Dual Looping Delay (DLD) Tutorial - Part 3: Time Switch and Advanced Feedback

Published on Jun 20, 2016 4mspedals

"In the third DLD tutorial we explore the Time Switch (1/8 to +16) and discuss how everything you do is recorded continuously when Feedback is high. We also show Blooming Echoes with Feedback at 110% and discuss the nuances of Feedback CV."

All parts here.

Dual Looping Delay (DLD) Tutorial

Published on Jun 17, 2016 4mspedals

"Basic overview and features of the Dual Looping Delay from 4ms Company. We cover the basics of the Time knob, Feedback, Delay Feed and Mix using channel B only."

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Dual Looping Delay from 4ms Company

Dual Looping Delay from 4ms Company -- Resonant delay play

Published on Jan 20, 2016 4mspedals

"Playing with resonant delays by using very short delay times (audio rate, 250Hz to 4kHz) and feedback nearing 100%. The DLD allows for quantized or continuous control of delay time relative to the input clock. In this patch, the input clock is a square wave from an audio VCO.

The sound source was a pop song trending on soundcloud, fed directly into channel A of the DLD. The output of channel A is fed into channel B, which is set to an echo-type delay, giving the reverberation. The output of channel B was recorded directly (the Send from channel B was sent to a Spectral Resonator, but this was turned down in the mix). No effects were added."

Dual Looping Delay from 4ms Company -- Resonant delay play (mashup)

Modular Day Barcelona - 4ms performance

Published on Oct 6, 2015 4mspedals

"Dan Green of 4ms performs at Modular Day Barcelona #2 at Hangar.org. Three Spectral Multiband Resonators and a vocal sampler are being used to generate all the sounds."

Harmonic Symmetry

Harmonic Symmetry from Richard Devine on Vimeo.

"Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

For those wanting the track, its available here (Free Download) http://bit.ly/1hzMdxj

http://www.makenoisemusic.com/telharmonic.html

http://www.4mspedals.com/htnew/smr.php"

4ms Spectral Multiband Resonator Beat Sync Jam

Published on Jul 28, 2015 4mspedals

"Here we're using just an iPod and mp3 file to control the entire modular system. The drums sounds are all from modules being triggered by the Spectral, and the bassline is part of the mp3 file.

A cable sends audio directly to the SMR from the iPod, where it's split into bands. Triggers are derived from each individual audio frequency band, which are then sent to drum modules to create an entire set based around the structure of one audio file!

You can drastically and dynamically remix tracks this way. Using as much or as little of the original sound as desired, you can cut and filter precise sections of the sound, all the while using the CV equivalent of each band to control and beat sync your modular system!"

Spectral Multiband Resonator (SMR) and Dual Looping Delay (DLD) lullabies

Published on Apr 18, 2015 4mspedals

"All sounds are coming from the Spectral, which makes lovely gong and bell sounds when fed triggers from a QCD. Other clocks are rotating it and gating individual channels (which are notes in the chords). The stereo output is fed into the Dual Looping Delay (DLD) which has its time and regen controls being modulated by more clocks and the QPLFO. The DLD provides the master clock (sample-accurate!)"

4ms Spectral Multiband Resonator - filtering music

Published on Apr 14, 2015 4mspedals

"Running soundcloud into the Spectral, and using it at lower Q (resonance) to filter the sound more like an EQ. At the end I turn up Q for an extremely resonant ringing sounds."

4ms Spectral Multiband Resonator vs. KOMA Elektronik Komplex Sequencer

Published on Feb 4, 2015 4mspedals

"In the aftermath of NAMM 2015, the KOMA Elektronik team came to Portland to hang out at the 4ms workspace. We decided to hook up our latest inventions, the 4ms Spectral Multiband Resonator, and the KOMA Komplex Sequencer. The following jam ensued.

The CV out of Sequencer A of the Komplex is modulating the Quantized Scale Input of the SMR. The Gate Out of Sequencer B is triggering the Rotate Forward Function of the SMR. The Gate out of Sequencer C was mixed with feedback from the Filter Output using a 4ms SISM, to create the highly resonant plucking sounds. No additional effects or mastering was used, all audio was done in the modular, and recorded live.

