MATRIXSYNTH


Monday, October 21, 2019

Elby Serge ES23 Sequencer-Programmer 4mm


via this auction

via Elby Designs:

"The ES23/ES24 Sequence-Programme is a Serge inpired multi-stage sequencer. Unlike most sequencers, this one makes no use of binary counters. Rather, it uses a set of individual stages, each one directly accessible. As such it could be considered to allow "random access".

The number of programming stages can be increased in blocks of 4 by adding one or more ES24s.

Features include the ability to be used as a push-button manual programmer and/or as a multi-versatile sequencer. The length of sequences can be programmed interactively via the pushbuttons: thus sequence lengths can be changed in performance while a sequence is running. Other sequencing capabilities include RESET, UP/DOWN, HOLD pulse inputs, and a switch to START or STOP the sequencer.

The [PULSE] inputs allow triggers from other modules to turn specific stages on. These inputs require a logis signal greater than 3.5V.

The [Common Pulse] output goes high and remains high while a push button is pushed.

The [All Events Pulse] gives a trigger pulse on any change of stage.

Each stage includes a skip/stop feature. In the [NORMAL] position the stage activates in its sequential position. In the [STOP] position the stage refuses to activate causing the sequence to stop at the stage before, where it will remain until either the sequence is reversed or some other manual override forces the sequence away from the stage. In the [SKIP] position the stage acts as if it was not there, the following enabled stage activating on the next clock pulse. These modes of operation are independently settable in the both the [UP] and [DOWN] directions.

The real power of these shorter length Sequencer Programmers, however, is their use in tandem with one another. Two sequencers are more interesting than one.

They can be phased one against the other with the same or separate clocks. They can be patched to interact with each other, providing an incredibly varied palette of rhythmic patterns. A master unit can control one or more slave sequencers, resulting in highly controllable flurries of tonal sequences being modulated both harmonically and rhythmically."

Jen SX1000 Synthesizer Analog mono synth

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via this auction

Dubreq Rolf Harris Stylophone White

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via this auction

Elektron Octatrack / Vermona DRM III / Doepfer Eurorack / Eventide Space /SERAPHIM


Published on Oct 21, 2019 Jay Frederick

"SERAPHIM / Elektron Octatrack / Vermona DRM III Analog Drum Machine / Doepfer Eurorack Modular Synth / Eventide Space Reverb"

Walking grave stuffing - eurorack ambient techno modular jam with pittsburgh sv-1


Published on Oct 21, 2019 sector

"A little jam at Gibbiuna archeological site in pantelleria. There are 4 tombs carved in rock in the VII centurz by the byzantine"

Marc Chouarain presents the Crystal Baschet (Rare Instruments)


Cristal Baschet Published on Oct 18, 2019

This one was spotted and sent in via Gerard. Click here and scroll down for a few more posts featuring the Crystal Baschet.

"Created by the Baschet Brothers in the 50’s, it’s a marvellous musical instrument and piece of art. I play it on soundtracks I compose (« Breathe », « Galveston » by Mélanie Laurent) and with my band ANiMEiTiD. Enjoy listening !

More info : baschet@org"

SynthFest UK Mystery Kit is an Upcoming Drum Machine from Row Seven


See the update in this post.

Custom Rackmount Yamaha SS-30


Spotted this one on http://ss30m.blogspot.com

"When I started this project I had a simple aim. I have expanded on that scope now, but the basic idea was to put the whole SS-30 into a rack-mount case, with MIDI. I have had MIDI working since last year but the front-panel was temporary. It was a proof-of-concept and not something I wanted to really play. Not ready for the studio.

As of last night, I have achieved what I set out to do. An SS-30 I can play in my studio from a MIDI enabled rack mount."

You can find pics of the Yamaha SS-30 in the archives here.

Quick Tip: Noise Hi-Hat Eurorack Modular Synthesizer Patch Tutorial


Published on Oct 21, 2019 Perfect Circuit

"In this quick tip, we break down how to make a hi-hat sound on a Eurorack modular synth.

You will need:
-a trigger source (clock, sequencer, keyboard, etc.)
-an AD envelope generator (ideally exponential)
-a white noise source
-a highpass filter
-a VCA
-some extra modulation (from an LFO, random source, sequencer, etc.)

The patch:
-white noise output to highpass filter input
-highpass filter output to VCA input
-exponential envelope with immediate attack and short-ish decay
-trigger source to trigger input of envelope
-optionally, modulation source to decay time of envelope
-VCA output is the hat sound

Classic analog hi-hat sounds are pretty easy to synthesize. By running white noise into a VCA and opening the VCA with a snappy AD envelope, you can simulate striking the hat with a drumstick. With shorter decay times on the envelope, the sound will be closer to a closed hi-hat; with longer decay times, you can simulate the sound of an open hi-hat.

By modulating the decay time, it's possible to create patterns that shift between more open and closed sounds. Additionally, running the sound through a highpass filter before the VCA will help to clean up the low-end: experiment with different cutoff frequencies and resonance levels for finer tone control."

https://www.perfectcircuit.com/

Easel Patch Teaser


Published on Oct 21, 2019 Todd Barton

"working hard on my next Easel Patch of the Month for my patrons at
https://www.patreon.com/synthtodd New patch to drop November 1.
Enjoy!"
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