The Usual Suspects Blue Giant – Novation Supernova II Emulation

video upload by Autodafe

"A quick NO TALKING sound demo of Blue Giant by The Usual Suspects, the new simulator of the legendary Novation Supernova II.

Blue Giant recreates the original hardware using DSP56300-series DSP emulation and the original Novation ROM. Like the Supernova II, it offers an 8-part multitimbral architecture, up to 24 voices, three oscillators per voice, multimode filters, extensive modulation, arpeggiators and the original multi-effects system.

In this video I’m simply browsing through a selection of sounds and presets — no talking, just Blue Giant in action.

More info about Blue Giant / The Usual Suspects: https://theusualsuspects.io/

The Supernova II was one of the iconic virtual-analog synths of the early 2000s, and Blue Giant finally brings its distinctive sound into the DAW."

Groove Synthesis 3rd Wave - First... Ride?

video upload by Some Synths with SOMENERV and SOMENERV

"Demoing my first multi-part sequence on this new-to-me 3rd Wave, as well as sharing first impressions.

Relatively short but a bit rambly. Definitely more talking than synth sounds, so apologies in advance if you came mostly for sounds. More videos with less or no talking to come as I continue to get more familiar with this incredibly deep and amazing sounding synth."

Viscount Legend '70s MKII Acoustic Piano 2GB Module - All Playing, No Talking featuring Dan Trudell

video upload by Kraft Music

"Find exclusive Viscount Legend '70s MKII BUNDLES at Kraft Music: https://kraftmusic.com/collections/vi...

Pianist Dan Trudell plays the Legend '70s MKII with A. Piano 2GB module at Kraft Music.

/ dan.trudell.7
https://dantrudell.bandcamp.com/

Viscount Legend '70s MKII modular stage pianos take a genuinely original approach to the instrument category, allowing players to build and expand their sound engine over time by installing modules directly into the front panel. At its core is a dual-DSP main circuit, giving each installed module ample headroom for rich, detailed sound generation. The Artist-W is aimed at pianists who want an 88-key acoustic grand piano-style action; it ships with the A. Piano 2G module installed and four empty slots ready for expansion. The 73-key Compact is built for keyboardists whose focus is electric pianos, synths, and vintage keyboards, with the E. Piano module installed and three expansion slots available. Designed and built in Italy, Legend '70s MKII is for players who want a professional-grade foundation with room to grow.

Get more for your money with an exclusive Viscount Legend '70s MKII stage piano bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new stage piano, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Viscount Legend 70s Clavi Module - All Playing, No Talking featuring Dan Trudell

video upload by Kraft Music

"Find exclusive Viscount Legend '70s MKII BUNDLES at Kraft Music:
https://kraftmusic.com/collections/vi...

Pianist Dan Trudell plays the Legend '70s MKII with Clavi module at Kraft Music.

/ dan.trudell.7
https://dantrudell.bandcamp.com/

Viscount Legend '70s MKII modular stage pianos take a genuinely original approach to the instrument category, allowing players to build and expand their sound engine over time by installing modules directly into the front panel. At its core is a dual-DSP main circuit, giving each installed module ample headroom for rich, detailed sound generation. The Artist-W is aimed at pianists who want an 88-key acoustic grand piano-style action; it ships with the A. Piano 2G module installed and four empty slots ready for expansion. The 73-key Compact is built for keyboardists whose focus is electric pianos, synths, and vintage keyboards, with the E. Piano module installed and three expansion slots available. Designed and built in Italy, Legend '70s MKII is for players who want a professional-grade foundation with room to grow.

Get more for your money with an exclusive Viscount Legend '70s MKII stage piano bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new stage piano, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Zebra 3 – Drum Loops, Percussion, FX (no talking)

video upload by u-he

"With these drum and FX-focused presets, our Zebra 3 walkthrough goes full circle (categories 13-15). Check out our other Zebra 3 preset walkthroughs!"

https://u-he.com/products/synths/zebra3/

00:00 - Drum Loops
02:42 - Percussion
04:57 - FX

Introducing Martinic PRODIGY | Moog Prodigy Plugin Featuring Advanced Circuitry Emulation

Martinic PRODIGY | Moog Prodigy Plugin | Best Preset Showcase (No Talking) ‪@MartinicCom‬

video upload by Davide Puxeddu

"Experience the analog warmth of the legendary Moog Prodigy in this no-talking preset showcase dedicated to the new Martinic Prodigy plugin.