Both 4ms SMR and KOMA Komplex Sequencer will be available in Spring 2015. Pre-orders for the Komplex Sequencer are currently open via support@koma-elektronik.com.

More information on both companies can be found here:
http://www.4mscompany.com
http://www.koma-elektronik.com

UNITED BY VOLTAGE."

MuffWiggler Interviews 4MS Company

MuffWiggler Interviews 4MS Company from Muff Wiggler on Vimeo.

http://www.4mspedals.com
http://store.muffwiggler.com/

4ms Shifting Inverting Signal Mingler (SISM)

Published on Nov 21, 2014 4mspedals

Left channel audio only.

"Check out the SISM in action!

In this patch we're using the SISM to process control voltages by attenuating, inverting and shifting four signals before sending the bipolar outputs to a filter and a quantizer.

The SISM manual is basically a primer on modular synthesis, and is a must read for all modular users. Reads it here:
http://www.4mspedals.com/sism.php"

4ms Modular Row - The Octagon [Eurorack Modular Wheel]

Published on Aug 14, 2014 4mspedals

"Eight Modular Row cases and eight 45 degree angle pieces"

New wheels for your SUV?

4ms Quad Clocking Harmonies (Modular Lullaby) by Richard Devine

4ms Quad Clocking Harmonies (Modular Lullaby) from Richard Devine on Vimeo.

"This patch focused on using the 4ms Quad clocking distributor (QCD) module as the main brain to trigger the drums and musical sequences. The source clocking generator was the delptronics triggerman running in pattern mode. I set up 8 stored sequences that had slightly different shifted gate positions, and then outputted these assignments to the 4 channels on the 4ms OCD, and then took those outputs into separate gate triggers for the drum/snare/high-hats. The Modcan QLFO was also being clocked from the delptronics trigger man. Running from LFO output 1 in random stepped mode causing ever changing CV changes to the CV Clock Divider/Multiplier inputs, which gave the sequencing this interesting pace. I kept the sound sources very simple and limited. Using just 3 different intellijel dixies as the main sound sources (sine waves and one square). All three being triggered and then CV controlled in slow stepped mode from the Modcan Quad LFO, then into the µScale intelligent quantizer and interval generator for the melodies. The output was running through a Strymon BigSky reverb pedal using the "Chorale" algorithm for the slow like choir pads swelling delicately from the summed VCO's. One intellijel running in low octave pitch down for added baseline effect. Drums courtesy of the Mutable Instruments Braids for the snare drum running in CLK mode, with the envelope set to "ping" short attack. The kick drum was from the JoMox Membrane II, and hi-hats from the 4-hp whitenoise output from the BlueLantern running into a intellijel HexVCA. Another direct whitenoise out from the HexVCA running into a cwejman MMF-1 filter for the slow delicate automating filter sweeps, being modulated by cwejman D-LFO. This output was then taken into the Strymon Timeline for added depth and space. This patch was specifically created as a lullaby to play at bedtime for my baby Eila. Enjoy :-)

http://www.4mspedals.com/qcd.php"

via Richard Devine on The MATRIXSYNTH Lounge

4ms BUFF MULT

Published on Nov 27, 2013 4mspedals·79 videos

"BUFF MULT from 4ms Company:

Two independent buffered multiples, normalled together
Each channel has one input and three outputs that are high-grade copies of the original
Each channel has a bi-color LED to indicate positive (white) or negative (red) signal
Width bandwidth video-rate op-amps, fully compatible with LZX and video signals
Bottom channel is normalized to top channel, for a 1-to-6 multiple
Useful for detecting signals, troubleshooting patches, isolating modules, preventing "thump" or glitches during live patching, and protecting outputs
Module size:
The 4ms BUFF MULT is 3HP and 0.75 inches (18mm) deep.

