Analogue Solutions Fusebox Synth: All Fusebox Sounds (Track 2)

Published on Aug 21, 2017 rezfilter

"More Analogue Solutions Fusebox! http://analoguesolutions.com/fusebox/

Speakers recommended.

It's easy to be inspired with the Fusebox, so consequently, here is another session with the Analogue Solutions Fusebox, layering various sounds and patches from the synth into Logic, forming a mini track.

Only reverb was applied to some of the sounds to allow them to fit properly together. No distortion or similar effects were used in the creation of this track."

New Analogue Solutions Polygene Poly MIDI Converter Eurorack Module Teaser

Published on Nov 15, 2016 rezfilter

http://www.analoguesolutions.com

"Polygene is a eurorack polyphonic MIDI to CV converter – 4 voice output that can be used to play your CV synths / modules as a 4 voice polysynth.

Why Do I need this MODULE? What’s So Special?

Simple to use, it’s the perfect way to have MIDI control over 4 CV synths, to play together as one poly synth.

Connect to 4 mono synths, e.g. Analogue Solutions Nyborg
Or, connect to Eurorack modules set up as 4 synth voices.

The Arpeggiator has no nonsense operation harking back to the days of early Roland synths such as the Jupiter 8 and SH101.

The Arpeggiator can also be used as a simple 16 note step sequencer. The arpeggiator also plays back the velocity amount that was used.

The Arpeggiator will control CV synths, but the note info is also sent to the MIDI Out socket as MIDI notes, so you can have it play a MIDI synth."

Analogue Solutions Oberkorn, Nyborg, & Pro One Musings

Published on Sep 29, 2016 rezfilter

"Here's a little #AnalogueSolutions #Oberkorn and #Nyborg action. Obe stepping the Pro One, CV pitched control via Pro Solo. Nyborg doing some light percussion tasks... #workingtogether"

Analogue Solutions Ships Nyborg-24

"Analogue Solutions ships space-saving real analogue monosynth module with ‘Moog-style’ filter

KINGSWINFORD, UK: British ‘boutique’ analogue synthesiser and accessory designer/manufacturer Analogue Solutions is proud to announce availability of Nyborg-24 — a ‘Moog-style’ 4 Pole 24dB/Octave LOW PASS FILTER- equipped standalone monophonic synthesiser module with REAL ANALOGUE VOICE & MODULATION CIRCUITS that essentially shares the same features (and the same form factor) as its white-faced Nyborg-12 ‘Oberheim SEM-style’ 2 Pole 12dB/Octave MULTIMODE FILTER-equipped sibling released to critical acclaim earlier this year — as of October 13...

The appropriately-named Nyborg-24 not only looks different to its appropriately-named Nyborg-12 synth sibling — thanks to their obviously opposing front panel colour schemes, but also sounds different — thanks to sharing the same ‘Moog-style’ 4 Pole 24dB/Octave LOW PASS FILTER found in the company’s critically-acclaimed Leipzig-S analogue monosynth/step sequencer (whereas the Nyborg-24 shares the same ‘Oberheim SEM-style’ 2 Pole 12dB/Octave MULTIMODE FILTER found in the company’s Telemark semi-modular analogue monosynth). Moreover, it is what these form factor- and feature-sharing synths have in common that makes them stand out from the analogue renaissance crowd, constantly swelling in numbers as it is. Indeed, as they both proudly state on their black (Nyborg-24) and white (Nyborg-12) rugged steel/aluminium casings for all to see (and hear): REAL ANALOGUE VOICE & MODULATION CIRCUITS

But what does REAL ANALOGUE VOICE & MODULATION CIRCUITS actually mean? Meaningfully, then, apart from its high-quality 16-bit DAC (Digital-to- Analog Convertor) for MIDI (Musical Instrument Digital Interface) to CV (Control Voltage) conversion (which, by its very nature, has to be digital), like Nyborg-12 before it, Nyborg-24 is absolutely analogue through and through, hand built (by humans) using real transistors and op-amps. Unlike other so-called analogue synths you’ll find no CPU-stabilised and quantised circuits, DCOs (Digitally-Controlled Oscillators), digital LFOs (Low Frequency Oscillators), or digital EGs (Envelope Generators) hiding here, thank you very much! Instead its circuitry is based on tried-and-tested, distinctive- sounding designs dating back to the late-Seventies, so Nyborg-24 sounds suitably vintage in character — surely destined for much praise by Analogue Solutions’ loyal customers. Cast aside those bland-sounding digital synths and DSP-based soft synths and dial in Nyborg-24 whenever a full range of synth leads, basses, excellent-sounding electronic percussion, and all manner of subtractive synthesis-derived sounds are the musical (and not-so- musical) order of the day (or night)!

