Sequential Introduces the Take 5 Desktop Module

video upload by Sequential

"Take Your Music to the Next Level

The Sequential Take 5 desktop module brings the legendary Prophet-5 sound to your mix, featuring the analog oscillators and filter that transformed electronic music. Compact and powerful, it fits seamlessly into any studio and is easy to transport for live performances. Modern effects and a powerful modulation matrix deliver sounds to transport you.

Soundtrack exclusively by Take 5. Yes, even the drums! Composed by Peter Dyer.

For more information on Take 5 visit Sequential at: https://sequential.com/hybrid-analog/..."

Sequential Take 5 Module Demo (no talking) - Presets for Ambient, Melodic Techno and Electronica

video upload by Limbic Bits

0:00 Pads
13:09 Bass
16:25 Leads and Arpeggios
20:57 Misc, SFX and Percussion

Sequential Take 5 Module Demo (no talking)

video upload by Bonedo Synthesizers

Hurray... Take 5 and TEO 5 Desktop Units

video upload by Starsky Carr

TEO 5 announced here

"The Take 5 and Teo-5 from Sequential and Oberheim make fantastic desktop units. They feel like they were made for this form factor - no compromises, simply great sounding synths in a high quality enclosure. The keyboard versions may have felt lacking in keys (even though they have a great keybed) - just a bit too short for some. I found it was quite handy having one that could fit on my rack! But with these the only decision you have to make is which one is best for you.

Luckily I'm here to confuse you further (they both sound great)! The decision will be whether you prefer the Oberheim or Sequential style of VCO programming, the filters, and the X-Mod/FM. And these just so happen to be the bits I look at in this :)"

0:00 Whoo Hoo!!
2:36 The Hardware
4:37 Quick Overview - What Are They?
6:58 Oscillators
10:20 Sync
12:31 Filters
21:08 X-Mod/FM



Press release follows:

Take Your Music to the Next Level with the Sequential Take 5 Desktop Module

San Francisco, CA – [July 1, 2025] – Sequential, a leading innovator in synthesizer technology, today announced the release of the Take 5 Desktop Module, bringing their legendary analog sound to a more compact and accessible form-factor.

Building on the success of the Take 5 keyboard, the desktop module offers the same powerful analog oscillators and filters that capture the iconic warmth and depth of the Prophet-5, enhanced with modern modulation and digital effects. The module delivers this sought-after sound in a space-saving design, perfect for studio setups and live performances where portability and efficiency are paramount.

"Ever since we launched the Take 5 keyboard, we’ve gotten repeated requests for a desktop module version, " says CEO David Gibbons. "And more recently, it seems that modules have really shot up in popularity. So, we're very excited to offer the Take 5 sound in a format that everyone seems to want."

The Take 5 Desktop Module provides the same hands-on, knob-based experience as its keyboard counterpart, allowing for intuitive sound design and real-time parameter adjustments. Users can delve deep into sound creation with controls that are simple and direct, making it fast and easy to polish your sound.

This synth fits perfectly in smaller studio or bedroom setups, and is easy to transport for live gigs, positioning The Take 5 desktop module to bring its signature Sequential sound to a wider audience than ever before. It's an instrument designed to make life easier and streamline the journey to making music and having fun.

The Take 5 desktop module is available now, with a US MAP price of $1,399.

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Oberheim Synthesizer Brochure

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

"Oberheim Synthesizer Brochure (Brochure ONLY). 1977 vintage original. 16 small fold out pages. Covers legendary and Iconic Oberheim analog synthesizers. The mighty Oberheim Eight Voice, Oberheim Four Voice, Oberheim Two Voice, Oberheim SEM module, Oberheim Programmer, Oberheim Digital Sequencer, Oberheim Minisequencer. Brochure is Used. Very Good condition, vintage original, Has punch holes, no writing, no highlights, no tears, no stamp. No returns, no refunds. Please Ask all questions first. Time keeps on slipping into the future."

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John Bowen Solaris SN 00113

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"It's a monster! ..yes, it's digital.. but, when you hear a 96kHz synth.. you quickly realize.. if there IS to be a digital synth.. then 96k is where it should be.. at that frame rate.. it's not 'steppy' and a lot smoother than the 'others', IMO. I'm the only owner of this 'lonely heart'. Bought it new, back when Awave was in a tiny arcade next to South Yarra station. It was the only synth that's ever 'tricked' me.. I thought it was analog 'something'. It just sounded too 'pure'.. so, I had to have it.. unfortunately, I haven't used it as much as it deserves.

This Solaris has resided in my smoke free studio since it was purchased new. Never toured, original PSU and manual (not that the manual is much use to anyone anymore.. that is.. with the advent of the newly developed V2 OS). For those that don't know, John was instrumental working alongside the late great Dr Robert Moog, in fact, he was there, in the early 70s, working alongside Dr Bob on the original MiniMoog.. fast forward a few years.. and there he was working alongside the late great Dave Smith @ Sequential Circuits. John worked on the Prophet 5, the VS and the Sequential Sampler, the Prophet 2000.

