QU-bit Nebulae TEST Eurorack

Published on Jan 10, 2014 marlondyer·111 videos

"Testing the new QU-bit Nebulae Eurorack module.
Switching between One Shot and Granular modes using some of my samples."

nebulaeTEST2

Circadian Rhythms

Circadian Rhythms from Joseph Fraioli on Vimeo.

"a patch focused around the tiptop audio circadian rhythms (CR) as the heart of the system that provides the main clock source and triggers for events.

the programming was done on all 8 channels of the CR in 2x32 mode. fills are set to 16th note. mutes, fills and additional programming are performed on the fly.

patch basics:

CR ch 1: main kick
sound source is the blue lantern BDv4 going through the modcan frequency shifter.

CR ch 2: snare
sound source is the make noise mysteryon who’s pitch is being modulated by the mod can quad lfo who’s synced to the CR main clock output. the output was split into a separate VCA who’s being opened by the sound machines light plane and sent to the mungo d0 with macro machines storage strip. the storage strip is being sequenced by the CR main clock output.

CR ch 3: closed hat
sound source here is the SSF quantum rainbow blue noise.

CR ch 4: open hat
sound source is the SSF quantum rainbow white noise though the intellijel µfold and then a bit of delay from the synth tech e580.

CR ch 5: glass percussion as well as delayed bass and end melodic thing
glass percussion sound source is the noise engineering BI. pitch modulation from the tiptop z8000. delayed bass is an intellijel dixie square run through the cwejman res-4 and.end melodic thing is the harvestman piston honda MKII.

CR ch 6: chord bursts
this is the intellijel/cylonix shapeshifter in sequence mode then run thorough the qu-bit electronic RT60 reverb.

CR ch 7: tonal accents
sound source is braids in meta mode. also being sequenced by the CR and pith modulated by the tiptop z8000.

CR ch 8: sub kick
sound source is the tiptop audio BD808.

acidy bass: trigger source for the acidy bass is the intellijel metropolis that is synced to the CR via the clock output. sound source is the intellijel rubicon thats being FMed by a DIXIE sine, then put through the cwejman MMF1 in low pass.

tonal drones: trigger source here is the divided output of the intellijel metropolis into two make noise pressure points that have been micro tonally tuned. the sound sources here are synth tech e350 and make noise DPO that share a common mutable instruments peaks ADSR. the sounds are then processed through the serge resonant equalizer and tiptop audio zdsp with halls of valhalla reverb card.

hi plucked melody in mid section: this is the qu bit nebulae playing back a sample of mutable instruments braids in PLUK mode playing a melody sequenced on metropolis then fed to the mungo d0. the nebulae is then processed through flame FX6 reverb.


no computers or external hardware were used in this performance :)"

Live Modular Synth Performance for QU-Bit Electronix - POB

Published on Nov 28, 2017 Patrick OBrien

"This is a live performance of the patch I put together for QU-Bit Electronix when I took over their Instagram Stories for 24 hours at http://instagram.com/qubitelectronix

The patch stayed true to the format and was built and performed in a 24-hour period.

IN STEREO

The Qu-BIT Electronix modules used:
Chance - unique modulation source
Contour - quad envelope generator
Tone - quad voltage controlled filter
Octone - 8 step sequencer
Pulsar - burst generator
RT-60 - stereo multi-effects processor
Nebulae - granular sampler

The two samples in the Nebulae were sounds from Native Instruments: String Ensemble (violin), Kontakt (choir)."

Redemption - modular synth live performance by POB

Published on Jul 1, 2018 Patrick O'Brien

Redemption
by Patrick O’Brien “POB”
written, performed, produced and mixed by Patrick O’Brien

This is a live upside-down performance of the set I played at Grand View Market in Venice / Mar Vista California on June 15, 2018.

I played with other great modular synth artists OSC1Nation, Kittyspit, Pablo Perez, Normandy Falls, and Collin Russell.

Piano sample from Matt Lange’s sample library on the QU-Bit Electronix Nebulae v2 — I mean, POBulae! 🙏

Some reverb passed through Eventide’s H9, #36.

Modular Grid of module layout here: https://www.modulargrid.net/e/racks/view/682987

Modules used:
LS1 Lightstrip
Mannequins Mangrove
Erica Synths Black Octasource
Noise Engineering Loquelic Iteritas
Noise Engineering Mimetic Digitalis
Noise Engineering Manis Iteritas
Erica Synths Black LFO

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Modular Diary #Ambient by Jericho

Published on Jun 26, 2016 jericho2x2

Spotted on Horizontal Pitch who has an interview up with Jericho.