Discover more about the Martinic Prodigy: https://www.martinic.com/prodigy

The original 1979 hardware synthesizer helped define an entire generation of electronic music. The Martinic Prodigy plugin now brings this iconic sound directly into your DAW. Developed with proprietary Advanced Circuitry Emulation technology, it faithfully recreates every nuance of the original analog circuits.

Alongside the classic sound, exclusive modern features have been added, including a built-in analog sequencer with 8 and 16-step modes, an extended Multidrive circuit, and a mono reverb inspired by the Moog 905.

Using studio monitors or high-quality headphones is recommended to capture the full frequency range."

Martinic Prodigy Unleashed | 100% Insurgent Circuits | 100% Prodigy | Demo no. 1

video upload by Solidtrax

"Insurgent Circuits - a collection of 100 patches for the ‪@MartinicCom‬ Prodigy - is available now!

For more info about Prodigy and the Insurgent Circuits collection, visit: https://www.martinic.com/prodigy

Demo Track no. 1.
Sound source: A couple of instances of Martinic Prodigy
Effects: Martinic TG100 Reverb & Martinic AXFX

Want to hear more of my sounds for the Martinic AX73 and other synths? Visit https://solidtrax.nl/shop"

The Moog Prodigy's raw, uncompromising sound helped define a generation of electronic music. But getting that authentic analog character into your productions has always meant tracking down rare, aging hardware that's becoming harder to find and harder to maintain.

The Martinic Prodigy finally brings that iconic sound to your DAW. Built with our Advanced Circuitry Emulation technology, it faithfully recreates every sweet spot of the original 1979 analog circuitry, and adds modern features like a built-in analog sequencer with eight- and sixteen-step modes, an extended Multidrive circuit, and a Moog 905 inspired mono reverb. All at a very affordable price.

CLICK FOR MORE »

Abyss II: Official Presets Demo

video upload by DAWESOME MUSIC

"35 sounds from Abyss II in 5 minutes. No talking, pure sound."



"Abyss II comes with 440 presets designed by world-class sound designers.

Download the demo (no registration, zero friction):

👉 https://www.dawesomemusic.com

Abyss II is out now!
• Intro Offer: $89 / €89 (Regular: $149 / €149)
• Upgrade for Abyss 1 owners: $45 / €45 (Regular: $75 / €75)
• Free upgrade for anyone who purchased Abyss 1 in 2026.

Available in VST3, AU, and AAX."

"Sound is Colour


Warm. Cold. Dark. Brilliant. Silky. Lush. Juicy. Fat...

Notice something? We use the exact same vocabulary for colours and textures than we use for sounds.

The word 'Klangfarbe' isn't a metaphor. It is how our brain actually processes sound: the true nature of sound is colour.

Your Secret Superpower

Your taste is your secret superpower! Stop asking: "Is this correct? Am I doing this right?" Instead, simply pick and combine sound-colours, place them on the "gradient" and ask yourself: 'Does it sound interesting to me?". This naturally leads you to your own, unique signature sound.

And you can feed it anything: the noisy call of a distant crane recorded with your phone, a vocal snippet or the sound of plugging in your guitar. As one musician said: "I am still trying to find a sample that does not end up as an interesting sound."

Made for Creatives If sound is colour - why are most synths complex, techy, full of numbers, algorithms, and operators?

Abyss II is built on a simple yet radical premise: a synth designed around how we actually experience sound. It keeps you in the flow rather than forcing you into abstract formulas. Just play with colours, as you would mess with paint."