This was shortly before Yamaha acquired Sequential and retrenched the staff, yep.. that old chestnut.. and John went on to work at Korg where he was behind the WaveStation (basically he took his knowledge of the Korg VS and threw it into the WaveStation, as some might already be aware of). So, with all that history under his belt.. when it was time for John, whom I refer to as 'synth god', John started development on the Solaris.The Solaris is the culmination of all his passed work and synth experience, despite the panel often likened to the Oberheim Matrix 12, John had implemented Filters, Wave shapes, Step Sequencers, and not to forget 'Wave Sequencing' that've appeared in all his passed projects on those aforementioned classic synths, that he worked closely on with 'other' synth gods such as Dave Smith and Dr Bob Moog.

So, you could say.. the Solaris is what a 21st century synth-classic 'ought' to be. And, ultimately, that's why I wanted it, but.. I'm afraid, as good as it is.. it's more synth than I've ever needed...x10! It would be much more suited towards professional sound designers than someone who messes around with Samplers more often that not. Therefore, I'll let it go to another enthusiast.. other esteemed 'registered' owners in the Solaris forum are Hans Zimmer, Harry Gregson-Williams, JJ Abrams, Jean-Michel Jarre, Matt Johnson, Ty Unwin to name a few.

In a nutshell, if had a paragraph to sum it up.. it's like a Matrix-12 integrated with a WaveStation and then there's CEM, SSM, Moog and Prophet 5 'mimicked' filters and oscillator shapes... basically, loads of features and 'flavors' from every 'beast synth' before it.

Main features:
10 Voice Polyphony
4 Oscillators
4 Filters
6 Envelope Generators
4 LFO's (+1 for Vibrato)
16 Step Sequencer
Arpeggiator
8 analog outputs (4 stereo)
Digital (ADAT) Output
MIDI over DIN & USB
15 kg / 33 Lbs
Comes with the original Australian 240v external PSU"

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Oberheim DSX Digital Polyphonic Sequencer SN A32905

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

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NRSynth Model 15, Retro One & Solo | SynthFest 2025

video upload by SynthFest France

"NRSynth poursuit sa quête du son analogique de l'âge d'or des Moog modulaires, ARP et autres trésors du passé, et présente sa nouveauté 2025: le Solo, recréation du mythique module SEM d'Oberheim."

Googlish:

"NRSynth continues its quest for the analog sound of the golden age of modular Moogs, ARPs and other treasures of the past, and presents its new 2025 product: the Solo, a recreation of the legendary Oberheim SEM module."

Also see SYNTHFEST 2025: "Spherical" Live and JC digital sequencer DMS: le fils spirituel du Digisequencer (avec Michel Geiss et NR Synth).

JC digital sequencer DMS: le fils spirituel du Digisequencer (avec Michel Geiss et NR Synth)

video upload by SynthFest France

"Jean-Claude Dubois n''est pas un inconnu: il est le concepteur du célèbre Digisequencer utilisé sur l'album Chronologie de JMJ.

Il nous présente les fonctionnalités du DMS (pour Digital MIDI Sequencer), évolution survitaminée du Digisequencer. Avec l'intervention de Michel Geiss pour la partie historique et NR Synth qui met à disposition son fabuleux Solo, recréation du SEM d'Oberheim.

/ jean-claude-dubois-860a9ab6
https://nrsynth.fr/solo.html"

"Jean-Claude Dubois is no stranger: he is the designer of the famous Digisequencer used on JMJ's Chronologie album.

He introduces us to the features of the DMS (Digital MIDI Sequencer), a supercharged evolution of the Digisequencer. Michel Geiss provides the historical background, and NR Synth provides its fabulous Solo, a recreation of the Oberheim SEM.

/ jean-claude-dubois-860a9ab6
https://nrsynth.fr/solo.html"

Dynacord Percuter - 8 tracks Digital Drum Computer + 8 cartridges & Dynacord P20 + 5 cartridges

Note: Auction links are affiliate links for which the site may be compensated.

Percuter via this Reverb listing

P20 via this Reverb listing [demo here]

Pics of the inside below.

You can find a few demos of a Percuter in previous posts here.

"The Dynacord Percuter is a simple drum module that lets you trigger 8 sounds with pads or sequencer. Very basic features, only a pan and sensitivity control for each channel, as well as independant outputs, and a master stereo output and headphones outputs. There is a cool global pitch control though.

And of course the real nice feature is the ability to change cartridges and thus change sounds as you like. They were many cartridges made and their sound quality is extremely good, in the league of the Linn Drum, Oberheim DMX and such, if not better.

Unit was cleaned and checked and It's fully working and response well to trigger pulses.
8 cartridges are included and they build a full drum kit (a ride or crash could be nice though)

- 111001 Electrified Bass 2
- 111020 Natural Snare 8"
- 111002 Electrified Snare 2
- 111004 Electrified Tom 1
- 111005 Electrified Tom 2
- 111006 Electrified Tom 3
- 111047 Accent Hi Hats Cymbal
- 111048 Closing Hi Hats Cymbal

Please note that P20 and Percuter sound roms are the same (nature snare for instance) they are totally different sounds. The Percuter sounds are 8 bits and the P20 are 16 bits I think. Samples are brighter and longer."

