Bad Gear - SERUM for OLD PEOPLE

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. In times like these when normal people try to steer clear of questionable spending habits, true synth nerds are still stockpiling esoteric Eurorack modules, vintage restoration projects and overpriced VST plugins in a box.

Speaking of which, today we are going to talk about the Waldorf Iridium range. While young producers with an actual history of releasing music are currently benchmarking a Serum 2 torrent, these futurist top shelf instruments based on German technology seem to be the last missing piece in every middle-aged synthesist collection before their careers are destined to take off.

Chapters:
00:00 Intro tune
01:03 Overview Waldorf Iridium Core
01:59 Iridium Core vs. Iridium Desktop vs. Iridium Keyboard
02:22 Wavetable Synth Engine
02:32 Virtual Analog Synth Engine
02:49 Particle ( Sampler , Granular Synth )
03:15 Resonator ( Physical Modeling Synth Engine )
03:26 Kernel ( FM , Modular )
04:05 Filters, Digiformer
04:43 FX Section
04:52 LFOs, Envelopes, Mod Matrix
05:20 Bitimbrality, Touch Screen, Buttons
05:53 Sequencers, Arpeggiator
06:05 Connectivity, Pricing
06:25 Hate Screen
06:51 Jam 1 ( Fast Techno )
07:43 Jam 2 ( Drum'n'Bass )
08:52 Finale ( Melodic Techno )
09:23 Verdict
10:34 Patreon Sound Design Shoutout"

The Generator - A Modular Live Performance

video upload by The 5th Volt

"I had prepared and practiced this performance to play live at a music festival nearby. Unfortunately the gig got cancelled due to bad weather, so I decided to perform it in my home office instead so that at least I would get a video out of it. I hope you like it."

"All sounds from the AE Modular from tangible waves and Synthstrom Deluge recorded using the Zoom H6 recorder and processed in Davinci Resolve."

"If you're interested how this all works, then watch my other video where I'm explaining everything about this setup:"

Modular Synth Live Performance - The Setup

video upload by The 5th Volt

"Here I'm explaining the complete setup which I prepared for a live performance which unfortunately got cancelled at the last minute. It was still a lot of fun to rise to the challenge of preparing a 40 minute live set, which I have never done before."

Alfa AS3109 VS IR3109N Quick Comparison

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2025

Many have commented about my last video [posted here] why I fool around w/ reclaiming the old chips when Alfa has some remakes on the market. So here's a quick comparison of the Alfa AS3109 remakes vs. IR3109N OTA chips in my 101-VCF tester module. For me the Alfa behaves quite differently with regard to signal clipping and output magnitude. Enough as to not recommend them as a 1-to-1 replacement in vintage synths and the reason I don't use them in my own modules. It's too bad, I enjoy using other kinds of Alfa chips 3320/3340/3350 in other filters and my 101-VCO.

G-Storm Electro:


MUSIC https://gstormelectro.bandcamp.com/
BLOG http://gstormelectronica.blogspot.com/
LISTEN/DOWNLOAD http://soundcloud.com/gstormelectro
REVERB https://reverb.com/shop/gstormelectro"

Bree6 Custom Factory Patches by SYNTH_NYC

via SYNTH_NYC

"GS Music commissioned me to create 64 Custom Factory Presets for their new discreet analog polyphonic synthesizer, the Bree6.

Those presets are available for free as a factory bank coming up with the synth.

You can listen to them in high resolution (24bit 96kHz PCM WAV masters, FLAC encoded) on my site (optimized for Chrome on MacOS and Windows).

All presets have PB, MW, AT/PAT and Velocity configured, except the last one which has MPE configured additionally (Bree6 should be in MPE mode for this one) for the best possible expressivity.

It's impossible to make a bad patch with the Bree6! With or without subtractive synthesis knowledge, you can make a great sounding patch in no time. The Bree6 is the 2nd discreet analog polyphonic synthesizer released by GS Music (following the e7), it has those notable improvements:

- Poly Aftertouch (it responds to Channel AT as well without having to change anything on the synth, and MPE by configuration change)
- Detune (voice detune)
- Poly Stereo (hard panning per voice on L/R channels), Poly ('center' on both L/R channels) output modes
- Larger display
- Only 1 'Shift' parameter (the Sub Oscillator On/Off feature)
- Very few 'Menu' parameters (only the MW, Velocity, AT/PAT and MPE sources / targets / amounts in the Control Menu; and Transpose, PB Range, Preset Level, Unison Interval in the Preset Menu), so it's really WYSIWYH (What You See Is What You Hear).