Also see Sound Is Colour – Finally a Synth for Musicians, not Engineers (Abyss II)

ASM Leviasynth Custom Patches / No Talking (Analog, Experimental, Oberheim, Vintage, Ambient, Pop)

video upload by Devin Belanger

"A true future flagship synths, the jack-of-all-trades Leviasynth can jump from modern FM to vintage character in a flash. With these 50 Custom Patches, Miles Away has brought together a collection of different sounds from a wide variety of timbres and styles into a collection of expertly-designed custom presets. Miles Away's patches have been sold thousands of times and used on countless records that have garnered millions of streams online. Here you will find everything from heart melting pads, blistering Cyberpunk leads, funk Moog basses, brass that competes with analog classics and more. These presets are suitable for everything from synthwave, pop, ambient, film score, rock, EDM, hip hop and more!

0:00 - Intro patch / what makes the sounds special
2:21 - Dystopian Cinematic sounds
3:04 - Classic Analog sounds
7:33 - Bass sounds
8:27 - Cyberpunk Sequenced sounds
9:15 - FM sounds (with a twist)
12:51 - Experimental & unique sounds
17:28 - Ambient sounds
21:30 - Get these sounds in the video description"

Get https://shop.milesawayofficial.com/pr...

The Legendary CS-80 Sound… Without the Price | Fabric Vintage CS

video upload by Autodafe

"The Yamaha CS-80 is one of the most legendary synthesizers ever made — a huge, expressive analog instrument that helped define some of the most iconic electronic and cinematic sounds of the late '70s and early '80s.

Unlike some of the other synths in this series, I've never owned a CS-80 — and considering its size, weight and price, that's probably not going to change anytime soon! 😄

AIR Music Tech Fabric Vintage CS is a modern interpretation of this classic performance-focused polysynth, designed to capture its rich, expressive character inside the Fabric environment.

Powered by AIR's Fabric multi-sample synthesis engine, it features two multi-sample oscillator layers plus a percussive layer, with independent filters, envelopes and LFOs, along with extensive modulation, an arpeggiator and a comprehensive effects section.

The sound library focuses on the kind of sounds you'd expect from this legendary instrument: expressive brass, evolving pads, swelling textures, cinematic leads and shimmering bell-like tones.

In this No Talking demo, I'll simply play through a selection of presets so you can hear what Fabric Vintage CS can do without interruptions.

🎧 No talking — just sounds.

Fabric Vintage CS is available for MPC Standalone, MPC Desktop and major DAWs.

👉 AIR Music Tech – Fabric Vintage CS - Try it free for 10 Days
https://www.airmusictech.com

This video is not sponsored."

The Andromeda I Could Never Afford | Fabric Vintage Andromeda

video upload by Autodafe

"The Alesis Andromeda A6 has always been one of my dream synthesizers — unfortunately, it was expensive when it was released, and it's definitely not getting any cheaper today!

I did get the chance to spend some time with a real Andromeda many years ago, when a friend and I produced a demo CD featuring some of its sounds. I still remember being seriously impressed by that huge, complex analog machine.

AIR Music Tech Fabric Vintage Andromeda brings the character of the Alesis Andromeda A6 into the Fabric environment using AIR's advanced multi-sample synthesis engine. It features two main multi-sample oscillators, a virtual analog sub oscillator, noise generator, extensive modulation, envelopes, arpeggiator and a comprehensive effects section.

In this No Talking demo, I'll simply play through a selection of presets and sounds so you can hear what Fabric Vintage Andromeda can do without interruptions.

🎧 No talking — just sounds.
👉 AIR Music Tech – Fabric Vintage Andromeda - Try Free for 10 Days
https://www.airmusictech.com/virtual-..."


Follow-up to Introducing AIR Fabric Vintage Synths Vol. 2

Roland Juno-106 | Custom Sound Bank Demo | 80s Vintage Analog Synth Classics

video upload by RetroSound

"Experience the legendary Roland Juno-106 with a collection of custom-made patches created by RetroSound.

This no talking demo showcases original sounds ranging from warm analog pads and lush strings to punchy basses, expressive leads, classic brass, and atmospheric textures. Every preset was programmed from scratch to highlight the unmistakable character of the Juno-106.

Originally released in 1984, the Roland Juno-106 has become one of the most iconic analog synthesizers ever made. Featuring 6 voices of true analog polyphony, digitally controlled oscillators (DCOs), a rich 24 dB/oct low-pass filter, onboard stereo chorus, and full MIDI implementation, the Juno-106 remains a favorite among musicians and producers around the world.

