Sunday, December 23, 2012
Messe Anubienne
Published on Dec 23, 2012 by RADIOKLOW
"Messe Anubienne - Missa Anubia. Composed for Keyboard Virus TI. All sounds and photographs created by Marc-Henri Arfeux. In memory of my great friend M. N."
Christmas Medley 2012 by Michael Brückner
Prelude - Wedding Tune - Interlude - Sunturn Tune - Bronstein
The first three come from a set me and Cäcilia performed at the wedding of two friends in 2009, track four is from late 2006, and the last one for a never released compilation in 2008.
While the wedding tracks with the biblic quotations are suitable for Christmas (I think) and the Sunturn Tune brings some light to the dark winter days, the closing "pseudo-russian" track ends the set with some cheerful new years wishes (...sort of). I think it's a nice little set for this time of the year - enjoy!
Oh, and: happy and peacful christmas to all of You, and a great, prosperous and auspicious 2013, too!!!! :-)"
via Michael Brückner on The MATRIXSYNTH Lounge
Remember, all holiday posts are welcome as long as they feature synths. Click on the holidays label below for more.
monotribe X6 + TR-606 - TYPE-3 / BakaOscillator
Published on Dec 23, 2012 by BakaOscillator
"Composed By BakaOscillator.
Use, KORG monotribe, KP3, KP Quad, Roland TR-606.
606 はトリガが2個あるので monotribe の同期用8分と白玉用に分けて使っています。"
"Composed By BakaOscillator.
Use, KORG monotribe, KP3, KP Quad, Roland TR-606.
606 はトリガが2個あるので monotribe の同期用8分と白玉用に分けて使っています。"
Stylo-101 (Stylophone+SH-101) for iPhone, iPad Demo Video
Stylo-101 synth toy app (Stylophone+SH-101) iPhone, iPad
Published on Dec 23, 2012 by RobsSynths
Specs previously captured in this post.
iTunes:
Stylo-101 (Stylophone+SH-101) - Rob Wilmot
iPads & More on eBay - Don't miss the Daily Tech Deals
Published on Dec 23, 2012 by RobsSynths
Specs previously captured in this post.
iTunes:
Stylo-101 (Stylophone+SH-101) - Rob Wilmot
iPads & More on eBay - Don't miss the Daily Tech Deals
"So this is X-mas" - on Yamaha PC-100
Published on Dec 23, 2012 by organfairy
"It's about time if I want to make a Christmas video this year :-)
So I have made a mini keyboard version of John Lennon's Christmas song from the early 1970's. All the sounds are from the Yamaha Portasound PC-100 except the bass which is played on the Yamaha PSS-12 and the sleigh bells which are acoustic."
"It's about time if I want to make a Christmas video this year :-)
So I have made a mini keyboard version of John Lennon's Christmas song from the early 1970's. All the sounds are from the Yamaha Portasound PC-100 except the bass which is played on the Yamaha PSS-12 and the sleigh bells which are acoustic."
"Two Days After" live jam Vermona Perfourmer drm1 mk III Filter Lancet Doepfer Dark Energy a-100
Published on Dec 23, 2012 by Tiefengrund
"Another Live Jam with:
Silvie von Tiefengrund: is analog again, Vermona DRM1 MKIII triggert by the e-Drumset, Snare and HIhat through the Vermona Filter Lancet
Mick von Tiefengrund: Synthesizer
Another live performance with my synthesizers and my wife Silvie on the e-drumset.
The recording and mixing is absolutly live, on one track . No overdubs!
Our Setup:
Vermona Perfourmer MK 2
Vermona DRM 1 MK III used as a drum-synthesizer, triggert by the e-drumset and Vermona Filter Lancet
Doepfer Dark Energy supported by a A-110 VCO and pitch and modulation wheel used as solo synth
Waldorf Blofeld Keyboard
My A-1oo Case:
"Inside the Grid on Altair IV" by Mark Mosher - A One-Note One-Patch Soundscape in Absynth 5
Published on Dec 23, 2012 by Mark Mosher
This song is also available as an MP3-320 audio download on soundcloud http://soundcloud.com/markmosher/inside-the-grid-on-altair-iv .
"Inside the Grid on Altair IV" is a soundscape created with one patch from scratch using the Absynth 5. It is performed be pressing and holding a single note for the entirety of the song. While I have used Absynth as the sole instrument for songs in the past (Tracks 3 & 4 on my last album markmosher.bandcamp.com/album/no-ghosts-just-fear), I've never created a patch where one held note triggers the entire composition. Recent works by Absynth creator Brian Clevinger and artist Anthony Distefano have inspired me to do start working on some pieces of this nature and this is my first of many to come.