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NRSynth's SEM Module - The "Solo": An "Extended" Version of the SEM

video uploads by Séraphin PALMERI

Playlist:

1. "Pink Floyd On The Run" Module SEM NRSynth

"On The Run" de Pink Floyd avec un clone amélioré du module SEM d'Oberheim, fabriqué par NRSynth, une lutherie éléctronique made in France #pinkfloyd #ontherun #oberheim #sem #NrSynth

2. Tangerine Dream Intro "Ricochet Part 1"

Le module SEM de NRSynth est vraiment parfait pour reproduire l’intro de « Ricochet Part 1 » de Tangerine Dream. https://nrsynth.fr

3. Module SEM NrSynth Démo 1

00:00 Midnight Express
00:57 Star Cycle
01:41 Dervish D.
02:06 Stranger Things
02:44 Il était une fois le Prophet

4. Module SEM NRSynth Démo 2

00:00 Basse 1
00:13 Basse 2
00:26 Fun For Me
00:38 ABACAB
00:54 Welcome To The Machine
01:24 Caverne
02:33 Tange FX
02:49 Chinox
03:04 Percox

5. Tangerine Dream « Monolight (Part 2) » With the Sequential Prophet 6 & Korg Kronos



Details via NRSynth (Google translated)

Oberheim Legacy: In 1974, Tom Oberheim imagined a small synth as an accessory to his DS-2A digital sequencer. But it was Dennis P Collins, a gifted ARP engineer, who designed the multimode filter of the Synth Expander Module (SEM). This unique filter is a 12 db filter that cannot deny its lineage with the ARP 1047 (ARP 2500) and ARP 2023 (white Odyssey MK1) filters, 12 db filters also designed by Dennis P Collins. With two very fat VCOs and a devastating sync (also close to the Odyssey VCOs), the small SEM offers a powerful sound, very present in the mix and very different from Moog and other synths with 24 db filters. So despite its simplicity and a filter that does not enter self-oscillation, we can get a lot of sounds out of it. Accessible and easy to use, the SEM is a success. In 1975, Tom paired first two, then four, into a huge keyboard case, creating the first "true" polyphonic instrument in history, the "Four Voices." In 1976, the SEM was even expanded to eight. Nicknamed the "White Elephant," its sound was as enormous as the instrument itself! But in 1978, the brilliant Prophet-5 made it obsolete, and Tom designed the OB-X, whose channel cards were also clones of the SEM. Subsequently, the OB-XA and OB-8 used Curtis chipsets and no longer had quite the same sound. In 2010, Oberheim reissued the SEM identically, but with all surface-mount components. In 2011, the SEM PRO added just a MIDI interface.

NRsynth "Solo": This is an "extended" version of the SEM, handcrafted with traditional through-hole components. Only the envelopes have been modified for a punchier result; the rest is identical to the original synth. Additionally, the Solo features a sub-oscillator, a glide, white noise, and many more modulation options than the SEM. MIDI velocity is also supported. Finally, the white metal case gives way to a luxurious, classically crafted cabinet with waxed oak sides and black tolex, similar to a Marshall amp.

A patchbook of all Séraphin Palmeri's sounds is included with the device.

Specifications:

VCO: Two discrete VCOs with hard sync, saw, pulse + PW (same as SEM)
Sub-oscillator: Pulse wave – 1 octave below VCO1.
Noise: 100% analog white noise
Multimode 12 dB filter: Same as SEM with LPF, HPF, notch, and bandpass mode. VCA: Analog (same as SEM)
LFO: Analog, triangle wave (same as SEM)
Envelopes: Analog (same as Pro-1) with deactivatable "Release".
Digital LFO: 8 waveforms + tilt, 3 frequency ranges, sync.
Sample and Hold: Analog, sync.
Glide: Analog portamento circuit at the input.
Patchbay: 15 I/O points on 3.5mm jacks (Eurorack compatible).
Rear Connections: Audio I/O and sync on 6.35mm jacks. Reset button.
Dimensions: 30x24x15 cm

Price: €1,390

OBERHEIM TEO-5 | ANALOG poly-SYNTH | MUSIC DEMO - NO TALKING 🎹🔥

video upload by FutureMusic.es

"The compact OBERHEIM TEO-5 synthesizer resurrects the legendary analog-polyphonic sound of California...

#oberheim #teo5 #synthesizer

The OBERHEIM TEO-5 is a huge analog polyphonic synthesizer in the vein of the golden age of American synthesizers. We're talking about the legendary original designer, and the same architecture and circuitry that sculpted thick, memorable lines of American analog polysynth in the 70s and 80s.

But a lot happened along the way for us to see the OBERHEIM TEO-5 in its full glory today. Today, OBERHEIM is a revered brand that has regained its status as a rightful contemporary of that golden age of synthesizers.

Signature acronyms, premium electronics, and a huge sound

This sweeping instrument features the exclusive and visionary craftsmanship of Thomas Elroy Oberheim – TEO, hence the name of the device.

And one of the interesting strengths of the OBERHEIM TEO-5 is that it "perfectly combines classic analog warmth with the modern versatility that today's musicians demand", according to the brand's statements.

