"Although It's slightly smaller in size, the TTSH is a resurrection of the classic hybrid-modular synth, ARP 2600 AKA the original Star Wars R2D2 voice. It comes in a unique, white Stormtrooper inspired road case with a compartment for your power supply and cables, just unlatch the cover, plug the power and it's on! It offers 3 oscillators, endless modulation possibilities and a built in 4AB3C1C reverb tank for natural and warm decays.It is very easy to setup in any midi situation, just connect any midi controller, sequencer with a CV/Gate out to the CV/Gate input on the TTSH and you're ready to explore a universe of endless soundscape possibilities! I recommend anyone passionate about analog synths to go the extra mile and get this one, it's a musical beast, a must have!!"
"Ok, this is a two part test by request... PART ONE: Raw sound, no effects, testing to see how well the second (top) Mother-32 tracks via CV when the first (bottom) Mother-32 is being played via MIDI keyboard (in this case, the KMI QuNexus with MIDI Expander.) PART TWO: "Almost Berlin-School" test with delay and reverb effects, first (bottom) Mother-32 sync'd via MIDI from Ableton Live and second (top) Mother-32 being played via MIDI from a Moog Sub 37, then sequencer sync'd via CV from the first Mother-32... these are definitely two little boxes with a big sound! I can't wait for my 3-Tier rack to be delivered so I can add the third Mother-32 to this setup!
Additional Note: on part two of this video, I was trying to sync the second Mother-32 in a different way; previously I was syncing from GATE out of one M32 to RUN/STOP in (or to TEMPO in) to the second unit, but the problem with that is, if there is Ratcheting or Gate length changes on the first unit, then the second unit will pick those up. So in this video I used the ASSIGN CV as a sequence tempo out to the TEMPO in of the second unit... unfortunately it didn't work quite like I had hoped, so I'll need to experiment with this more."
"For sale is an Oberheim Ob-xa, incredible condition. Everything works great, it's rock solid. Must've had the bushings replaced at some point because the keyboard feels wonderful. 8 voices, 120 programs. Sounds massive, classic, and huge, the way a vintage Oberheim should. And it stays in tune! I'd heard all these stories about how finicky Ob-xa's were, but this one seems damn reliable. Very minor issues are that one or two voices could be slightly better calibrated to sound absolutely perfect (though it sounds really great as is), and one or two minor cosmetic issues (some paint chipped off the front above the filter knob, and the back left near the Ob-xa label the paint is a little scruffy, see pics)..."
"Now I've had chance to look at these '701 Drum Synthesizers' - and finding not only faulty components but also a 'design fault' ...sorry Bob...:( - I've finally got them working. The problem was a VCA which wouldn't close. It was always 'open' so the unit was just singing away uncontrollably. Neither the filter or either of the two EG's were doing anything. I started by following the hand wired circuit and drawing out a component layout. Then following that, I drew out a schematic and using the schematic I could then fault find. This video is only using the three internal oscillators - one which can be assigned to 'modulate'. There is provision on the rear connector to patch in white, pink and red noise and use those as 'modulators'. That will be the next step... but for now, please enjoy the worlds first ever *working* Moog 701 drum synth video... ;)"
B uchla System #1, O berheim Sem, A rp Odyssey 2811, 2821
2x Soldano SP77 Preamp , Mesa V Twin
Laney Babelswitch, Nobel Alex 1
Moog CP 251, MP 201
Lexicon MPX 100, PCM 80 / 90, TC M one XL
Alesis 3630 Compressor
Aphex Model 104
Rane SM 26
Rocktron Rack Interface, 311 Expander
Yamaha MCS 2
Kenton Pro 2000
Mackie the mixer²
drums Ultrabeat
vid # 1393
"After the Flood, a track from our debut album 'The Future Through A Lens', recorded live in our studio in October 2015.
This live version will be available as a bonus track on the limited edition acrylic sleeve Stark White double CD, which is available to pre-order now: http://vileelectrodes.bigcartel.com/p...
"There are a few scenes in a night club named VROMAN'S in LA. The band is playing 'Boys are Back in Town' credited Brian O'Neal in the closing credits, the keyboards used are a Hohner Clavinet D6 on top of a Rhodes and a Prophet 5 is on stage for the whole song, it can be seen only on two small spots 0:24 in the snippet or 1:08:38 in the full movie and 1:48 or 1:09:55. They have 2 keyboard players. In the scene Murphy calls Nolte who drives then like crazy from the police station to the club in his sky blue 1964 Cadillac DeVille convertible Cadillac"
Update video added above and via Trey in the comments: "The band is The Bus Boys. They were Eddie Murphy's opening act on his comedy tours. Check out the movie Delirious."