A Fitting Tribute To Dave Smith's Legacy | Sequential Trigon 6

video upload by GAK

"Chris Calcutt of Focusrite/Novation, & Sequential paid us a visit and brought down the BRAND NEW Sequential Trigon 6, to give us a little demo, and answer some of the questions we thought you guys might have on it!

SKIP LINKS:
0:00 - Intro/Playing
1:29 - Who Are Sequential?
2:44 - Trigon 6 Overview
4:18 - More Playing
5:26 - Making a Patch/Other Features
11:29 - Even More Playing
12:45 - Conclusion/Outro"

KORG Officially Introduces the New ARP 2600

ARP 2600 FS | Welcome Back Published on Jan 9, 2020 ARP

Follow-up to this post.

KORG ARP 2600 FS posts

User & Dealer videos:



Playlist:
The ARP 2600: The Story of a Legendary Synthesizer | Reverb Feature
Korg ARP 2600 FS Synthesizer - All Playing, No Talking! - Kraft Music
Korg ARP 2600 FS Synthesizer - Overview with Nick Kwas - - Kraft Music
Korg Arp 2600 - 1st Look - sonicstate
ARP 2600 Semi-modular Analog Synthesizer System Demo - Sweetwater
ARP 2600 Synthesizer | Overview and Demo - Guitar Center
NEW Korg ARP 2600! | Namm 2020 - GAK - previously posted

"The Total Package

More than a synthesizer, the ARP 2600 is a complete sound design studio. Even today, the ARP 2600 stands as a bridge between the individual elements of modular synthesis and the immediacy of a production / performance instrument. Included are an ample supply of oscillators, envelopes, a filter and amplifier – all of the building blocks of analog synthesis. But the ARP 2600 goes even further, with a spring reverb tank and even a pair of built in monitor speakers. Also present is much of the versatility of a vintage modular system, including a ring modulation, lag and voltage processors, an envelope follower, audio preamp, a clock-able switch, noise source, a sample & hold module, signal inverters, an auxiliary mixer, and even a set of parallel-wired/multi jacks.

The ARP 2600 FS reproduces the sounds of these components at the circuit level. Under the supervision of David Friend, the co-founder of ARP Instruments, parts were carefully selected and every detail was adjusted to replicate the original unit's distinctive synthesis.

Profile of David Friend:
Co-founder of ARP Instruments, Inc. together with the founder Alan Robert Pearlman. In addition to designing the ARP 2600 and Odyssey, he was involved with the development of numerous products, and subsequently entered management, eventually becoming president of the company. His achievements as an entrepreneur have also been acclaimed, and in 2010 he received the "Entrepreneur of the Year" (Emerging Technology category) award from Ernst & Young. After serving as the President and CEO of Blue Archive, Inc., currently he serves as the President, CEO and Co-founder of Wasabi, as well as being a lecturer at MIT's Sloan School of Management. He is also an emeritus of the New England Conservatory and Berklee College of Music.

Normalled Pathways

Nearly every slider and switch on the ARP 2600 front panels is hard wired to specific control source. For example, the front panel controls allow the pitch of Oscillator 1 to be controlled by the keyboard (On/Off switch), the output of the Sample & Hold module (slider), the shape of the ADSR envelope generator (slider), and/or by the sine wave output of Oscillator 2 (slider), and each in varying amounts. These hardwired pathways provide massive amounts of immediate control that make excellent use of all the ARP 2600 has to offer, allowing the ARP 2600 to be played as is – no patching needed. In true modular fashion, inserting a patch cord into the jack associated with any hardwired control overrides that internal connection, letting you create a new signal path of your choosing. As a programming aid, the detailed panel graphics clearly show the available signal routings.

Patch Bay Precision

Unlike earlier modular synthesizers that relied on bulky 6.3mm (1/4") jacks and patch cords, the ARP 2600 uses a more streamlined 3.5mm (1/8”) jack that allows for more patch points to occupy the same amount of panel space, delivering more options and more versatility. Most of the patch points are arranged in a single row below the controls of the individual sound modules. This arrangement keeps the main panel clear and unobstructed for tweaking the controls during performance. Needless to say, these patchable connections and the onboard processors can be used to interact with nearly any modular or Eurorack synthesizer system.

3620 Keyboard

While faithful to the original design, the functionality of the 3620 Keyboard has been greatly enhanced for this limited ARP 2600 release. The 3620 Keyboard contains 49 full-size keys, aftertouch, portamento, and is also duophonic, allowing two keys to be played at once – Single or Multiple Triggering is available. In addition, the duophonic keyboard can use an optional foot switch to lock the interval between any two notes, without retuning the oscillators during performance. Vibrato can be added via a dedicated circuit controlled by aftertouch, or by the onboard LFO (Low Frequency Oscillator), using any of three available waveforms. Most noticeable is the addition of a flexible Arpeggiator that allows a user-defined pattern to be manually sequenced and played back. Still present are the original Pitch Bend knob and the Two Octave Up / Two Octave Down Transpose switch. Connecting the keyboard to the main unit now uses a secure eight-pin din cable.

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First Demo Video & Pics of the New KORG ARP 2600

Uploaded on Jan 9, 2020 GAK

KORG ARP 2600 FS posts

Update2: The announcement is up here.

