MATRIXSYNTH


Wednesday, May 15, 2024

Knobula Introduces Echo Cinematic - Eq + Delay + Reverb Stereo Effects Eurorack Module


video upload by knobula

"Introducing Knobula's new stereo effects module, taking dub style performance echo to the next level with multiple modulation sources including a 30" knob recorder."

Press release follows:


"Knobula selects SUPERBOOTH24 to introduce Echo Cinematic as fully-featured, practical stereo effects Eurorack module inspired by influential dub culture

LONDON, UK: electronic music innovator Knobula is proud to introduce Echo Cinematic as the latest Eurorack module to embody its no-screen, no-preset philosophy — presented as a fully-featured, practical stereo effects unit that draws its inspiration from the influential dub music culture that emerged from Jamaica and made its mark on the London music scene in the early Eighties — at SUPERBOOTH24, May 16-18, FEZ-Berlin, Germany…

Actively appreciating Echo Cinematic as a fully-featured, practical stereo effects Eurorack module — as alluded to by its front panel- positioned descriptive (Eq + Delay + Reverb) wording — that draws its inspiration from the influential dub music culture that emerged from Jamaica and made its mark on the London music scene in the early Eighties surely benefits from fleetingly digging deeper into what, technically, made that scene sound so unique. Ultimately, then, analogue tape delays were routinely connected to mixing consoles via a spare channel strip in those iconic recording setups, so engineers were able to manipulate the resultant sound using EQ and effects send controls to create ever-evolving rhythm textures from feedback loops delicately balanced on the brink of self-oscillation. On the face of it, Echo Cinematic clearly eliminates the need for a complex mixing console; instead, it expands on those early- Eighties-developed dub music principals by beautifully integrating a versatile resonant filter with five distinct sources of automation. As such, Echo Cinematic consists of two independent LFOs (Low Frequency Oscillators) for both Eq and Delay modulation; looping 30-second Knob Record functionality, capable of simultaneously controlling every knob on the module’s clear-cut front panel; and two external CV (Control Voltage) inputs — CV A and CV B — for instant assignment to any control upon insertion of a patch cable.

Creatively, Echo Cinematic’s Eq section boasts three selectable filter types — namely, Shelf (high-/low-pass), Peak (peak/notch), and classic Comb; each can be patched into the Fback (feedback) loop (in so-called Dub Mode), Delay (output), or All (entire signal path), including the self-explanatory Dry or Effect signal. Simultaneous to that, the Delay section offers up to two seconds of stereo delay time, complete with Tap delay and grid Snapping functionality to ensure precise synchronisation with the beat or clock signal, while Reverb duties are handled by the same, lush-sounding 24-bit stereo processing found in Knobula’s other cinematic- sounding Eurorack modules — think: no screens, just big-screen sounds!

Says Knobula Technical Director Jason Mayo: “Before Knobula was founded, even, Echo Cinematic was intended to be our Eurorack debut. Duly envisioned as the ultimate dub-style echo module, its development was paused due to Poly Cinematic’s unexpected success; Echo Cinematic nonetheless now represents the culmination of a meticulous three-year developmental journey, the result of which has turned out to be even better than my original concept, so I’m immensely proud to finally introduce it to the Eurorack community.”

Anyone attending SUPERBOOTH24, May 16-18, FEZ-Berlin, Germany is invited to swing by Booth Z365 where Knobula is introducing Echo Cinematic as the latest Eurorack module to embody its no-screen, no-preset philosophy, proudly exhibiting and demonstrating it alongside its Poly Cinematic (8 Voice Polyphonic Synthesiser), Kickain (Kick Drum + Sidechain), Chord Pilot (Midi Chord Expander + Arpeggiator), and Pianophonic (Polyphonic Wavetable Synthesiser) siblings.

Set to ship in June 2024, Echo Cinematic will be available to purchase — priced at £320.00 GBP (including VAT)/€350.00 EUR (Net)/ $399.00 USD (MRP) — through Knobula’s growing global network of dealers"

Check with the dealers on the right for availability.

