What Is Originality Made Of?

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TIMESTAMPS
00:00 Introduction
01:28 Picasso & T.S Eliot
02:45 Steve Reich & Tape Phasing
03:15 Hainbach Tape Phasing
04:59 Phasing using 4MS DLD Module
08:23 Sound on Sound on 4MS DLD Module
14:46 Conclusions

Korg reaches back to 1973 with its reissued MiniKorg 700Sm at NAMM 2025

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"Korg has a habit of releasing its analogue synth reboots in both ‘full’ and ‘mini’ sizes, so we probably shouldn’t have been too surprised to learn that a smaller version of 2021’s MiniKorg 700FS - itself an enhanced emulation of 1974’s MiniKorg 700S - is on the way. The MiniKorg 700Sm is not one we had on our NAMM 2025 bingo card, though, so surprised – to a certain extent at least – we are. We caught up with Korg at NAMM 2025 to hear it in action."

"An all-in-one gig rig": Roland introduces the V-Stage at NAMM 2025

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"Roland has released plenty of stage pianos in the past, but the new V-Stage looks like something a little different. Indeed, it feels like Roland is parking its considerable tanks directly on Nord’s lawn with this one, right down to those red wooden end cheeks. We hit the Roland stand at the 2025 NAMM show to hear it in action."

NAMM 2025: Realitone's Sunset Choir Choir Library

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"At NAMM 2025, we caught up with Mike from Realitone*, who provided insights into their ongoing project, the *Sunset Choir library. Mike explained that this vocal library had been in development for a while, mainly due to the complex nature of recording different vocal articulations compared to string libraries. Unlike the simpler approach for strings, recording vowels like ah and ooh required more extensive sampling. Realitone dedicated nine days of intense studio work to capture this comprehensive array of sounds.

Mike demonstrated the dual-layer feature, allowing dynamic articulation blending, and showcased unique elements like enigmatic Latin phrases and slow bends. Additionally, the library supports consonant variations, legato transitions, and jazzy scat articulations. Though a work-in-progress, Mike expressed optimism about completing the library by spring, offering a glimpse into the intricacies of building such an elaborate musical tool."

NAMM 2025: Rhodes Stage 61 Prototype

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"At NAMM 2025 we caught up with Jamie at Rhodes*, who introduced the *Stage 61 prototype. Aimed at the purists, this instrument returned to basics with features reminiscent of original designs from the '60s to the early '80s. It had familiar components like tines, tone bars, and pickups for capturing the natural Rhodes sound. The instrument sported a Mark V look, complete with a basic treble and bass tone knob.

Notably, the Stage 61 lacked additional effects like tremolo or EQ, allowing you to use your preferred amplification setup, such as a Fender Twin Reverb or Roland JC Chorus. The build featured a small form factor, making it lightweight for easy gigging. Jamie highlighted that the keybed was a Steinway Concert Grand design with 61 notes, made by Kluge.

The Stage 61 was available for pre-order with a lead time of six to nine months, priced at $6,995. Additional developments could include a passive MIDI version."

NAMM 2025: Novation and GForce Revive the Legendary Bass Station

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"At NAMM 2025, we spoke with Trovarsi from Novation about their collaboration with GForce*, bringing a fresh spin to the classic Bass Station, originally released in 1993. Novation showcased the new *Bass Station emulation, a software synthesis complete with a sequencer that delivers those iconic acid sounds using its 24dB filter. It offers 300 presets, including a standout polyphonic mode with 16 voices. Also available was the LaunchKey Mark 4, notable for its user-friendly scale modes and its new capability to map chord inversions directly. The Bass Station, priced at $99, is currently discounted, but if you own compatible Novation hardware, the virtual instrument can be downloaded for free."

NAMM 2025: Kilohearts Filter Table

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"We caught up with Per from Kilohearts at NAMM 2025, who gave us an in-depth look at the latest additions to the Phase Plant synthesizer. This year, they introduced the Filter Table--a module that transforms wavetables into filters. By placing it in the effects section, you could use the spectrum of a wavetable as a filter shape, imparting unique qualities to your sounds. The module allowed real-time modulation of parameters such as cutoff and resonance via LFOs or other modulation sources, creating complex filters. It was particularly effective for growly bass sounds with movement across the spectrum.

Per explained that the module was a standalone product priced at $39, compatible within the Phase Plant ecosystem, and available for standalone use in a DAW. They also offered a subscription model for automatic updates, keeping pace with evolving music production needs."

NAMM 2025: Eternal Research's Demon Box

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"At NAMM 2025, we caught up with Alexandra from Eternal Research, who introduced the *Demon Box*, an intriguing device that amplifies electromagnetic fields (EMF). Alexandra explained that this invention, developed over a decade with the help of engineers, uncovers fascinating patterns and tones from EMFs, transforming interference into auditory experiences. The device utilizes an array of 33 inductors and features controls for levels and auxiliary inputs, allowing you to blend external signals with those picked up by the inductors. It supports integration with modular systems, exporting in control voltage, MIDI, note and CV data, as well as audio across three mono channels and a unique triphonic channel.

Alexandra also highlighted the device's organic nature, enabling exploration of novel sounds with each use. The Demon Box, currently available for pre-order, has generated significant interest following a successful Kickstarter campaign, with a target retail price of approximately $700."

NAMM 2025: Synthesizers.com and the MU Format

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"At NAMM 2025, we caught up with Mike from Synthesizers.com who introduced us to the impressive large format modular synth systems they have been crafting for 25 years. Synthesizers.com was founded by Roger Eric in 1999, and the company has dedicated itself to advancing the MU (Moog Unit) format. Now under new ownership, they are working with various manufacturers to expand the MU ecosystem, offering seamless integration between their own modules and those from other companies like Moon Modular, SSL, and STG.

Mike explained the engaging tactile experience these systems offer, emphasizing the absence of menu diving, making interaction straightforward and intuitive. He demonstrated a simple patch using the Q119 Sequential Controller alongside various oscillators, filters, and envelope generators. Looking ahead, he hinted at five to six new modules currently under development, showing sustained innovation in the MU format."

NAMM 2025: Bitwig's Step into Hardware with Bitwig Connect 4.12

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"We spoke with Frederik from Bitwig at NAMM, who introduced us to the company's first hardware product, *Bitwig Connect 4.12*. This new device marks Bitwig's transition from a software-only company to a software and hardware player.

An innovative USB audio interface, the Bitwig Connect 4.12 features 4 inputs and 12 outputs. Notably, all inputs and outputs are DC-coupled, enabling better integration with analog gear. The unit features combined XLR/jack inputs for flexibility and includes MIDI in/out, a dedicated headphone output, and connectivity via USB-C.

The control surface on Bitwig Connect 4.12 operates as an audio, MIDI interface, and DAW controller through the UCM protocol. With monitor and transport controls, including a handy Bitwig mode button, you can efficiently manage your workflow.

Accompanying the hardware, Bitwig Studio Essentials software valued at $99 is bundled, and additional partner software is available through the Bitwig Circle program. The retail price for Bitwig Connect 4.12 is set at €499 or $549, with an anticipated release in Spring 2025."