"1982 SEQUENTIAL PROPHET 5 REMOTE KEYBOARD - made in USA :
*modified with misc. switches
* keys need new rubber bushings, cos there is some rattling
* 1 key is sticking up = check last pic
* NO cable included
* UNTESTED
* very hard to find"
"I tried to make a bassline with the Vermona Mono Lancet ‘15 that is inspired by Stephan Bodzins Sub37 bassline. A little enthusiastic with the reverb (sorry for that)."
"Sure you’ve heard of drum fills, but what about drum … don’t … fills?
Simplify is a trigger modification module. Complicated trigger sequences go in and simpler trigger sequences come out. With the knob all the way down the sequence is unaffected and with the knob all the way up the sequence is muted. In between these two states, the module deletes triggers from the incoming sequence using what I’ve arbitrarily decided to call 'dynamic muting.'
My friend Marcas says 'the hardest thing to get a Eurorack system to do is stop doing something.' He’s right. It’s very easy to make complicated and busy drum patterns but what about dialing them back a bit? Isn’t restraint what makes good music anyway? Simplify achieves this task on one knob.
What is 'dynamic muting?'
Inside the module is a series of stored step sequences that the user can select with the knob. The BANG! input steps the internal sequencer. The BANG! is then compared with the selected sequence. If the current step in the selected sequence is active, then SIMPLIFY mutes the incoming BANG!. The sequences are laid out in such a way that the user perceives the output as becoming “simpler” the more the knob is turned up. This knob can be controlled with external CV. A reset jack is provided and highly recommended while in use. Below is a visual guide to illustrate what’s going on inside the module. Each “1” you see indicates a mute and each “0” the module passes the input to the output. These are the sequences in order inside the module."
"We are proud to present MYTH, the new flagship instrument from Dawesome! Like all Dawesome instruments, it has a beautiful and unique user interface. It's main elements, the Irises, represent harmonic resynthesized samples (either from the built-in library or your own), which you can that process and modulate in various ways. There is also a flexible system of modules - filters, resonators, effects, modulators - that you can freely mix and match on any of the main signal elements, i.e., the oscillators, filter section, and effects busses. And almost all parameters can be modulated with an extensible set of internal and external modulation sources. The possibilities can be a bit overwhelming, but we'll help you understand all the features, and how to use them.
To find out more, please visit https://www.tracktion.com/products/myth
00:00 Introduction
00:16 Overview
02:05 The Iris
05:25 Layers in the Iris
07:51 Resynthesis transforms
12:59 Modules
19:12 Adding the second oscillator
23:26 The filter section
30:13 The Modal and Resonator modules
33:24 The effects section
38:27 Factory presets
43:50 Conclusion
"Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .
His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.
