Tuesday, March 15, 2016
FieldScaper 1.4 To Include Looper Mode
iTunes: FieldScaper or bundled with SouncScaper.
via Motion Soundscape:
"New version FieldScaper 1.4 will have new advanced looper mode for convenient use this application in real-time sound mangling.
FieldScaper - an advanced field recorder combined with a sound warp engine and a collection of ready to use dynamic presets for iPad and iPhone. Discover new ways to create and construct unusual and exciting sounds from any environmental audio recordings or samples recorded from other apps through Inter-App audio or Audiobus.
The 'Looper' mode changes the user interface to more convenient use of application in real-time and processing external sources. Use the button 'Looper' on the main screen to switch on this mode. For return to the main screen use the button 'Scaper'.
In this mode you can fast switch the presets and samples for each of oscillators. For oscillator there are five assignable buttons for presets and samples. First oscillator can be fast selected for processing of any external sound sources (include IAA and AB) in one of four modes.
Please note: In the 'Looper' mode application does not create any files when processing external sources.
The four buttons are selecting the processing mode for external source.
'Effect' - In this mode the input signal will record to the loop and oscillator is playing back this loop at the same time. The speed and direction of playback can differ from recording depending on current preset.
'Overdub' - In this mode the record to the loop will be enabled when the input signal exceed specified threshold. When input signal falls below another threshold the record will be off but already recorded signal will continue playing back. The recording can be started and stopped at any time in the loop.
Tip: To shorten the time of stopping record when input signal falls below threshold you can set a lower value of 'Stop recording time' on the 'Audio input control' panel.
'Loop A' - This mode intended for auto start the record at the beginning of the loop when input signal exceed specified threshold. Next the oscillator will playing back this loop.
'Loop M' - Mode for manual start recording to the loop. The led on the 'Start' button will flashing when waiting for record start. Tap the 'Start' button to switch on the mode of waiting input signal. When input signal appears the record will start and stop at the end of loop.
When you select the 'Loop M' mode you can use input monitor when the 'Looper' waiting for start (The led marker on the button 'Start' is flashing). Set the 'Input monitor - on' mode to get source signal on the output at waiting for start. After start the input monitor will mute.
'Input' - This button opens the 'Audio input control' panel. In this panel you can set the thresholds of input signal for start and stop recording.
Above the control buttons is placed the area in which the loop record is displayed. Two moving markers point the record and playback position in the loop. Bright bars indicate when the minimum of signal is present (above -35 db). Red bars mark the optimal level of signal for processing in the scaper (above -10 db).
The five buttons below the control buttons can be assigned for selecting presets and samples.
'Assign preset' - Assign preset for one of five buttons above.
'Assign file' - Assign file for one of five buttons above.
You can assign MIDI controls for the preset and file select buttons and for looper 'Start' button. All of these controls are at the end of list which accessible on the panel 'Settings' - 'Assign'."
Serge modular pulsating patch
Published on Mar 15, 2016 Chris David
"Using the DUSG as a pulse source for the VCF."
Introducing Chromaphone 2 acoustic object synthesizer plug-in VST AU AAX RTAS
Published on Mar 15, 2016 Applied Acoustics Systems
"Thiago Pinheiro presents the Chromaphone 2 acoustic object synthesizer plug-in.
Chromaphone 2 is an acoustic object synthesizer plug-in in VST, Audio Units (AU), RTAS, and AAX formats for Live, Logic Pro, Pro Tools, Cubase, Reaper, Sonar, FL Studio, and many more. Try Chromaphone 2 for free.
Chromaphone 2 – Acoustic Object Synthesizer
https://www.applied-acoustics.com/chr..."
"Chromaphone uses acoustic resonators to create drums, percussion, mallet, string, and other unique instruments. They get sparked into life by a mallet and a flexible noise generator.
Modeling based synthesis gives you access to all source and resonator parameters. Customize instruments to perfectly fit your project or follow your inspiration and build entirely new ones for really creative and innovative sound design...The Effects panel wraps up Chromaphone 2 as an all-inclusive package with awesome polishing tools...
Chromaphone 2 ships with premium performance features: unison, vibrato, and a complete set of MIDI features. And for even more action, Chromaphone provides a user programmable pattern arpeggiator and shortcuts to the high quality effects...
Chromaphone 2 is packed with more than 650 presets from the best sound designers. Instruments span from warm and mellow pitched percussions for melodies to punchy one-shots and kits for rhythm tracks. Twisted, they generate unique textures and soundscapes that will move any film score. Whether real, other-wordly, or with an ethnic touch, Chromaphone will fill your music with rich and organic tones..."
LABELS/MORE:
Ableton,
Applied Acoustics Systems,
New,
New in 2016,
New Soft Synths,
New Soft Synths in 2016,
Soft Synths
Solton Sm100: escape from New York + oscilloscope
Published on Mar 15, 2016 Polynominaldotcom
"Movie theme played by italian polysynth Sm100, for more info:
http://www.polynominal.com/Solton-SM1..."
KOMA Elektronik Poltergeist Analog Quadraphonic Mixer Teaser
Published on Mar 15, 2016 KOMA Elektronik
Playlist:
1. KOMA Elektronik Poltergeist Analog Quadraphonic Mixer Teaser
"Teaser video for the new KOMA Elektronik Poltergeist eurorack module. Analog quadraphonic sound recorded with a binaural microphone to illustrate quadraphonic sound best in stereo. The video starts off with the Bastl Tea Kick which is panned to all outputs with the field control. The bassline's panning is sequenced with the Komplex Sequencer. The noise hats come in and are sequenced via sample and hold. Lastly the pad is panned around from the Master Origin from a Intellijel Dixie sawtooth wave.