Playlist [description and patch notes below - note #Ambient3 is not live]:
Modular Diary #Ambient (Verbos Harmonic Oscillator, EURORACK)
Modular Diary #Ambient2 (Telharmonic, Harmonic Oscillator, EURORACK, Bitwig HALTMAL)
Modular Diary #Ambient4 Live Jam - Mutable Instruments Rings + Clouds
Modular Diary #Ambient5 Live Jam (Intellijel Rainmaker, Mutable Instruments Rings)

Descriptions and patch notes:

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QU-BIT NEBULAE // the modular SAMPLER // miniature 1 // plays Bach

Published on Oct 8, 2014 LESINDES

"miniatures present
QU-Bit EUro Rack module Nebulae. Sample playback machine"

maple (op1 + eurorack + cassette + leaf)

Published on Jun 18, 2017 Joseph Branciforte

"performance recorded live, no overdubs, no external looping.

first experiment with the teenage engineering op-1. twenty-four pitches programmed into an op-1 sequencer and played back in random order. microphone amplifies leaf, yahama reface cp's built-in speaker, and cassette player's built-in speaker and feeds a mutable instruments clouds. clouds is modulated by an xaoc batumi + qu-bit nano rand. the cassette loop was created by recording an earlier improvisation in the same style, played back at 2x speed. the same cassette loop was also digitized and loaded onto a qu-bit nebulae, which is triggered and modulated by batumi and nano-rand. strymon el capistan on a mixer aux send.

june 14, 2017"

Qu-Bit Prism // Stereo Eurorack Multidimensional Signal Processor

Published on Apr 24, 2019 DivKidVideo

"Qu-Bit say that Prism "is a multidimensional signal processor that creates a framework for the spectral metamorphosis of any input signal" and "Prism blurs the lines between DSP effect, filter, and looper and transcends into a new realm of uncharted audio processing." At it's core Prism is 3 things (all in stereo) a filter, a delay/comb and a decimator. The filter is multimode and can be place pre/post the other FX, the delay can do long echoes, slap-back and comb filter FX as well as a clocked delay mode, decimate is downsampling and bit crushing and you can freeze/loop the audio buffer too.

TIMING INDEX // SECTIONS

00:00 Welcome + patch previews.
01:20 What is Prism? Feature run down.
03:01 Sound and feature demo with granular looping samples.
05:36 No talking patch break.
05:47 Stereo analogue VCO sound and feature demo.
08:45 No talking patch break.
08:56 Clocked delay patch 1.
11:09 Clocked delay patch 2.
12:18 Clocked delay patch 3.
13:00 No talking patch break.
13:17 Prism as a stereo glitch/percussion voice
16:07 No talking patch break.
16:29 Freeze modes - latching or momentary
17:54 No talking patch break.
18:07 Send FX glitch textures
19:54 No talking patch break.
20:09 Creating analogue feedback paths.
21:42 No talking patch break.
21:59 Two Prisms + 1 Nebulae"

Modular Mondays: First Patches with Qu-Bit Scanned and Nebulae

video by Red Means Recording

"Scanned is an organic wavetable oscillator and Nebulae is, at its core, it's a DSP platform that offers lots of sound creation, effect, and sample manipulation options. These are my first patches with the two modules, and they are great together.

00:00​ chill breaks in granular mode
04:51​ downtempo in granular mode
09:58​ nebulae alt mode one: synthesizer
14:19​ nebulae alt mode two: world of echo
16:30​ nebulae alt mode three: polyphonic sample playback"

QU-Bit NEBULAE Percussion FX

Published on Jan 20, 2014 marlondyer·114 videos

"Patch to generate new percussive fx sounds.

Wogglebug clocks trigger riot

Trigger Riot into Ustep, Z8000 sequencer, Maths envelopes, and NEXT SAMPLE on Nebulae

Maths to VCA

Z8000 to Nebulae pitch and spedd"

capital | ambient w/ eurorack, iOS borderlands, rings, plonk, monome grid & nebulae

Published on Jun 26, 2018 d e a r a l a n

"thanks for watching and subscribing (=inspiration)
.........................................................

more on instagram: https://www.instagram.com/dearalanmusic/

.........................................................

notes:

All sounds from the eurorack, except the bass and the glitchy percussion

recorded live

voice 1: mutable rings - 4MS tapographic delay

voice 2: mutable rings - intellijel uvcf - chase bliss warped vinyl - qu-bit nebulae v2

voice 3: intellijel plonk - alm MUM M8

pads: sounds from the modular, into iOS borderlands and soundfruuze, as well as a drone from nebulae v2 samples from rings

kick: 2HP kick

perc/drums: ableton drum rack into various effects

field recording: dictaphone (into endorphin.es cockpit)

bass: ableton operator

all sequenced by ableton/monome grid via endorphin.es shuttle control

.........................................................

atm: working on a patreon page, as well as some releases through patreon/bandcamp"

Grayscale Algorhythm and Binary - Random Logic Acid

Grayscale Algorhythm and Binary - Random Logic Acid from Joseph Fraioli on Vimeo.