It was a pleasure crafting those 64 FREE Custom Factory Presets for the Bree6, I hope you'll enjoy them as much as I enjoyed creating them and that they will bring value and inspiration to yours music."

See the announcement post for the Bree6 here.

It's all Voltage | The Modular Classroom | Lesson 1 (feat. Serge DUSG and GTS)

video upload by Cinematic Laboratory

"OK, here's episode 1 of my modular classroom series. Again. I had to reupload due to editing errors. So I worked on it some more, added some stuff and removed a segment that went to Lesson 2.

I had to pick a reference because we all own different case layouts. I assume everyone can follow and try some of it if you own a Maths, Falistri, Rampage or Abacus. I'll be using Serge DUSG and GTS for most of this video. I did not include the 281T quad function generator because it will get its own lesson.

We're going to be taking about rise and falls a lot. They're the foundation for modular sound generation and movement. It's all voltage. When we think of a triangle wave as a basic waveform, we can break it apart and see it as a rising voltage, a falling voltage in a repeating cycle over periods of time. Time will determine if it's a VCO or LFO."

Slope Language | The Modular Classroom | Lesson 2 (feat. Maths, Rings and Clouds)

video upload by Cinematic Laboratory

"In Lesson 1 I introduced a hidden sonic world of rise and falls, a foundation for making sounds and movement and for interaction with other sounds and movements. I realized it's hard to make lessons without reference gear and I picked Maths as the No. 1 module to explain the core concepts of low level synthesis. While making this lesson, I figured out this 'slope language' which could be an alternative to patch diagrams. Diagrams only work on a system with a fixed layout and modules. In modular this just doesn't work because all modulars are different and personal.

I also needed to find a way to combine high level music making with low level modular techniques and explain why it's worth it to dive a bit deeper. I used Rings and Clouds as a methaphor for 'fastfood' because it's really easy to make great music. This often sounds like a bad thing but it's not. Too easy is good. It confirms that modular synths can be cool. But it's even cooler to hear what happens when we add a bit of low level movement. Sticking to the metaphor of cooking with sound, it becomes a Chef's kitchen, where Rings/Clouds are the signature ingredients, and Maths is the secret sauce.

The goal for these classes is to learn how to think in voltage slopes (rise and falls) and these 'slope language' diagrams seem to work for lots of module combinations. I was able to 'translate' a Maths patch to Tides and Blinds. It works because we're taking a step back from the panel layout, and focus on what the voltage is doing. The recipe. For me, it felt like a missing link that really helps me to explain things. Now let's hope this works for you too."

Bad Gear - The Game Changer

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Back in the day when synth nerds had to walk 10 miles in the snow uphill both ways to get wasted and find a place for music production the term game changer had a completely different meaning.

Today we are going to talk about the very first E-mu Proteus. This 80s synth and dumbed-down offspring of the Emulator sampler range not only made their iconic tones more accessible, its presets also burned themselves into the global pop cultural consciousness.

Bad Gear - The Game Changer
The Gamechanger
Emu Proteus
E-mu Proteus 1
E-mu Proteus/1
meme video

Chapters:
00:00 Intro tune
00:52 Overview Emu Proteus 1
01:22 Famous Sounds and Samples
02:14 How does Proteus Work?
02:38 Envelopes and LFOs
02:52 Pseudo-Chorus
03:06 Why Proteus was a Game Changer back in the day
03:32 Modulation Section, Midi Implementation, Studio Integration
04:00 What else??? (Pricing, Proteus Generations,...)
04:45 Hate Screen
05:12 Jam 1 ( Retro Console Game Music )
06:08 Jam 2 ( 90s Jungle , Drum'n'Bass , Whatever... )
07:04 Finale ( Synthwave , 90s TV Show Soundtrack )
07:34 Verdict"

Bad Gear - Texture Lab

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. If sound synthesis in general was a family, granular synthesis would be the basement-dwelling and terminally online distant music producer cousin who listens to the sounds of humpback whales and lives off a diet of - depending on the moon phase - stone age keto or vegan MREs.

