Patch Tuesday | Mid/Side FX Processing | Enhance 2

video upload by Joranalogue Audio Design

"Welcome back to Patch Tuesday!

Today, Boris demonstrates how to use Enhance 2 to process your mid/side channels with various effects.

Patch two slightly detuned oscillators to the stereo inputs of Enhance 2. Take your mid and side outputs and route them to different effects— in this instance Delay 1 and Fold 6. Enjoy a rich stereo sound by sending your effects' outputs back to the side and mid inputs!

Have fun patching!"

Büromaschinen | Trona | Monomachine, Machinedrum, Analog4, Bigsky .

video upload by buromaschinen

"Another pads and percussions driven track study for an EP to come.

Elektron Monomachine: main synth and sequencer
Elektron Machinedrum SPS1-UW: percussion synthesizer, sample mangling.
Elektron Analog4: additional pads
Strymon BigSky: additional FX for Monomachine EF BUS.

Enjoy.

You can find my music at http://buromaschinen.bandcamp.com"

About glow LFO mk2

video upload by errorinstruments paul tas

"This model is only available at www.errorinstruments.com"

"Introduction: The Glow LFO Mk2 is a unique and innovative low-frequency oscillator (LFO)

that offers a range of extra features. With its three outputs, reset input,

and additional functions like lock and loop, this compact 4 HP


In this article, we will delve into the various capabilities

of the Glow LFO Mk2 and explore how it can enhance your musical compositions.

I. Overview of the Glow LFO Mk2 A. Introduction to the Glow LFO Mk2 B.

Key Features and Specifications 1. Three Outputs: Square Wave,

Sine Wave, and Special Random 2. Reset Input for synchronization 3.

Lock and Loop Functionality for creating melodies 4. LDR Sensor

for light sensitivity and added creativity 5. Compact and

Skiff-friendly design II. Exploring the Outputs A. Square Wave Output

CLICK FOR MORE »

Luma-1 - playing lost LM1 patterns

video upload by DeftAudio

"Playing LM1 patterns on Luma-1 live, no post processing. Yamaha DMP11 used as the FX for delay and Gated Verb.

Luma-1 is an authentic recreation of the iconic LM-1, originally designed by Roger Linn in 1979 and now brought back by Joe Britt. Fully recreating the original design of the LM-1, it utilizes the same audio path (with vintage DACs and filters), runs the unmodified LM-1 software, and adds a secondary modern processor for adding highly desirable features like loadable sounds, USB connectivity, MIDI and more."

Hardware Jams Weekend Challenge: Heavenly Pads and Hellish Drums (Noisevember 06)

video upload by SynthAddict

"Maschine+ of course :-)

Crunchy distorted and FM-tweaked loud drums, etc. mixed with pretty yet sad pads and leads…

***Oops, I just remembered I had an ARP section that wasn't even finished or implemented - I may add it and do a rev 2 version later. :-) The partial ARP version was muted the whole time.
Making stuff last-minute and in a rush is always risky. :-P"

Ableton Push3 | Complex 1.6 Synthesizer

video upload by Akihiko Matsumoto

"https://akihiko-matsumoto.gumroad.com...
LR stereo independent complex monophonic synthesizer, inspired by the modular synthesizers Verbos, Buchla, and Make Noise."

@NorthernLightModular Delayed Inveloper hDI Instructional & Discovery

video upload by Kent

"Immensely powerful yet easy to use and understand. It is also very flexible and I consider it to be a mini Event Generation Workstation.
Bring a bit of East Coast exponential envelopes (and whole bunch more madness) your 200 system.

00:00 Off we go!
00:01 Basic walkthrough of layout
01:14 TWO ADSRs but the right side has more features
02:47 Explaining “BOTH” and “INV BOTH” outputs.
03:56 Patching in the 251e sequencer and kicking things off.
04:30 Note the exponential curves and why not linear
05:36 Repeats
06:08 Repeats wait until the end of a gate’s sustain
06:59 End of all Events pulse output
09:43 INVERTED output patched to filter
10:58 Trigger Delay
12:25 Randomized Trigger Delay Times
13:15 Randomized Trigger Delay with Repeats (Behavior)
14:55 Fixed Delay with repeats
15:15 Both Outputs Cascaded Looping
16:56 attenuate
17:58 Cascaded Looping gives you full envelope settings and programmed rules on each side
19:19 Individual envelope looping via shorting bar
19:54 super quick AD envelopes!
20:34 Looping the right side with trigger delays and repeats
21:24 Recap of hDI features
23:00 Fini, Finished, Fertig"

Hypnotic jam with Sequential Take 5, Midicake ARP, Dreadbox Nymphes, Roland SH-101, DrumBrute Impact

video upload by Jay Hosking

"Please support my work on Patreon: https://www.patreon.com/jayhosking
A live, semi-improvised synthesizer jam performed entirely on hardware.

I'm lucky enough to have access to a new studio space, and am now in the process of moving over there. That means the days and nights have been long. One evening I was casually noodling on the Take 5 and came up with a patch and arpeggio I liked, but didn't feel I had time and capacity to do a full sequence and arrangement with other devices.

That's where the Midicake ARP comes in to save the day. Rather than sequence anything, I simply sent my MIDI data out of the Take 5 and into the ARP. The ARP then recontextualized the notes and can send them out to up to four other devices (here, I used three, plus MIDI clock to the DrumBrute Impact). Thanks to the ARP, I could explore chords and improvisation without having to write a single note in a sequencer. The ARP really is a great solution to a classic songwriting problem: being able to find the song with all the parts at once, rather than imagine all the parts and then write them.

From there, it was a matter of laying down some instruments and effects I liked the sound of. No surprises here, other than the Boss DM-101, which I got recently. It doesn't quite have the personality of the Matriarch delay, but it's a great and more versatile analog delay that I look forward to using more.

All in all, a really fun jam, and I was extremely grateful to have the tools I needed to write the song on the fly across multiple instruments.

Thanks for listening.

Sequential Take 5 - main arpeggio, MIDI controller/data out
Midicake ARP - "sequencer" (note recontextualizer? arpeggiator?)
Arturia DrumBrute Impact - drums
Dreadbox Nymphes through Strymon BigSky - arpeggio two
Blackout Model D through Boss DM-101 - bass synth
Roland SH-101 through Walrus Sloër - arpeggio three (the slow high one)
Kenton Pro-Solo Mk3 - MIDI to CV for SH-101
Kenton MIDI Thru - MIDI through to all devices

Performed and recorded live, with eq, compression, and limiting in the box.

https://jayhosking.bandcamp.com"

Harmonically spaced Rhythms!

video upload by Omri Cohen

Consider joining our community on Patreon and Discord - https://www.patreon.com/omricohen
Want to learn Modular Synthesis? have a look here - https://bit.ly/learnmodular
Interested in more patching techniques and ideas? Have a look here - https://bit.ly/3o1Q3Sg"

00:00 - Introduction
00:20 - Main idea
02:41 - With chords
06:49 - With a sequencer
08:57 - For drums

01- The Pittsburgh Modular Taiga- Oscillators Part 1

video upload by AutomaticGainsay

"Here is a demonstration of the sound and functionality of the oscillators found on the Pittsburgh Modular Taiga.

To see how the theme was created, watch the theme video [posted here] in this series. It is comprised of several patches created on the Taiga over drums created with a Korg Triton Studio."

AutomaticGainsay Pittsburgh Modular Taiga posts