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Tuesday, April 30, 2019

::vtol:: last breath


::vtol:: last breath from ::vtol:: on Vimeo.


http://vtol.cc/filter/works/last-breath

Recently I have been actively developing the concept of “passive instruments”. I understand passive instruments to be different multimedia objects that do not require management so much as co-existence with them based on relations born of a mutual “hybrid” symbiosis.

“Last breadth” is an example of such an instrument. The operating principle of the object is fairly simple – the exhaled air (its pressure and flow rate) activates the generative process, which depends on the exhalation parameters and is managed by the air movement in the organ. The object does not require any special game technique, although any change in the breathing (either premeditated or caused by physiological factors) is directly dependent on game dynamics and also on all the other parameters used to generate the sonic flow.

The idea of this project came to me during an emotional upheaval and concerns about my health that occurred all of a sudden. It is not as I had real grounds to worry about my life. On the other hand, however, the outcome is well-known and could happen at any moment. I don't feel any existential fear of death. On the contrary the “transition” is a wonderful topic for studies as part of art practice. I consider this object to constitute a deathbed mask – a ritual instrument of dying that can be played with when I no longer have any strength to use any other instrument. Until my last breath. And the final representation of the object was formed on this basis: sterile cyber-gothic, new rituals, the organs that support the functioning of the organ.


soft:

- pure data

hard:

- custom electronics
- diy breath controller
- multichannel sound system

video, photo - Anna Kortyukova, Moscow, 2019.

9 Live Eurorack Jams - 1 patch, 1 VCO, 3 Filters, 1 WaveFolder, Drums and a touch of Juno 60


Published on Apr 30, 2019 While We Were Sleeping

0. 00:00 Intro
1. 01:00 Its Friday again - 113bpm 8:30s
2. 09:20 To much delay - 98bpm 5:50s
3. 15:04 Juno Arp - 124bpm 5:30s
4. 20:36 Juno Lucina - 100bpm 8:30s
5. 28:14 Groovy Saturday - 113bpm 7:30s
6. 34:57 Up - 103bpm 4:30s
7. 36:41 Minimal - 124bpm 2:30s
8. 39:09 Psychedelic - 104bpm 1:25s
9. 40:30 Ambient - 60bpm 3:05s

🎧 or 🔊 🔊 for Bass and stereo image

Kloob Blotet (Blofeld & Tetr4 joining forces)


Published on Apr 27, 2019 - Kloob -

"Testing some darky tones on these very cool synths.

The track consists of 4 sounds from Tetr4, whose audio outs are routed separately to the audio interface, and 4 soundscapes from Blofed; two background atmospheres and the deep ones played realtime. Its a nice sounding balance between analog and digital worlds.

Moreover, the Eventide Blackhole reverb plugin (very creative device) and Crystallizer (from Soundtoys) provide a great ambience to the track. It´s very interesting how good fx transform sounds… good discussion here :)

Well, this is not my usual stuff, but I really like the feeling I´ve managed. Maybe in a near future I’ll finish some tracks like this for a release.

By the way!!! A brand new Dark Ambient album will be released soon. Stay tuned!!!

Thanks for listening!
All the best!

https://kloob.bandcamp.com/"

SOUND BLAST FROM THE PAST: THE SPEAK & SPELL FROM TEXAS INSTRUMENTS


Published on Apr 29, 2019 Audio Wanderer

"WARNING: This video may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised

The most known voice synthesizer of all times. Built in the 70s with technology than only can rival at that time with the dharma initiave. Conceived as a teaching machine it uses changed across the time, being is easy way to be hack through circuit bending techniques the reason that this unit is still a SOUND BLAST FROM THE PAST

Download a sample library from this awesome teaching/glitching machine here:
https://audiowanderer.bandcamp.com/al..."

Sequential Circuits Prophet VS Rack

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via this auction

Vintage '70s Elecktor Formant Analogue Music Synthesizer

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via this auction

Pics of the inside and one of the manual cover below.

"The Formant Synthesiser is a synth DIY project published in Elektor magazine between 1977-1979. It was the first small-scale analogue synthesiser around with modular construction that could be built at home at an affordable price. Includes card extension cable for testing and some additional spare parts, cassette tape, and manual. Everything working well, aside from the ring mod section which is disabled."

1977 Crumar Multiman S-3 SN 00421

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via this auction

"Great analog 70’s string machine.
Sounds great. Has custom “transpose” mod (I’ve seen others with this but don’t know much about it, when switches are thrown it drops the keyboard down a half step). Comes with original gig bag. Some minor songs and the binding on one end is warping, see pics. But overall I’m great shape and sounds great. It's heavy, UPS shipping est. is $50. will vary depending on location."

Oncor Sound Inc Original Owners Manual LGS 6000/BGS 4000 The Touch Guitar Synth

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via this auction

You can see one here (may not be safe for work for some).

"Oncor Sound Inc Original Owners Manual LGS 6000/BGS 4000 The Touch Guitar Synth 1979

Original factoery publication from 1979, if you own one of the 'the touch' guitar synth's this original owners manual is a must 11-pages"

What is a "Touch Guitar" Synthesizer?

The "Touch Guitar" is a unique approach to guitar synthesis eliminating the need for pitch correction. (Pitch extraction is a method whereby an electrical sensor determines string vibration and uses this pitch reference to drive and external synthesizer). The "Touch Guitar" allows the musician to play faster than other guitar synthesizers. The fret board on a lead "Touch Guitar" contains ninety-six touch-sensitive frets. These frets do not physically move to actuate fret position. Because of the lack of any physical movement these switches should last for the owner's lifetime. A musical will no longer need strings or mechanical tuning pegs. The strumming section uses a spring loaded strum bar. the tension on this bar simulates the plucking motion of a regular guitar.

The "Touch Guitar" is engineered for total synthesis from a self-contained unit. It offers all the possibilities of a regular guitar...

Synthesizer Controls
Octave Switch
Resonance
Cutoff
VCA
Attack
Decay
Sustain
LFO 1
LFO 2
Switch 1 - 10

Condor GSM Guitar Synth Original Catalog + Hand Written Note Cecil Gullickson

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via this auction

See the seller's other items for more.

"Condor GSM Guitar Synth Original Catalog + Hand Written Note From Cecil Gullickson, Gullickson Company + 1980 Price List

Original company publication with a hand written note from the owner of the company Cecil Gullickson

full line catalog covering the GSM synth, the bass version, various modulators, parts
the RSM synth for reeds and brass and a 1980 price list"

Vintage Baldwin Syntha-Sound Synthesizer Manual plus overlays

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via this auction

"This is a copyright 1972 manual or guide to the Baldwin Synth-Sound, a very early US-produced synthesizer. It includes four overlays and two supplementary information sheets. The book has wear, some of the plastic binding is broken, and some pages have become discolored from age. Still, this is a pretty rare little artifact of early US synth history. Book is large, about 15" by 10", but not very thick."

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