Speaking of dials, Nyborg-24 boasts an abundance of high-quality, smooth potentiometers, fully sealed against dust intrusion, together with high- quality knobs with spun aluminium caps — all as appealing to look at as they are to turn! Two super-stable VCOs (Voltage-Controlled Oscillators) — each providing a whole host of options and MODULATION sources — are available to start turning the most adventurous analogue musical dreams into reality. Thereafter, Nyborg-24 continues to follow the traditional, well-trodden analogue synthesiser signal path with its distinctive-sounding 4 Pole 24dB/Octave LOW PASS FILTER; AUDIO MIXER (VCO 1, VCO 2, NOISE/SUB); LFO (Low Frequency Oscillator) with triangle and square wave modulation signals and MODE switch to route CV2 (velocity control voltage) or S+H (Sample and Hold) signals to that 4 Pole 24dB/Octave LOW PASS FILTER or those VCOs; VCA (Voltage-Controlled Amplifier), controllable from EG2 or GATE with BYPASS option (allowing Nyborg-24 to be used as an external effects processor) and CYCLE setting (so the envelope is constantly re-triggered by the LFO, allowing for hands-off sound effects); and ENVELOPE 1 (VCF) and ENVELOPE 2 (VCA). As such, it should feel familiar to anyone with a modicum of subtractive synthesis skills... so much so, in fact, that reading of its accompanying user manual may only be necessary for finer operational detail: “Do not use a carwash or jet wash to clean this synth.” Surely as good advice as you’re going to get from anyone anywhere!

And speaking of communicating with the outside world, with an intentionally easy yet effective MIDI implementation — CUTOFF control of Nyborg-24’s all-important 4 Pole 24dB/Octave LOW PASS FILTER is available via MIDI velocity or a MIDI controller — and external CV (Control Voltage) sockets for PITCH1 (VCO), PITCH2 (VCO), CUTOFF (filter), GATE (to trigger the EGs), and EXT (for feeding an external CV to various circuits), DAW (Digital Audio Workstation) integration or working with an analogue step sequencer (such as Analogue Solutions’ own Oberkorn and recently-released Megacity) is a breeze. Better still, simultaneous MIDI and CV operation is possible, so users could, for example, use an Oberkorn to play a little melody then transpose that step sequence using a MIDI keyboard controller (or MIDI sequencer). Child’s play? Perhaps.

Note Nyborg-24 — like Nyborg-12 — can be user configured in various ways to save space to suit. Shipping as a vertically-orientated standalone monosynth module (much like its bigger brother, the Telemark), it is possible to rotate Nyborg-24’s front panel so that it can be used horizontally as a desktop device. Optional wooden side panels can be screwed to a single Nyborg-24 (from its inside so no ugly screws are visible) or to two Nyborg-24s that have been bolted together. It is also possible to rack-mount two Nyborg-24s that have been bolted together using the optional rack ears. (Of course, it is perfectly possible to bolt a Nyborg-24 to a Nyborg-12 and also rack-mount this perfect pairing for full filtering flexibility.) Either way, Nyborg-24’s modified software allows two Nyborg-24s to be poly-chained together to play as a single two-voice polysynth. Four-voice polyphony is also available upon request for those looking to really push the boat out and purchase four Nyborg-24s, though one Nyborg-24 is still a very versatile, super-sounding, space-saving standalone monosynth module in itself. One that will serve any adventurous analogue renaissance man, woman, or child well for many years to come.

Nyborg-24 is available to order online directly from Analogue Solutions (http://analoguesolutions.com/nyborg-24/) for £499.00 GBP (plus tax and delivery) or through an authorised dealer, as are its optional rack ears (£19.00 GBP, plus tax and delivery) and wooden side panels (£39.00 GBP, plus tax and delivery)."

Be sure to check on availability with a MATRIXSYNTH sponsor on the right! They help support the site that brings this post to you.

Analogue Solutions Nyborg-24 Synthesizer Synth Demo POP!

Published on Sep 30, 2015 rezfilter

"Here's a quick synthpop sound demo utilizing ALL Nyborg-24 sounds, including drums.