NOTE: Wear headphones to experience this video correctly. This is a binaural recording of the Poltergeist in a quadraphonic room to best display its capabilities in a stereo setting. Recorded with a Neumann KU-100 binaural mic courtesy of Bohemian Drips in a quadraphonic studio with Neumann KH-120 monitors at Noize Fabrik, Berlin.
For more information refer to the product page and manual: http://koma-elektronik.com/?product=p..."
2. KOMA Elektronik Poltergeist Example Patch: Crossover
"In this binaural stereo video, we illustrate the Poltergeist with the Crossover example patch from the manual. Input your synthesizer (Anti Oscillator to SVF-201 to Doepfer VCA/Doepfer ADSR) to one channel. Also take the pitch CV (which is sequenced from the Komplex Sequencer) to the Pan CV Input so the sound moves along with the melody. Komplex Sequencer Play Mode and Poltergeist Pan slope are changed throughout to evolve the patch.
NOTE: Wear headphones to experience this video correctly. This is a binaural recording of the Poltergeist in a quadraphonic room to best display its capabilities in a stereo setting. Recorded with a Neumann KU-100 binaural mic courtesy of Bohemian Drips in a quadraphonic studio with Neumann KH-120 monitors at Noize Fabrik, Berlin."
3. KOMA Elektronik Poltergeist Example Patch: Dopplerganger
"In this binaural stereo video, the Poltergeist is employed to create two alternating doppler effects. With a pitched sound going through 2 channels, use a slow attack envelope (PEG here) and connect to the Master Origin. Now take a triggerable LFO (Pingable LFO) and connect it to the VCA of both channels as well as the pitch of the VCO. Match the attack time of the envelope to one period of the LFO. Now set the Pan pot of the first channel so the sound comes from Quadrant 3 to Quadrant 1. The second channel is set so the sound moves from Quadrant 4 to 2. You will hear the same sound coming towards you from the front and from the back alternating with each other."
4. KOMA Elektronik Poltergeist Example Patch: Bruce Bickford
"The Poltergeist Quadraphonic mixer in action with the Bruce Bickford patch as found in the manual. Recorded with binaural microphone to illustrate better quadraphonic sound in stereo. Patch your hi-hat sound (in this case Doepfer Noise through the SVF-201 into the Poltergeist VCA that is CVed by the Doepfer ADSR) into a channel. Take the trigger for your hihats also to clock a S&H module that is processing noise. Then take the CV from the S&H into the channel's Pan CV to move the hihats randomly around the quadraphonic field.
NOTE: Wear headphones to experience this video correctly. This is a binaural recording of the Poltergeist in a quadraphonic room to best display its capabilities in a stereo setting. Recorded with a Neumann KU-100 binaural mic courtesy of Bohemian Drips in a quadraphonic studio with Neumann KH-120 monitors at Noize Fabrik, Berlin."
Jam with Finger Pro BassLine Synthesizer
Published on Mar 15, 2016 Synth Anatomy
"In this video, I want to show you a jam with the Finger Pro BassLine Synthesizer which is based on the Roland 303 BassLine Synth."
iTunes: BassLine - Analog Modeling Synthesizer - Markus Waldboth
Chris Cook Seaboard RISE composition for the The Abbey Road Institute
Published on Mar 15, 2016 ROLI
Monday, March 14, 2016
Alesis Andromeda Analog Synthesizer Ecstasy
Published on Mar 14, 2016 gstormelectro
"All audio and video by G-Storm Electro c.2016
http://gstormelectronica.blogspot.com
http://soundcloud.com/gstormelectro
In this video the Andromeda deploys an onslaught of non-stop analog sensory bombardment.
All synthesizer audio coming from the Andromeda comprising over 40 original patches. No outboard effects were used, only a few instances of the built-in delays and reverb. All sequencing and arpeggios also from on-board. Rhythm provided by a Roland TR-8. Thanks for watching. Be sure to subscribe, like and comment."
Video features the rarer Red / Burgundy accented Andromeda A6.
MT40 Digital Dancehall Revolution promo
Published on Mar 14, 2016 GoldbabySamples
"The MT40 Digital Dancehall Revolution is available now: http://www.goldbaby.co.nz/mt40.html"
Casio MT-40s on eBay
"The Casio MT40 looks like a typical 80s home keyboard, however it has a remarkable history. It was used to create a song called Under Mi Sleng Teng... which kicked off the digital Dancehall revolution. The rock drum preset and bass accompaniment are unmistakable and have been used numerous times since.
The MT40 drums are lofi but surprisingly punchy. The Bass is warm and fuzzy and very distinctive. The keyboard instruments are based on 2 mixed variable pulse square waves, with digital envelopes and a low pass filter.
I have given this famous little keyboard the Goldbaby treatment. Using a studio full of tasty analog hardware to sample all the drum sounds as single drum hits and loops ( Rex, Apple and Wav). I have also sampled the bass sound with 4 different signal chains and lastly I multi-sampled 16 of the keyboard tones.
This sample pack pays homage to a very unexpectedly influential instrument. Had a fantastic time creating it and I think it sounds great!
With kits and instruments for Geist, Battery, Reason, Logic, Kontakt and Maschine."
THE 3000 DOLLAR BOX [ROLAND TB-303]
Published on Mar 14, 2016 djtricks1
"LIVE ..WITH ROLAND AIRIA..
Twisting Knobs ... That 'kIng 303 Sound'
(Still asking silly prices on eBay ..!!!!!)" [Indeed they are]
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH


