"I'm very proud to be able to create a synthesizer like this... Compact and affordable, the Oberheim sound for 2024", says Tom Oberheim, founder of the company that bears his name, as well as a legendary designer

In its mission to make Oberheim's classic tone palette "widely accessible", TEO-5 encapsulates decades of analog engineering experience on a musical instrument that is "as innovative as it is visionary."

The five voices of pure analog electronics in the OBERHEIM TEO-5

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Oberheim DSX 16-Voice Digital Sequencer

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Three Wave Music Listings

"Oberheim DSX sequencer in excellent condition. Includes original owners manual and power cable. Professionally serviced in house. Unit tested and confirmed to function.

The Oberheim DSX is a pre-MIDI digital polyphonic sequencer. It operates using a proprietary parallel bus and was designed for use with the OB-X, OB-SX, OB-Xa and OB-8. Connection was via a heavy 1:1 cable, which plugged from the host DSX to the target synthesizer using a rear DB-37 connector. The DSX is capable of driving up to 16 voices concurrently. Sequences are stored in internal memory after power-off using static RAM which remains powered up from an internal NiCad battery.

The combination of Oberheim DSX, Oberheim DMX and either OB-8 or OB-Xa were marketed as the 'Oberheim System'."

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Oberheim SEM Patch Panel SN 0994 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"This is a collectors grade example of one of the most iconic synthesizers ever made. Absolutely mint condition and as good as it'll get for such a historic little piece with a huge sound. This was Tom's first go at making a come back and not even owning the rights to his own name yet. This was a very small production and he made sure it was done right. No digital nonsense to get in the way or to go wrong. This will last a few lifetimes like the original SEM's did. This was kept in its original box and essentially unplayed for most of its life so far. The knobs feel great and all the jacks are mint condition. Perfect complement to any modular set up or any poly synth with CV outs that need a strong mono analog complement (most of them dont do mono as well as this can). One of the best mono synths period and factory fresh. Pairs really nice with a Arturia key step or cv sequencer as well."

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Oberheim OB-12 virtual analog poly synth

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"quite underated virtual analog 12 voice polysynth from the early 2000s.
Very comprehensive features and wide range of sonic possibilities (12 voices, 2 oscillators, 2 lfos, 3 enveloppes, 4 parts multitimbral, preset morphing, arpeggiator, sequencer, multifx engine (overdrive, chorus, delay, reverbe), digital outputs etc

Unit was serviced and is in fully working condition. Cosmetic is very good with only minor scuff here and there."

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Philips MC100

video upload by Blossom Bisquits

http://matrixsynth.com/blog/media/oberheim/matrix6patches/Matrix-6%20-%20matrix%20patched.mid"The Philips/Brother PCM 100 Composer Digital Sequencer, released in 1986, was a pioneering mini-workstation that had a brief market presence. It featured a 2-OP FM synthesizer, producing sounds reminiscent of the Yamaha Porta series home/toy keyboards.

Equipped with a 2-octave touch keyboard, the PCM 100 boasted a robust real-time/step sequencer with 8K RAM for recording. Its large LCD screen facilitated composing and note entry, allowing playback of any of the 100 onboard FM sounds.

Although the synthesizer itself was monophonic, it offered three additional parts for accompaniment, including bass lines, chords, and 15 rhythmic patterns. Uniquely, the PCM 100 included a built-in cassette recorder for storing and loading composed sequences.

Architectue

- **Type:** Digital
- **Synthesis:** Frequency Modulation (FM)
- **Oscillators:** 2
- **Waveforms:** Sine
- **ROM Size:** 32 kb
- **Modulation:** Envelope, Oscillator, Sequencer
- **Notes:** 2-OP FM Synthesizer

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Viscount Oberheim OB-12 49-Key Synthesizer SN 2083801

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Most certainly a modern classic synth, this OB-12 is in amazing condition, considering it is 22 years old. Made in Italy by Viscount (who also made Vox organs in the 1960s)/Galanti family business, the synth was a "joint venture", legally using the Oberheim brand for marketing. The initial launch was a disaster, and the UK price tumbled from circa £2000 down to £499 through the 5-years of manufacture (2000-2005). Was it synth snobbery? (ah, I aint buying no Italian Oberheim...not a real one, dude.....).Was it bad sounding? Did it look naff? The years passed, then a few stalwart synth enthusiasts realised that the OB-12 was actually years ahead of its time. It actually IS reliable (apart from the display screen, but replacements are available). It actually can sound HUGE, and has many features that have to be highlighted. KKGB have also bothered to print off the 160-page manual; which IS very good and informative SPECS:- 256 fully programmable memory slots (128A & 128B), 12-voice poly with velocity and pressure (49 keys) ~ 4-part multi-timbral and key zoning ~ arpeggiator ~ sequencer ~ FM ~ morphing function ~ glide ~ white noise ~ ring modulation ~ 24Db filter (put the twin 12Dbs in series<>same thing) ~ 4 discreet FX (delay/reverb/chorus/distortion) ~ twin wheels (pitch/mod) ~ ribbon controller ~ global-auto voltage select (90V > 260Vac) with standard IEC mains cord (no naff external PSus) ~two banks of digital oscillators with great selection of waveforms ~ excellent "live" display which portrays editing etc ~ only 12Kgs ~ dims 92 x 39 x 12 cms...serial number 2083801. Condition of this actual instrument is 95% perfect, with only eeny dinks/scratches; the keys are nigh perfect and trigger every time. The pressure/aftertouch offers remarkable control of many features; its astonishing......"