Due to Nyborg's lightning fast envelopes, percussion comes second nature -- as do other great synth sounds due to Nyborg's creative modulation section and deep 24db filter.

The Logic X arpeggiator was used alongside Nyborg to produce the synth lines and arpeggiations you hear in this demo track. All synthesizer parts were recorded individually and layered in Logic X.

Only slight delay and reverb were used in moderation.

See the website for more information on Nyborg-12 and Nyborg-24:

http://www.analoguesolutions.com

Enjoy!"

Analogue Solutions Nyborg-24 Synthesizer: Teaser Trailer

Published on Aug 7, 2015 rezfilter

"Take it up a notch! http://tinyurl.com/lctm7ra

NYBORG-24!

The featured track was made entirely with the Nyborg-24 synthesizer by Analogue Solutions (sans drums).

Announcing the NEW Analogue Solutions Nyborg-24 analogue synthesizer! The new Nyborg-24 offers:

Rich, Deep authentic 24 db/oct analogue filter
Creative, complex modulation routings
Rack Mountable!
Full rugged steel/aluminium case – no plastic mouldings
Smooth potentiometers, fully sealed against dust
Quality knobs with spun aluminium caps
High grade double sided circuit board
High Quality 16bit DAC for MIDI-CV conversion
Very stable MIDI to CV
Very stable analogue oscillators
Hand built by humans
True retro analogue voice and modulation circuits to give an authentic retro sound

+more!

See: http://www.analoguesolutions.com for more information

Music: http://www.soundofscience.org"

All Telemark - every sound

"Every sound on this was made using only the amazing Analogue Solutions Telemark analogue synths.
All layered a track at a time in a DAW.
Written and produced by supagswift.blogspot.ca
Telemark available from AS analoguesolutions.com"

Analogue Solutions Megacity #03 - Syncing Megacity Clock to Incoming MIDI

Published on Jul 4, 2015 rezfilter

"Take it up a notch! http://tinyurl.com/lctm7ra

Here's a brief overview of connecting the Analogue Solutions Megacity 64-step Tear Drop Sequencer to Incoming Midi.

So let's say you've created the perfect sequence and you'd like to incorporate that sequence into a new track. Or, you'd simply
like to compose your Megacity sequences alongside your DAW in real-time as your song plays back.

Rather than trying to manually turn Megacity's tempo knob and sync the output audio to your track, it's best to synchronize Megacity with your DAW of choice and get your BPM information from your song's tempo settings.

Featured: Megacity, Nyborg-12 synthesizer

http://www.analoguesolutions.com (synths)
http://www.soundofscience.org (music)

More to come!"

Analogue Solutions Megacity 64 Step Sequencer JUMPS and RESETS

Published on Jun 20, 2015 rezfilter

"More Megacity!

Here's a quick animation detailing the JUMPS and RESETS on the Megacity 64 step Tear Drop Step Sequencer, from Analogue Solutions.

More soon!

http://www.analoguesolutions.com
Animation by Greg Lawhun"

Analogue Solutions Megacity: Live session with Telemark, Telemetry and Concussor

Published on May 10, 2015 rezfilter

"Take it up a notch!

Here's a quick live session using the Analogue Solutions Megacity Tear Drop sequencer.

Megacity is controlling both the AS Telemark & AS Telemetry (Mini-Vostok) synthesizer via gate and quantised CV out.

CV pitch & gate to the synths and clock to the Concussor eurorack drum modules are all controlled via Megacity.

No computer was harmed (or used) in this live session.

Find out more:

http://www.analoguesolutions.com

Music:

http://www.soundofscience.org"

Vince Clarke Enters the Eurorack Market with New Line of MIDI to CV Utility Modules

Vince Clarke Circuits - The VCM & VCS Auto Tune System from erasureinfo on Vimeo.

In collaboration with Analogue Solutions.

"This self contained Eurorack expandable Midi to CV converter/calibration system offers an uncomplicated solution to the problems of tuning and scaling both vintage synthesisers and modern VCO Eurorack modules. With 16 bit voltage resolution and a tune time of 10 seconds. The unit can compensate for VCO alignment issues and environmental factors that cause tuning drift with the push of a button. Its Digital Automatic Audio Gain Control Circuitry (DAGCC) enables the unit to be connected to most synthesiser outputs, and has been tested on a large array of makes and models. While obviously not being capable of fixing the problems of faulty circuitry it will however save time and money on re–calibration, and ensure the technical side of synth ownership doesn't impinge on the creative process.