Roland Juno-106:
• Released in 1984
• 6-voice analog polyphonic synthesizer
• 61 full-size keys
• Digitally Controlled Oscillators (DCOs) for excellent tuning stability
• Classic Roland 24 dB resonant low-pass filter
• Stereo Chorus I & II for the signature Juno sound
• Full MIDI implementation (rare for analog synths of its era)
• 128 patch memories

Every sound in this video was programmed by RETROSOUND.
🎹 No factory presets – only custom patches."

Website ► https://retrosound72.wixsite.com/home

MATRIXSYNTH Turns 21

Yes, MATRIXSYNTH is now old enough to legally have a drink in the US!

Joking aside, MATRIXSYNTH in its current form started on July 20, 2005 with this post. Since then there has been only a single day without a post, which occured back on that dreadful day of August 6, 2005. I can't link to it because there isn't a post to link to. :) Sorry for the bad humor. That said, since then, I haven't missed a single day posting on the site including holidays, vacations, and two bouts of eye surgery due to a retinal tear and detachement in 2025. It was painless, but scary, and now all is good.

For those of you not in the know, MATRIXSYNTH is a one-man operation, run by your host, me, matrix. Every single post has gone up by hand - there is no automation and definitely no AI. Including this post, there have been at least 260,897 posts to date. There have actually been been more but some have been taken down due to either videos or audio dissapearing over the years, which brings me to a point: please don't remove your videos and audio demos off the web. You might think they are no longer relevant or you might even be embarrased by them as you think things have progressed and they no longer meet your standards, but they are relevant. They are part of history and will always be worth a look-back in context. Who you are today isn't defined by what you put up years ago. Trust me, I am often embarrased when I look back at some of my older posts. I'll likely be embarrased by this one. That said, please keep your old content up! It's a bit of synth history, and it's a look back at what you felt worth sharing back when you posted it. It doesn't define you today. It's like throwing away old family photographs because you are now older. That and there is always something interesting to find in older videos. A timbre from a given synth, an experience relevant in time.

That brings me to something I wanted to clarify for those that may be wondering: in general I prefer to keep myself out of posts for fear of influencing or even ruining the experience for others. I feel it is my job to present content w/o bias, and I prefer to post things as they are presented by the person or entity that created the content to begin with. Not influencing how others might or might not experience what goes up is a conscious decision. I realized over time it's akin to talking through music.

What I love about running MATRIXSYNTH is getting to share what's new to me on a daily basis. I have a policy of only posting specific content once. That means out of 260,897+ posts to date, nearly every single one is unique. It's also great to realize that there have been multiple things to actually feature every single day of the year, shared on the day itself, over the past 21 years!!! That's saying something, not about me or the site, but about the community.

The original MATRIXSYNTH actually started back in 1997. Click to see the monstrocity. That site will be 29 this year! The site was my personal portal into the world of synths. On the left were a list of sites I visited back then that would open in the right window frame when clicked on. Unfortunately that functionality is no longer supported in modern browsers; however you can right-click any link and open it in a new window. It's worth a look back at what synth sites were around back in 1997 - 2005 or so. Remember, YouTube didn't come out until December of 2005. MATRIXSYNTH in its current format, the blog, came out before YouTube. Think about that for a bit. This site has tracked the personal world of synthesis since before YouTube came out! Also, you might notice the old site came out well before The Matrix movies. The alias matrix, and hence MATRIXSYNTH, comes from my first synthesizer, the Oberheim MATRIX-6, which I purchased new in 1986 and still own to this day.

OK, this post is long enough. I want to end it by thanking the supporters of the site, the banner sponsors of the site, and most importantly, you, my readers. This might surprise some people, but I sometimes feel irrelevant, like why am I even doing this? I then remind myself I do it for the sake of doing it. I want to capture a bit of what's out there on a daily basis. I want the site to be a log (a weblog - blog) of synth history. I started back in 2005, and ever since that day I've had something to post, except for that solemn day on August 6, 2005. (P.S. I went on vacation that day and didn't think there would be internet access, let alone that I would be posting every single day after that - imagine not being able to say "I never missed a single day!" for the rest of your life because of one single day! "If it wasn't for that day!..") I think I will be doing this until the day I'm no longer here, and although I know I would be doing this regardless of whether I had an audience or not, knowing I do have an audience makes a world of difference. And thank you to all of you out there sharing your synth content. You are creating SYNTH HISTORY!!!