World's Most Unavailable Synthesizers


video upload by Doctor Mix

See the UVI Quadra Modular announcement post here.

"Join me on an epic trip to UVI in Paris! 🌟 Get an exclusive behind-the-scenes tour of UVI's headquarters, where they create Quadra Modular 👉 https://www.uvi.net/quadra-modular?ru... and other super high-tech VST virtual instruments. Finally, enjoy a jaw-dropping visit to their legendary synthesizer shop, where I get to jam on the rare Prophet 20 and the colossal Colossus! 🎹✨"

The Center for Haptic Audio Interaction Research Introduces Analog Waveguide Eurorack Module


video uploads by The Center for Haptic Audio Interaction Research

'The Center for Haptic Audio Interaction Research presents the Analog Waveguide, a Eurorack module for physical modelling synthesis."



"Analog Waveguide is versatile stereo reverberation effect that feeds the signals into a rotation matrix. The matrix can be set to any angle. Its signal path is fully analog, and the delay lines are implemented with bucket brigade delays. The design was described in a concept by Michael Gerzon from 1971, but was only implemented digitally in 2011 by Miller Puckette. Our interpretation re-implements and extends the original concept as an Eurorack module with an analog signal path. The resulting resonator is an analog waveguide for vivid physical modeling sound synthesis . The integrated display shows the two signals in a Cartesian coordinate system. The resulting image visualizes the complex oscillating signal in the resonator. The wide range of forms and movements is mesmerizing to watch and allows for a synaesthetic experience of the instrument. The visual representation of the signal also assists the experienced user to remember and recreate parameter settings for specific sounds."

Erbe-Verb Lasers | Make Noise


video upload by MAKEN0ISE

"Lasers... with Erbe-Verb."

http://www.makenoisemusic.com

Percussa XMX - powerful new eurorack module in a smaller form factor, and lower price.


video upload by TheTechnobear

You can find the announcement post here.

"In this video we look at the new eurorack module from Percussa,
the new little brother/sister to their powerful SSP.
coming in a smaller form factor, thats lighter on your wallet.

what can it do? ... why am I so excited about it :) "

0:00 Intro
0:54 Hardware overview
2:44 Software
2:53 Percussa Synthor
3:25 Trax Overview
4:34 Trax Walkthru
5:43 Track and module view
6:55 Performance parameters
8:43 Midi learn
11:00 How to patch?
11:20 Load, Save, Init presets
12:00 Create a patch, loading a module
13:30 Connecting module to jack inputs
14:22 load another module
14:45 connecting its inputs and outputs
16:53 Summing up

Stranger Things main theme: how to sound design the main arp sound with the OB-6


video upload by EthanJamesMusic

EthanJamesMusic OB-6 videos

"This sound design tutorial will teach you how to approach the main theme of Stanger Things. The sound is a simple combination of a pulse wave with a sub oscillator to create the arpeggio.

The Sequential Circuits OB-6 can do a respectable job of coming close to the sound, because of the SEM filter that is borrowed from the original Oberheim that was used in the main theme.

Analog synthesizers have found a way back into film music, which has led to a lot of rich experimentation of what these instruments are capable of. I think my main takeaway is the heavy use of envelope, and setting the filter modulation much lower than a normal synth pluck would require. Also, having a really dry sound mixed in with lots of ambience really cuts through in a way that creates a strong effect.

I hope you learn something from this tutorial, and it gives you some ideas to try out! Please let me know if there are any questions, or if anyone knows what instrument was used on the film. I would guess a Minimoog or similar."

Mental Clutter by Bay Mud - All Novation Circuit Album






And a video by Bay Mud on working with the Circuit for this release:

Key features for making an entire sample-based electronic EP on the Novation Circuit Rhythm

video upload by Bay Mud

"I recently made an entire 5 song electronic EP on the Novation Circuit Rhythm and wanted to share some of the best features that made that easier."

