The New Church of Wine

Published on Oct 24, 2015 Wein Glas

"Weinglas starts shoegazing ;)

What you see is what you hear: Just a Ciat Lonbarde Tocante Phashi into an Industrialectric RM-1N!"

KORG MS-50 ANALOG MONOPHONIC SEMI-MODULAR SYNTHESIZER

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ROLAND SYSTEM 100 MODEL 101

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Digital Glitch

Published on Oct 24, 2015 Human Koala

"The input of the camera is a little bit saturated
Hertz donut + telharmonic + oscillator 2 into megawave
Modulated by frames, wogglebug, noisering,
filtered by multifilter in bandpass and qmmg lopass gate
Effect : tyme sefari, clouds"

Circuit-Bent Radioshack Delay Demonstration

Published on Oct 24, 2015 nounandnumber

"Video made to accompany an eBay sale. The following modifications have been made:
- Replaced the line out phono sockets with standard jack sockets.
- Added a switch to allow delay feedback at full saturation (a connection between R20 and R25). This reduces the feedback level when the saturation is set low, however.
- Added a momentary switch to create a "punch in" feedback saturation button (connection between R20 and Jumper 4).
- Added a momentary cut to the inputs. As the mic and line inputs follow two routes, a switch has been added to select between the two.
- Created a touch point to slow the delay speed. This is a connection between C23 and ground and (I think) bleeds the resistor charge. It does come with a high-pitched whine when bled though.
- Replaced the original 4558 op amps with socketed 4580s (after reading about it here: http://zerotronics.com/rsrvb/). Looking at the before and after audio's spectral frequency seems to show a slight reduction in noise around 2kHz, but it is barely noticeable to be honest."

Farfisa DK250

Published on Oct 24, 2015 ikworgek

"Demotrack from the Farfisa DK-250
It is a home keyboard with some simple synthfunctions.
2 wavetable sounds can be combined with seperate envelopes for both sounds. There is a build in reverb/delay bij Alesis.

enjoy!"

Modular Demo 1

Published on Oct 23, 2015 Vlazhnye Fission

"First modular video demonstration. Dual VCO, Quad Serge Waveshaper, Dual Lowpass Gates, Quad VCA, Joystick voltage source. VCO1 as carrier oscillator, LPG1 self oscillating through VCA as modulator, self oscillating waveshaper through VCA as secondary modulator and voice, VCO2 as clock, with PWM and feedback to create rhythmic variation. Work in progress, more modules on the way."

Interesting front panel!

MIDIBox Sequencer V4 - Part 3 - Note Tracks & Transpose

Published on Oct 23, 2015 Andrew Scheidler

"More demo/tutorial on the MIDIBox sequencer I built.
Creating some tracks with multi-note 'Note' tracks and transposing them. Uses techniques covered in previous videos.
Huge thanks to Thorsten Klose for designing the greatest sequencer ever :-)"

All parts here.

Modular Wild visits Machines in Music-Modular Synthesizer Fair

Published on Oct 23, 2015 Modular Wild

"A short video of the crowd and sounds at the Machines in Music Modular Synthesizer Fair held on Oct. 17,2015 in Brooklyn,NY.Check out Vince Clarke at :28. Sound and Video by Raul Pena."

Audulus Videos by Bimini Road

Published on Oct 18 - 22, 2015 Bimini Road

http://audulus.com
www.biminiroadelectronics.com/audulus

"Note: Glitching is not in Audulus - it's from how I had to route my audio to record the video."

Playlist:
1. Bimini Road - Audulus 3.0 Preview
2. Bimini Road - Audulus Dark Ambient Improv 10/18/15 3.0 Beta

3. Audulus Patch - Polyphon (Work in Progress) - "No sound - just a demonstration of the visualizer on a patch in progress with the new Audulus 3.0 RGB LED and front panel meters."

4. Bimini Road - Audulus Patch - The Warpeggiator - "The Warpeggiator works by using keyboard input to control step values in a sequencer. The Warpeggiated sound is panned a little more towards the left - an unaffected keyboard input is more in the right. The the button turns feedback on an off, which uses the output of the sequencer to control the key input routing to each step (the Pattern control). Using the Touched Clock with the Warpeggiator allows for infinitely unique and grooving patterns, from the melodic and ethereal to the nasty and growling.

6:56 - Design"