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INTRODUCING THE OBERHEIM TEO-5

video upload by Oberheim Official

"Step up to the legendary warmth and brilliance of classic Oberheim, reborn in the compact, powerful TEO-5. Dive into authentic analog tones, push boundaries with modern modulations and effects, and create like Thomas Elroy Oberheim always dreamed. TEO-5 is more than a synth, it's your sonic legacy, waiting to be written.

Music by Peter Dyer
All sounds from TEO-5

Learn more at
https://oberheim.com/products/teo-5/"

TEO-5 Synthesizer Unboxing & Demo Feat. Tom Oberheim

video upload by Doctor Mix

"Today, I unbox and demo the incredible Oberheim TEO-5 synthesizer. In the video I also discuss TEO-5 with the man himself Tom Oberheim who graciously gave me an intimate introduction to his latest and greatest synthesizer. 🚀"

J3PO reviews the new Oberheim TEO-5 synthesizer

video upload by J3PO

"Today, Oberheim Electronics has just announced the release of their new synthesizer: TEO-5 -- a five-voice analog synthesizer. In this video, Julian "J3PO" Pollack reviews the synth and performs numerous sound examples.

00:00 Introduction
01:04 Sound Examples & Discussion
26:38 Conclusion / Final Thoughts"

OBERHEIM TEO-5 Review // Filter & TZFM explored // Pros & cons vs Take 5 & Oberheim synths

video upload by loopop

"Get access to my exclusive In-Complete Book of Electronic Music Ideas, Tips and Tricks, on my Patreon: / loopop"

TIMELINE:
0:00 Intro
1:10 Overview
3:10 Build & keys
4:05 Low split mode
4:30 I/O
5:05 Oscillators
7:30 Sub & noise
7:55 Sync
8:20 Thru Zero FM
11:20 Misc osc
11:45 Filter
14:05 Overdrive
14:45 Effects
19:55 Unison
20:25 Chord mode
20:35 Envelopes
22:30 LFOs
24:10 Mod matrix
27:10 Vintage
28:05 Arp
29:25 Sequencer
30:50 SoundTower
31:55 Pros & cons
37:45 Preset sounds

Oberheim TEO-5 INHALT Synth Demo

video upload by INHALTVIDEO

"Following up from my work on the beta development and sound design on the Oberheim OB-X8, I was pleasantly surprised to find that the next Oberheim synth would be the TEO-5. Unpacking the beta unit revealed a beautiful and cleverly designed 5 voice analog synth that simply sounds amazing.

The size of the TEO-5 is absolutely perfect for world wide gigging and the sound is a sort of best of Oberheim with a modern twist. That modern twist doesn't exclusively come from the excellent FX processor on board, but also from the interesting modulation options and ranges. While you can push the synth into harmonic and saturated zones, it still, like all Oberheims remains one large sweet spot.

Don't be fooled by the smaller size and voice count, there is nothing small about the sound and capability of the TEO-5. Not to be missed.

Please note this recording is of a beta development unit running an early firmware. The sounds featured here are the patches I made for the shipping factory bank that comes with the synth straight from Oberheim.

Recorded at Infinite Power Studios, Los Angeles. All patches by Matia Simovich/INHALT. Video edited by Grover Greenberg."

SUPERBOOTH 2024: Oberheim - TEO-5

video upload by sonicstate

"At Superbooth 2024 we met up with David Gibbons from Oberheim who introduced us to the new TEO-5 synthesizer. Named after Tom Oberheim with an exclusive reveal of Tom's middle name, the TEO-5 has a SEM filter, two oscillators and a sub giving that classic Oberheim sound, but with lots of features to bring its capabilities right up to date.

Chris Calcutt then stepped up, and gave us a demo of the sound of this synth. TEO-5 gives us 19 mod slots with tons of destinations, both a mono and a poly LFO, two envelopes and a capable twin FX section. Uniquely there is a cross-mod section with thru-zero capabilities, which allows FM modulation that stays in tune up and down the keyboard.

With a similar form factor to the Take 5, the TEO-5 has a 3 and a half octave Fatar keyboard with aftertouch, and is designed to give the Oberheim sound in a more portable and affordable package

TEO-5 Available: July 2024. Price: 1,499 USD

https://oberheim.com/"

Oberheim TEO-5 Demo from Superbooth 2024

video upload by Starsky Carr

"A Quick Look any the new Oberheim TEO-5 - named after Tom Edison Oberheim - there was a leak a few weeks back but it's here in the flesh.. and nice it is too.

Its got the same form factor as there Sequential Take 5. The big addition is obviously the Oberheim filter, and a through zero FM - so it looks like it has the new SSI chip.

