MATRIXSYNTH

57 258v Dual Oscillator Scoped

YouTube Uploaded by 7thDanSound on Mar 28, 2011

"I just borrowed a Mark Verbos Buchla format 258v Dual Oscillator module. I put it in my boat and this is my very first encounter with it. I have no idea what to expect or how it is supposed to work apart from the obvious. That's why I mistake the gray jack for a voltage output and try to drive the waveform input with it. This little thing sounds absolutely lovely and I'm sure it would complement the current Buchla 200e offerings very nicely. Definitely a more classic analog tone to it which I presume is due to the fact that it actually is very much analog."

Chromatic overflow (Clavia Nord Modular G2)

YouTube Uploaded by GruithuisenCityMan on Mar 28, 2011
http://www.myspace.com/fredericgerchambeau

Cv Delay Teaser

Cv Delay Teaser from Nick Ciontea on Vimeo.

"Arduino hack of Maxon ad999 for eurorack modular standards."

Arp Odyssey Model 2800 synthesizer

via this auction

New Roland Mystery Synth to be the JUPITER-80?

via directories.csa-international.org

"NRTL/C (UL 60065-2007)

Digital Organs, Model AT-75-xxx Series.
Model AT-500-xxx Series.
Recreational Keyboards, Models RK-300-xxx Series.
Digital Piano, Model V-PIANO.
Classic Organs, Model C-330-xxx Series.
Digital Pianos, Model RM-700-xxx Series.
Synthesizer, Model JUPITER-80.

Vocal & Ensemble Keyboard, Model VP-770, rated 117 Vac, 50/60 Hz, 16 W, cord connected, Class I, grounded."

via Soviet Space Child

YouTube Uploaded by rolandmedia on Mar 22, 2011
previously posted

How To Destroy Angels Studio Shots

More pics on WEBSTAGRAM

via @califaudio

Adam Szabo JP6K

"JP6K is a synth dedicated to emulating the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It aims to capture the essence of the sound and the behaviour of the original oscillator. Even after a decade, the Super Saw is still sought after by people all around the world, and is a crucial part of such music genres like Trance.

There are several factors that make the Super Saw in the JP6K different than other synths that provide a similar sound. The original Super Saw from Roland was aliasing, thus creating a bright and “airy” sound. To prevent the sound from sounding harsh below the fundamental harmonic, a high pass filter was possibly used to remove the unwanted frequencies. The JP6K uses the same design to achieve that special oscillator waveform giving it a unique tone.

Another important aspect of the classic Super Saw, was its special detune curve. It was non-linear, which gave the user greater control over the detune amount. Even when the detune control was half way, the spread of the detune was small, which made it possible to make very smooth sounding pads. The curve then gradually increased, and at higher values, the detune rapidly spread out to maximum. This unique curve is accurately modelled in JP6K, making it nearly identical to the detune in the hardware.

The JP6K also emulates other features from the JP-8000 like the filters, key tracking and the EQ, to give it an even more authentic way to shape the Super Saw sound. The synth has been optimised to use minimal amount of CPU, so it is possible to use multiple instances.

Key features:
32 voice polyphony
Two Super Saw oscillators, an upper and lower
1 noise oscillator
Three filter modes: low pass, band pass and high pass with -12 & -24 dB/Oct
Three independent LFOs controlling the filter, amp and pitch
Built in delay and EQ"