"A patch built around the new Grayscale Algorhythm and Binary modules.

Main clock source for this patch is the Livewire Chaos Computer. The gate out is feeding the left most Algorhythm module, which is in random mode. The top row of outs is going into the left Binary module in OR mode. The output of the Binary is then triggering the Tip Top BD808 kick drum that is then fed into the Modcan Dual Delay.

The same Chaos Computer clock source is multed to the right Algorhythm with the same process applied to the Binary. The Binary output here is triggering the Mutable Instruments Braids in Meta mode. The output of Braids is multed into a mixer as well as a VCA. By manually triggering the a pressure points pressure output, the signal is sent to the Qu-Bit Electronix RT60 for reverb throws.

The main clock source is then multed into the 4ms shuffling clock multiplier and outputted to the Cylonix Shapeshifter via the x 2 output though a channel of the Make Noise Maths v2. A synced LFO from the Modcan Quad LFO is triggering the cycle input as well as another sine LFO is modulating the fall time.

The center Algorhythm is in seq mode and clocked by a divided by 8 of the original clock source via the 4ms Rotating Clock Divider. The eight outputs are triggering eight tuned vocal samples on the Qu-Bit Electronix Nebulae in one-shot mode. The Nebulae output is then run through the Serge Resonant EQ and the Tiptop Audio Z-DSP with the Halls Of Valhalla reverb card.

The Make Noise Wogglebug, DPO, Maths and MMG provide acidy baseline.

The outputs of the Shapeshifter and DPO are put through the WMD Sequential Switch Matrix to use as a simple mute system for performance.

At around 3:17 I got a call from my cat food delivery guy.

No computers or editing were used in the making of this performance."

TEST SERIES Qu-Bit Electronix Nebulae V2 Eurorack with Haken Continuum Fingerboard

Published on Jan 25, 2019 Outsider Sound Design

"Qu-Bit Electronix Nebulae V2 Eurorack with Haken Continuum Fingerboard.

The purpose of 'TEST SERIES' is to focus on the sound design possibilities of various gear combinations. This series is not musical nor does it serve as an instructional video. It is all about sound potential.
Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

MW Interviews Qu-Bit Electronix, Developer of Nebulae and RT60

MW Interviews Qu-Bit Electronix, Developer of Nebulae and RT60 from Muff Wiggler on Vimeo.

Mob of Emus + Beads + Chord Machine Ambient / Plaits Maths Ensemble Oscillator

video upload by Wac- Lounge

"Thank you for watching!
Here is the simple patch notes, a list of the gear and more information.

Grain delay voices = Mob of Emus (sine wave) processed by Beads sequenced by Chord Machine2
Chord voices = Mob of Emus (sine wave×4) sequenced by Chord Machine2 program controlled by MATHS modulation from A-145-4LFOs
Arpeggio voice = Qu-bit Chord sequenced by Chord Machine2(triggered by MATHS)
Synth pad = Ensemble Oscillator modulation & sequenced by Disting(clocked LFO attenuated by MATHS) triggered by Steppy
Strings-like voice = Rings with modulation from Disting(clocked LFO) sequenced by 2hp Arp filtered by A-120 VCF1(modulation from A-140ADSR triggered by Marbles)
Lead square wave voice = Plaits with modulation from Mob of Emus & A-145-4LFOs sequenced by Marbles(CV)
Chord & random percussive voice = Nebulae sequenced by MATHS
Master clock = MATHS (divided by Steppy)"

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SonalSystem microSD Sample Packs for Eurorack

SonalSystem makes microSD sample packs for eurorack. You can find their full catalog at https://sonalsystem.com They are "Multi Module Compatible" including support for 1010 Music's BitBox and BlackBox, the Make Noise Morphagene, and Erica Synth's Sample Drum.