Anyway.. just a Quick Look.. enjoy:)"

And the press release with pics:

Introducing the New Oberheim TEO-5 Polyphonic Synthesizer

TEO-5: The Legendary Oberheim Sound Reborn in a Compact Powerhouse

San Francisco, CA – [May 16, 2024] – Oberheim, the venerable brand synonymous with the golden age of synthesizers, proudly announces the TEO-5 polysynth. This powerful instrument features the visionary craftsmanship of Thomas Elroy Oberheim (TEO), offering a perfect blend of classic analog warmth and modern versatility for today's musicians.

“I’m so proud to be able to make a synth like this... compact and affordable, the Oberheim sound for 2024,” says Tom Oberheim, the company’s founder. TEO-5 is designed to make the classic Oberheim tone palette widely accessible, encapsulating decades of analog engineering experience in a forward-thinking and innovative musical instrument.

The TEO-5 boasts a five-voice architecture with genuine analog VCOs and VCFs, capturing the distinctive warmth and depth that defined countless hit records. But TEO-5 isn't just a tribute to the past. Additions like through-zero FM, which adds a contemporary twist to its oscillator X-Mod feature, allow for the exploration of entirely new sonic textures. And the legendary Oberheim SEM filter returns, offering the versatility of morphing between low- pass, notch, and high-pass configurations, along with a switchable band-pass mode for extensive tonal shaping.
Beyond its core synthesis architecture, TEO-5 features a comprehensive modulation matrix, opening a world of possibilities for sculpting and transforming sounds. Digital effects processors provide classic chorus, delay, reverb, and more, alongside faithful recreations of the revered Oberheim Ring Mod and Phasor effects. A 64-step polyphonic sequencer and multimode arpeggiator further fuel creative exploration, while a premium Fatar keybed ensures a responsive and inspiring playing experience.

“There was a huge surge of interest when Oberheim returned in 2022 with the historically inspired OB-X8,” said David Gibbons, CEO of Oberheim. “But Tom and the design team were keen to show that the magic of Oberheim can be within reach for everyone, and can bring a distinctive modern flavor. TEO-5 is an exciting addition to the Oberheim legacy.”
Whether you're a seasoned professional seeking a powerful new sonic tool or a budding artist embarking on your analog adventure, TEO-5 is your gateway to unparalleled musical exploration.

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Oberheim DSX Digital Polyphonic Sequencer w/ Original Manual & Cable Connector SN A33103

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Retro Gear Shop Listings

"This one is in fantastic condition for its age and fully functional. It comes from original owner and was hardly used over the years, mostly kept in smoke free home climate controlled storage. Includes connector cable and original manual. If you have been looking for a nice DSX, this is the one!"

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OP-X PRO-3 released ! Semi-modular dream synth | Trailer | Tutorial

video upload by SonicProjects

Chapters:
00:00:00 Intro Trailer
00:02:12 Change Interface Size
00:02:20 Playing Factory Presets
00:29:20 Famous 80s Presets
00:34:10 Create Presets
00:39:00 Mark Favourites
00:40:38 Search Function
00:41:40 Modulation Matrix
00:46:34 Unison Note Priority
00:46:58 Modulation Effects
00:48:52 Voice Boards
00:50:17 Multimode Filter
00:57:55 Wheel Modes
01:01:21 Arpeggiator / MIDI Processor
01:06:06 Outro

https://www.sonicprojects.ch/opxpro3/

SonicProjects OP-X PRO-3 released! 12-voice semi-modular monster synth which fullfills virtually all requests and wishes from users collected over the recent years. The synth offers:

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Modbap Modular Osiris WavPak Volume 3 by Learning Modular’s Chris Meyer

Press release follows:

Modbap Modular announces availability of Osiris WavPak Volume 3, carefully crafted by Chris Meyer to integrate seamlessly with Eurorack module namesake

LOS ANGELES, CA, USA: Modbap Modular is proud to announce availability of Osiris WavPak Volume 3 — carefully crafted by Learning Modular’s Chris Meyer to integrate seamlessly with the black-owned electronic music instrument manufacturer’s own Osiris BI-FIDELITY WAVETABLE OSC (originally introduced to a captive audience at Knobcon Number Nine, Hyatt Regency Schaumburg, IL, USA, September 10-12, 2021), providing four banks of all-new custom 32 x 32 wavetables which have been meticulously curated and designed to expand anyone’s approach to wavetable synthesis using its Eurorack module namesake — as of November 2…

As the owner of Learning Modular, an online resource to help anyone master their modular synthesizer, Chris Meyer is perfectly positioned to help expand anyone’s approach to wavetable synthesis using Modbap Modular’s Osiris, operating powerfully in and of itself as a (frequency modulation- and phase modulation-including) seven-plus TIMBRE MODE 12HP BI-FIDELITYTM WAVETABLE OSC (oscillator) module, neatly-packed with an independent sub-oscillator, LOFI processing, extensive CV (control voltage) modulation capabilities, a PITCH quantiser, four banks of 32 x 32 wavetables, the ability to load user wavetables via Micro SD card (not included), and its own free open-source wavetable editor (OsirisEdit). After all, Chris Meyer is the talented individual responsible for creating the-then-trailblazing Vector Synthesis technology behind the 1986-vintage Prophet VS DIGITAL VECTOR SYNTHESIZER, supposedly intended to revive the flagging fortunes of US synth ‘giant’ Sequential for whom he worked in an engineering role. Subsequent stints at Digidesign, Music Maker Publications, and Tom Oberheim’s Marion Systems soon ensued, before becoming the Chief Engineer at the now-defunct Roland R&D US while serving also as Technical Chairman of the MIDI Manufacturer’s Association. A transition into the video and film industries followed thereafter as his storied career continued, coming full circle to ultimately end up where he originally started — playing with modular synthesizers.

