"Yamaha FS1r, rackmount synthesizer, FM synthesis, formant shaping. My synth spent it's life in a rack, but it has no "rack rash". Completely clean and fully functional. This unit has an amazing, incredible variety of sounds. MIDI in-out-thru. Four audio outs. Headphone jack."
"Brooks - Brooks is a smaller thru-zero 4hp basic VCO that has all the basic waveforms, FM control, sync, and Time Reverse which simply reverses the wave. While it is a fully capable oscillator it works best as a modulation oscillator in the COCO system."
"Introducing Flavor Pro, a powerful effects processor engine adds character and feel to your music. Process your sounds with distortion, flutter, saturation, and more. Make your samples gritty and bring all of your tracks to life with a unique flavor."
"Join us as we dive into the AIR Flavor Pro plugin. Watch as we uncover this powerful new plugin that brings cutting-edge processing to your samples, sounds, and MPC project sessions.
Mini D Plugin Instrument - Akai Professional video upload by AkaiProVideo
"The Mini D plugin instrument delivers the legendary synth sound to your MPC. A 4-voice poly synth based on the classic American synthesizer legend with a painstakingly modeled oscillator section. Mini D includes 8 authentic oscillator waveforms, and multiple LFO shapes with 19 selections including ramps, sine, square, and steps. Dive into Over 400 Presets ranging from Basses, Leads, Percussion, and Synth FX. Grab it now at https://bit.ly/3MZM7yU"
A legit Moog in your MPC??? // Akai Mini D Review & Comparison
video upload by Tefty & Meems
"Checking out the new MPC AIR Mini D plugin for the MPC One/Live/X/Force and MPC 2 Software. I go through the general features, a quick sampling of presets, make a patch, and compare it against the Behringer Model D, DIVA, and The Legend. Not a true scientific comparison! Just a general musician focused comparison.
Thank you Akai for the early access to AIR Mini D!"
Experience the Legendary American Synth Sound for MPC & FORCE
A 4 Voice Poly Synth based on the classic American synthesizer legend Painstakingly modeled oscillator section includes 8 authentic oscillator waveforms Multiple LFO shapes with 19 selections including ramps, sine, square, triangle, random, and steps Over 400 Presets ranging from Basses, Leads, Percussion, and Synth FX Two filters included- “Ladder” and “Modern” with Cutoff, Reso, Contour, and a dedicated feedback path Built-in creative effects chain including EQ, Chorus, and Delay Requires FORCE 3.2 or MPC 2.11.6 firmware update
"This shows the DFM architecture in QBAlias. This is a full FM synth with 4 operators. one with feedback. and each with 128 waveforms as the core. There are 12 algorithms to play with as well...
This shows 4 simple audio examples, so expect some great retro sounds and strange (but very dirty) FM goodness..."
"We proudly present these 64 custom patches for the GS-e7 Analog Polyphonic Synthesizer. The patches were made by synth_nyc and are now available to download from our website for free. In the future, they will be incorporated as factory presets."
"A few words from synth_nyc:
After designing some custom patches for Black Corporation Japan and GForce Software Ltd, I chose to design patches for the e7 because:
1. It sounds great to my ears and offer a complementary tone to all my hardware and software synth
2. It has memory
3. It has full MIDI implementation of all parameters, so I can remote edit it.
In addition; the e7 has some unique features, as far as I can tell, which really make it shine:
* Stereo output / voice spread with pan modulation
* 3 LFOs that can modulate pitch, PW, VCF and VCA
* Very cleverly / musically implemented features such as A/R velocity modulation, envelop KB tracking modulation, LFO rate KB tracking modulation, etc...
Not to say that the discrete VCO, VCF and VCA are a winning combo for a true analog tone.
Please contact GS Music if you need support.
Enjoy!
Mini-bio
synth_nyc first synth was a DX7 (mk1) in the mid-80s. synth_nyc always enjoyed programming sounds on the machine and it never appeared complex or non-intuitive to him. synth_nyc first analog synth was a MKS-50 (with PG-300) where he discovered that you did not need to spend 4 hours to design a great patch! After that, synth_nyc is grateful to have own classic and unique machines from the late 70s to early 90s like a CS-80, a Waldorf Wave, a PPG Wave 2.3, a MemoryMoog LAMM, Prophet 5 Rev2, Rev 3.3 and Prophet VS, OSCar, OB-X, Synthex, Sunsyn, Jupiter-8, Chroma, Hartmann Neuron and Voyetra Eight (the only vintage synth_nyc still owns) and many more! synth_nyc has learnt and enjoyed programming them all. Today synth_nyc is focussing his time on programming analogue renaissance hardware synths -with memories-; as well as new hybrids and new digitals, but also software synths as emulations, virtual modeling have come a long way; especially in the past year or 2 (so have computers) and are letting us enjoy amazing machines for a reasonable price, so close (or better) to the originals and hassle free."
"Maybe I’ll go back and figure out what the second synth is doing but what a classic. I used the ALM ASQ-1 for the main synth arpeggio and then the bass notes. The metropolix is doing the secondary synth part and then the squid Salmple for the drums."
"Casio released the FZ20M in 1988, about three years after its predecessors, the FZ1 and FZ10M. The FZ1 was one of the first really affordable 16-bit samplers to hit the market and built up quite a following."
"I used the expression pedal assigned to 'gain' on the Therevox, in order to be able to play the PPG with my left hand at the same time. Since I know some people will not read the description and ask: this is my improvisation, not an existing piece."
