"Here we have a prime example of classic analog goodness. The legendary Roland SH101, in blue with MGS-1 Mod Grip.
This particular example is in excellent condition. Everything works as it should. Even the battery posts look great and work. Rare to find such a classic SH in this condition.
Great bass / lead machine. So many hits made with this beast. Has a great sequencer / arpeggiator plus CV I/O. Use it as a sequencer for your other analog CV synths!
Comes with power supply. Check out the YouTube video attached to see and hear what this exact SH101 is all about."
video upload by temaniak - click CC for subtitles once the video begins.
0:24 Интро - Intro
1:12 Контроль - Controls
3:27 Волны - Waves
5:40 VCA и морфинг - VCA and Morphing
11:55 Сабосциллятор и Гармоники - Sub-oscillator and Harmonics
14:53 FM
22:13 Патч A (YAY) - Patch A (YAY)
23:58 Патч B (Sync) - Patch B (Sync)
25:56 Патч C (Selfpatching) - Patch C (Self-patching)
31:16 Комплексный патч А (Drone) - Complex Patch A (Drone)
34:58 Комплексный патч B (Мелодичный) - Complex Patch B (Melodic)
40:01 Аутро - Outro
Tri-core VCO with wave morph, TZ FM and buit in VCA's
Twang Modular Wave Generator is a fully analog triangle core VCO with great set of features:
– wave output with contintious morph between sine, triangle, upsaw and pulse waves. – voltage controlled morph with bipolar attenuator. – wave output has built in VCA, alowing to control the level and amplitude modulation. – Roland SH-101 style square sub oscillator. – even and odd harmonics outputs. – FM in with amount control VCA and switch between exponential and through-zero. – pulse width modulation which also change the phase of upsaw wave. – sync input.
"The Audio Damage AD-202 is a modern software take on the classic Roland MC-202 MicroComposer, the compact analog monosynth and sequencer released by Roland in 1983. With its single VCO, sub oscillator, resonant 24 dB low-pass filter and simple modulation architecture, the original MC-202 shared much of its sonic DNA with instruments like the SH-101 and TB-303.
I actually owned an original Roland MC-202 many years ago — and, like quite a few pieces of vintage gear I used to have, I eventually sold it. So I was particularly curious to hear Audio Damage's take on it.
AD-202 keeps the straightforward single-oscillator architecture and vintage workflow, while expanding it with modern features including 8-voice polyphony, analog-style drift, MPE, tempo-synced modulation, saturation, drive and distortion.
In this no-talking demo, I'll simply go through some sounds and presets so you can hear what AD-202 can do.
Tubbutec SH-1oh1 Editor for Roland SH-101 | Ableton Live Controller video upload by Studiomood
Studiomood has released SH-1oh1 Control, a Max for Live editor and MIDI controller for the Tubbutec SH-1oh1 upgrade installed in a Roland SH-101.
At the heart of the device is the Mood Engine, a 24-preset system designed for turning one sound into a whole collection of related variations. Inspired by the fast sound-variation workflow associated with the legendary AFX Mode, it encourages you to create a sound, copy it to the next preset, change a few parameters and keep moving.
Instead of treating presets as isolated patches, the Mood Engine makes them feel like different states of the same sound. Start with a bass sequence, copy it, open the filter, change the envelope, add an accent or push the extra LFO into filter FM territory. Within minutes, you can build a complete bank of connected variations and switch between them from Ableton Live or an external MIDI controller.
The video demonstrates exactly this Mood Engine workflow in action, moving through a series of connected SH-1oh1 sound variations and showing how a single starting point can evolve from preset to preset:
https://www.youtube.com/watch?v=-w1x0MWApas
This makes the modified SH-101 especially interesting for live performance, evolving sequences and fast studio experimentation. Presets can be selected with the arrow buttons, Random can generate an unexpected starting point, and Reset clears the current preset when you want to begin again.
Behind the Mood Engine is a complete software editor for all MIDI-controllable SH-1oh1 parameters. Cutoff, envelope amount, the additional filter ADSR, filter and volume accents, accent decay and the extra filter LFO are all available directly inside Ableton Live. The LFO offers coarse and fine rate control, covering everything from slow movement to extreme filter FM sounds.
Velocity can be mapped to 9 different targets: None, Cutoff, Volume Accent, Filter Accent, Accent Switch, Attack, Decay, Sustain and Release.
Clock sources for the Arpeggiator/Sequencer and Random LFO can be selected from internal LFO, external trigger input, MIDI clock and MIDI note. The corresponding clock dividers are also available directly from the Max for Live device.
Settings are stored with the Ableton Live project. When returning to a session, Send All transmits the current parameter values back to the modified SH-101, bringing the hardware and software back together without having to recreate the sound by hand.
SH-1oh1 Control turns the expanded architecture of the Tubbutec modification into a hands-on Ableton instrument, with the Mood Engine opening up a fast and playful way to explore how far a Roland SH-101 sound can be pushed.
Requirements Roland SH-101 with the Tubbutec SH-1oh1 hardware upgrade Ableton Live with Max for Live MIDI interface SH-1oh1 Control is available from Studiomood for €19.95 including VAT.
"Happy 606 day! The TR-606 is such a fun drum machine that fits in perfectly with almost any track you’re working on. No massive boomy bass drum or huge sounding percussion, just classy understated funky beats!
Speaking of funky, we have it paired here with the incredible @playsuperlative Space Bee SB01. The SB01 takes inspiration from another Roland classic, the SH-101, another machine that fits perfectly in any track you’re making. Almost impossible to make it sound bad. From tightly wound bass to sparkly leads, chip tune arpeggios to wacky SFX, it excels at it all. The super quick and easy to use step sequencer and arp are just icing on the cake!
"After my adventure with the MKS-80, I wanted to write something with my Spectralis. This is that track.
Further... I think this is where I may conclude my time with the Sequentix Cirklon 2... A lovely thing, but - I don't think it's for me. The Spectralis is too 'home' for me.
Recorded April 25, 2026
Radikal Technologies Spectralis 2: Drums, sequencing, strings
Access Virus TI: arps
Prophet 10: Bass (comes in later)
Roland SH-101: Bass (first)
Moog Minimoog: (Bass, second)
NI Raum: Reverb
"Back to back demo of the ROLAND SE-02 ANALOG SYNTHESIZER, a clone of the MOOG MINIMOOG, and the ROLAND SH-01A SYNTH recreation of the ROLAND SH-101 legendary vintage monosynth."
"This particular example is in awesome condition. Rare to find such a classic SH in this condition.
Great bass / lead machine. So many hits made with this beast. Has a great sequencer / arpeggiator plus CV I/O. Use it as a sequencer for your other analog CV synths!
Comes with power supply. Check out the YouTube video attached to see and hear what this SH101 is all about."
Click the auction link on top when you get there for additional listings.
"This collection of vintage synthesizers has grown with me for years. Most all of these instruments have been used on many projects, including VeggieTales, a variety of remixes, and many PlayStation video games and marketing and promotional discs. Most recently they were used on the Mass Effect Andromeda video games soundtrack. They have also been sampled and are part of the SoundVault Collection and the Kurzweil Analog Collection for the K2000 series samplers. VEMIA note: to forestall many inquiries, The seller’s idea is that he wants to sell it as a whole. That may or may not work out in this auction. If it doesn’t, obviously he’ll be free to do whatever he wants after the auction finishes.
It all works. Everything has been kept in a clean, smoke-free, climate-controlled studio. I have always fixed things myself, so everything is operational and sounding great. I have repair notes on the synths that received attention, though most of them have worked great over the years, without much need for repairs. There are also several MIDI to CV converters so they can all be controlled by computer, plus cables if desired. And a few have cases and manuals.
ARP 2600 with lid but no keyboard. Pictured with broken slider and missing caps, but I believe I have them. ARP Odyssey (White) ARP Odyssey (Black & Gold) ARP Odyssey (Black & Orange) ARP Avatar (Original with pickup) (No original knobs, but early rubber caps if you want) ARP Avatar (CMS modded with patchpoints, filter, and envelope) (No original knobs, but early rubber caps if you want)
Chroma Polaris
Crumar DS-2
EDP Wasp
Electro Harmonix Super Space Drum Electro Harmonix DRM 32 Digital Rhythm Matrix
Moog Liberation with rack power, cable, and case Moog MiniMoog Moog MemoryMoog Plus with MIDI and case Moog MicroMoog Moog MultiMoog Moog Opus 3 Moog Prodigy Moog Sonic Six (The case is poor, but the synth panel looks great) Moog Taurus with case
Oberheim Matrix-6r Oberheim OB-1 Oberheim OB-8 with Page 2 and MIDI Oberheim OB-SX (This one is probably in the worst physical condition of them all) Oberheim Xpander
Rheem Kee Bass
Roland CSQ-600 Digital CV/Gate Sequencer Roland JP-8080 Roland Jupiter-4 Roland Jupiter-6 with Europa and original box Roland Jupiter-8 with Encore MIDI Roland JX-8P Roland MKS-7 Roland MKS-30 with PG-200 Roland MKS-50 with PG-300 Roland MKS-70 with PG-800 Roland MKS-80 with MPG-80 Roland MSQ-100 sequencer in box Roland SH-1 Roland SH-2 with case Roland System-100 Model 101, 102, & 104 Roland System-100m D Block Roland System-100m Phaser and Sequencer Block Roland System-100m 104 Polyphonic Keyboard Roland TB-303 with Sequentix MIDI and Filter CV
SCI Max SCI Pro-One SCI-Prophet-5 SCI Prophet-600 with GliGli
Star Instruments Synare 3 Star Instruments Synare 4 Star Instruments Synare Sequencer
Yamaha CS-30 Yamaha SK-20
Encore Expressionist MIDI to CV/Gate Kenton Pro4 CV/Gate and DCB and Wasp JL Cooper MIDI IO 8 ch MIDI to CV/Gate
Standtastic wall-mount arms plus cables if you want them."
"Sub bass is a mainstay of many electronic music genres. Drum & Bass, Dub, Hip Hop, Dub Step, Techno, Trap, etc. It’s a sound that you feel as well as hear. This pack contains a wide range of floor-shaking, window-rattling sub-bass sounds.
Made with vintage and modern synths and drum machines. Recorded and processed with tasty high-end outboard.
With patches for Logic Pro, Ableton Live, and TAL-Sampler, MPC/Force. Well-organised and labelled files also make it easy to use in other software and hardware.
Some of the gear used: Roland SH-101, Roland Juno 6, Roland MKH-80, Korg MS-20, Roland TR-808, 8Raw8, Elektron Syntakt, Moog GrandMother, Thermionic Fat Bustard II Valve mixer, Empirical Labs Fatso, Electrodyne 511, ez1073-500."
