"Vintage Solina String-Ensemble Mk2 synthesizer, the mono version and for many the best version of the series. The synth is working fine and sounds wonderful! The service manual and even the spare fuses are sitting untouched under the lid.
Cosmetically it’s in very good condition too. There are some small scratches and little wear and tear, the wooden case has some signs of use, but overall it’s a nice example. Please check the photos for a good impression of the condition.
It’s a 220v version and the serial number is: 0135363."
"Vintage Chorus/Vibrato from the late 70s
- demonstrated with Ableton's Operator (Sine/Squarewave)
- no effects added
- beautiful to warm up your digital synths
- also works great with guitars, vocals..."
Note the video above is not for the listing below and it actually uses a different card. See the update from Ohm Studio below. There were different versions of the PCBs used by Wersi. Read on for details.
"These WV30 rotor/string cards are used and tested from a Wersi Arcus and are suitable for all CD range organs. Not suitable for any DX range organs."
Update: I asked Ohm Studio if this was the same model card used in his custom design. He replied: "It’s not the same pcb I use or used in the Wersivoice FM76 above (the only standalone manufactured model they made). It’s from a more recent design and uses different bucket brigade devices, Panasonic MN3004 instead of the Philips TDA1022 used in the Wersivoice, Bohm and most of the Italian string synths and organs from the late 70s on (the Farfisa effect I built was also designed around those).
Earlier ensemble fx used TCA350 BBDs like the Eminent Solina, Logan string melody, Crumar Stringman etc.
American and Japanese designs tended to use Panasonic (Roland used the MN300x a lot. Like in Juno choruses too).
I never really notice a real difference in sound between those BBDs IF the circuit is more or less similar and based on the Solinas, ie using 3x BBDs modulated by 2 lfos, one at 6hz and one at 0,6hz.
Roland ensemble fx do sound very different than the rest, but IMO it’s not because of the uses of Panasonic BBDs but because of the circuit design that is not based on the classic eminent design.
I do think however that the Bohm Phasing rotor and the Wersivoice are the lushest you can get (except, most probably for Jurgen Haible Triple Chorus, which unfortunately I never had a chance to hear. From what I've read the Bohm was a huge influence in his design).
So to make a long story short: no it’s not the same but I’m quite sure it would sound nice because it looks like it’s the classic design."
"Very quick demo of a custom built Wersi Wersivoice analog triple chorus i'm selling just to showcase once again how lush these boxes sound and how they transform any synth in a great string synth.
I adressed the Wersivoice and it's cousin the Böhm Phasing Rotor in more lengthy and detailed videos [posted here] if you're curious about these units."
"Expand your setup with an authentic recreation of the famous module from the ‘70s made with state-of-the-art circuitry including a voltage-controlled beat frequency quadrature oscillator.
List Price: $149 (in stock and immediately shipping from our factory)"
BODE FREQUENCY SHIFTER 1630
"Shift into high gear and get ready for that drop because the BODE FREQUENCY SHIFTER 1630 from Behringer is here! Expand your setup with an authentic recreation of the famous module from the ‘70s made with state-of-the-art circuitry including a voltage-controlled beat frequency quadrature oscillator. The BODE FREQUENCY SHIFTER just might be the piece you need to fill out that empty slot in your setup.
Ready for Any Signal
The BODE FREQUENCY SHIFTER accurately shifts the entire frequency spectrum of any input signal from -5 to +5 kHz. Simply plug in any audio source and start turning the giant knob to lower or raise the frequency. The amount of shift can also be varied with the Scale knob which lets you switch between linear or exponential control.
Controls
Additional controls on the BODE FREQUENCY SHIFTER include a variable threshold squelch which minimizes carrier bleed-through and can be used to creatively alter the input signal’s characteristics. Up to three control voltages can also plugged in, as well as up to four output signals.
"Пример работы Splitter mini с CV сигналами.
Все происходит точно так же как с аудио сигналом. Во входы сплиттера подаются управляющие сигналы которые мы можем посылать в другие синтезаторы, деля и складывая эти сигналы. Можно управлять глубиной модуляции.
Аппарат получит своё достойное место в сетапе!!!
You can buy all of these synths from the SynthCone store on the Boosty website. Write to me in all possible social networks, I will answer your questions."
"An example of how Splitter mini works with CV signals.
Everything happens exactly the same as with the audio signal. The splitter inputs are fed with control signals that we can send to other synthesizers by dividing and adding these signals. You can control the modulation depth.
The device will get its rightful place in the setup!!!
You can buy all of these synths from the SynthCone store on the Boosty website. Write to me in all possible social networks, I will answer your questions."
00:00 Intro 01:13 Basic architecture 04:19 The "Sequencer" 05:47 Weirder sound features 07:49 It's a jam machine w/ Elektron AR MkII 11:17 More jam and more patching 13:03 More on the cycling envelope 15:01 Trying toi make softer sounds 17:20 It's also a CV controled "FX pedal" 20:39 FX + synth at the same time 22:40 It can also bubble on it's own! 23:32 End talk
"A bank of 50 patches for the ASM Hydrasynth drawing inspiration from synthesizer sounds found in documentaries and library music from the late 70’s and early 80’s. The goal was to squeeze as much analog juice out of this synth as possible, primarily working within the constraints of synthesizers of that era. Making these patches took quite some work, but I didn't want to stop until the sounds really embodied the tone and feel of vintage synths.
These patches are made for instant inspiration. I spent a lot of time creating these so you can just turn on the synth and get to work. They sound great on their own, or you can use them as a starting point to tweak for any scenario.
Roland S-1 Synth User Soundbank - Demo Sound - Presets made with S-1 Editor- VST and Standalone
"You can buy it on my homepage: https://roland-s-1-editor-soundbank.j... Price: 6,90 € / $ 7 Here are my Midi Editor and Soundbank for the Roland AIRA Compact S-1 Tweak Synth. The Roland S-1 Editor gives you direct access from the DAW to the S-1 parameters, allowing you to integrate it into the DAW project.
You can save and reload your sounds, so you can create a sound library of Sounds. If you need new ideas you can use the 7 different random function (Each synth section has its own random function).
Editor Features: - Complex sound changes can be made easily and quickly - All controllers can be automated - X-Y modulation of all parameters - Random function for each S-1 Synth section - You can use your S-1 Synth as a sound module in the DAW - You can create Soundbanks and insert the sounds into different patterns of the S-1 - Direct access to hidden parameters - Good overview of all sound parameters - GUI size can be adjusted as required (zoom) - Includes a Soundbank with over new 90 Sounds
The Editor are available for: PC: As VST2 and Standalone for 32bit and VST2, VST3 and Standalone for 64bit Windows. MAC: As VST2, VST3, AU and Standalone, compatible with MAC Intel and Silicon."