Above is a playlist of video demos for their Dark Matter vol 3 microSD. Below is a playlist for Dark Matter vol 4, followed by a playlist featuring additional products. Below that you will find some additional information, or you can just go straight to their site: https://sonalsystem.com. :)

Playlist:
Dark Matter vol 3 Morphagene Hands On
Dark Matter vol 3 Bitbox Live Demo
Eurorack microSD Embedded Cue Points Demo

Dark Matter vol 4 microSD for Eurorack


Playlist:
Dark Matter Vol 4 Morphagene Hands On
Dark Matter vol 4 Bitbox Hands On
Eurorack microSD Embedded Cue Points Demo

Eurorack / Hardware Sampler Products


Playlist:
Dark Matter - Tales From The Synth Side Eurorack microSD Card
TranSHIFTED Guitars microSD for Eurorack
Break Beet Roots Hands On #01 Single Hits (No Talking)
Break Beet Roots Hands On #02 Kit Playing (No Talking)
Break Beet Roots Hands On #03 Loop & Cue Point Browsing (No Talking)
BBR Hands On #04 Cue Points In Use (No Talking)
Dark Matter microSD Card Bitbox Audio Demo
Dark Matter microSD Morphagene Audio Demo
TranSHIFTED Guitars Hands On Demo 01 - Eurorack Bitbox Samples

"What kind of 'soundware' could open new channels of inspiration for modular users across diverse genres? It would have to be something unique, adaptable, effortless, and pristine.

With an already impressive resume of sound design for major music software developers (including Steinberg, Ableton, Native Instruments, Yamaha, Output and others), SonalSystem is proud to announce its latest venture into content design for hardware with a Micro SD card packed with stunning sound for modular-based composers.

UNIQUE

Never satisfied with the already-perfect, we found our sounds even more inspiring chopped, looped, morphed, and filtered through various eurorack units. SonalSystem is the industry’s first to supply multi-compatible third party sound on an dedicated SD card for modular users.

ADAPTABLE

This soundware is simpatico with innovative, industry leading modular units like the 1010 Bit Box, Make Noise Morphagene, Qu-Bit Nebulae, and other great SD equipped gear.

EFFORTLESS

Totally plug and play, our cards are formatted and embedded with meticulously pre-sliced sound at intuitive cue points. Most eurorack modules instantly read the content with no editing necessary.*

PRISTINE

Not your average loops and samples, these are high quality recorded audio files, specially edited for use in modular hardware. No need to spend your precious creative time sample editing in a studio－plug in these immaculate, pre-edited, embedded (and in some cases, looped!) tracks and focus your energy creating straight from your eurorack.

This Micro SD Soundware Pack release covers the core spectrum of sound, promising a sublime experience for anyone with an ear to take something morphable and make it into their own irreproducible showpiece.

*Check your hardware for specific details on how to best integrate the SonalSystem soundware.

To ensure compatibility, we recommend installing the latest product firmware update.

Available Now at SonalSystem

and select retailers" including Perfect Circuit.

1066 - on a Modular Synth

Published on Mar 1, 2020 The Mad Music Machine

"A quick demo of a patch inspired by one of Caitlin's topics at the Secondary (High) school she now attends.

Here Make Noise René 2 is sequencing the 4ms Spherical Wavetable Navigator, Synthesis Technology E352 & E370 (with VCA controlled by Doepfer A-178 Theremin). Voice Samples are controlled by the 4MS Stereo Triggered Sampler (further pitch-shifted by the QU-Bit Nebulae). Drones via the Mother32. Keys via Behringer K2. Drums via Mutant Bass and Snare.

A tiny bit of reverb via Soundcraft Lexicon unit."

Haven't seen her in a while. You can find additional posts featuring Caitlin here. Here she is with TONTO.

Qu-Bit Electronix and NAMM 2018

Published on Jan 26, 2018 CatSynth TV

"New modules from our friends at Qu-Bit Electronix at NAMM 2018!

Scanned - hardware implementation of Scanned Synthesis pioneered by Max Matthews.

Nebulae MK2 - wavetable synthesizer, sample playback, and granular synthesis, with more features than the original.

Not shown in video but also new: Synapse.

http://www.qubitelectronix.com

For our reviews from NAMM and more, please check out http://www.catsynth.com 😺 🎹"

First patch with the Mutable Instruments, Clouds, Elements, Streams and Shelves modules

First patch with the Mutable Instruments, Clouds, Elements, Streams and Shelves modules from Richard Devine on Vimeo.

Sequence starts with a cable connection to the clock output from the Steady State Fate Ultra Random module. This clock output was sent to a intellijel hub mult. From here the clock was sent to first to a 4ms RCD/QCD, Delptronics Trigger Man, and to the MakeNoise Rene. First output gates from 4ms RCD 4 divide output to the trigger input on the Braids module top row, running in "WLM" mode. Second multi output was sent to a 4ms QCD output green channel 4, set at division trigger time of 16. This would trigger single notes on the "Elements" module, that begin at 1:42. The playback mode is running in "Secret Easter Egg Mode" :-) The selected note sequence from the QCV output from Rene. Final output from Elements was sent to the Eventide "Pitch" pedal using the "Crystalizer" algorithm.

