MATRIXSYNTH

Steve Roach: Life in the Soundcurrent Documentary

video upload by SteveRoachOfficial

"''Steve Roach: Life in the Soundcurrent' is much more than a documentary. It is a sensory experience, a visual journey into the life, legacy, and music of a remarkable artist, and a gentle reminder of the profound impact environment can have on creativity.;

Filmnet review

Available on Amazon (US & UK) or https://steveroach.bandcamp.com/merch..."

KOMA Elektronik Sensei Eurorack Sensor Module

video uploads by KOMA Elektronik

The Sensei Eurorack Sensor Module complements the Koma Elektronik Field Kit Sensor Pack from six years ago:

Making Music With Sensors | Koma Elektronik Field Kit Sensor Pack

video upload by HAINBACH

"I was doubtful whether sensors would be fun tools to create music with - beta-testing the Koma Elektronik Field Kit sensors taught me otherwise. They are ideal creative tools in that they make you think differently and far out of the box. Perfect for breaking writer's block or pure musical enjoyment."

Press release for the new Sensei module follows:

"Berlin-based synth makers KOMA Elektronik introduce Sensei, a new Eurorack module designed to connect your modular system with the world around you. Whether it's light, movement, heat, or touch, Sensei lets you patch your environment.

"Originally based on the Sensor Interface from the KOMA Field Kit, Sensei is a standalone Eurorack module built for artists, experimental musicians, and installation creators who want to go „beyond the knob“.

Two sensor inputs (one for continuous signals, one for triggers and switches) allow for expressive, non-traditional control over CV and gate signals.

From subtle environmental fluctuations like heat or wind to pulsing club energy fired by strobe lights, Sensei makes your surroundings part of the music.

Users can choose from KOMA's established lineup of Field Kit Sensors currently available:

- Light
- Temperature
- Sound
- Touch
- Movement (Accelerometer)
- A Micro Sequencer with three modes
- Softpotentiometer
- Ball Switch
- Button / Jack Input
or plug in their own Arduino / DIY sensors with standard three-pin connectors.

And even without sensors, Sensei offers creative functionality: it doubles as a re-triggerable saw/triangle envelope, voltage processor with gain and offset, or a simple CV source.

Key features:

2 sensor channels: one continuous, one switch/gate style
Built-in analog processing (offset & gain)
Re-triggerable envelope mode (saw & inverse saw, gate & inverse gate)
Works with KOMA and standard 3-pin sensors
Perfect for installations, generative patches & sound experiments

With Sensei, modular becomes tactile, responsive, and alive. Your modular just grew a few more senses!

KOMA is currently running an introductory sale on their Sensors that you should grab if you are interested!

Product page and more info:
https://koma-elektronik.com/new/product/sensei

MSRP: €169,-

Available now through KOMA Elektronik and selected dealers."

CG-Products XR 22VCO, Delay 1022, Peak + Hold, sound.report (Short explanation + 15 Min sounds only)

video upload by The Green Man(TGM) + sound.report by Heiner Kruse

https://www.cg-products.de/module/

XR22 VCO FT
VCO with Ring Modulation Input and FSK (Frequency Shift Keying)

Amplitude Modulation (AM) Input
Ring modulation
CV controllable sine/triangle volume
Advanced waveform generation by AM
Rgb-LED for optical control
FSK (Frequency Shift Keying)
Pulse and ramp generation
Switching between two different frequency CVs
Advanced waveform generation by FSK
LFO-, Bass-, High- Mode
Switchable Sync-Mode (from Rev.6)

The XR22 VCO FT is a VCO with amplitude modulation option – which can be used for volume control, or ring modulation of the oscillator’s sine/triangle output. The AM-input signal is added to a DC-voltage adjustable by knob ‘Gain’ (between ca. +/-5V) and the sum voltage is being internally multiplied with the sinewave/trianglewave The result is an oscillator amplitude depending on the ‘Gain’-DC plus AM-input signal. The applied AM-input signal can be mixed to the VCO output signal (modulated or unmodulated) too – a kind of ‘dry/wet’ control with the mix provided on the sine/triangle output. With no AM-input, the XR22 VCO FT behaves like a normal sinewave/triangle VCO, then its volume is controlled by knob ‘Gain’. Whereas with the knob ‘Gain’ in center position, the oscillator tone is becoming almost muted, and the input signal on ‘AM in’ controls the amplitude of the wave completely; thus the VCO can be used as a ring modulator.

