload by MAKEN0ISE

"The Bob Moog Foundation's Raffle for a custom 15U Eurorack modular system, featuring a Spectraphon in the middle Oscillator slot, ends Dec 19th at midnight! More info and enter here: http://bit.ly/BMFEurorack2025

Also, let's Make some Noise!

Get your Morphagene Noise Reels here!
https://freesound.org/people/makenois...

http://www.makenoisemusic.com"

ELZ_1 play V2 x Kuro Kasetto — Eurorack Session

video upload by SONICWARE

"ELZ_1 play V2: https://sonicware.jp/pages/elz_1-play
Only a Dozen V2 Launch Edition Units with Special Case Coming in Early December — Secure Yours Now!

For this piece, I used the preset 'Resophonic Gt', a plucked-style sound with a short envelope that gives it a string-like, percussive character, perfect for melodies and short phrases.
I worked with the Wavetable engine, switching between several waves: '2 Echos' (my favorite), 'Clavinet', 'AnotherWT', 'Electric Piano', and 'FM+Crush'.
For effects, I alternated between 'Grain Particle' and 'Grain Uncertain' to add that beautiful granular texture, and used a 'Plate reverb' as the master effect.

To integrate the ELZ_1 play with my Eurorack setup, I used the Collide 4 module by Joranalogue and Hainbach to match the signal levels to Eurorack standards and to take advantage of its filter and amplifier.
I began by recording some 2 Echos notes into the Morphagene by Make Noise, then pitched them down and layered another take on top, letting the module work its magic to further enhance the sound.
I also added a few notes from different sequencers and oscillators, blending them into the mix, which was processed through the Typhoon module for additional movement and texture.

Next, I recorded several loops: Clavinet on channel 1, Electric Piano on channel 2, and FM+Crush on channel 3. Each loop has a different length, and I played them in offset so they evolve in an asynchronous, shifting way.
While performing, I also reversed playback back and forth, creating variation in both notes and texture so the piece never repeats in the same way.

For the live part, I used AnotherWT and 2 Echos, experimenting with effects and octaves. These layers were recorded into channel 4 of the looper in real time, following the same offset looping approach as earlier in the piece.
During recording, I used the Collide 4 to shape and amplify the ELZ_1 play’s signal, adding even more character to the sound, and the Typhoon module to blend everything together in a beautiful, immersive space.

It’s a piece that invites exploration, one could easily spend hours lost in the endless sonic possibilities of the ELZ_1 play and modular synthesis.

Kuro Kasetto (@kurokasetto)"

A Visit to the MOOGSEUM | Make Noise

video upload by MAKEN0ISE

"We had the wonderful opportunity to visit the Moogseum here in Asheville NC and patch an original vintage Moog modular synthesizer!

Learn how to support the Bob Moog Foundation at https://moogfoundation.org/

A Morphagene Reel of some of the sounds we heard can be downloaded here: https://freesound.org/people/makenois...

http://www.makenoisemusic.com"

The mighty Make Noise ReSynthesizer: a dream modular synth

video upload by Signal Sounds

"Sound designer and composer Michael Manning makes a welcome return to the Signal Sounds channel to explore the ReSynthesizer - a curated selection of Make Noise modules in a 7U 104HP case. This system is a fantastic way to explore experimental music without being paralysed by choice when trying to build a Eurorack setup from scratch.

In the video, Mick builds some incredible patches that show off the range of the system, and talks through some of its key components - including the Spectraphon oscillator and double Maths!

Check out a playlist with full-length versions of the performances in the video: [below]

ReSynthesizer is available here:
https://www.signalsounds.com/make-noi..."

[Re]Synth by Michael Manning


Playlist:

1. [Re]Synth #4: n2n2 // Make Noise ReSynthesizer Music
2. [Re]Synth #3: Fleck // Make Noise ReSynthesizer Music Performance
3. [Re]Synth #2: Spector // Make Noise ReSynthesizer, Spectraphon, QPAS, Mimeophon
4. [Re]Synth #1: Hush // Piano, Morphagene, Continuum Mini

Organizing Sounds! | Make Noise

video upload by MAKEN0ISE

"Now on Iteration 2 of our 12-String Iterative Music Process, let's take a look at some ways to categorize sounds when Organizing them for Morphagene or other electronic music tools! With the help of the classic book 'Composing With Tape Recorders' by Terence Dwyer.

All the project iteration Reels as well as the Iteration 3 spreadsheet can be found in this Drive folder:

https://drive.google.com/drive/folder...

http://www.makenoisemusic.com"

Make Noise - Black & Gold Shared System

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional NOISEBUG Listings

"This original black and gold Shared System by Make Noise was a recent trade-in from a very respectable customer. Each module has been thoroughly inspected and is in excellent condition. Includes necessary PSU

The Black & Gold Shared System was Make Noise's flagship Eurorack synthesizer system.

Black & Gold Shared System Features

Make Noise Shared System in Black & Gold as used by founder Tony Rolando
New School Multidimensional Sequencing: René 2018
Human/ Expression Control: Pressure Points
Dual Analog Oscillator: DPO
Voltage Controlled Pitch Shifting and Echo: Echophon
Dual Analog Control Voltage generator: Maths
Complex Random Voltage Generator: Wogglebug
Dual Low Pass Gate: Optomix
Balanced Modulation: modDemix
Voltage Controlled DSP (Digital Signal Processing): Morphagene
modeless, continuously variable voltage controlled reverb: Erbe-Verb
7U case w/ power supply and AC Adapter, Ready to Play
Ships with 30 Ad Infinitum patch cables
Free blanking panels as appropriate
Comes with Lid, Highly portable, Meets requirements for carry-on luggage"

CLICK FOR MORE »

Make Noise Shared System | Atonal Drone

video upload by Akihiko Matsumoto

"Make Noise Modular Synth Sample Pack: https://akihikomatsumoto.sellfy.store...

Inside the pack:
498 DPO Bass Loops
81 0-Coast Bass Loops
36 XPO Bass Loops
100 Spectraphon Bass Loops
4 Bongo Loops
137 FX Loops
45 Acid Multi 303 Loops

CLICK FOR MORE »

What Makes A Great Morphagene Reel? | Make Noise

video upload by MAKEN0ISE

"Thanks to everybody who submitted sounds for the first step in this 12 String Iterative Music Project!

Today we'll discuss some of the questions that arise when putting together a Morphagene Reel.

Intro animation soundtrack by Josiah Christensen!

Iteration 1 Reel

Thanks to everybody who contributed sounds to this Reel!

CLICK FOR MORE »

Sinewave Feedback FM | Make Noise Shared System

video upload by Akihiko Matsumoto

"Make Noise Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store...

Inside the pack:

CLICK FOR MORE »

Resynthesizer by Make Noise - Ambient performance

video upload by Jay Hosking

"A live synthesizer jam performed entirely on the Make Noise Resynthesizer.

This might be the most beautiful instrument I own.

Eurorack is traditionally about choice, about configuring a case to your preferences or imagination. The Make Noise Resynthesizer is the antithesis of this, in many ways. It's a crafted case from only one manufacturer, from their imagination, and with a specific philosophy and goal in mind. In this respect, it is an instrument, with the strengths and limitations inherent in any instrument. And when you embrace those strengths and limitations, it's truly incredible what it can create.

This is the very first patch I made with the Resynthesizer, with no goals in mind, without any sample content loaded onto the Morphagene (sampler). I didn't even know how to use half of the modules going in, and still don't know how to use many of them in any depth. But it's a testament to the Resynthesizer that it has a unified philosophy, and that its two main sound-creating voices (the Morphagene and the Spectraphon, a dual stereo oscillator) work so well together. What a synth.

I learned how to quickly sample the Spectraphon into the Morphagene, learned how to use the basics of René, and away I went. Within minutes I was making sounds and music I hadn't approximated with any other gear before.

Not only am I pleased with the musical results, I'm truly excited about the depth of this machine, to learn more of what it can do, to embrace its strengths and limitations and see what comes out of it, free of expectations.

Performed and recorded live to a stereo output, with EQ, compression, and limiting on the master.

Thanks for listening.

https://jayhosking.bandcamp.com"

Snowfall Thickener | Make Noise

video upload by MAKEN0ISE

"The rich sounds of falling, melting, and freezing snow get thickened up more by The ReSynthesizer.

Snowfall Morphagene Reel: https://freesound.org/people/makenois...

http://www.makenoisemusic.com"