"Future Retro Revolution Analog Synth TB-303 Clone With seq Remix, Midi, Effects .
Very rare of first models produced , owned from new, as you would expect for a unit of this age, will be cleaned and made ready for use. Buttons on these can be a bit sticky just like the original 303 though they work better with use, as do the pots. Never abused and well looked after.
Hear it on our album tracks on iTunes, kenspocket
Its had the internal battery case mod done. Normally soldering to board."
"Today I have a small demo in sequence with a huge analog sound from the Entropic Doom (Noisillator) module from AJH Synth.
It is a module that adds noise to the audio. it can also be a source of noise and also a Ring modulator with XOR out.
here a small patch and fun in filtering with noise using Vintage Transistor Core VCO - Minimod and Doom Entropic module from AJH Synth.
The Entropic Doom takes noise and tuned noise to a whole new level, it can almost be described as an oscillator for noise, or Noisillator as we like to call it. Traditionally in modular synthesis we use either white or pink noise and then treat it through envelopes and filters to give various effects, however the Entropic Doom takes modular noise creation to places its never been before!
We have a CMOS Logic Gate based Noise Generator with Coarse and Fine tuning control along with a two, three and four pole low pass filter and a passband resonator within the noise loop itself. We have both Audio and Sync inputs, which can be mixed into the noise loop to add even greater variety to the sounds generated. We have both Bright and Dark Noise outputs, which are pre and post filter respectively, however because the noise and filter are in a feedback loop the Bright output responds to filter type and settings too.
There are CV inputs to allow voltage control of both Frequency and Resonance, and also an all important 1V/Oct input so that we can "play" the noise in tune from a keyboard or sequencer.
In addition we have a separate XOR based Ring Modulator and a Cmos gate based VCA sub modules. These can be used independently from and simultaneously with the Noisillator circuitry."
"Beat making and Reason go hand in hand! And today, we are thrilled to announce Beat Map, a brand new Player that will change the way you approach drums. We sat down with Grammy-nominated producers Mike & Keys to talk about Beat Map and here’s what they had to say."
Thought this was interesting from the perspective of creating music by actually listening to the music. It's more capturing moods than playing notes. More of an outside in vs. inside out approach. Kind of like creating patches from an existing patch vs. an initialized patch. There is an art to it.
"In this video, we take an in depth look at the Akai Professional MPC One Standalone sampler, sequencer and production unit. We compare the MPC One to similar devices on the market as well as Akai's current line of MPC devices.
We believe that the MPC One is one of the best values in standalone production samplers on the market in 2020. The release of the device is sure to stir the market and we explain why we think it's such a special device."
"This video demonstrates how to install Oversynth.com adhesive overlays on a Teenage Engineering OP-Z. Overlays are available from https://www.oversynth.com
"Patch is 2607 only. No external input or CV.
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Kick is the filter self-oscillating with VCO 3 saw wave modulated by the ADSR mixed in.
Snare/HH thing is noise through the Ring Mod in VCA mode.
ADSR is triggering both sounds, which are fed into the two inputs of the switch with the main clock switching between them. Both are playing every beat but because of the switch you only hear every other hit.
Base is VCO 1 saw wave modulated by the same ADSR, so falling on both the up and down beat. Patched through the lag processor (fourth horizontal slider) which works as a low pass filter on audio.
Tinkly sound is VCO 3 sine wave frequency modulated by VCO 1 with Sample/Hold supplying random pitched notes. Then run through processor two (third horizontal slider) which I manually switch between normal and the Post Filter Distortion circuit from the ARP Centaur.
Processor section one (top 2 horizontal sliders) is being used to mix the base and tinkly sounds to send to the VCA section where both envelopes work to shape the volume through both linear and exponential inputs.
Output of switch and VCA routed to the final mix stage with spring reverb into the unity gain input. This works great since reverb has it's own gain control at source.
Recorded as a mono track into Ableton Live 8. Compression used to keep things in check."
A classic is reborn! With its introduction nearly a decade ago, Magellan pushed the boundaries of iOS technology and quickly took its place among the platform’s most popular synths. Continuing this pedigree, Yonac’s flagship Magellan Synthesizer 2 is a new alchemy of pristine sounds, innovative features, and devotion to user friendliness — all the same preserving the wicked soul of the original.
Cutting-edge synthesis technology, punchier tones, warmer filters, greater modulation options, AUv3, MPE, brand-new presets: these are just a few of Magellan’s features for a whole new era."
"Dark vibes, texture, big sound...a little creepy. Can't help but have these dark pieces come out. I'm working with both Fvrewell and Ypsi Kid on two separate dark projects. Different ideas, but I think some of the vibe crosses over. If either of you are feeling these more than the private ones I sent you, let's run with it.
The club get's the "MASTER'D" version with my idea of how to shape the sound. If you're a club member, I'll get you the raw audio if you think you'll use it for something.
Download: https://www.patreon.com/posts/34282017