MORE DETAILS:
http://www.vinceclarkemusic.com/circuits/"

And the press release:

"Vince Clarke keeps tuneful tracks tuned with namesake clever CV/Gate tuning system

BROOKLYN, NY, USA: synth-pop Svengali Vince Clarke is proud to announce that he will be releasing a series of creative and utilitarian modules for the ever-present Eurorack small-format modular system under the namesake Clarke company name, designed and built to exacting standards in close collaboration with British ‘boutique’ analogue synthesiser and accessory designer/manufacturer Analogue Solutions, starting with the now-available Auto Tune — a self-contained, expandable Eurorack-compatible MIDI-to-CV converter/calibration system offering an uncomplicated solution to the problems of tuning and scaling both vintage analogue synthesisers and modern Eurorack VCO (Voltage Controlled Oscillator) modules — as of March 18...

So why simultaneously sidestep into this creative and utilitarian synthesiser module manufacturing (ad)venture alongside superlative synth-pop music compositional creativity? Who better qualified to address this than the Ivor Novello Award-winning songwriter himself... hardly surprising, really, since Vince Clarke can, of course, comfortably find his way around a notable number of synthesisers, too, as attested to by the well-earned songwriting success-funded collection of analogue classics currently residing at his NYC studio, relatively recently relocated from a custom-built cabin in rural Maine to inner-city Brooklyn. But this is no millionaire’s museum piece, but rather a unique personal workspace, where each and every awe-inspiring analogue instrument included in his sizeable collection of vintage and modern synthesisers comfortably housed within regularly earns its keep on a variety of musical projects, be they synth-pop based or otherwise. “For those of you who work with synthesisers using CV and Gate, you will all be aware of the problems of calibration,” notes Vince Clarke, continuing: “Having tried many a cumbersome software-based package over the years, I wondered if there might be a neater solution — a kind of all-in-one MIDI-to-CV convertor with auto-calibration.”

And, as if by musical magic, the collaborative Clarke company concept was born. And with it the first of those creative and utilitarian modules for the ever-present Eurorack small-format modular system that is increasingly popularised (and heavily populated) by an ever-growing band of merry ‘boutique’ manufacturers now numbering hundreds worldwide... welcome into the world Clarke’s clever Auto Tune system! So, let’s learn a little more about what it is, what it does, and how, exactly, it does it...

In a nutshell, then, the Auto Tune system consists of a VCM20 master module, which can control up to 16 VCS20 slave modules, each of which provides one channel of CV (Control Voltage) and Gate. With 16-bit voltage resolution and a tune time of 10 seconds, this straightforward system can compensate for VCO alignment issues and environmental factors that cause tuning drift quite literally at the push of a button!

The VCM20 master module has an LED (Light Emitting Diode), an increment push button to select the MIDI (Musical Instrument Digital Interface) channel, and MIDI IN and MIDI THRU sockets; the VCS20 slave module has four 3.5mm jack sockets for communicating with the outside analogue synthesiser world, which is where the tuning action really gets going: CV1 connects to the synthesiser’s pitch control voltage and can be set to either V/oct (Volts per octave) or Hz/V (Hertz per Volt); CV2 is mapped to keyboard velocity — typically to control a VCF (Voltage Controlled Filter) or VCA (Voltage Controlled Amplifier); the 11 Volt GATE output can be set to either V-Trig (Voltage Triggers) or S-Trig (Switch Triggers), its use being indicated by the Gate LED; the VCO input connects to the synthesiser’s waveform or audio input and allows the VCS20 slave module to read audio frequencies during the calibration process — a square, sine, or sawtooth waveform without modulation is recommended for doing this. The oscillator output can either be split or an unused waveform connected in the case of modular system setups while with typical hardwired analogue synthesisers it’s a case of splitting the audio output or, in most cases, using the headphone output. Either way, the synthesiser needs to be set to output a single oscillator without filter or modulation with the VCA envelope set to zero attack, zero decay, full sustain, and zero release. For the most accurate calibration of the control voltage the synthesiser’s oscillator range should be set to 8’ or its initial oscillator frequency set midway.

Having correctly connected everything, pressing the VCS20 slave module’s Tune button automatically tunes the analogue synthesiser, compensating for calibration errors between 0.5 and 1.5 V/oct. (During the tuning process, the Gate opens and its associated LED lights up, going out once complete.) Calibration data is duly stored — solving the problem with a neat solution! Still better, the VCS20 slave module retains the calibration data on power down — no need, necessarily, to repeat the process.

Suffice to say, Vince Clarke’s canny vision of an all-in-one MIDI-to-CV convertor with auto-calibration has truly become reality with the Clarke Auto Tune system since it is possible to set the individual MIDI channel for each VCS20 slave module and see which MIDI channel a slave module is set to at any time by simply pressing its Show button. Beauty is in simple things, after all. Equally easy, the VCS20 slave module’s Oct. (octave) button transposes the incoming MIDI signal by one octave with each push, cycling around four octaves — useful if the synthesiser’s range circuit is detuned. Don’t forget, each VCS20 slave module connected can be individually set to work with V/oct or Hz/V synthesisers so a variety of older and newer analogue instruments can be calibrated and automatically tuned by the Clarke Auto Tune system. Start with a VCM20 master module and one VCS20 slave module, maybe? Then simply add more VCS20 slave modules as your analogue instrument collection grows... guaranteed to stay in tune, each and every one of them — just like Vince Clarke’s Brooklyn-based sizeable collection of vintage and modern synthesisers! Synth-pop songwriting success, sadly, cannot be guaranteed.

The Clarke Auto Tune system is priced at £189.00 GBP (plus tax and delivery) for the VCM20 master module and £189.00 GBP (plus tax and delivery) for the VCS20 slave module; all are available to order online from Analogue Solutions here: http://analoguesolutions.com/clarke/

For more detailed information, please visit the Clarke webpage here: http://www.vinceclarkemusic.com/circuits/"

CLICK FOR MORE »

Analogue Solutions Nyborg 12 Analogue Synthesizer Demos

Published on Mar 6, 2015 Analogue Solutions

"Analogue Solutions Nyborg 12 Analogue Synthesizer.
A VERY capable synth that has pure analogue voice and modulation circuits. No CPU control over all the parameters (beyond MIDI CV/Gate of course).
please visit http://www.analoguesolutions.com for full spec, manual etc"

Analogue Solutions Nyborg-12 Analogue Synthesizer Demo Part 2

Published on Mar 24, 2015 rezfilter

Analogue Solutions Ships New Nyborg-12 Analog Mono Synth

First announced back in November, the new Analogue Solutions Nyborg-12 is now available.

"Analogue Solutions ships space-saving real analogue monosynth module with SEM-style filter

KINGSWINFORD, UK: British ‘boutique’ analogue synthesiser and accessory designer/manufacturer Analogue Solutions is proud to announce availability of its all-new Nyborg-12 — an Oberheim SEM-style 2-Pole 12dB/Octave MULTIMODE FILTER-equipped standalone monophonic synthesiser module with real analogue voice and modulation circuitry — as of February 4...

An analogue renaissance has ensured that the one-time state-of-the-art sounds of analogue synthesisers have long since become highly sought after again. Why? Well, many musicians realised that the convoluted menu-driven access systems deployed on many ‘modern-day’ digital synthesisers with weaker sounds bathed in built-in effects are no substitute for the hands-on immediacy of having access to a control per function at hand when it comes to speedy sculpting of ear-opening and often powerful electronic sounds suited to a variety of musical genres. With more mainstream recording artists and producers than ever now relying on custom sounds as a result of this rising and renewed interest in analogue (subtractive) synthesis, is it any wonder, then, that yesteryear’s often wonderful-sounding (though not necessarily reliable) analogue classics are rapidly rising in value, pushing them out of reach of many musicians of more meagre means? Meeting this demand head on, more analogue synthesisers than ever before are available today from manufacturers both bigger and smaller. Into this healthy and highly-competitive climate comes Analogue Solutions’ latest analogue offering, the Nyborg-12 SEM synthesiser — so-called on account of its 2-Pole 12dB/Octave MULTIMODE FILTER, the same flexible filter with LP (lowpass), BP (bandpass), HP (high pass), and NOTCH settings that is used on Analogue Solutions’ own Telemark SEM semi-modular synthesiser, similar (though not identical) to Tom Oberheim’s original 1974-vintage SEM (Synthesizer Expander Module®), much sought after itself.

