MATRIXSYNTH


Thursday, December 10, 2009

Arturia Origin Keyboard - Official Renders and Info

via the Arturia Website
"Be original. Origin Keyboard is bringing to you a palette of innovative sounds accessible through a well-thought interface. Play a premium quality light-weighted keyboard with 61 keys, velocity response and aftertouch. Then use the joystick, the ribbon controller and the numerous controllers on the interface. Set the inclination of the front panel, whether you want to sit down or stand up when playing. Finally take this panel down and you are good to go to the next stage or the next studio session. Origin Keyboard is an invitation to a unique playing experience. As a matter of fact, it is the first lap-top synthesizer ever.

MAIN FEATURES:
High Level of Control:
* ultra sensitive 40cm ribbon controller
* high quality light-weighted 61 keys keyboard, with velocity response and aftertouch
* Modulation and pitch-bend wheels, 3-mode Joystick, 21 potentiometers, 32 encoders, 81 switchs

Ergonomic design:
* Self adjustable front panel, from 0° to 135°, giving you total setup flexibility.
* 5.2” TFT screen for clear visual feedback.
* complete mobile solution, offering everything you need to perform your sounds in a single, easily transportable cabinet.

Unique Origin Sound Engine:
* Modular system coming with more than 80 modules, some new, some excerpted from legendary synthesizers from the past.
* Accessible as a plug-in within the main sequencer programs.
* All sounds are totally editable on the Hardware but also editable through the Origin Software application."

Theremin Building Party

via Adam
"Back in October fellow Thunder Bay ex-pat Dave Shaw and I conducted a Theremin-building workshop [click for more pics and info] at Articule gallery in Montreal in association with Pop Montreal’s Symposium. It was fun! Best of all, everyone’s instrument worked in the end (about a dozen of them). Well, almost all of them worked. Jenny’s made insane evil droning sounds that weren’t quite right, but cool anyway."

"Particularly cool is the Theremin my co-facilitator built into the case of a wireless router using the router's antennas for pitch control."

They used the Harrison Instruments Minimum Theremin Kit which Adam recommends for beginners.

KORG DS10 Magazine?

KORG DS-10 PLUS 音作りパーフェクトガイド 見本誌が届きました

YouTube via jetdaisuke
"私 ジェット☆ダイスケ もちらっとポリモーグさんとの対談で載っております。なんといってもパフュームのボー カルを再現したKORG金森さんの解説ページは必読です。また、DS-10マイスター の方々による音色設定もお役立ち!"
Googlish:
"I found our jet ☆ Porimogu's brief interview with Daisuke also. Cal Bo Perfume reproduced and come KORG Kanamori's description is a must-read page. In addition, DS-10 star who set the tone with your help my people!"

Anyone know more about the magazine / book?

Update via Dustbunnies in the comments: "I'm pretty certain I've picked up this one and thumbed through it at the local bookstore. IIRC, it looked mostly like your basic "getting started" guide; much in the same vein as those put out once or twice a year by Computer Music magazine. I think it's just a one-off, in any case, since there hasn't been a second issue in several months.

However, I will state that I can't read kanji for crap, so all standard disclaimers apply. But the fact I didn't buy it anyway means that even the pictures weren't telling me anything I didn't already know.

There are a couple of DS-10 guidebooks that have been put into common circulation over here. At least one of these was interesting enough that I did shell out the cash for it. But not this one." image via the KORG DS10 Blog (Googlish)

ChromaKnob - Rhodes Chroma Knob Box

There's been some discussion on the Rhodes Chroma list on creating a knob box for the Rhodes Chroma. The Chroma was ARP's last synth. It's an amazing monster of a poly analog synth with weighted wood velocity sensitive keys. Two things sorely missed are dedicated knobs and aftertouch. Both have been discussed on the list and may actually come some day. There is a CC+ processor upgrade that gives full MIDI sysex support.

The knob box you see sitting on top of the Chroma here is the ChromaKnob. It was a one off knob box created by David Clark. Be sure to see the link for more info and images. While there check out the rest of the site for more. It's an incredible resource to the synth community.

preparing for take-off tb-303


YouTube via wrothermel "rolling out the old bird for a brief flight."

StepEffektor Test - VST Effect (Guitar + amplitube Metal)


YouTube via autodafesounds

" A quick test of a VST effect I am working on. It's called "StepEffektor" and it's 16-step filter with a Bitcrusher and a Distortion Unit. it's synced to host tempo and has different time resolutions

Here it's used with Guitar and Amlitube Metal as an Insert in Cubase 5.

Soon on http://www.autodafe.net"

EHX Tube EQ Self Oscillation


YouTube via Analogger
"I was really inspired the other day after watching some videos on the Electro-Harmonix "Effectology" channel. When I saw that the Tube EQ would self-oscillate I headed to Ebay. I may have used it to "eq" something for maybe 30-40 seconds and then it was on to noise making. The EQ went into an EHX Memory Boy and then into the Hardwire TL-2 Metal Distortion pedal. The secret to the rhythmic modulation was patching a four note control voltage sequence from the Doepfer clock sequencer into the expression pedal input of the Tube EQ. The settings I created were not for a guitar per se but about halfway thru I plugged my Strat into the EQ pedal to see how it would sound - kind of gnarly but what the hell.

