"This a great working vintage keyboard/synth/sequencer package. (note one of the photos shows the low battery in the display), the battery was just changed out with a fresh alkaline pack at the time of the listing, that should last for years. sounds great, and is in VERY nice clean condition. no damage, great for the stage, recording, etc."
Playlist:
Glo Phase - Analog Rytm Set (secret statues)
Glo Phase - Analog Rytm Set (neon static)
Glo Phase - Analog Rytm Set (tiny fragmentation)
Glo Phase - Analog Rytm Set (moh)
Glo Phase - Analog Rytm Set (lobh)
Glo Phase - Analog Rytm Set (krodh)
Glo Phase - Analog Rytm Set (kaam)
Glo Phase - Analog Rytm Set (ahankar)
"A short MFB tanzmaus set with freshly uploaded custom samples. Recorded mono through a focusrite preamp. No external processing aside from some light limiting.
"Title says it all. Modal 008 sequenced by ADDAC 222 receiving CV and gates from Noise Engineering triad and Ornaments and Crimes. Audio processed by Intellijel Rainmaker and Mutable Instruments Clouds."
"All sounds from the Korg Minilogue and drums from the Elektron Machinedrum UW. Only the built-in effects are used.
I forgot that the Minilogue is equipped with an arpeggiator so I used Ableton Live for the bass. You can see that I'm programming a short sequence on the Minilogue later in the video. For some reason it starts halfway through the pattern but as it's synced to Ableton Live it works anyway."
"Yence505 - 'All Analog 12'
After a coupe of weeks of having no new ideas or inspiration, this was the only thing worth recording so far. Pretty sad melody, not intentional, just happened. Very rough version. Arranged and sequenced in Ableton, but only sending midi to all the analog gear. Recorded in one go, no multitracking, plugins, etc...
Akai Tom Cat + Rhythm Wolf: Drums
EHX Crash Pad: open hihat, ehx pulsar does autopan on it
Korg Volca Keys: brass melody (has ehx memory toy and spring reverb on it.
Korg volca Bass: Bassline, waldorf 2-pole is providing the stutter effect on it.
Arturia Microbrute: pulse/flute-ish melody
Vermona Mono Lancet: arp"
A fitting tribute from someone at the birth of the resurrection of early Roland analog. I added this to the main post here.
For anyone not familiar with A Guy Called Gerald, via Wikipedia:
"Gerald Simpson (born 16 February 1967), better known as A Guy Called Gerald, is a British DJ, record producer and musician. He was an early member of 808 State, and later achieved success as a solo artist. He is best known for his early work in the Manchester acid house scene in the late 1980s[1] and the track 'Voodoo Ray'. His style developed during the early 1990s, and his 1995 album Black Secret Technology would become a "much-touted candidate for 'best jungle album ever.'"[2]"
"Everything you are hearing and seeing was recorded in real time!
Took my station wagon Wilma (Wilma Wagon) out to the beach today for some nice ambient patching. This will be the start of a new series, each episode with a new natural wonder, each with a new patch and each episode featuring Wilma. Enjoy!
This Patch’s Secrets:
***Power was graciously received from Wilma Wagon’s battery and a power inverter. Audio was recorded with a Scarlett 2i2, and some DI boxes.
// Key Pings: Moog Mother 32
LFO Rate is randomly controlled by its own assignable output
Sequencer is randomly reset at random intervals also from its assignable output.
// Drone: Rings
Rings is receiving Mother 32’s KB output for the v/o
Intellijel Dixie II in LFO mode is controlling Ring’s Structure CV using the sine wave output
Ring’s is being strummed by Mother 32’s LFO Square Wave
Brightness is controlled by Mother 32’s VCO Pulse Wave
The triangle wave output from Dixie ii attenuated by Triatt is controlling the Position CV.
Mother 32’s triangle wave is attenuated then sent into Rings frequency CV for a very small amount of vibrato.
// Effects
The Mother 32’s output is being fed into a Boss ME-50 which supplies heavy amounts of reverb and delay. It is also run through the JHS Alpine and then into a second delay, the MXR Carbon Copy.
Rings output is being sent though into Ocean Verb set in Shimmer mode. The mix is 75% Wet output.
Faintly in the background is the natural audio captured by the camera’s mic. This is unaffected."
