MATRIXSYNTH: Search results for Fading Capture


Showing posts sorted by date for query Fading Capture. Sort by relevance Show all posts
Showing posts sorted by date for query Fading Capture. Sort by relevance Show all posts

Saturday, April 05, 2025

Sequential Prophet-6 and Roland Juno-6


video upload by Fading Capture

[1982 Roland Juno-6] Ambient pads with chorus effect


video upload by Fading Capture

"Gear used :

1982 Roland Juno-6
Empress Echosystem
Akai 4000DS (playing drone)"

Friday, March 07, 2025

#electronicmusic #synth #ambient #sequential #prophet6 #synthesizer #synthwave


video upload by Fading Capture

Tuesday, March 04, 2025

Sequential Prophet-6 ARPS #synth #arpegiator #ambient #electronicmusic


video upload by Fading Capture

Tuesday, December 10, 2024

#sequential #Prophet6 #pads #ambient #synth #electronicmusic #synthesizer #ambientmusic


video upload by Fading Capture

Thursday, July 11, 2024

Loopstyler, capturing sounds of everyday objects, adding effects and rhythms


video upload by Gechologic

"This demo shows the new reverb and flanger effects, also sound capture (from microphone or line input) with automatic "cut by silence" function. All sounds are coming from the device, as recorded on the SD card, with no additional processing, except for fading in and out when editing the video.

Find more info at: http://phonicbloom.com/"

Saturday, August 25, 2018

Over Us


Published on Aug 25, 2018 Time_Controlled_Organism

"Teaser for a forthcoming bandcamp release
4 Vult Incubus and 4 Trummor 2
Martin Lueder's Analog Sequencer*4
Frozen Wasteland Euclidean Seq and BPM lfo's
Blamsoft Reverb, Unfiltered Audio Delay
VCV console and Octal Router on scene mixing and auto-fading
Gonna share the template patch and Incubus/Trummor presets when release is finished, for those interested
Vid drowned in fx because of low reso capture
Have a listen at my previous work if you like :
https://timecontrolledorganism.bandca...
thx to devs
thx for watching"

Tuesday, June 02, 2015

Theseus - Digital Modular System by Bendan Byrne


Published on Jun 2, 2015 Brendan Byrne

More information on the Theseus Digital Modular System can be found at...
http://cargocollective.com/theseus/Ab...

"Theseus is a platform for designing modular electronics instruments for musical and visual composition. Building on the Eurorack analog synthesizer standard, the platform uses ⅛” patch cables to interconnect modules. However, unlike the Eurorack standard, Theseus is entirely digital and produces MIDI/OSC control messages rather than audio signals. This simplification in fidelity greatly reduces the cost of materials and complexity of electronic circuits, making patch cable compositional systems more accessible to artists and musicians. A collection of 14 modules was designed to demonstrate the potential of such a platform. These modules highlight what designs become possible when material expenses drop and prototyping time is shortened."

Playlist:

1. Maht Dvdr - Unlike the other modules that produce simple sequences or steady patterns, Maht Dvdr possesses the ability to create elaborate and evolving compositions through an automated routing system.

The module is driven by a master clock. With each trigger signal it receives an onboard software counter increases by one. At the same time sixteen frequencies, each a division of the current counter value, run in the background. These channels are accessed and routed to each output using three inputs. The first input receives a voltage that determines which of the ten output positions to select. The second input determines what divided frequency to assign to that output. Lastly, a latch input locks the selected divided frequency to the selected output channel.

2. Mandalatron - The Mandalatron is a four channel ten step sequencer. Each channel possesses the same values set by the ten central rotary controllers, but with isolated clocks and sequence lengths. When the clock input of a channel is triggered, the sequence will advance by one step and reset to the first step at the point designated by the sequence length controller. This arrangement and iteration of channels allows for complex rhythms to be created easily. It was designed with pitch output in mind, but these voltages can be used to modulate other variables such as note length and velocity to great effect.

Graphic design was roughly inspired by mandala patterns to highlight the overlapping and symmetrical effects of the module’s functionality.

Thursday, January 07, 2010

NOT NAMM: Quick Cirklon test video


YouTube via sequentix
"A few patterns thrown in to see if I can capture the pretty lights accurately on video. Green looks a bit washed out.
Beat position sweep fades from bright green thru orange to red then off, on tri-colour LEDs.
LEDs below each track pulse with note output velocities controlling colour - green for max, and fading thru red again."
Some previous posts

Saturday, October 27, 2007

Open Labs "MimiK" Keyboard Cloning Software, Part 2


Update: Part 1 added below. Also check out Redmatica's AutoSampler. via Mibrilane in the comments.

YouTube via OpenLabsInc. If you know synths you know this isn't quite true. What they talk about can be done with almost any sampler. Yes the starting point can be the same but it's where you go from there that makes all synths unique.

"MimiK™ keyboard cloning software is a simple and easy to use software.
Features:
1. Can be setup to automatically sample any MIDI capable sound devices that is connected to a NeKo or MiKo.
2. Can capture different velocity layers, after-touch layers and note off sounds.
3. MimiK can sample any key range, note length, up to 96K/32bits and in stereo (or mono).
4. Creates sample files for each note sampled (WAV or OGG).
5. Options for automatically fading and chopping samples.
6. Can sample entire banks or sets of banks at a time.
7. Exports an open human readable sample library file (SFZ). Sample libraries generated by MimiK can be played back by the free SFZ player. SFZ files can be converted using third party software to most other formats."

Update: Part 1
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