P.S. I want to give a special shout out to Amanda of CATSYNTH who not only is a supporting member of the site, but was kind enough to remember my anniversary and reach out to me today. Thank you!

P.P.S. It was CATSYNTH's 20th Anniversary yesterday. Happy Anniversary CATSYNTH! :)

Can this synth restore his faith in Monosynths?

video upload by Oscillator Sink

"I must confess, for the past few years I have felt sort of burned out on what you might term “traditional mono-synths”. Not because of the sound or their utility in electronic music, but because…well I guess the fact that I used the word utility sums it up: it had been a while since I had come across a mono-synth which felt like more than a means to a musical end; it had been a while since a mono-synth felt fun.

Which is why I was overjoyed at superbooth this year to come across a number of mono-synths which renewed my faith in the genre - instruments which did something fresh and exciting in their presentation, features and sound, which iterated on traditional ideas in truly interesting and useful ways leading to instruments that felt fresh and playful without being unfamiliar.

One of those instruments was the SWEN2 from Analog Sweden. Based on their earlier, rare and relatively expensive Swenigizer synth, which itself was based on an even rarer and much more expensive synth called the Energizer, the SWEN2 manages both to add new features while also moving to a manufacturing process that makes it a lot more affordable - it feels like a lot of synth for the money.

At its heart SWEN2 is a semi-modular subtractive synth but with so many clever little tweaks to its sound and usability, along with some ideas that I haven’t really seen in other instruments, as well as a very fun and jammable generative sequencer, all of which add up to an instrument that is a joy to use and, yes, extremely fun.

Transparency Notice: Analog Sweden kindly sent me this prototype unit for free after meeting the team at Superbooth, but they haven’t had any editorial oversight of this video."

Chapters:
00:00 Intro
03:01 The Oscillators
07:59 No talking demo: Pseudo Paraphony
08:49 The Filter

CLICK FOR MORE »

Erica Synths STEAMPIPE | Free Preset Pack 2 Showcase ‪@EricaSynths‬

video upload by Davide Puxeddu

"In this video, I’m showcasing the official "Preset Pack 2" for the @EricaSynths Steampipe, a custom collection of 20 new patches I personally designed for this incredible physical modeling synthesizer.

The Steampipe is a unique instrument that bends wind, pipe, and string resonances into deeply expressive, evolving textures. This official soundset is designed to push the boundaries of its physical modeling engine, moving from warm, buttery textures to complex ambient landscapes and experimental acoustic spaces.

This is a pure sound showcase — no talking, just music. Perfect if you want to experience how the new Preset Pack 2 expands the raw character and sonic capabilities of the Steampipe.

The bank will be available for free download directly on the official Erica Synths website: https://www.ericasynths.lv/news/post/..."

[FREE] 10 Atmo Presets – Korg Minilogue XD | Sound Demo (No Talking)

video upload by Mr. Card Synths

"[FREE] 10 Atmo Presets – Korg Minilogue XD | Sound Demo (No Talking) – download a free pack of 10 atmospheric presets for the Korg Minilogue XD, including lush evolving pads, airy digital-analog textures, wide soundscapes, and subtle motion sounds. Perfect for ambient, electronic, synthwave, and cinematic productions. This demo showcases all 10 sounds in action — no talking, just the pure hybrid character of the Minilogue XD.

👉 Download the FREE preset pack here: https://mrcardsynths.com/product/korg..."

Zebra 3 – Preset Walkthrough Pt. III (no talking)

video upload by u-he

All parts

"We continue on our musical journey through Zebra 3's preset categories 7-9: Keys & Classics, Winds & Strings, Pads. https://u-he.com/products/synths/zebra3/

00:00 - Keys & Classics
02:29 - Winds & Strings
05:17 - Pads"

Erica Synths Steampipe at Superbooth 2026

video upload by Tweeeeeak!