So what makes Nyborg-12 so special so that it stands out from the sound of the synth crowd? To put it bluntly, there are analogue synthesisers and then there are real analogue synthesisers. As Nyborg-12 proudly states on its rugged steel/aluminium casing for all to see (and hear): REAL ANALOGUE VOICE & MODULATION CIRCUITS

But what does that actually mean? Meaningfully, apart from its high-quality 16-bit DAC (Digital-to-Analog Convertor) for MIDI (Musical Instrument Digital Interface) to CV (Control Voltage) conversion (which, by its very nature, has to be digital), Nyborg-12 is absolutely analogue through and through, hand built (by humans) using real transistors and op-amps. Unlike other so-called analogue synths you’ll find no CPU-stabilised and quantised circuits, DCOs (Digitally-Controlled Oscillators), digital LFOs (Low Frequency Oscillators), or digital EGs (Envelope Generators) hiding here, thank you very much! Instead its circuitry is based on tried-and-tested, distinctive-sounding designs dating back to the mid-Seventies, so Nyborg-12 sounds suitably vintage in character. Cast aside those bland-sounding digital synths and DSP-based soft synths and dial in Nyborg-12 whenever fat basses, screaming leads, bleeps, zaps, and all manner of other sounds and effects associated with subtractive synthesis are the musical (and not-so-musical) order of the day (or night)!

Speaking of dials, Nyborg-12 boasts an abundance of high-quality, smooth potentiometers, fully sealed against dust intrusion, together with high-quality knobs with spun aluminium caps — all as appealing to look at as they are to turn! Two super-stable VCOs (Voltage-Controlled Oscillators) — each providing a whole host of options and MODULATION sources — are available to start turning the most adventurous analogue musical dreams into reality. Thereafter, Nyborg-12 continues to follow the traditional, well-trodden analogue synthesiser signal path with its distinctive-sounding 2-Pole 12dB/Octave MULTIMODE FILTER; AUDIO MIXER (VCO 1, VCO 2, NOISE/SUB); LFO (Low Frequency Oscillator) with triangle and square wave modulation signals and MODE switch to route CV2 (velocity control voltage) or S+H (Sample and Hold) signals to that 2-Pole 12dB/Octave MULTIMODE FILTER or those VCOs; VCA (Voltage-Controlled Amplifier), controllable from EG2 or GATE with BYPASS option (allowing Nyborg-12 to be used as an external effects processor) and CYCLE setting (so the envelope is constantly re-triggered by the LFO, allowing for hands-off sound effects); and ENVELOPE 1 (VCF) and ENVELOPE 2 (VCA). As such, it should feel familiar to anyone with a modicum of subtractive synthesis skills... so much so, in fact, that reading of its accompanying user manual may only be necessary for finer operational detail: “Do not use a carwash or jet wash to clean this synth.” Surely as good advice as you’re going to get from anyone anywhere!

And speaking of communicating with the outside world, with an intentionally easy yet effective MIDI implementation — CUTOFF control of Nyborg-12’s all-important 2-Pole 12dB/Octave MULTIMODE FILTER is available via MIDI velocity or a MIDI controller — and external CV (Control Voltage) sockets for PITCH1 (VCO), PITCH2 (VCO), CUTOFF (filter), GATE (to trigger the EGs), and EXT (for feeding an external CV to various circuits), DAW (Digital Audio Workstation) integration or working with an analogue step sequencer (such as Analogue Solutions’ own Oberkorn) is a breeze. Better still, simultaneous MIDI and CV operation is possible, so users could, for example, use an Oberkorn to play a little melody then transpose that step sequence using a MIDI keyboard controller (or MIDI sequencer). Child’s play? Perhaps.

Note Nyborg-12 can be user configured in various ways to save space to suit. Shipping as a vertically-orientated standalone monosynth module (much like its bigger brother, the Telemark), it is possible to rotate Nyborg-12’s front panel so that it can be used horizontally as a desktop device. Optional wooden side panels can be screwed to a single Nyborg-12 (from its inside so no ugly screws are visible) or to two Nyborg-12s that have been bolted together. It is also possible to rack-mount two Nyborg-12s that have been bolted together using the optional matching rack ears. Either way, Nyborg-12’s modified software allows two Nyborg-12s to be poly-chained together to play as a single two-voice polysynth. Four-voice polyphony is also available upon request for those looking to really push the boat out and purchase four Nyborg-12s, though one Nyborg-12 is still a very versatile, super-sounding, space-saving standalone monosynth module in itself. One that will serve any adventurous analogue renaissance man, woman, or child well for many years to come.