The audio is CD quality, and the video shows a behind-the-scenes look at Absynth's wonderful 68-stage modulatable envelopes in action. So all the movement and changes in dynamics, pitch, timber are meticulously drawn and programmed as part of the patch. The envelopes also support LFOs on segments. The envelopes can be extremely long and also loop independently which making Absynth fantastic for evolving soundscapes.
Note, I am also using an envelope to change the "effect time" of the Pipe Effect which is a unique audio effect within Absynth. P. 88 of the manual describes it best "Let's take the image of a string. A loudspeaker (a contact loudspeaker) is connected to a string, which begins to vibrate as a result. You can determine the position of this virtual loudspeaker on the string via the parameter Input Position. Above the string are two pickups, similar to an E-Guitar. The pickups' positions can be determined through the parameter Output Positions. Changing those two parameters can be compared with changing two microphones. You can modulate the string's length and the pickups' position through the LFOs or a MIDI Controller. This way, various flanging, pitch-shifting and rotary speaker effects can be achieved. These effects are particularly apparent when the modulation of the pickups are modulated in op¬posite directions."
This song is also available as an MP3-320 audio download on soundcloud http://soundcloud.com/markmosher/inside-the-grid-on-altair-iv .
"Inside the Grid on Altair IV" is a soundscape created with one patch from scratch using the Absynth 5. It is performed be pressing and holding a single note for the entirety of the song. While I have used Absynth as the sole instrument for songs in the past (Tracks 3 & 4 on my last album markmosher.bandcamp.com/album/no-ghosts-just-fear), I've never created a patch where one held note triggers the entire composition. Recent works by Absynth creator Brian Clevinger and artist Anthony Distefano have inspired me to do start working on some pieces of this nature and this is my first of many to come.
The audio is CD quality, and the video shows a behind-the-scenes look at Absynth's wonderful 68-stage modulatable envelopes in action. So all the movement and changes in dynamics, pitch, timber are meticulously drawn and programmed as part of the patch. The envelopes also support LFOs on segments. The envelopes can be extremely long and also loop independently which making Absynth fantastic for evolving soundscapes.
Note, I am also using an envelope to change the "effect time" of the Pipe Effect which is a unique audio effect within Absynth. P. 88 of the manual describes it best "Let's take the image of a string. A loudspeaker (a contact loudspeaker) is connected to a string, which begins to vibrate as a result. You can determine the position of this virtual loudspeaker on the string via the parameter Input Position. Above the string are two pickups, similar to an E-Guitar. The pickups' positions can be determined through the parameter Output Positions. Changing those two parameters can be compared with changing two microphones. You can modulate the string's length and the pickups' position through the LFOs or a MIDI Controller. This way, various flanging, pitch-shifting and rotary speaker effects can be achieved. These effects are particularly apparent when the modulation of the pickups are modulated in op¬posite directions."
Ensoniq ESQ-1 Synthesizer Studio Demo
Note: links to listings are affiliate links for which the site may be compensated.
Published on Dec 16, 2012 by Cassandra Moone
"Highlights from the studio test of our just-refurbished, one-owner-before-us Ensoniq ESQ-1 wavetable synthesizer/ sequencer."
via this auction
"Highlights from the studio test of our just-refurbished, one-owner-before-us Ensoniq ESQ-1 wavetable synthesizer/ sequencer."
via this auction
Vintage Synth Brochures Including The Syntar
via this auction
- TEXTURE software by Roger Powell (Utopia)
- 3) OBERHEIM MATRIX-1000 flyers - color - small smudge
- SYNTAR series I 'KEYTAR brochure & price list (George Mattson)
- FREEDOM I - Poly Keyboard Interface Controller (rare)
- STUDIO ELECTRONICS 'SE-1' MIDIMOOG flyer
- STRIDER SYSTEMS 'DCS II' pioneering digital synthesizer brochure & price list
- SEQUENTIAL CIRCUITS 'PROPHET T8' analog synth 6 page color brochure!!
(small split on last page seam - not torn)
- SIEL 'DK 80' hybrid synth 8 page color brochure
- SIEL Expander 80/DK600/EXPANDER/PX JR/MIDI INTERFACE
LABELS/MORE:
Featured,
Freedom 1,
Oberheim,
PMS,
scans,
Sequential Circuits,
Siel,
Strider,
Studio Electronics,
Syntar
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