Clouds - was processing recorded chunks from the drum percussion, kick used from the top row "Peaks" 808 kick drum synthesis model. Then a snare created from the "grey" noise output from the SSF Quantum rainbow running through right side of Streams to make a snare drum, which was running in envelope mode with shape position to the left, short decay. Then a third voice using the blue noise output from the SSF quantum rainbow for hi-hats. Amplitude triggered/controlled by a HexVCA. The drum sequence was programmed from the Delptronics Triggerman, using all 8 patterns stringed together running in pattern play mode but being CV controlled by the S&H # 1 output from the SSF Ultra Random. Output for all voices was grouped and multiplied into two separate mixers. First three channels of the Intellijel Mutamix, which was then sent to output channel B. From there the summed mix was sent into the "left" side input of Clouds. Then triggered in time with the sequence by a 8th division trigger from the 4ms RCD. The freeze input in Clouds was triggered in time 7th divisions from the 4ms RCD, so that the chunks would process and record then play back in spurts of timed randomness. The mode was set in the pitchshifter/timestretcher configuration, where the grains where spliced so that created interesting granular pitching repeats and percussive glitch effects, as the rhythmic beats played through. Focused ranges where selected for the "Density/Pitchshifter" and "Timestetcher/Texture" controls. These where being controlled by the S&H #2 output from the SSF Ultra Random. The 1/volt pitch input was controlled by the toggle A/B output from the SSF ultra random. The clean drum outputs also sent to the channels 5, 6, and 7 on the Blue Lantern "Mix 'Em Up" module.

Streams left side processing from the MakeNoise Mysteron output, which was being triggered by the 5th division output, for the metallic ripple delay like sounds, with the mutation knob set to counter clockwise, low bit mode.
The "Shelves" module was processing the acid like filter parts that get un-muted at 12 seconds. The sound source running into "Shelves" was the "Braids" module bottom row, running in "CSAW" mode. CV controlled by the CV output from the MakeNoise Rene sent to another intellijel hub mult. From here each CV output was sent to the "Frequency" inputs pink, green and white jacks on "Shelves". The "Tides" high tide output modulation the CV controlling the top frequency input on "Shelves" Each filter knob was set so the incoming "CSAW" input was being processed like a formant filter effect.

Smooth Sub OSC bassline coming from the MakeNoise STO. This was being CV controlled by a intellijel µScale (B) output. Playing back 8 notes while being triggered from the 2nd division trigger on the 4ms RCD. Triangle wave output from a Intellijel Dixie (syncd) to the sequence controlling the input (1V/Oct). Second STO at 55 seconds, alternating high note triggers from the 1 channel output from the 4ms QCD 6th division output. The second STO output sent to a MakeNoise Optomix for short quick plucks.

The light reverb soft lead at 1:15 from sine wave output from another intellijel Dixie, being CV played from the 1V/Oct input from MakeNoise PressurePoints. The output was then ran into a Strymon "BigSky" pedal running the "nonLinear" reverb algorithm. The Chords coming in at 1:35 played by a Qu-Bit Nebulae module. The 4 chord sequence was hand played and recorded from a Roland Jupiter-6,. The sample was then cut into a 32 bar loop and then was restarted/played from a the 3rd output trigger on the 4ms QCD. This output was manually volume controlled by a Intellijel µAttQuad log/lin attenuator. Grids was being clocked from multi output from the SSF Ultra Random, from here the first output trigger channel was sent into a Addac 101 .WAV Player. Notes sequenced and recorded from the Mutable Instruments "Elements" Module. 4 notes in a specific order was played 4 times 32 bars/samples. This was triggered by the gate input triggered by the Gate Y output on Rene. Trill high notes from Microbe Modular Equation Composer running in Synth3Osc is a 3 osc synth mode.

Nebulae/uBursts (Clouds) + 2Hp ARP Experiment

Published on Sep 26, 2018 Peter Grenader

"Initial test of the uBurst (Clouds). Sound sources are a Model 15 pair (sine into sine FM), and the Qu-bit Nebulae II -- with shimmer via Model 12 Mark II Filter and the uBursts. Bursts is incorporated when my right hand turns a knob clockwise on the second panel form the bottom, left hand cabinet. Arpeggegiation via a 2HP Arp. Enjoy, or not!"