The following are the details minus the audio demos. You'll need to click through above to get to them.
"Thanks again to all backers for the enthousiasm and support! Only a few days left to back the campaign, so if you want an Percussa SSP Eurorack module act now :)
I've been working on a version 1 implementation of a granular processor for the Percussa SSP and Engine. This could be the basis for the granular processor mentioned in Stretch Goal #2. Check out the audio demos below:
Teenage Engineering OP-1 & axoloti software environment used to program a quad granular synth plus low-pass / hi-pass filter.
Update: some additional info on Axoloti via Servando:
"Axoloti It’s a standalone board in which you can program audio effects, synthesizers, midi/cv sequencers and almost any low latency / high quality (24/48) audio gadget you can imagine.
To program the chip you use a graphical programming environment that resembles in a way to puredata / reaktor or a virtual modular synthesizer. This board it’s open-hardware / Open-source, so there are lots of ready made amazing synths & effects to play around with.
the axoloti patch I’m running in this video it’s a 'performance granular synthesizer'. It does Live sampling via audio input and has four different granulators with different characteristics (static / dynamic) and additional lowpass / hipass filters to enhance even more the sonic difference between the granulators. This patch done in 1 Hr was inspired by some vaporware (just a 3d render) granular synth. For more info you can visit www.axoloti.com"
You can also see the Axoloti label below for other posts featuring the Axoloti.
"If you would like to support me, a great way to do that is to grab a copy of my latest album, Beyond Theory, or any of the albums I have available here... https://lektroid.bandcamp.com/"
"Fully Serviced Moog Sonic Six in 100% functional condition.
Internally, the power supply has been rebuilt, all electrolytic and tantalum capacitors replaced and various internal trim pots replaced for better stability. Also, the key bushings were replaced and all switches, pots and the keybed buss bar and j-wires were cleaned. It is fully calibrated and the tuning has been scaled.
Cosmetically, it has some replacement knobs and slider caps, but they all fit properly. There are a few light scratches, a small scrape near the left latch, and a small piece of plastic broke off of the IEC power jack but it doesn't structurally affect the jack at all."
About:
Control is a synthesizer brick & mortar shop located in the South Williamsburg Neighborhood of Brooklyn, NY.
We specialize in Eurorack Modular, vintage traditional and unusual eccentric electronic devices both analog and digital. Please do not hesitate to get in touch."
Leonard Bernstein: Young People's Concerts Vol. 2 | Bach Transmogrified
Marius Buia
Published on Oct 9, 2015
"Original Broadcast: April 27, 1969"
Comes in after 15:10. Switched on Bach gets a mention. Unfortunately the "performance" is moor of a "pose" with a pre-recording on tape by Walter Sear. Still fun to watch, especially the kids' reactions, or lack thereof for some. Note the system is powered on, as you can see the sequencers are running. Also, for some context, the Minimoog wouldn't be released until a year later in 1970.
Update: video of the Moog performance:
Young People's Concert: "Bach Transmogrified" / Bernstein · New York Philharmonic
"Young People's Concert: 'Bach Transmogrified'
with the New York Philharmonic
Written and conducted by Leonard Bernstein
Bernstein discusses different transmogrifications or treatments of Bach's works. After an organ recital of the Little Fugue, guest conductor Leopold Stokowski conducts his own transcription of the fugue for symphony orchestra. Other transmogrifications include Foss' Phorion and a version of the Brandenburg Concerto No. 5 performed by the New York Rock and Roll Ensemble.
In this excerpt, Bernstein discusses the Bach Little Fugue in G Minor heard on the Moog Synthesizer.
Original CBS Television Network Broadcast Date: April 27, 1969
Produced and directed by Roger Englander
