MATRIXSYNTH

Wednesday, July 29, 2026

Korg PSS-50 Super Section Rhythm Programmer

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via this listing

Additional Perfect Circuit listings

Strymon StarLab demo by Eden Grey


video upload by Eden Grey / CV FREQS

"Here I am demonstrating some sounds of the Strymon StarLab Time-warped Reverberator and showing how it can be played."

Tempera Sounds Like The Future


video upload by Jorb

0:00 Intro
1:06 How does this work
17:15 Rhythm
31:52 As a Voice
36:24 Live Grains
42:54 Conclusions

07.28.2026 Buchla 288v flavors [01]


video upload by batchas

07.28.2026 Buchla Modular


video upload by batchas

"I kept switching steps on/off on sequencer A to realize nearly the end that I was not using the sequencer A output. Hahaha!!!"

vocal processing on the buchla modular

ako - Basic Microwaving (4 track tape version) - recording w MT-50, MMT-8, CZ-1000, PSS-480, TR505


video upload by ako

"Here's a video of the recording of the B-side for my new single (links to all formats below). It was recorded on a Yamaha MT-50 four track tape recorder with a Casio CZ-1000 (bass, this is honestly the weirdest synth I own and I think this the only track I’ve released with it on bc it’s just so weird), Yamaha PSS-480 (lead, despite masquerading as toy this thing packs some serious heat) Yamaha DX21 (chord layer) and Roland TR505 (drums – this gets some stick from TR purists, but it has some really usable sounds and the sequencer is super nice). The track was sequenced with the frankly legendary Alesis MMT-8 (the only hardware MIDI sequencer I’ve ever enjoyed using). Synchronisation between tape and MIDI was achieved using a Yamaha YMC10 MIDI clock to tape-synch converter. Dub style delays used on the lead came from a RocLab DD3000 (pretty obscure unit, sounds nice if you tweak it just right); Reverb came from a Behringer DR600 (solid reverb pedal, even more solid price at ~£25) and chorus for the bass via a Boss CH-1 Super Chorus - my favourite chorus, to me it just sounds how chorus should sound (this one is a vintage ‘made in Japan’ model, so fully analogue compared to later digital CH-1 models, and just sounds super warm). It was mixed on MT-50 but also with a Peavey Unity Series 2000-16 (for submixes and sends etc.), this mixer has a flavour all of it’s own, certainly not high fidelity, but kinda gritty and warm… The track is out now for stream and download (links below), hope you folks dig the track 🙂"



Also on Spotify.

Game Boy Advance FMS + Resonant Marbles Electronica | Dimming 2026-07-29 by atnr


video upload by atnr

"An electronica piece featuring Game Boy Advance, OP-1 field, and the resonant sounds of marbles processed through a resonator.

On the Game Boy Advance, sequences are played using FMS. The output is processed through LOSSY and then routed through the SSL SiX CH.

On the ‪@teenageengineering‬ OP-1 field, an electric piano sound from the Sampler is looped using the ENDLESS sequencer. Deep reverb is applied through the blueSky.

A piezo element is attached to a glass bottle containing marbles and metal nuts. The signal is sent into the ‪@MengQiMusic‬ Wingie 2, then processed through the ‪@ChaseBlissAudio‬ MOOD MKII and layered with micro loop textures."

Flexur spooky jam


video upload by Sound Workshop

"Testing Flexur, our standalone expressive #synthesizer inspired by #trautonium

In this firmware revision. Lauri iterated on the code that holds notes on while you’re sustaining a touch.

The last firmware revision improved noise performance, but led to a large increase in dropped notes. Is it possible to improved the noise without dropping to many notes?

Based on this jam, it seems like the answer is yes. Flexur felt very physical. Dare I say: I felt like I was starting to shred on it. I was playing most of my bag of ideas from jamming on “my funny valentine”. The chromatic descending bass line is very comfortable for an intermediate player like me, so I keep getting pulled back to it. I hope that more advanced players will be able to find more variety in chord changes.

I like how this video shows a few different ideas about how to arpeggiate and play chords. I also play this slightly corny riff that just wiggles between 5 and b5. It shows how with a little bit of pizzaz or personality the simplest motifs can stay interesting for a long time. That’s only possible on an expressive interface.

Flexur was crowdfunded in June 2026 and sold out. Please join the newsletter or waitlist on our website to know when orders open again, which should be in 6-24 months. Sorry for the long wait, We're pushing as fast as we can. Thank you!"

[048] first jam with Dirtywave M8 tracker #dirtywavem8 #synthesizers


video upload by super secret submarine

Ambient Engine v1.2 Introduction - Make ambient music yours - atnr.net


video upload by atnr

Ambient Electronica w/ Ambient Engine v1.2, Glocken, OP-1 field | Aquatic Plants 2026-07-28 by atnr

video upload by atnr

"Ambient Engine

Ambient Engine https://store.atnr.net/ambient-engine... is designed not just as a tool for “making music,” but as a device that continuously generates sound.

Load your own samples, adjust playback range and density, add organic movement through modulation, and record everything in real time.

Even without performing, the sound keeps evolving autonomously according to your parameter settings.

You can import sounds recorded on your smartphone and start creating your own unique ambient music immediately.

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