RECO SYNTH EL DIABLO + RECOVERB

RECO SYNTH EL DIABLO + RECOVERB from arthur joly on Vimeo.

www.recosynth.com

The Shaky Modular Synth Jam (w/ Tinysizer, Eurorack, MPC 1000, JV-1010, etc.) #TTNM

Published on Apr 28, 2015 The Tuesday Night Machines

"Made some sounds and tried to sequence them in a musical way, I guess. Also, my Eurorack case construction doesn't look sturdy at all here :D

Questions or comments? Go ahead and post them below! :) Thanks for watching! Check out my channel for more Synthesizer Music.

MORE INFO:

Audio gear used:
- Eurorack Modular Synthesizer (with Malekko Wiard Anti-Oscillator, Intellijel Dixie, Koma Kommander, Klangbau Köln Wavetable VCO, Erica Polivoks VCF, Stepper Acid, etc)
- Anyware Tinysizer (modular synth)
- Roland JV-1010 (ROMpler)
- Akai MPC 1000 (drums & MIDI sequencing)
- Zoom R16 (recording & mastering)

Filmed with a Canon EOS 550D (Rebel t2i)."

ElasticDrums - IK iRig Pads demo2

Published on Apr 28, 2015

"I am using preset 2 of iRig Pad"

Note how he switches editable parameters by pressing a pad; the slider then edits a different parameter. Curious how that's set up. Usually a slider sends out a message via a specific MIDI CC or sysex message. Pressing the pad either changes it or ElasticDrums registers the pad message and then applies the slider message to the next parameter, which makes you wonder what would happen if you had an external sequencer driving ElasticDrums while you made the change on iRig Pads.

iTunes: Elastic Drums - O-G-SUS

Random Rhythm Module Prototype

Published on Apr 28, 2015 tatsuya shinyagaito

"This is a prototype of Random Rhythm Module for Eurorack Modular Synthesizer"

u-he at Frankfurt Musikmesse 2015

Published on Apr 28, 2015 uheplugins

"A short time lapse of our time at the 2015 Frankfurt Musikmesse.

Background music by Michael Pettit using Hive (the drums are from Ableton Live). Hive presets used were created by Howard Scarr, Basari Studios and Mystic Vibes."

Update: One additional video:

u-he Bazille Musikmesse Demo

Published on Apr 28, 2015 uheplugins

"A quick demonstration video we put together to show off Bazille at the 2015 Frankfurt Musikmesse.

Music by Michael Dühr."

New Metasonix D-2000 Drum Machine

"This is the raw unprocessed output of a D-2000 being sequenced by a Delptronics Triggerman. First bass, then adding other drums, then cymbals, then changing to different rates and sequences. Yes, this is exactly what it sounds like. No, there are no effects or EQ added."

This one in via brian comnes.

Details via Metasonix:

"NOTE: the D-2000 will be exclusively sold only by Big City Music for the first year of availability. Please contact them to order.

It will blow your ass off. The D-2000 is an all-new design, based on our previous drum-sound simulation circuits. Unlike the previous D-1000, everything in the D-2000 has been tweaked and maximized and pushed. It is NOT intended for fast-and-dirty bland, conventional backing tracks, it is for the mad experimenter and the risk-taker and the experienced studio musician who wants extreme analog.

Each of the three tunable drums ("PITCHED DRUM") is made from a vacuum tube ringing bandpass filter, and can be tuned to sound from below 20 Hz to over 2 kHz using a "vactrol" photoresistor. They are also tunable with external control voltages (varying 0-5v), allowing complex patterns to be built up with external CV or pulse sources. Resonance of each PITCHED DRUM circuit is set by front-panel controls. Each circuit also has a "Drive" control, allowing the pulse input to be varied from complete shutoff (silence) to full sounding to overdrive. The PITCHED DRUMs are very similar to the R-54 module.

The two "cymbal" sound channels ("GATED NOISE") are based on an extremely primitive circuit, with white noise gated by a pentode tube. The "cymbal" attack and decay are knob-variable and the decay time is also CV variable, controlled by a slow-response "vactrol" photoresistor. Each GATED NOISE channel also has a treble rolloff tone control.

A "Link" switch connects the trigger inputs of the second GATED NOISE and first PITCHED DRUM channels, so they sound together. This allows simulation of a "snare" drum, if you can call it that.

Recessed buttons may be used to manually trigger each channel, in parallel with any trigger input pulses.

All five channel outputs mix to a single tube preamp that allows for severe overdriving via the mix-level controls. The preamp has an optional CV input that can be used to mute the output if desired (it must vary from -2v or less to totally mute the output to +5v or more for full volume). The distortion is either mild or brutal.