00:00 - Intro
00:36 - Project organization
04:40 - Sample slicing workflow
08:23 - Sample flipping
11:11 - Pattern settings
15:20 - Resampling workflow
20:30 - Scenes
22:58 - Chaining projects
27:14 - Final thoughts

The future of EXPRESSIVE analog synths is HERE


video upload by Anthony Marinelli Music

https://www.anthonymarinellimusic.com

"I've been waiting 50 years to experience analog synthesizers responding intuitively and immediately to pitch, timbre and volume changes from the slightest movements of my fingers on a keyboard! In this video, you'll see and hear unprecedented control of one of the most extreme patches I've ever made. It incudes (4) Vintage ARP 2600's synthesizers and (1) Vintage 1969 Moog IIIc modular synthesizer playing all at once in unison mode or where each modular synth is playing a separate voice in the chord. I've never heard my favorite all-time analog synths sounding so musical, so different and just so good!

To accomplish this task, we are using 5 channels of Haken Audio CVC (Control Voltage Converter) to receive MPE messages from an Expressive E Osmose and also from a Haken Audio Continuum. These state of the art MIDI controllers are able to understand the players most subtle finger movements and immediately translate those messages to the CVC. Without any perceivable latency, the CVC can then send 4 independent control voltages to alter any parameter in real-time on any one of the synths being used as a voice.

My special guest, Osmose and Continuum expert performer Josh Madoff demonstrates all the features on both of these keyboards by playing musical examples. I'll be explaining what's going on, playing some duets with Josh and also providing an in-depth breakdown of the patches on each synth. I'm optimistic that we'l be seeing controllers n the near future delivering higher and higher levels of artistic experiences for performers. Please enjoy the this presentation and let us know what you think in the comments section. Thank you for your support, it means everything to us!

00:00 Anthony's Intro
00:41 Osmose Musical Example
01:11 Set Up (4) ARP 2600s (1) Moog IIIc
01:43 About the Osmose
03:05 About the Continuum
05:25 Musical Examples playing (4) ARP 2600s (1) Moog IIIc from Osmose
10:04 Our Experience Performing with Continuous Control Voltage
13:22 Sostenuto Pedal
15:22 Anthony Plays with a lot of Resonance
16:35 Musical Example - Osmose MPE Arpeggiator
18:23 Musical Example - EaganMatrix Sound Engine & Vintage Analog Modular
22:30 The Control Signals Osmose, Continuum & Haken CVC
25:17 Type of Control & Articulations
27:50 The Synth Patch on the Moog Modular IIIc
31:55 The Synth Patch on the ARP 2600s
34:36 RECAP of Control Voltage Signals Going to the Analog Synths
36:35 Controlling Each Synth Voice from the Keyboard
38:00 Anthony's Summary
38:25 CTA, Thank you
38:49 Logo (theme music)"

Arturia Microfreak Vocoder + Teenage Engineering K.O. II


video upload by Genshi Media Group

"::| TO HEAR THE FULL RANGE OF FREQUENCIES AND STEREO EFFECTS, A GOOD PAIR OF HEADPHONES IS HIGHLY RECOMMENDED |::

I Heart Vocoders! So I thought I'd try putting the @ArturiaOfficialMicrofreak's Vocoder thru the @teenageengineeringEP-133 K.O. II Sampler Composer. I sampled two parts of the Vocoder into the K.O. II beforehand, and then did the live Vocoding as you see in the video (though the live Vocoding was a bit too hot.) A super fun minimal setup!"

Mastering Yamaha CS80 Sounds & FX


video upload by Andy Whitmore

Follow-up to these post.

"Exploring Untapped Modulation Routes on Yamaha CS80

Recorded at Greystoke Studio - Dry.

As used by Brian Eno, Vangelis, ELO, Michael Jackson.

1977 – 1980. Includes the Ribbon pitch bend & polyphonic after-touch."
PREVIOUS PAGE NEXT PAGE HOME



Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH