Korg Monologue & EHX Deluxe Memory Man

Published on Aug 17, 2017 3rdStoreyChemist

"Monologue synthesiser through the DMM delay.

No further processing except normalisation."

Adamski Ajull DIY analogue synth project (The front panel Design Pt1)

Published on Aug 17, 2017 Adamski Ajull

"Hey guys , I just wanted to share with you my ideas and progress on building the front control panel for my prototype synth. As I have said at this stage its important I make sure that everything sits fairly right layout wise , before getting the final metal panel made. I have no idea in how to use front panel layout software, so if anyone reading this can assist, it'll be greatly appreciated ;-)"

Update:

Adamski Ajull DIY analogue synth project (The front panel Design Pt1)

Published on Oct 19, 2017 Adamski Ajull

3 Modules #19: Clouds, Ripples, µScale

Published on Aug 17, 2017 Comparative Irrelevance

"Clouds! Clouds for days! I can't seem to touch this thing without it spitting out lovely ambient pads.

There's a couple of interesting things going on here, I think. For one, this patch dabbles in what granular synthesis literature typically calls "wavelets". This is just a word for grains with basic waveform contents, but they tend to produce nice granular... clouds.

Second, it "exploits" the fact that Clouds V/Oct sets the pitch per grain – kind of like a S&H – instead of continuously changing it. In other words, you can use an audio rate signal to set the pitch and still get nice sustained notes as long as the grain size is relatively high.

Patch notes:
Ripples' resonance is turned up to self oscillation levels (but not completely maxed), in order to produce sine waves at the outputs. One of those outputs is fed into Clouds – as an audio source.

Another is sent to µScale, quantized, and then passed to Clouds' V/Oct. You may notice that the pitch rises when I turn up the resonance. This is because the increased resonance amplifies the produced sine wave, which lets µScale reach higher notes. With subtle resonance adjustments you can hear the output move through different inversions of the quantized chord.

The third sine wave is sent back into Ripples' FM input. By turning up the FM amount, a more harmonically rich signal is produced. You can hear this at around 4:30, as I unfreeze/re-freeze Clouds' buffer. At about 6:00 we're back to the sine wavelets.

High grain density coupled with Clouds' built in reverb, means that the output sounds like full chords instead of individual notes. Playing around with the notes on µScale lets me change the harmonies.

Thanks for watching!"

Randologue - Randomizer for the Minilogue

Published on Aug 17, 2017 Kablehead

"A big THANK YOU to the creative person who programmed Randologue!
And sorry, i made a mistake, it's for PC only!
Here you can download the program for free:
http://forum.music-society.de/showthr..."

Expressive E Touché Demo & Review

Published on Aug 17, 2017

"Expressive E Touché Demo & Review
デモ＆レビュー

DEMO by Katsunori UJIIE."

Mf 108 Clusterflux sequenced midi via Novation mono station

Published on Aug 16, 2017 Fuzzo Frizzbeebot

"Sequencing the Moog Clusterflux. The Clusterflux track's midi fairly well. There are a lot of sequencing possibility's here this is just a simple midi set up. The mod sequencer on the mono station can be used as well with the clusterflux. Running the clusterflux into the mono station is also possible. Here I'm simply working with a drum machine pattern clocked to the mono station."

Homeward Bound | Dictaphone, Piano, OP1, FX Deformer, Timeline

Published on Aug 16, 2017 Hainbach

"Leaving my old home for my new home.
Find my Music on iTunes, Spotify, Bandcamp here: https://goo.gl/EfKXoq"

Access Virus TI Polar DarkStar Part. 3

Published on Aug 16, 2017 DKS SYNTH LAB

All parts here.

Imperfectionist for TAL Sampler

"Intro price of $20 until 31st August - https://sellfy.com/emptyvessel

In the vein of my factory presets and previous Dystopia sample pack for the TAL Sampler I present another 80 patches of dark ambient textures, pads and keys, dubby stabs and dirty, sub-heavy dusty basses. If you enjoyed Dystopia then you should enjoy these.

360Mb of fresh, original samples sourced from field recordings, vintage analog, modern digital - processed, re-synthesised and generally painstakingly mangled and mashed then left in a dusty attic for 6 months.

These samples have then been lovingly assembled using the various DAC models of the TAL Sampler to add crust, grit, crunch, dirt and artifacts into a set of patches suitable for dark, dubby, bass-orientated genres, ambient, experimental, trip-hop, dub-techno, D&B etc."

Soundcloud demos are here - https://soundcloud.com/emptyvessel_nz/sets/imperfectionist-for-tal

All TAL Sampler, drums from Maschine and minimal added FX for mastering only.

The pack can be purchsed from my store here - https://sellfy.com/emptyvessel"

Beyond 2000 | S1E9 | Kurzweil Sampler | Ejection Seats

Published on Apr 30, 2015

Update: embed fixed. It should start 16:24 in with the Kurzweil segment.

This one in via Luke. The segment from an Early 80s science/technology program called "Beyond 2000". Watch the full segment for the price.

"In This Episode:

0:59 "Ejection seats" Jeff Watson walks us through the history of the ejector seat, and where it's at today (today being 1985).
8:57 "Seaweed harvesting" Carmel brings us a story from South Korea, and lets us know that in the 21st century all our food needs will be met by the Soylent Corporation.
16:34 "Kurzweil 250 sampler" Iain Finlay teams up with session musician Dave Kimber to demonstrate the Kurzweil's sampling ability. A bargain at only $28,000!
21:52 "Wind Power" Jeff Watson reports from Medicine Bow, Wyoming on a promising renewable wind energy project that was, of course, ground into the earth by Big Oil.
29:11 "Aurora Borealis" Chris Ardell-Guinness reports from Finland on one of nature's most spectacular displays. Features spectacular Aurora facts!
38:20 "Japanese Aviation C1-QSTOL" Iain presents the ugliest plane ever built.
44:56 Next week..."