Today we are going to talk about Liven Texture Lab. This 2023 Sonicware synth and sibling of the Sonicware Liven Ambient takes granular synthesizer out of its natural software synthesizer habitat, its UI is devoid of any proper visual cues to make the technique somewhat controllable for music production and comes with two goldfish brains of sample memory."

Chapters:
00:00 Intro tune
00:59 Overview Liven Texture Lab
01:46 Short Granular Synthesis Tutorial
03:12 LFOs, Envelopes
03:24 Resonant Filter
03:33 Reverb Effect ( Shimmer Reverb )
03:52 Lack of USB
04:08 Processing of External Audio, Freeze Effect
04:17 What else? ( Sequencer , Internal Speaker , Arpeggiator , Thanks!!!)
04:52 Hate Screen
05:18 Jam 1 ( Downtempo Weirdness )
06:07 Jam 2 ( More Downtempo Weirdness )
07:05 Finale ( 128 BPM Weirdness )
07:35 Verdict
06:46 Patreon Granular Shoutout

432 vs 440Hz concert pitch | Love never dies, but Math never lies.

video upload by Cinematic Laboratory

"I am aware this is a controversial subject, but I've been intrigued by it for a long time. First, I was open for it, then I became doubtful and ended up in 'it makes no difference' camp. It's just a frequency like any other.
Honestly, this was supposed to be a 'fun' video where I'd investigate the subject like a mad scientist would, without jumping to conclusions.

From a numerologic perspective, 432 is a fun number. When you add all digits, you'd end up with 4+3+2 = 9. If you tune A to 432, the next A would be 864. Again, 8+6+4 = 1+8 = 9. If you'd use equal temperament, all notes in your scale would be integer (whole) numbers with no decimals, and the digits of all frequencies would add up to 9. A440 would have eight 'broken' frequencies in the scale. But that's numerology, it doesn't make music any better or worse. A VCO runs perfectly stable on 345.6701 Hz and it will probably drift all over the place when it's analog. Does 432 make any sense from the perspective of the Universe? Quite. The number constantly turns up in time and space. Ofcourse it also returns in the Great Pyramid and the lightspeed constant.

Again, that's just numerology and it has nothing to do with frequency. That's like apples, oranges or cows. Or is it? Frequency is cycles per second. Cycles are circles moving in time and phase is expressed in numbers like 45, 90, 180 and 360. There's that number 9 again. How about time? There are 4320 seconds in 12 hours. So maybe, just maybe, 432 Hz is not like 432 cows. The number 9 is a funny number.

Mr Spock would say 'fascinating' and raise an eyebrow.

I've set my Mordax Data to 432 and 440 Hz on 'wave generator' so I could play both with a sequence. Sure it sounds different, because it's tuned a tiny bit lower (98,18 of 100%). By itself this would have a psychological effect of relief, of closure. When you start A440 and play A432, it's relaxing.
But this also happens when you move a semitone or note down.

I ran my Mordax raw sinewaves through Joranalogue's Collide 4 and used it as a resonating body (with the filter and the quadrature ring mod).
I ran a sequence spanning a wide range of notes, with plenty of reverb to make the notes interact, blur and sustain. Then, suddenly the differences between A440 and A432 wasn't subtle anymore. It was huge.

Better? I think so, but that's personal taste. Healing? Nah. More natural? I think so too. But there's nothing magical about it, it's math. I figured that a frequency doubles for each octave, so the range of A0 to A9 would sound completely different for 432 and 440. In fact, the high notes in 440 end up 256 Hz higher than in 432. It doesn't sound like a big deal, but A3 (220 Hz) is already one octave below A4 (440).

So my 'conclusion' is that A432 sounds much lower over the full range of 88 piano keys and the highs are less high. Pitch quality is different, it sounds different, and interaction with other complex frequencies will be different. Resonance and FM will be different. It's up to you to determine what sounds best. Please share your experience in the comments, and please note I am just having fun. I don't believe in the 440 conspiracy and I don't think it's bad for your health. I believe ALL music can support a healing process, but always listen to your doctor first."

Bad Gear - The Y2K Bug

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. While we - the inhabitants of this post-everything dystopia - live in the best times for being a synth nerd, our ancestors and younger selves who just survived the Y2K Bug had to deal with a much bleaker market for electronic musical instruments .