Please check out my Myspace page when you get a chance: http://www.myspace.com/mrdithersnoisebox"

Doepfer Modules in the Flesh

Doepfer has some nice images of their modules up. It's a bit hit and miss at the moment, but if you check their site you will find some in the individual module description pages along with their standard drawings.

Pictured: A-127 VC Triple Resonance Filter and A-128 Fixed Filter Bank

Click on each image for the full size shot.

EMS PITCH TO VOLTAGE CONVERTER


via this auction

"EMS Pitch To Voltage Converter, perfect to add to your Synthi or VCS3. Also interfaces with other modular/cv synths. Fully functional but missing the front panel 'reference tone' switch (an easy repair and the switch can be ordered from EMS - the ref. tone is currently set to 'off') and comes with mini-Bulgin power lead. The module is internally switchable between 110V and 220V.

Previously owned by Malcolm Cecil and formed part of TONTO. "Tonto is an acronym for "The Original New Timbral Orchestra," the world's first (and still the largest) multitimbral polyphonic analog synthesizer, designed and constructed by Malcolm Cecil. Tonto featured on albums from Stevie Wonder, Quincy Jones, Bobby Womack, The Isley Brothers, Gil Scott-Heron and Weather Report, as well as releases from Stephen Stills, The Doobie Brothers, Dave Mason, Little Feat and Joan Baez, Steve Hillage". More info here

from the original spec sheet -

EMS DUAL RANDOM VOLTAGE GENERATOR

via this auction
"EMS Dual Random Voltage Generator, perfect to add to your Synthi or VCS3. Also interfaces with other modular/cv synths. Fully working and in original wooden case. It comes with mini-Bulgin power lead and very rare Cinch-Jones to facilities cable for connecting with a Synthi/VCS3 down a single lead. The module is internally switchable between 110V and 220V.

from the original spec sheet -

TWO VOLTAGE RANDOM GENERATOR

EMS STUDIO MODULES

The EMS Range of Ancillary Studio Modules EMS Modules are designed not only for use with Synthi synthesisers but with any complex of voltage controlled equipment, of whatever manufacture. They are supplied in handsome afrormosia cases, but can be removed and mounted in standard 19" racks, occupying only 1.7" (44mm) of vertical space. They contain their own mains power unit with a very wide range of stabilisation to cope with poor mains line conditions, being operable at anything from +10% to more than—23% of nominal line voltage. Connections to and from the modules can be made either from the jack sockets on the front panel or via the multi-way socket at the back.

TWO VOLTAGE RANDOM GENERATOR

The EMS Random Voltage Generator produces a staircase type of output, the 'steps' of which occur randomly, but whose voltage range and time variance are controllable in the following ways:

Time: The internal clock which decides the mean rate of events can be (a) freerunning and subject only to manual control, (b) inhibited so that the next random voltage depends on a manual push button or an external pulse (equivalent to external clock control); (c) free-running but voltage controlled so that an external voltage influences the mean rate. In this state the device becomes a voltage/time converter.

If the time variance control is at zero, the mean rate is constant (though subject to change of steady rate if influenced by a control voltage). As the time variance control is tuned clockwise, the mean time random variance becomes greater, and when this control is at maximum the rate will randomly vary in a ratio of more than 100:1. The distribution of chances is rectangular, not Gaussian, so that no part of the variance range is particularly favoured.

Voltage: Two voltage outputs are available and separately adjustable, but both are subject to the same time control — i.e. the steps of the staircase occur at the same time from both outputs. At zero, there is no voltage variance at all, and as the setting is increased the variance about the mean voltage (set at the device being controlled) becomes greater, excursions being both positive and negative of the mean voltage. In addition, a trigger pulse is sent whenever a random selection is made, and a lamp on the panel glows at the same time.

The random voltage generator can be used for quasi-melodic purposes, for interesting timbre and other parametric changes, or at high speeds for randomly varying vibrato or tremolo (very near simulation of natural, performed vibrato), or for producing very dense textures of rapidly changing notes. A very versatile instrument, essential for any well-equipped electronic music studio.

SPECIFICATION

Power Supply:
240 or 115VAC 50/60Hz + 10% to —23%

Control Outputs:
+/- 2.5V max. (this excursion can be offset to accommodate non-EMS products).

Trigger Output:
+4V

Mean Time Range:
0.2 - 20 events per second.

Time Variance:
Max. approx. 100:1 (at mid-settings of mean rate — limited by possible clock range).

Select Input and Inhibit/Free Run Switch:
+ 5V at select input or manual push button operates and inhibits after one event if switch at INHIBIT. +5V will run clock at mean rate set while present at select input, if switch is to FREE RUN.

Voltage Controlled Mean Input:
0.5V/octave ( = doubling or halving rate) limited by possible clock range."

PREVIOUS PAGE NEXT PAGE HOME



Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH