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"Sound Demos from Jexus on youtube [posted here] are what made me want it in the first place. This is not the unit in the listing shown in the videos. (For sound Demonstration and educational purposes only.)"
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"A fun little monophonic digital chiptune synthesizer/sequencer with a cool waveform visualizer and built in speaker. Heavy duty sturdy metal enclosure. Can be powered by 4 AA batteries"
"Talking synths from Germany, quite a few companies come to mind: Waldorf, Doepfer or Vermona are popular ones still around and there are a lot more, some of them long gone like pioneering PPG. One company that hardly ever makes the list is Dr Böhm Organ. This might be down to the fact that Böhm weren’t exactly a company focused on synths at all but rather one that offered DIY kits for people to build themselves electronic organs.
Strictly speaking these organs were ‘synths’ too and when the 80s arrived, Böhm, just like companies like Sequential, Roland or Yamaha, started to utilize digital control and later digital synthesis in their ‘synths’ too, albeit utilizing interfaces more akin to traditional organs.
One other similarity to ‘real’ synth companies was that they also started to offer expander modules, that could be controlled by midi, expanding the variety of sounds while at the same time saving on space (no keyboard) and costs.
This is where today’s synth comes from. The Dynamic 12/24 was meant as an affordable way for Böhm’s customers of home owners and entertainers to expand their setup with some more organ but also other sounds like strings, e-pianos and some 80s-ish synth staples.
The technology used was taken from one of it’s electronic organs and while clearly trying to hide it (even going as far as filing the markings off the ICs) it was Yamaha FM Chips doing Yamaha sounding 4OP FM. The good thing is of course, that this is actually a great basis for a very wide range of sounds, especially as Böhm was kind enough to add user memory to enable creation and saving of your own patches. Also, editing can be done via midi and there are editors available too. What makes the 12/24 stand out from the crowd of 4 OP modules most though is the unique Böhm analog bucket brigade delay style ensemble effect, that ‘warms’ the FM sound.
Last but not least, the Dynamic 12/24s seem to be widely available and dirt cheap too, at least here in and around Germany. So grab one before they become cool, or anyone finds out they are actually the same as the Orla DSE, a synth that has been used by a guy that goes by the name of Richard David James…"
"Here's a quick #short featuring the Maximus synthesizer playing traditional polyphonic chords, utilizing 5 of the 8 onboard voices! Maximus is much more than a standard polysynth - it's a fantastic analogue workstation."
"Let's make some serious SAPÈL feedback patching! Today we draw inspiration from Rob Hordijk's talks about sample-and-hold circuits and chaos theory."
00:00 Introduction
01:53 The S&H feedback
05:04 Adding the filter
09:02 Stacking more filters in parallel
10:50 Using a sequencer instead of a random S&H
12:12 Randomizing the sequence and closing remarks
"Adam Harvey from Audio Imperia takes us through how to use the libraries in the Epic Orchestral Collection to score a scene from a short film. Spark ideas and add authentic detail to your compositions with this exclusive bundle, for a limted time only.
Save over 70% on Audio Imperia with the Epic Orchestral Collection: https://www.native-instruments.com/sp...
00:00 - Introduction 00:52 - Scoring with The Epic Orchestral Collection 03:00 - Score Breakdown 03:30 - Scene 1 10:49 - Fluid Woods in Context 11:34 - The Fluid Series 14:08 - Scene 2 16:33 - SOLO 17:11 - SOLO - Descant Horn 17:48 - SOLO - Flute 18:10 - SOLO - English Horn 18:41 - SOLO - Cello 19:05 - Jaeger - Merethe Soltvedt 19:42 - Scene 3 24:19 - Scene 4 27:13 - Outro
Audio Imperia are a team of composers and creatives with a mission to provide bespoke compositional tools that both inspire the mind, and simplify the process of making music. They work with world-class musicians, sound designers and recording studios to create their virtual instruments. Whether you are starting out for the first time, or looking for a new addition to your template, Audio Imperia’s libraries will enhance and foster your creativity – adding extra flair to your next project.
Huge shoutout to the Blender Team for creating the short film Charge, and allowing their work to be distributed under the Creative Commons license. Charge credits: https://studio.blender.org/films/char...
Native Kontrol Standard (or NKS for short) integrates third-party instruments and effects into Native’s workflow. That means streamlined browsing, consistent tagging, instant sound previews, Smart Play features, and key parameters pre-mapped by plugin creators for Komplete Kontrol and Maschine hardware. A huge number of leading developers have NKS-ready plugins, so even those with super-sized sound collections can find what they need and use it fast. Find out more: https://www.native-instruments.com/sp..."
