"Function: 10/10 sounds very nice / no hum / excess line noise like some other units/ nice high level output/no scratchy pots/no sticky keys - everything tested prior to listing
Cosmetic: 8/10 - clean, minor scratches/barely visible, normal light wear - no dents/cracks/broken/missing anything - see pics/video."
"Two short captures of the first couple of days with monome teletype module. In sample 1 teletype drives everything, including the PO-12. This involve some self-patching, and the internal teletype clock.
In sample 2 monome meadowphysics drives teletype, which in turns drives the rest of the setup. Sample 2 is basically one of the scenes that came preloaded on teletype, which I patched into my case almost randomly.
Main modules in both samples are teletype, Make Noise Mysteron, drone bed provided by E350 processed through Z-DSP running Halls of Valhalla, and Mutable Instruments Braids."
2. LCO studio notes: teletype 3 a—c
"These are three variations of one scene written in teletype. It's a more abstract, somewhat generative texture engine, with a single tone pattern. All the tempos and structures are derived from the internal teletype metronome (M)."
3. LCO studio notes: teletype 4
"A slightly more expansive arrangement with monome teletype at the center. Teletype is driven by meadowphysics triggers, further breaking up patterns, and controlling pitch variations derived form a single, internal sequence. Additional PO-12 drums are driven by teletype, and processed through CV-controlled Audio Damage Grainshift."
4. LCO studio notes: teletype 5
"This is an abridged performance of two iconic minimalist compositions by Steve Reich (“Piano Phase” and “Clapping Music”). Each composition consists of two “layers” of shifting patterns. I decided to use these patterns as an exercise in constructing a scene in teletype, where each pattern evolves in it’s own right, while staying in a fixed relationship to the remaining patterns.
In the beginning of the video you will see all the screens from teletype explaining how the scene was constructed. In the TRACKER view you can see the first two patterns on the left are the 12 note sequences of the “Piano Phase”. Even though they are identical, I set up two patterns independently, as they are being read at slightly different speeds. The leftmost pattern is being clocked by external triggers, while the rightmost one is being clocked by internal teletype metronome M, the tempo of which is calculated in script 1. The “Piano Phase” theme are rendered by the two oscillators of the Make Noise DPO. The two patterns on the right are simple 1s and 0s defining the sequences of claps based on Reich’s composition. These are triggering pulses that control white noise bursts, and MI Elements.
"Peter Kirn and Andreas Schneider hilighted the most popular workshop at SchneidersBuero Berlin directly after Musikmesse Frankfurt in 2015. Officially introducing the little Meeblip Synthesizers on the desk - one of them is connected to a Future Retro Zillion Stepsequencer, the other one is getting bass lines from HerrSchneiders old XBase09 - they have lots of fun just improvising some beats and rhythms.
On three other videos you will see the workshops introducing the products of Mark Verbos, Tony Rolando and Dan Green soon."
"Nico Silva Oliveira - Jam Night Live Video 6/2015 - 2 of 2
Live Setup: Roland Aira TB- 3, Roland Aira Mx-1, Access Virus A, Roland Mc- 808, Korg EMX, NI Maschine, Pioneer DJM 900 Nexus
"We get a look at the Arturia Beatstep Pro. The new CV/GATE/Trigger sequencer and MIDI controller. From this presentation, it looks like this could be the ideal solution for integrating your analog electronics, drum modules and MIDI gear into one unit."
"Function: 10/10 sounds very nice / no hum / excess line noise like some other units/ nice high level output/no scratchy pots/no sticky keys - everything tested prior to listing