Nyborg-12 is available to order online directly from Analogue Solutions (http://analoguesolutions.com/nyborg-12/) for £599.00 GBP (plus tax and delivery) or through an authorised dealer, as are its optional rack ears (£19.00 GBP, plus tax and delivery) and wooden side panels (£39.00 GBP, plus tax and delivery).

See and hear an ear-opening ensemble of Nyborg-12s in full flight here:" [posted here - also see this demo]

CLICK FOR MORE »

Analogue Solutions - SQ8

Published on Jan 27, 2015 DivKidMusic

"SEE LINK TO SUPPORT MY CHANNEL BELOW

Great 8 step CV and gate sequencer from Analogue Solutions. Push / pull knobs for the gate sequencer, CV range switch, step 1 output (sendings a pulse/trigger on step 1, great as a divide by 8 output against the clock running the unit), clock through and works up into audio rates really well.

http://analoguesolutions.com/

Hit like and subscribe for more content every week.

After many people asking about how to support my channel and even some asking to donate I've set up a Patreon account (thanks for those that suggested it). It allows those of you that want to support to subscribe to support my modular videos at a rate of anything from $1 per video or with the monthly cap you can set just $1 a month. Seems like a strange idea and I wasn't into at first but it was sold to me (by one of the viewers I chat to on twitter) as a way for any "fans" to buy me a coffee / beer if they want to as a thank you for the work that goes into the videos. I'd really appreciate anything anyone wants to offer as if it builds up to even a small amount then it will enable me to keep setting time aside and carry on provide new videos every week. The content will never be a "pay to view" and will always be free on this YouTube channel. So sign up at the link below and donate if you want and if not keep watching and subscribe anyway!

https://www.patreon.com/DivKid"

Sound of Science: Speedbird music video

Published on Jan 24, 2015 Analogue Solutions

"Interim release : Speedbird. A collage of sounds. A montage of synths both aurally and visually. Can you spot them all?

Music: http://soundofscience.org
Synths: http://analoguesolutions.com"

Polymath synth - chords and sequence. Analogue Solutions

Published on Jan 17, 2015 Analogue Solutions

"Polymath paraphonic analogue synth - chords and sequence.

http://www.analoguesolutions.com"

Concussor SQ8 CV / Gate sequencer eurorack module overview / how-to / tutorial

Published on Jan 15, 2015 Analogue Solutions

"Concussor SQ8 CV / Gate sequencer eurorack module overview / how-to / tutorial

http://www.analoguesolutions.com
Video by Ben Wilson / DivKid - www.youtube.com/divkidvideo"

Analogue Solutions Concussor MT9 MIDI-Trigger eurorack module overview

Published on Dec 18, 2014 Analogue Solutions

"Analogue Solutions Concussor MT9 MIDI-Trigger eurorack module overview.
9 trigger outs to fire your drum modules, EG modules and to make clocks to sync your sequencers to MIDI.

http://www.analoguesolutions.com
Video by Ben Wilson / DivKid - www.youtube.com/divkidvideo"

Analogue Solutions Nyborg-12 analogue monosynth ensemble

Published on Nov 27, 2014 Analogue Solutions

"Analogue Solutions Nyborg-12 analogue monosynth ensemble. All sequenced live using Oberkorn step sequencer, then over-dubbed with some live duophonic playing.
http://www.analoguesolutions.com"

Analogue Solutions Nyborg-12 Analogue Synthesizer Demo Part 1

Published on Nov 14, 2014 rezfilter

"Take it up a notch!
http://tinyurl.com/lctm7ra

Nyborg Procuct Page:
http://analoguesolutions.com/nyborg-12/

Sound of Science:
http://www.soundofscience.org

Nyborg is part of the Analogue Solutions range of analogue music equipment.

The Nyborg-12 is a precision electronic musical instrument.

It combines all the often needed music electronic circuitry to make a music synthesiser in one compact module.

No compromise has been made with the construction of Nyborg. · Full rugged steel/aluminium case - no plastic mouldings · Good quality smooth potentiometers · Good quality knobs with spun aluminium caps · High grade double sided circuit board · High Quality 16bit DAC for MIDI-CV conversion · Very stable MIDI to CV · Very stable analogue oscillators · Hand built by humans · True retro analogue voice and modulation circuits"