"No talking, just tweaking the steam and pipe physical modelling parameters, jamming and droning, in Erica Synths red room, at Superbooth 2026.

00:00 - Bang the pipe 1
02:01 - ... into drone 1
02:52 - ... into drone 2
07:06 - Ethereal
08:46 - Call to arms
10:43 - Bang the pipe 2
13:19 - Smoke the pipe
14:57 - Bagpipes?
16:18 - Bang the pipe 3 and end"

Zebra 3 – Preset Walkthrough Pt. II (no talking)

video upload by u-he

All parts

"Enjoy a musical journey through Zebra 3's preset categories 4-6: Poly Synths, Synth Plucks & Stabs, Bells & Mallets. Demo and music by Hyboid.
https://u-he.com/products/synths/zebra3/

00:00 - Poly Synths
02:35 - Synth Plucks & Stabs
04:43 - Bells & Mallets"

Did Moog ruin synths? Suzanne Ciani reveals analog's original sin.

video upload by SpectreVision Radio and Phantom Power Podcast

"Today we talk to modular synth pioneer Suzanne Ciani and MIT Spatial Sound Lab researcher Kamran V. Suzanne and Kamran both love quadraphonic sound, and they have a new quad release coming out on June 4th called Ciani/Orkest. They are on a mission to make quadraphonic music accessible to both musicians and to listeners, and in this interview, Kamran will explain how, you, with no special equipment, can listen to their new album in quad.
We'll also get into how analog synthesizers actually work, the early history of Buchla synths versus Moog synths, why Suzanne thinks keyboards diminish the potential of synths, and how Suzanne designed some of the most recognizable sounds of the 1980s.
Suzanne Ciani is a Grammy Award nominated composer, electronic musician, and neoclassical recording artist who has released over 20 solo albums, including Seven Waves and The Velocity of Love. Her work has been featured in Hollywood films, video games, and countless commercials. She was inducted into the first class of keyboard magazine's Hall of Fame, alongside Bob Moog, Don Buchla, and Dave Smith. And she was the subject of the feature documentary, A Life in Waves.
Kamran V is an arts technologist and MIT Spatial Sound Lab researcher, and he's a National Endowment for the Arts grant recipient. He's worked at Interscope Records, produced immersive music releases for Nine Inch Nails, Sting, and Beck, and he ran the music tech fest, Moogfest. He's also on the board of Dub Lab.

Cited Media:

Music & Albums:
⁠Suzanne Ciani - Ciani/Orkest (2025)⁠⁠Suzanne Ciani - Live Quadraphonic (2016)⁠⁠Suzanne Ciani - The Velocity of Love (1986)⁠⁠Suzanne Ciani - Seven Waves (1982)⁠⁠Wendy Carlos - Switched-On Bach (1968)⁠⁠Stevie Wonder - Talking Book (1972)⁠⁠The Rentals⁠
Film & TV:
⁠3-2-1 Contact, PBS (1980–1988)⁠⁠Brett Whitcomb - A Life in Waves (2017)⁠⁠Suzanne Ciani on David Letterman (1980)⁠
Events & Festivals:
⁠Moogfest⁠⁠AES Convention⁠⁠Amsterdam Dance Event⁠⁠NAMM⁠
Tools & Plugins:
⁠Kamran V - QUARK Plugin (free)⁠
Record Labels & Archives:
⁠Finders Keepers Records⁠

Chapters:

0:00 Intro
5:45 Meet the Guests
6:28 Sound Design & Commercials
13:45 High Art vs Low Culture
19:03 Ciani Orkest
24:42 Moog vs Buchla
26:36 How Modular Synths Work
36:15 Quadrophonic Sound
45:13 The QUARK Plugin
50:24 Seven Waves"

Novation Peak Trance & Techno | Real Songs, No Talking

video upload by STEHRÆON

"My favorite Novation Peak sounds in real song clips from my tracks.

After six months with the Peak, it has become one of the core synths in my setup — for arps, pads, leads, basses and atmospheric layers.

The clips move through melodic techno, trance, synthpop and darkwave, with most parts built around strong melodic lines — an area where the Peak works extremely well.

No talking, just sound.

Not sponsored.

Recorded dawless. No extra FX. No edits."