Power consumption:

+12V rail: 13mA
-12V rail: 13mA
+5V rail: Not used (0mA)

For more blinkenmults: http://4mspedals.com/buffmult.php"

4ms Quad Clock Distributor (QCD): Video Manual part 1: Overview

Published on Nov 21, 2013 4mspedals·78 videos

"The Quad Clock Distributor (QCD) from 4ms Company is a four channel master clock module with Tap Tempo. Each channel has a clock divider/multiplier (from /32 to x16) and an independent clock input and output. The Div/Mult amount can be CV controlled with an external source (sequencer, manual pads, LFO, etc). Each channel also has a Reset jack for clock phase shifting (on-the-beat vs. off-the-beat vs. in-between-the-beat, etc...). The channels normally sync to the Tap Tempo button, but plugging in an external clock overrides this.

Complex rhythms can result quickly.

The QCD connects to the QPLFO (Quad Pingable LFO) from 4ms

Read more at 4ms:
http://4mscompany.com/qcd.php"

MMTA FALL SYNTHFEST 2013: 4ms Modular Row Modules Eurorack Case

Published on Oct 29, 2013 matrixsynth·282 videos

http://www.4mspedals.com/modularrow.php

MMTA FALL SYNTHFEST at Shoreline Community College Seattle.

http://www.mostlymodular.com
http://www.shoreline.edu

See the MMTA SYNTHFEST 2013 Channel below for all posts on the event.

MMTA FALL SYNTHFEST 2013: 4ms Modular System

Published on Oct 29, 2013 matrixsynth·281 videos

http://www.4mspedals.com

MMTA FALL SYNTHFEST at Shoreline Community College Seattle.

http://www.mostlymodular.com
http://www.shoreline.edu

See the MMTA SYNTHFEST 2013 Channel below for all posts on the event.

MMTA FALL SYNTHFEST 2013: 4ms Mixed Eurorack System

Published on Oct 29, 2013 matrixsynth·280 videos

http://www.4mspedals.com

Update:  That's a KOMA Elektronik’s CV Motion Controller, he's using to control the system with.

MMTA FALL SYNTHFEST at Shoreline Community College Seattle.

http://www.mostlymodular.com
http://www.shoreline.edu

See the MMTA SYNTHFEST 2013 Channel below for all posts on the event.

4ms QCD (Quad Clock Distributor) Sneak Preview 2

Published on Sep 18, 2013 4mspedals·77 videos

"The Quad Clock Distributor (QCD) and the QCD Expander modules from 4ms Company are an amazing pair of complex rhythm generating machines. The QCD is the perfect master clock, with a tap-tempo button and four CV-controlled Divided/Multiplied clock outputs. All the beat patterns you hear are coming from this module (plus other 4ms gear such as the RCD, SCM, and PEG), using various QCD channels to modulate themselves.

Swing/shuffle patterns are easily obtained by modulating the pulse width of the inverted gate output. The speed-up/slow-down patterns come from modulating the clock divider/multiplication amount (with an LFO and/or another synced clock). Finally, hitting Reset at various times causes phase modulation.

For more information on the Quad Clock Distributer, see http://4mscompany.com"

4ms QCD (Quad Clock Distributor) Sneak Preview

Published on Aug 30, 2013 4mspedals·76 videos

"Another sneak preview of the upcoming Quad Clock Distributor (QCD) eurorack synth module from 4ms. The QCD is a four-channel CV-controlled Clock Divider/Multiplier with individual Resets on each channel. Each channel also has a Div/Mult knob that goes from /64 to x64. The Expander module adds Pulse Width control via CV and knobs.

In this patch, the QCD is triggering every sound event. The red and black channels modulate various aspects of the "lead" and "rave siren" sound. The 4ms PEG plus the Doepfer A-156 quantizer is used for the "sequencer" (both pinged/triggered by the QCD). The kick and hi-hat are triggered by the rising and falling edges of the Red and Green channels respectively. Both these sounds are made by running the QCD output into a Machinedrum trigger input (no sequencing is done by the Machinedrum, it's all done by the QCD!)

In the back of the QCD, there's a header to connect to the QPLFO (Quad Pingable LFO) to drive triangle/saw/ramp waves that are timed to the QCD's clocks."