"This is an amazing synth, considered the ultimate FM synth Yamaha ever offered, 8 operators and very unique formant filters, this rack will give you unheard of sounds you can't get anywhere else. I don't think even software plugins have caught up with all the capabilities this unit offers. A must have for modern edm productions needing that unique edge. Don't miss out!"
"Demonstration of Cat Girl Synthesizer's CGS49 Dual Wasp Filter. In this video I put Ken Stone's version of the Wasp Filter through some basic yet incredible sounding paces. Also in the patch are a Synthesizers.com Q106 VCO, an Oakley Multimix, Classic VCA and Dual LFO and a PAiA 9720 VCO running in LFO mode."
"Episode 3 of the 'Circuits and Strings' series from subtractiveLAD aka: Stephen Hummel.
I wanted to try a Frippertronics-style jam but using an acoustic guitar, instead of the more conventional electric guitar.
My Taylor 310ce is electroacoustic so I am able to patch it directly into my pedalboard, which can be pretty inspiring. I have tuned the Taylor to DADGAD. For this performance I have the guitar running into my Ernie Ball VP Jr, then into the Strymon TimeLine and then into the Walrus Audio Descent reverb pedal. My pedalboard is then patched directly to my Boss RE-20 Space Echo, which is functioning as my tape looper for this jam. The Space Echo is set to a delay time of somewhere in the neighborhood of 7 seconds to achieve the looping effect. During the performance, you will see me shifting the parameters of the Descent with an expression pedal and tweaking the settings on the TimeLine and Space Echo to achieve various spacial effects. I performed an overdub on the Korg MS-20 Mini to add low frequency accents - the synth is also going through the Space Echo but used only as a simple delay. Some additional mixing/subtle processing was done in Reaper."
"Unboxing the OTO Machines BAM space generator reverb unit. There's no talking in this video, just some music processed by BAM.
All the synth parts in the music were recorded with the Native Instruments Monark synth in Ableton Live. The synth bus was then run through the BAM with some light tweaking."
"track I wrote for a BBC one series with superimposed footage I shot tonight, around London docklands and Blackwall tunnel.
all sounds (except glitch noises) from a DSI OB6"
"Eurorack jam with lots of cable spagetti.
Patch notes:
Main arp is from tides, runs into clouds, sequenced by octone
Bassline is spectrum into e440
Pad is STO into polaris into bigsky shimmer
Glitches from e350 and quadnic into erbeverb, triggered by varigate4
bp tones is osc-03 into SOB
Sequences are from elektron analog 4, baby8 and octone. Percussion from elektron analog rytm"
- 26 HP, 1” in depth – super slim and Shuttle friendly
- Dual multi-mode filter (ladder, diode, vactrol, state-variable lp/hp/bp and comb) in dual, stereo and serial modes
- Dual AD/ASR/looping envelope generator that acts as band-limited oscillator when cycling at linear slopes
- Stereo “Cabin Pressure” processor with different ambient effects: from shimmered halls and reverberations to a spring simulation over tape/ping-pong delays to a chorus
- Separate mono modular level output and stereo line level output for direct line recording or driving the headphones.
- Easy firmware update via USB
- And of course fully compatible with GatewayT_XP
- I/O: 48 kHz 16 bit audio"