Today we are going to talk about the SH-32. This unholy offspring of a JP-8000 and an MC-303, 2002 not-a- synth not-yet-a groovebox and Buchla Easel for kids design abomination is not only peak Roland Music but also seems to be the blueprint for the Roland SH-4D .

Chapters:
00:00 Intro tune
01:02 Overview Roland SH-32 Synthesizer
01:24 Oscillators
02:24 Filter
02:51 FX Section
03:10 Groovebox Features
03:29 Drum Samples
03:43 Performance Mode, Multitimbrality
03:54 Pros & Cons of Performance Mode (mostly cons)
04:09 Arpeggiator / Sequencer / Chord Mode
04:55 What else? (Polyphony, Presets, Low Boost)
05:56 Hate Screen
06:23 Jam 1 ( DIY Trance )
07:23 Jam 2 ( Downtempo )
08:24 Finale ( Retro Techno )
08:54 Verdict"

How A Place to Bury Strangers made an LP into a DIY synth

Note: Auction links are affiliate links for which the site may be compensated.

"We've got to get this on every track": How A Place to Bury Strangers made an LP into a DIY synth

video upload by MusicRadar Tech

User demo below.

"Between his noise rock outfit A Place To Bury Strangers – dubbed 'the loudest band in New York' – and his pedal company Death By Audio, Oliver Ackermann is no stranger to DIY noisemaking. The band's latest album, Synthesizer, takes things a step further though. Not only did Ackermann design and build his own DIY synth, which is featured on every track of the album, but the instrument's circuit design also provides the cover art for the vinyl LP, allowing fans to recreate the synth at home – albeit with a substantial amount of DIY required.

Synthesizer by A Place to Bury Strangers is out now:
https://www.aplacetoburystrangers.com/

Find out more about Death By Audio:
https://deathbyaudio.com/

In this video:
00:25 – How did the idea for Synthesizer come about?
01:22 – How does the synth function?
01:59 – Synthesizer demo
03:17 – Background to the synth's design
04:02 – How easy is the DIY project?
04:42 – Influences behind the synth
05:45 – Recording the album
06:36 – Capturing the energy of the live shows
07:50 – Founding Death By Audio
09:35 – Designing pedals
11:55 – How has technology changed DIY music?
13:07 – More Synthesizer demos"

A Place To Bury Strangers / Synthesizer Album Cover / Death By Audio

video upload by GizmoMusicJapan

"Death by audio's synth for the new album "A place to bury strangers". Complete with assembly instruction manual" via this listing.

The original kit went for $202.99.

You can find the album minus the parts on Amazon and Discogs.

Note there are multiple versions of the vinyl on Discogs. As always, do your research before buying.

CLICK FOR MORE »

X1L3 - YM 300 - Sanxion 🕹📺 - YM2149F - eurorack module

video upload by X1L3

"Brave attempt at the Sanxion loader music from the C64 by Rob Hubbard.

Chip used - YM2149F.....

Lots of modulator abuse and tracking to get it where it is. I even almost managed to nail the DJ record scratch just before the chill melodic part kicks in 🤣

YM 300, a 4XVCF and a 4XVCA set up for amplitude control, additional filtering and mixing of the three sound channels. The filters give the AY/YM an almost SID character. Especially when you sweep them on a channel with the on chip modulator active.

Very tricky one to cover on the YM due to the limited sound palette of the chip. It's incredibly hard to do anything with a long melodic structure without it sounding square wave basic, as is the vanilla nature of the chip. With the filters and some creative use of the modulator tracking things you can work around this. Without the additional filters this would have been impossible to do without it sounding too cute or like a dogs dinner.

The set up with filters is basically how an Atari ST or ZX spectrum might have sounded back in the day if their sound chips had filters.

Not a bad attempt. Not as neat as the C64 original. As close as i could get for a bit of fun with what i'm using. If only the AY and YM could do PWM 🙂"

X1L3 - YM 300 - Sanxion - oscilloscope view

ATerribleRide

video upload by Downpoly

"Another creation from the TRS-80s and MIDI80/Orchestra90. Taking it a little slower with this one, introducing a little more wah into the mix to give a spooky vibe. Did you ever take a ride you knew was a bad idea?

'ATerribleRide' takes you on a sonic journey through the interplay of vintage technology and modern production techniques. Created using TRS-80 Model 4 computers with Orchestra-90 and MIDI-80 accessories, the track emanates an organic electronic soundscape that's both intricate and evocative.

The song features rhythmic pulses reminiscent of classic chiptune music but evolves into a layered composition enriched with dynamic timbres and harmonic progressions. The lo-fi charm of the TRS-80 hardware is seamlessly intertwined with polished, modern effects, giving the track a unique balance of retro grit and contemporary clarity. Listeners will experience a haunting, almost cinematic narrative, where the analog textures of yesteryear meet the precision of today’s music gear. It’s a vivid, experimental piece that encapsulates innovation while paying homage to the pioneers of electronic sound.

As always, no electric guitars or basses were hurt during the making of this film haha! Just a bunch of TRS-80s sharing the light with some retro synth tunes! Check out the other videos if this is not your style, and thanks for watching!

Confused?
What is the TRS-80? http://www.trs-80.org/model-1/
What is the Orchestra-90? http://www.trs-80.org/orchestra-90/
What is MIDI80? https://hackaday.io/project/199232-mi...
Do you have a site? YES! https://2roommusic.com/downpoly"

See the TRS-80 label below for more.

Bad Gear - The Legendary D-50

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Every now and then this show needs some blasphemy, a little slap in the face of iconic music history milestones and one of these 'he’s obviously trolling' moments true Bad Gear fans crave at least once a year.

Today we are going to talk about the legendary D-50. This LA synth and Roland’s answer to the Yamaha DX7 not only had a huge impact on the sound aesthetics of the late 80s, it is also still relevant for Enya Orinoco Flow Covers, creating high end General Midi Kontakt Libraries, channeling your Reagan Era soap opera PTSD AND I might have a point here…

Chapters:
00:00 Intro tune
01:02 Overview Roland D-50
01:11 WTF is Linear Arithmetic Synthesis ???
01:57 Virtual Analog before we called it that way
02:32 Splits and other Multitimbral Pleasures
02:48 Effects (Reverb, Chorus, Chase)
03:05 Idiosyncrasies of an 80s Synth
03:24 The Joystick
03:40 Controllers, Flagship Synth Features
04:04 Presets ( Fantasia , Pizzagogo , Soundtrack )
04:23 What Else??? (Pricing, Thanks,...)
04:46 Hate Screen
05:12 Jam 1 ( LoFi Beats )
06:03 Jam 2 ( Elektro )
07:10 Finale ( Epic Techno )
07:40 Verdict"

We Wish you a Merry Christmas on Synthesizer

video upload by Bad Music

"A classic Christmas carol performed on a Dreadbox Erebus Synthesizer."

Bad Gear - The END of Volcas

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Volcas are awesome: the original meme synths that kicked off an ongoing trend of miniaturization in music technology and turned countless promising musicians into irredeemable gear addicts.

However, everything must come to an end, so today we are going to talk about Volca Sample New Generation. You might be surprised that my original Volca Sampler - although prominently featured on this channel - never actually received the Bad Gear treatment, that this is the very last member of the existing Volca family to be reviewed here and let’s discuss why I don’t think there’s ever going to be another Volca as we know it.

Volca Sample is not a sampler

Bad Gear - The END of Volcas

Chapters:
00:00 Intro tune
01:02 Overview Korg Wolca 2
01:57 How to play tonal stuff
02:12 UI, Workflow
02:49 Reverb Effect, Analog Isolator
03:12 Sequencer (Step Jump, Active Step, Motion Seq)
04:00 Sample Import, Computer Integration
04:27 What else??? (Connectivity, Pricing,...)
04:50 Hate
05:15 Jam 1 ( Lo-fi House )
06:11 Jam 2 ( Drum'n'Bass )
07:16 Finale ( Proto Bass Music )
07:46 Verdict"

When Worlds Collide | Why I don't need a lock-in amp | COLLIDE 4 Ep. 03

video upload by Cinematic Laboratory

Cinematic+Laboratory+COLLIDE+4

"I didn't realize my episode 01 was about three weeks ago. It felt like three months or more. As you may know, this channel is not sponsored and I usually do my research before I buy a module. So far, it didn't work out well and since I am planning to clean-up my collection in 2025, it ended up on my 'may need to go' list.