Duly derived from Chris Meyer’s sizeable studio modular synthesizer — affectionately called The Monster, the four banks of all-new custom 32 x 32 wavetables included in Osiris WavPak Volume 3 are a result of undergoing a meticulous sampling process drawing upon the talents of one of the industry’s leading experts to offer Osiris owners a wide range of timbral possibilities catering to different sonic aesthetics: BANK A — otherwise known as the ‘East Coast’ bank — features wavetables that have been carefully crafted as a result of working with Livewire Electronics AFG’s Animated Pulses and Alien Saws waveforms, as well as Serge-filtered waveforms, using techniques such as audio rate waveform crossfading to offer a diverse palette of sounds, ranging from smooth and evolving textures to aggressive and cutting tones; BANK B — the ‘West Coast’ bank — incorporates techniques like Serge rectification, wave folding, and Serge resonant EQ, the resultinwavetables providing a more experimental and abstract sonic experience suited to those interested in pushing the boundaries of sound design and diving into harmonious tones and textures; BANK C — Formants — focuses on different vowel sounds with a sound design approach anchored around both digital and analogue formant filters for creating expressive vocal-like textures and tones that are ideal for adding a human touch to compositions or exploring more abstract and otherworldly sounds; and BANK D — Harmonics — utilises tube overdrive, filter banks inspired by both Buchla and Moog stylings, as well as featuring analogue and digital additive oscillators.

On the face of it, then, the results are all a testament to the expert craftsmanship involved in ensuring the highest-quality sound production possible. Put it this way: Osiris WavPak Volume 3’s four sound banks were sampled at 96kHz, perfectly aligning with the Osiris BI-FIDELITY WAVETABLE OSC module’s unique, high-quality 96kHz sample rate operation. Ultimately, users can enjoy pristine audio clarity, enabling exploration of full depth sonic landscapes.

Lending themselves a knowing nod in the direction of Chris Meyer’s trailblazing achievements, the X-axis in all the banks contain different waveforms, while the Y-axis introduces different harmonics for each X-wave; the harmonic series used in Osiris WavPak Volume 3 are: H1 (root up), H2 (one octave up), H3 (one octave, plus perfect fifth), H4 (two octaves up), H5 (two octaves, plus major third), H6 (two octaves, plus perfect fifth), and H8 (three octaves up). It is worth noting that in some cases — especially the filter banks, formant filters, and resonant EQ — the waveform also changes with ‘harmonic’ on the Y-axis, allowing for sculpting and refining patches with extraordinary detail thanks to this precise control over harmonic content. Modbap Modular encourages experimentation with different modulation sources patched to its Osiris BI-FIDELITY WAVETABLE OSC module’s WAVE Y to further enhance sonic explorations with the texture-rich Osiris WavPak Volume 3 — think velocity/accent from a sequencer or keyboard, a mod wheel, aftertouch, ribbon controller, or even a sample & hold triggered on each new note to create dynamic and evolving timbres that respond to playing style.


Osiris WavPak Volume 3 is available for free as a digital download exclusively from Modbap Modular’s online Shop here: https://www.modbap.com/products/osiris-wavpak-vol-3-by-chris-meyer

Watch Learning Modular’s Chris Meyer mentioning the-then-upcoming Osiris WavPak Volume 3 — while talking about Modbap Modular’s Osiris BI-FIDELITY WAVETABLE OSC module as a new way to wavetable — at Knobcon Number Eleven, Chicagoland, USA, September 8-10, 2023 here: https://youtu.be/tYkDT82wxx0

a NEW way to WAVETABLE! with Alias Zone & Osiris // Chris Meyer & ModBap at Knobcon 2023

video upload by DivKid

"Chris Meyer of Learning Modular & Alias Zone has A NEW WAY TO WAVETABLE!

Chris has been working on a new X and Y based wavetable systems that does two fascinating things, firstly it "samples" his whole large studio system while keeping that performable and responsive in the ModBap Modular Osiris and secondly he's using harmonics and interval sets to create morphing tunings within those sounds too.

The WavPak is out now through the ModBap site here // https://bit.ly/WavPak3-ChrisMeyer"

Thief (1981) complete "Igneous" scene (music by TD)

video upload by kovalmoog

"The whole scene of Thief (1981) with TD's re-edition of 'Thru Metamorphic Rocks' theme, renamed as 'Igneous' in the OST release.
The film version is by far more extensive than Thief CD version.
Enjoy that sequence !"

TD = Tangerine Dream.