Because there are now far better trigger sequencers available on the modular-synth market than we can make, we chose to equip this rackmount device with no sequencer. Instead there is an 8HP space for a Eurorack sequencer or trigger generator. A power cable provides +12v and -5v and should power any trigger or gate generator that will fit in 8HP (most only need +12v power). We recommend either the Delptronics Triggerman or the ALM Pamela's Workout, both have been tested and are known to work very well. Trigger sequencers and generators from other modular synth equipment may also be used. The D-2000 trigger inputs will accept any pulse source: 0 to +5v, 0 to +10v, 0 to +15v, it doesn't matter. You can also run strong audio signals into the trigger inputs, they will mix with the noise in the GATED NOISE channels and convert the PITCHED DRUM channels into tunable bandpass filters. Try that with a digital sampled drumbox.

Ample inputs and outputs: mix output (with overdriveable tube preamp), separate outputs for each drum sound channel, external trigger inputs for each drum sound channel, and CV inputs for each drum sound channel. Use any pulse generator to drive the trigger inputs. Very short pulses are recommended for the pitched-drum triggers, and longer pulses for the cymbal triggers. The Triggerman and the Pamela's Workout are both capable of producing different pulse lengths on their separate outputs. They have very different user interfaces, so choose the one you prefer.

It's rude and immoral. It's not completely dead-silent and distortionless, and cannot be made so. No, it does not sound like a TR-606. The owner's manual is full of warnings for the idiots who often purchase our products, and claim they're "broken" when they're working perfectly. If you're one of those idiots, buy a nice Machinedrum or something and go away. We do not want you as a customer. Our products are for people with guts and raw talent in reserve, not for bar bands and chronic masturbators.

Specifications: Inputs and outputs 1/8" jacks, except main mix output on 1/4" jack. 3U high rackmount enclosure, protrudes behind panel less than 1.5" (not including Euro sequencer if one is installed) and tubes protrude above panel less than 1.75", weight (minus AC adapter) approx 5 lbs (3.7 kg). Power: 12 volts DC only, 2 amps. Power inlet: 2.1mm or 2.5mm coaxial jack. The D-2000 includes a "universal" AC-DC switching power supply accepting 100v to 240v mains, that may be used anywhere on earth, provided the correct AC power plug is attached (we can only supply North American power cords, adapters are available anyplace where travel supplies are sold). Tubes used: 2 x 6CB6/6CF6, 3 x 5U8 or 5GH8, 1 x 3AU6."

Korg ARP ODYSSEY "1970's SCI-FI Atmospheres & EFX" Synthesizer KRONOS FANTOM-S

Published on Apr 27, 2015 SynthgodXXX

"KORG ARP ODYSSEY '1970'S SCI-FI ATMOSPHERES & EFX'
100% NO TALKING! JUST PURE TRIP-OUT SYNTH FUN!!!

This is the second KORG ARP ODYSSEY video, we feature
the ARP ODYSSEY controlled via MIDI by a ROLAND FANTOM-S.
I ran the ARP ODYSSEY output thru my KORG KRONOS Audio INPUT 1
and thru it's TAPE ECHO insert effect. Quite nice.
The ODYSSEY is incredible to use & is so versatile.
Getting the right PITCH with the ARP's sliders can sometimes
be a bit of a task. BUT.....
It takes a bit of trying but when you get it tight it becomes the true
ANALOG MONSTER the ARP is talked up to be!!
I just love it. Perfect for the price, a real keeper!

P.S.-PLAYING THE ARP FROM ANOTHER SYNTHESIZER OR
KEYBOARD WITH FULL SIZE KEYS Via MIDI IS A REAL DREAM!"

Roland AIRA Crew Secret Event in NYC

Published on Apr 27, 2015 GominationRecords

Modular Wild presents MST(Mattson-Synthrotek) Dual Envelope Basic AD/ASR Envelopes Pt.2

Published on Apr 27, 2015 Modular Wild

"Our demo continues with a second demonstration f the dual envelope with independent triggering of each envelope.Sound and Video by Raul Pena."

http://www.synthrotek.com/

All parts:

CLICK FOR MORE »

Pittsburgh Modular Phase Shifter Demo Video

Published on Apr 27, 2015 Pittsburgh Modular Synthesizers

"The Pittsburgh Modular Phase Shifter is a complex, 16 stage, analog effect module designed to expand on the classic swirls, rich swooshes, and doppler effects associated with the phaser.

The Phase Shifter has a single 16 stage audio signal path to create a very rich, full sound. Phased audio outputs are tapped from stages 7, 8, 15, and 16. Stages 8 and 16 each have a mix output that allow the phased signal to be mixed with an attenuvertable dry signal."