Don't get me wrong, I think it deserves the 2024 eurorack design award. It's just me not getting along very well. It's advertised as a lock-in amp, but its main purpose is kind of useless in electronic music. So it's meant to be creatively 'abused' and 'repurposed'. Please note I am not trying to use it as a lock-in amp, I am exploring new creative ways to use it.

Instead of making sure your delicate faint source doesn't clip, you'd go for 30 dB gain compensation, turn up the resonance and then gain the filter some more. It's designed to isolate a faint sinewave hiding in a wall of noise and extract phase and amplitude. But why should we even want to do that? And then there's a simple ringmod, a relatively simple sine VCO with TZFM support and some logic. It can't process stereo signals because it will cancel out your center information.

Since I have a huge collection of modules, I always wondered about making my own 'recipe' with a separate amp, filter, frequency shifter, ring mod and quadrature VCO. I think I came a long way this time, only enforcing the idea that the C4 is 'obsolete' in my collection. So even though it's an excellent module, you'll need to double check if you can build one with separates. It wouldn't be a lock-in amp, but I truly believe I don't need one in its designated role and I will explain why.

If you do not agree, PLEASE don't just dislike this video, but share your tips and patching tricks, so the community will be able to learn how to appreciate it - including myself.

And then I hooked up the C4 with my improvised version, and a wonderful world of magic opened up. It was so good that I decided to keep the C4 after all, and follow that path. So it's an all over-the-place personal struggle video, but I think it's real and honest. We all end up struggling from time to time. However, my number 1 rule is 'when you feel a module sounds bad, you're not patching it right'. It's not always true, but it encourages me to try things.

Hainbach is a master in restoring life to old 'crap' we'd throw away as trash, and I love his work. But I am not Hainbach and he's not included in the box. I can only stumble in his footsteps. Fortunately, I can just be myself and do my own thing. Just like there's nobody like YOU either."

COLLIDE 4 | Episode 04 | Post-Collision Course

video upload by Cinematic Laboratory

"I felt I had to make this episode before anything else. In episode 03 I posed the question whether or not I'd need a 'lock-in amp' in eurorack. I got myself into kind of a rut after making two episodes, wondering if I made the right decision to get one. And if this happens, I need to openly reflect on that because there's something to learn from it. If it happens to me, it will definitely happen to you too, because I make these mistakes for a living.

By all means I never meant to say 'do we need a C4'. It depends on your own journey. It turns out Hainbach needs four. Blush Response definitely loved every single HP of it. For his genre and style, the C4 immediately delivers. Truckloads of it.

I was hoping to open a discussion and learn from others, but I've also seen signs of the wasp-nest cancel-culture. I've seen comments I had to delete and I permanently muted some. I do not allow any insults to me, my fellow youtubers and beloved manufacturers. To anyone. But I am too old to get angry about it, or take the insults personally. I learn from personal opinions, I learn from revising my own conclusions, and I always rectify a few episodes later, sharing any new insights. This is a good example.

I kind of promised if there would ever be an episode 04, it would be about a C8, a dual COLLIDE 4. I'll need to work some more on that, but the lab now has two. I had to pay for both of them myself, so there's no 'paid promotion' of any kind. There were no discounts. This is also why it's so much fun to run this channel. I try to be honest, but I can't be objective. I don't ever want you to buy two because I did. I want you to know what you're getting yourself into. The COLLIDE 4 is an open platform. It has no intended use except the scientific measurements of cyclic waveforms in noise. What you get out of it is what you dialed and patched in.

Thanks for your patience and resilience, and be nice to each other."

microKORG2 NEW SOUNDS (4 BANKS - MUSIC DEMO) 🎹🔥

video upload by FutureMusic.es

"Korg has announced with great fanfare the release of four new microKORG2 sound packs, featuring completely exclusive programming for this versatile and popular best-selling synthesizer…

[ESP] Korg anuncia a bombo y platillo el lanzamiento de cuatro paquetes de sonidos microKORG2, con programaciones totalmente exclusivas para este versátil y popular sintetizador superventas…