Curious what they were using back then. According to this thread, they used the following on tour during that time period:

Live in East Berlin, 31st Jan 1980

Chris Franke:
Custom modular synthesizer (comprising of about 50% Moog and 50%
Projekt Electronik):
Moog Oscx2/R.M./VCF/VCAs
Projekt Elektronik VcEnvx2 & Proj. Elek. 2VCO/W.Noise/R.M./Waves (for Drums)
Digital sequencer & trigger selector
Programmer for above (SCI model 700 programmer)
Synth sound bank (for above)
Moog 960 sequential controller x2
Projekt elektronik sequence controller x2
Moog 3-band parametric
Moog 12 stage phaser
Moog 920 programmer
Moog 16-channel vocoder
Rhythm robot sequencer
Emu Oddity voice card
12 analogue drum sounds
Drum envelope unit
Drum EPROM sampled sounds
and more...

Oberheim OB-1
Prophet 5 (rev 2)
Minimoog
Korg PE-2000 polyphonic Ensemble
Elka Rhapsody 610 string machine.

Edgar Froese:
custom Moog modular synthesizer (3 box units comprising Moog modules and sequencers plus sequence controllers from Projekt Electronic)
Prophet 5 rev 2
PPG Sonic Carrier 1003 programmable duophonic DCO/DCF/DCA based synthesizer
PPG Wavecomputer 360 polyphonic digital synthesizer
PPG 350 keyboard sequencer
Arp Pro-DGX monophonic preset synthesizer
Korg PE-2000 polyphonic ensemble
Roland MC-8 microcomposer
Roland VC-10 vocoder
Arp/Solina string ensemble
Mellotron mk V

Johannes Schmoelling:
- Minimoog
- Yamaha CP-80 electric grand
- Oberheim 4-voice
- Elka Rhapsody 610
- Polymoog
- Korg PS-3100
- Synthanorma sequencer

-----------

European tours (Nov-Dec 1980 & Jan-Feb 1981):

Equipment used:

Chris Franke:
Moog/PE modular tower as above
Minimoog
Arp Odyssey mk III
Elka Rhapsody 610
Prophet 5 rev 2

Edgar Froese:
Projekt Elektronik modular synthesizer & sequencers (used by Peter Baumann during '76 and '77)
PPG 340 A Generator Unit, PPG340 B Processor Unit, PPG380 Event Generator, PPG x 2 Terminals, PPG x 2 Computer Keyboards,
Oberheim OB-X

He may have used some more keyboards during these tours but I'm not sure which ones (possibly the Arp pro-DGX, the PPG Sonic carrier or the PPG
360 wavecomputer?)

Johannes Schmoelling:
Moog modular synthesizer (usually handled by Edgar Froese on stage)
Minimoog
Polymoog
Prophet 5 rev 2
Yamaha CP-80 electric grand

-----------

British Isles tour (Oct-Nov 1981):

Equipment used:

Chris Franke:
Moog/PE modular tower as above
Minimoog
Arp Odyssey mk III
Elka Rhapsody 610
Prophet 5 rev 2

Edgar Froese:
PPG 360 wavecomputer
PPG Wave 2
Arp Pro-DGX
Korg PE-2000 poly-ensemble
PPG 5-octave keyboard controller
Custom sequencer (by Helmut Groethe)

Johannes Schmoelling:
Minimoog
Oberheim OB-X (handled by Froese on previous tours)
Custom sequencer (like Edgar's)

Oberheim DSX SN A34523

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pics of the inside below.

"Transport yourself back to the early 1980s, a time when innovation was paramount, and Oberheim was at the forefront. The visionary Oberheim Parallel Buss system emerged as a proprietary masterpiece that paved the way for seamless connectivity and synchronization in the pre-MIDI era. This groundbreaking system interlinked an array of Oberheim marvels, including the resplendent OB-8 eight-voice synthesizer, the rhythmic wizardry of the DMX drum machine, and the ingenious DSX Digital Polyphonic Sequencer.

The DSX, a true marvel of its time, also wove its magic with other Oberheim synthesizers, embracing the likes of the OB-Xa, OB-SX, and OB-X. It could either sway to the DMX's rhythmic beat or take the reins of control over the OB-synths themselves. But the DSX was not content with merely directing these musical maestros; it held the power to command an additional eight analog synthesizers through its 8 CV and Gate outputs, a feat unparalleled at the time.

For analog synth enthusiasts, the DSX was a revelation. It could faithfully capture your live performances, recording notes and patch changes in real-time, with an astonishing capacity to hold up to 6,000 notes. With room for ten distinct sequences or songs, each of these sequences could unleash ten polyphonic tracks, orchestrating a symphony of OB-synths and DMXs. The DSX even remembered the intricate details, such as splits and doubles. To refine your compositions, it offered quantizing, looping, editing, transposing, and the ability to merge sequences.

If you possess any of these cherished pre-MIDI Oberheim analog OB-synths, the DSX presents a timeless solution for direct, classic control without the need for MIDI retrofits or complex interfaces. Despite some cosmetic wear, this pre-owned gem is in impeccable working condition, meticulously serviced with a new internal battery, internal cleaning, and maintenance. To complete the experience, the DSX arrives with a sync cable for effortless integration with your Oberheim companions and a comprehensive manual. It's your chance to rediscover the magic of a bygone era, rekindling the analog spark that fueled musical revolutions."

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