Update: Looks like the video was changed to private. Good reminder to be checking the site often - to catch things before they get pulled. :) BTW, the video stated the new 2600 is based on the first version of the ARP 2600. That is technically incorrect as the first version was actually the Blue Marvin/Blue Meanie. You can find two videos of one here, and some pics in various archived posts. There was also a Grey Meanie. From that link: "First was the Blue Marvin about 20 of these were made next was the Grey Meanie 35 or so were made". This new 2600 has the design scheme of the first major runs of the next 2600. Thanks goes to @AzevedoAudio for the reminder!

"The new Korg 2600 Arp is here!
Luke pops in to Demo this beast."

Note the "sequencer" is a programmable arpeggiator:

"3620 Keyboard While faithful to the original design, the functionality of the 3620 Keyboard has been greatly enhanced for this limited ARP 2600 release. The 3620 Keyboard contains 49 full-size keys, aftertouch, portamento, and is also duophonic, allowing two keys to be played at once – Single or Multiple Triggering is available. In addition, the duophonic keyboard can use an optional foot switch to lock the interval between any two notes, without retuning the oscillators during performance. Vibrato can be added via a dedicated circuit controlled by aftertouch, or by the onboard LFO (Low Frequency Oscillator), using any of three available waveforms. Most noticeable is the addition of a flexible Arpeggiator that allows a user-defined pattern to be manually sequenced and played back. Still present are the original Pitch Bend knob and the Two Octave Up / Two Octave Down Transpose switch. Connecting the keyboard to the main unit now uses a secure eight-pin din cable.

Processing Powerhouse The ARP 2600 reveals its modular nature by the unique assortment of valuable, esoteric, and individually patch-able modules it contains. To begin, there are a set of parallel-wired Multiple jacks that enhance the patching possibilities – allowing the same control signal to be sent to multiple locations, for example. Three independent Voltage Processors provide scalable control voltages, or can act to attenuate any control signal. Use the Lag Generator to delay the start of any control signal. The Noise Generator is tunable to deliver White, Pink, and Low-Frequency noise, plus everything in between. A series of three Inverters can reverse the polarity of any signal. The Electronic Switch can be sync’d to either the internal clock or any external clock signal, as can the Sample & Hold rate. Most importantly, the Arp 2600 includes a dedicated Preamp and Envelope Follower for processing an external audio signal."

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8 Voice MOOG SUBsequent 37

Playing 8 MOOGs At Once! Published on Dec 4, 2017 GAK

8 SUBsequent 37s chained that is. :)

"Dan Ward polychains 8 MOOG SUBsequent 37 CVs."

Sonic Pi V3 and the Mother-32

The Mad Music Machine
Published on Aug 2, 2017

"A family day out in Brighton led to us stumbling across the GAK musical instrument store. Inside we tried out various equipment before deciding that the Moog Mother-32 would make a great additional voice for the Mad Music Machine.

Here's our first test of it with Sonic Pi V3"

And:

Mutant Snare & Mutant Hihats added to the Mad Music Machine


"We added the Mutant Snare and Mutant Hihats to the Mad Music Machine today - but soon realised we didn't have enough patch cables to connect everything up the way we wanted!

So we modified our existing Sonic Pi drum machine code to work with external MIDI and ran the drum modules through the System-1m to the Trigger Out.

We then set up a simple System-1m patch to use the 4 MIDI notes as they passed through to the drum modules"

a look at the Behringer DeepMind 12 synthesiser no teardown vlog003

Published on Mar 5, 2017 markusfuller

Fun video of Mark walking through a music shop. I couldn't help but think of this post, when they walk into the room with the new Minimoog Model D and Model 15. If synths could think, what would they be thinking.

"I went to look at the Behringer DeepMind 12 at GAK music in Brighton.
sorry for the bad audio as it is simply from the camera only.
However the Synthesiser sounded much better than the camera could demonstrate.
Big Thank you to Dan at GAK music for demonstrating this for us.
there is no paid promotion sponsorship or endorsement in making this video."

Roland's AIRA Officially Unveiled - Massive Pic Gallery, Details, Videos

AIRA — Artists make first contact with AIRA

Published on Feb 13, 2014 RolandChannel·835 videos

"Groundbreaking artists talk about their experiences with Roland instruments and make first contact with the AIRA gear. Artists appearing are: Arthur Baker, Ricardo Villalobos, A Guy Called Gerald, Rain Man, Netsky, Oscar Burnside, Boys Noize, Dr Meaker, Hardfloor, John Heckle, Hisashi Saito, and Akkord."

This post might take a bit to load. :)

Update3: You can find a write-up on Novamusik here.

Update2: You can find comments and discussion on this post on The MATRIXSYNTH Lounge here. I also added a page break for this post on the main site so it doesn't slow the site down for new posts. Click the "Click for more" link to get to the full post.

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Nord - Lead A1 Synthesizer at NAMM 2014

Published on Jan 30, 2014 GAK·345 videos

Novation - Bass Station 2 Exclusive Look!

Published on Jun 3, 2013 GAK·190 videos

"Novation Bass Station 2
http://www.gak.co.uk/en/novation-bass...

Novation is proud to announce the launch of Bass Station II -- a powerful analogue synth that's made for bass but equally well adapted to leads. Based on the classic Novation BassStation from 20 years ago, Bass Station II has been completely re-worked for the 21st century, with two filters, three oscillators, patch save and a fully-analogue effects section. Plus there's a step sequencer, arpeggiator, a two octave (25-note) velocity-sensitive keyboard with full-sized keys and a powerful modulation section. There's even MIDI I/O and USB connectivity."

TR-707 (does it work?)

flickr by gak