The FSK (frequency shift keying) option provides two internally switchable different oscillator frequencies F1 and F2; each controllable by the two big-sized knobs (and their respective fine-tuning knobs and CV inputs). Switching between F1 and F2 can be done manually or by a logic signal (e.g. a gate signal) applied on input ‘FSK in‘. Further, it is possible to use the XR22 VCO FT‘s squarewave output for FSK switching. This will result in ramp or sawtooth (on the sine/triangle output) and pulse (on the squarewave output) waveforms. The falling and rising edges of the of the sine/triangle signal and the duty-cycle of the squarewave output are independently adjustable, and/or controllable via CVs of F1 and F2.

Furthermore, there is a switch for linking F1 to F2. In this case, the ratio between F1 and F2 is remaining the same, independently from the frequency, and ensuring properly 1V/oct. CV tracking.

A switch allowes to enable ‘sync mode’: An applied trigger will restart the wave always at the same point, useful for synced LFO applications and more.

For optical control, the XR22VCO FT has a full-color LED for AM visualization and a 2-color LED for FSK control.

CLICK FOR MORE »

Hell Modular CS80 INSPIRED DUAL FILTER

video upload by Cornel Hecht

"The CS-80 is renowned for its rich, expressive sound, and its filters play a crucial role in that. Here are the key characteristics of the CS-80's filters:
Dual Filter Design Per Voice
This is a standout feature. Each of the CS-80's eight voices boasts two independent filters:
1. High-Pass Filter (HPF): With adjustable cutoff frequency and resonance.
2.Low-Pass Filter (LPF): Also with adjustable cutoff frequency and resonance.
These two filters can be used simultaneously, enabling unique band-pass effects and exceptionally flexible sound shaping. The cascading of these filters results in a very characteristic, mid-range-focused sound."

Synthesizer Master Chef Recipes! Legendary Sound Patches of Spectrasonics Bob Moog Tribute Library 2

video upload by moogfoundation

"The Bob Moog Tribute Library v2 for Omnisphere features over 1300 sounds from 50 different legendary sound designers and composers. 100% of the proceeds benefit the work of the Bob Moog Foundation. Check out the library here: https://www.spectrasonics.net/product...

Keyboardist and synthesist extraordinaire Andrew Colyer (Circuline, Robert Berry, Matt Dorsey Band, The Tubes) gives an overview of the Bob Moog Tribute Library, exploring its vast capability. This is the third of a series of videos to delve into the library and celebrate its incredible sonic palette. You can check out Andrew here: https://colyermusic.com/.

Many thanks to our friends at Strange Cranium Studios (https://strangecranium.com) for the use of their Moog One, which Andrew is using as the controller in this video."

Sequencer Phasing with MetaModule

Note: Auction links are affiliate links for which the site may be compensated.
video upload by 4ms Company

Patch notes via the 4ms forum: https://forum.4ms.info/t/sequencer-ph...:

External Audio Path:
-Main audio outputs on channels 1 and 2

Internal Audio Path:
-The output of 2 modal synthesizers are fed into the Pressed Duck
-A kick, rimshot, and clave module are fed into the Pressed Duck
-The Pressed Duck’s main outputs are fed to channels 1 and 2 on MetaModule

Internal CV Path:
-A Count is used as a master clock source
-The main output of Count clocks two step sequencers
-The reset output of Count resets both step sequencers
-All 3 outputs from the SEQ 3’s are fed into a dedicated sequential switch.
-The switches step through on the 1st downbeat of each sequence, going to the next
sequence at the start of each bar.
-The output of the sequences are attenuated and then quantized,
-After quantization the sequences are then sent to an octave module for final pitch value.

Metamodule Knob Mapping:
A - Kick volume
B - Rimshot volume
C - Clave volume
D - Bass volume (modal synthesizer #1)
E - Lead volume (modal synthesizer #2)
F - Reverb Amount
U - Compression amount
V - Feedback amount
X - Master volume

M-Audio Venom synth demo

video upload by SynthAddict

Some useful info from a previous post:

Note for extensive editing you need an external editor that came with the synth or this one from Patch Base. There was one for TB MIDI Stuff and Touch OSC as well. The physical synth only gives you access to a small number of parameters. You can find a review, interview, and tips and tricks posted back in 2011 here.

SCJS#64 - GRAINS OF CHAOS

video upload by FL3SHB4CK

"Small Case Jam Sessions #64 - GRAINS OF CHAOS

BEAN JELLY, Battering Ram, AHH
Live grains by Multigrain

BJ rungler modulates several parameters via x input
BJ gates trigger BR, hats, MG freeze and occasionally next (skipping to next preset)

Recorded live thru Syntakt inputs with delay and reverb"