Studio Jam: Oxi one, Vermona Perfourmer and OB-6

video upload by Hill Station

"Captured a studio session creating more material for our forthcoming album. It was recorded using these instruments:

‪‪@Oberheim‬ OB-6
‪‪@MoogSynthesizers‬ DFAM
‪‪@rolandglobal‬ TR -8S
‪‪@strymon‬ Timeline
‪‪@oxiinstruments‬ Oxi one
‪@OTOMACHINES‬ Bim & Bam
Vermona Perfourmer"

sequences by impurfekt

Published on Jan 27, 2018 impurfekt

https://impurfekt.bandcamp.com

Playlist:

CLICK FOR MORE »

Axoloti & Bass Station 2 on the hill tops #8

Published on Nov 3, 2017 Matthew Tyas

"An improvised session, using a Novation Bass Station going into an Axoloti DIY Synth used as a 4 track Looper, reverb and delay. Recorded live in Gan, on the dreamy tops."

All parts here.

Axoloti & Bass Station 2 on the hill tops

Published on Nov 3, 2017 Matthew Tyas

"An improvised session, using a Novation Bass Station going into an Axoloti DIY Synth used as a 4 track Looper, reverb and delay. Recorded live in Gan, on the dreamy tops."

Note part 5 went up yesterday. I decided to create playlist for all of them. The video is 360° which Safari does not support properly. You can still listen and watch, but if you want to be able to drag around you'll need to use another browser like Firefox or Chrome.

Axoloti & Bass Station 2 on the hill tops #5

Published on Nov 2, 2017 Matthew Tyas

"An improvised session, using a Novation Bass Station going into an Axoloti DIY Synth used as a 4 track Looper, reverb and delay. Recorded live in Gan, on the dreamy tops."

RA Sessions: Sandunes - Ever Bridge (intro) / SSP4/Untitled / The Trust

Resident Advisor
Published on Aug 10, 2017

One of India’s leading electronic music artists performs her dazzling live set.

“There are some amazing artists coming out of India,” a woman named Dhwani told us at Magnetic Fields last year.

'There were always a lot of artists—ten years back, 20 years back—but [now] I think they’re getting a platform,' said a woman called Saloni.

It’s likely they were both referring to artists like Sanaya Ardeshir, who makes music under the name Sandunes. Ardeshir is part of a gradually swelling wave of Indian artists whose success locally is beginning to translate internationally. She produces and performs a highly engaging style of electronica that blends elements of UK club music with influences from her homeland. A track like “Crystal Pink,” which appeared on her 2016 album DOWNSTREAM, is a good introduction to her sound. Ardeshir intuitively sculpts the arrangement, building a series of subtle climaxes through soaring synth harmonies, while the drums rattle and fizz underneath.

Beyond the Sandunes project, she’s also built her profile through a series of collaborations. Ardeshir plays synths for the popular group Dualist Inquiry, and has worked with the famed Indian rock band Indus Creed. She’s also involved with Different Trains 1947, an upcoming project led by Actress that commemorates the 70th anniversary of India’s independence. They’ll perform at Liverpool’s Edge Hill railway station, the Barbican in London and the 2017 edition of Magnetic Fields.

We’d guess the thing that’s really drawn people to Sandunes is her live performances. Ardeshir has been playing piano since she was a child, and you can sense how natural she is in front of keys during this RA Session. The 15-minute set is made up of “Ever Bridge,” “SSP4/Untitled” and “The Trust,” a string of old, new and revised music.

Production credits:

Director - Stephen Dunn
Producer - Guy Clarke
Editor - Sophie Misrahi
Camera - Stephen Dunn, Sophie Misrahi, Guy Clarke
Sound Engineer - Jesal Chohan-Padia"

Darrel Johansen - Snapshots of Early Serge History

"1107 1/2 N. Western Ave. Serge's Hollywood factory. The door is just to the left of that brown sedan, to the right of the wig store. This is just a few yards north of Santa Monica Blvd."



"A test station in the Hollywood factory where transistors were matched for Serge's low-noise, high-gain VCAs."



"An assembly station, with circuit boards in rails so that multiple boards could be assembled at once. The styrofoam on the left was used to cover the boards which could then be turned over to be soldered. The styrofoam kept the components in the board when the whole assembly was flipped over. Some finished panels are on the shelves up on the wall."



"Someone's wooden Serge unit on the floor. The broom was used to sweep up the clipped metal leads that would cover the floor as PC boards were assembled. It was also used to sweep up when the ceiling collapsed --causing pigeon quano to rain down over the assembly stations during a disaster that took days to clean up."



"The Haight Street facility in San Francisco in 1980. This is in the lower Haight, and right next to the "Gentleman's Social Club" on the bottom left. Eric Drew Feldman wrote a song for Butch the dog, the club's mascot, who was usually hanging on the street with the mostly older 'gentlemen.' They looked with amusement at the young white people coming and going to Serge's."



"A look up the street. If you travel past the shop on the right (the brick structure with bay windows just beyond the church), you go up the hill to "upper" Haight, the more famous part of the street, adjacent to Golden Gate Park."



"My front office, with bay window to my back. This is on the second floor. Serge lived on the third floor, and the first floor, which was a shop at one time, was mostly vacant."



"My test station."



"A look down the shop and assembly stations. The face panels were developed with a photographic process on the right."



"Panel assembly station in SF."



"PC board assembly station. Note the styrofoam was replaced with these velcro'd panels with foam rubber --causing the resistors and capacitors to acquire fuzzy heads as the heat melted the some of the foam on the components. The two Anchor Steam bottles, I think, are evidence of Paul's station."



"Another angle of my front office. Very cold in winter."



"zero case system"



"zero case system"



"When I was teaching at The Evergreen State College, I assembled this new electronic music studio."



"Chas Smith in his recording studio, with his Serge - circa 1980"


Update via Kevin Fortune in the comments: "Interesting to see those old photos. I started working with Serge in Newhall before that first photo. I built those worktables and just about everything else in there. When we first got to the L.A. shop in '76 or '77 the shops next door were a little different... If you were coming down Western Ave (from the right in the 1st photo) and read the shop signs from top to bottom they read: Live Nude Hamburgers Wrestling. Later I came up to Haight St to help him get started renovating the building. Check out "The Mighty Serge" photos in my Facebook page. I built it in '77 and finished in april '78. http://www.facebook.com/profile.php?id=1038349981&ref=profile or www.kevinbrahenyfortune.com

I go to do engineering at Sound Transform in Wisconsin every few months. We've upgraded the components and the grounding and the audio quality is superb! Orders of magnitude above what we were making back then."