00:01 microKORG1 Best Selection
01:54 Templates And Tutorials
03:32 BLINKSONIC Vol1 Classics
05:16 BLINKSONIC Vol1 Acoustic Feel
07:31 BLINKSONIC Vol1 Calm
11:00 BLINKSONIC Vol1 Hybrid
15:11 BLINKSONIC Vol2 Energic
18:51 BLINKSONIC Vol2 Wild
22:08 BLINKSONIC Vol2 Weird
25:48 BLINKSONIC Vol2 Basses

CLICK FOR MORE »

Bad Gear - Microkorg the 2nd

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Sequel to iconic movies tend to have a bad reputation - which is not always fair. Who doesn’t like stone cold classic like Jaws II or Space Jam - A New Legacy and Aliens Vs. Predator: Requiem is a guilty pleasure of mine for a reason.

Today we are going to talk about Microkorg II . This direct-to-Bad Gear synthesizer and successor to the OG hipster keyboard comes with all the features that made the original so great like minikeys and a front panel real estate-hogging genre selector and combines them with the blessings of gamification . Masterpiece!

Bad Gear - I'll stick to the OLD ONE!!!
synth keyboard

Chapters:
00:00 Intro tune
00:58 Overview Korg Microkorg 2
01:49 Synth Engine, Oscillators
02:22 Filter
02:36 Envelopes, LFOs, Mod Matrix
02:50 Timbres
03:09 Effects Section (Modulation FX, Reverb, Delay)
03:16 Arpeggiator, Looper, Vocoder
03:48 What else??? (Trophies, Presets, Pricing)
04:35 Hate
04:55 Jam 1 ( Techno )
05:46 Jam 2 ( 90s Beats )
06:45 Finale ( 2000s Bass Music )
07:17 Verdict
08:22 Patreon Vocoder Shoutout"

Prophet Rev 2

video uploads by Daniel Mana - sound designer & composer

Playlist:
1. The Prophet Rev2 makes me dream

I love spending hours just tweaking the knobs of the Rev2, the Prophet Rev2 makes me dream and it takes me to unexplored territories. As I said in a previous videos it's not an "easy" synthesizer, it takes time to find the sound you are looking for but it's capable of anything really.

2. How does the Prophet Rev2 filter sound? I love it!

How is that possible? do you think it spunds bad? How does the Prophet Rev2 filter sound? I love it! it's great! please let me know in the comments.

3. Prophet Rev 2 + Moog Grandmother arpeggio on a sunday morning

The Sequential Prophet rev2 and the Moog Grandmother are a perfect combo, the first one is a polyphonic synthesizer, the second is a dream monophonic semimodular synth.
This recording was part of my usual sunday morning making music routine, after playing a little bit with the Sequential Rev 2 and its modulation I came up with this patch that I really liked and it sounded great as a layer for the Grandomother arpeggios running over it. I play with the filter and with the envelopes on the grandmother and towards the add I add the extra modulation to the vcf from the lfo. Pretty happy the way it came out.

4. Sequential Prophet rev2 // a unique sounding synthesizer [previously posted here]

The Sequential Prophet rev2 is a unique sounding synthesizer, I have read so many things about it, a lot of people say it doesn't good, some say it's the best synth ever, well....I love it!
Does it sound like a Prophet 5? No
Does it sound like a Prophet? Absolutely yes
Is it better or worse than a Prophet 5? it's different, it has its own sounds and I really like it, you can dial in any sound really, and it does sound big!
There is one thing though that I've read and I do agree with, it's not an "easy" synth, and by easy I mean that it does take a little bit longer in order to dial in a certain sound that you are looking for.
It offers infinite possibilities of modulation, maybe too many, but it's very easy to use and intuitive.
The possibilty to split the keyboard or to stack two layers of sounds makes it a beast!

Moog Sonic Six 1972 FULLY RESTORED

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video upload by Aihui Song

via this listing

"Fully Restored by expert synth tech; comes with original Moog Sonic 6 operational manual as well as original “Meet Moog Sonic 6 and make make music book” super rare!!!

Full restoration work done;

1) Cleaned all keyboard music wire contacts thoroughly

2) Cleaned all pots and switches thoroughly

3) Replaced all bad components for noise oscillator

Everything functions and works perfectly!

Internal speaker sometimes will distort a little when you put volume up but monitor out works perfectly. Also missing one slider knob for glissando put still works perfectly"

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