Dr. Endo explores LIVEN Evoke: DAWN

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

DAWN

As light slowly breaks through the darkness of night—
a hopeful morning quietly begins to rise.
I jammed this piece on the LIVEN Evoke, imagining it as a scene from a film.

The drone is built on a cello, layered with a SAW PAD waveform using the Harmonic Wave parameter,
moving gently to support the space with a quiet, understated presence.

Chords are softly played on an oboe, while the violin uses a string ensemble-style waveform pitched one octave down,
adding a grounded presence that stands out quietly in the mix.

The piano plays a repeating phrase sent through GRAIN FX.
The FX is set to fifth-aligned mode, allowing grains to extend up to two octaves above.
These small, rounded grains roll and shimmer through the space—like scattered particles of morning light.

Yu Endo

---
夜の暗闇の中に、少しずつ光が差し込み、やがて希望の朝を迎えつつある。
そんな映画のワンシーンをイメージして、LIVEN EvokeでJamってみました。

ドローンはチェロにHarmonic WaveパラメータでSAW PAD波形を重ねて、
ゆっくりとした動きで空間を静か目に支えています。

コードはオーボエで柔らかく重ね、バイオリンにはストリングスアンサンブル系の波形を使用し、1オクターブ下で鳴らすことで、静かな中にも芯のある存在感を持たせました。

ピアノはリフレインしながらGRAIN FXにSENDしてます。GRAIN FXは5度アラインで、2オクターブ上までのグレインが発生する設定にしており、コロコロと細かく丸みのある粒が、まるで朝の光の粒のように空間に散っていく感じを狙っております。

遠藤　祐

kNoB technology ηCarinae 2 Eurorack VCO Full Review and Demonstration

video upload by kNoB Technology

"kNoB technology presents an updated and improved Eurorack VCO module ηCarinae 2
Our second ray of light during a dark time

The ηCarinae 2 is a fully analog tzfm oscillator (tri-based).
The concept behind the creation of ηCarinae was to develop a generator with multi-level wave shaping and transformation, allowing not only smooth selection of the base waveform but also modification of the waveform itself in order to expand the available timbres.
7-level waveforming= simple form + form shaping + sub osc + "sine+" + FM + selfpatching + Ring mod
5 basic waves (Tri, Sine, Saw, Double saw, Square PWM) and white noise with vactrol LP filter
Wave folding for sine and triangle waves
SAW and Double SAW, both with Smooth saw ramp shaper (Rise to Fall)
Two SUB OSC f/2 + f/4 with CV level control in main mix
Hard and Soft sync
2x LFO modes
SINE+ mode for mixing simple waveforms with a folding sine wave
Pure analog design in every part of the module
LIN, EXP, TZFM, TZPM, RING modulation possibilities

Time sections:
00:00​ Hello
00:09​ Bla Bla
01:08​ Small demo
03:22 Review of controls
05:40 Review of connectors
07:41 Review of touchpads
08:01​ WAVE and PWM|S + waveshaping
09:49​ WAVE and PWM|S and Sine+ mod
10:50​ WAVE and PWM|S + modulations
11:49 SUB OSCs
12:43​ Synchronization
13:37 FM modulations
14:27 TZFM modulation
16:09 TZPM modulation
18:01 Exponential FM modulation
19:01 7th lvl of waveshaping RING MOD
20:54 RING MOD + TZFM
21:57 VCO to LFO: How to drop the frequency lower than the octave selector allows?
22:32 Demonstrations: Simple to Complex timbres
27:20 Organ-like patch (5oct)
31:44 Drone and Noise"

Dr. Endo explores LIVEN Evoke: Ashen

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

Ashen

Today I just jammed with the arpeggiator function on the LIVEN Evoke.
The piano part combines the chord function with the arpeggiator to create a simple loop.
Using the HarmonicWave parameter, I subtly added upper harmonics with a shimmer-like effect that catches nicely in the reverb.
In the middle section, I layered a Peruvian flute to bring some organic texture to the chordal atmosphere, using breathy tones rich in fine noise.
For the low end, I used an electric guitar waveform—slightly wah-like and a bit distorted—adding a unique, wavering texture to the mix.

Yu Endo

---
今日は、LIVEN Evokeのアルペジエーター機能を使ってJamってみました。
ピアノはコード機能とアルペジエーターを併用し、シンプルなループを構築。
そこにHarmonicWaveパラメータで、シマー系の効果が得られる高域の倍音をほんの少しだけ重ね、リバーブに心地よく引っかかるようにしています。
中盤からはペルーフルートを重ね、微細なノイズを含む息遣いでコード感に有機的な陰影をプラス。
低域にはエレキギター波形を使用し、少しワウっぽく、歪んだようなユニークな質感で、独特のうねりを添えました。

遠藤　祐
---

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ellitone instruments' groov-e device #01

video upload by ellitone instruments

via ellitone instruments

the ellitone groov-e firmware v1.0 is a fun and mysterious interactive drum-machine and polyphonic-synthesizer engine that automatically generates musical “grooves”

A “groove” consists of 3 individual sound layers: a drum-machine layer, an ambience-sample layer, and a synthesizer sequence layer. Each of these 3 sound layers can be individually tweaked and swapped to find the right mixture of sounds to make you say “WHOAH, that’s funky!”

The magic behind the groov-e firmware lies within the sequencing and rhythm creation engines. Rhythms and note sequences are NOT simply selected from a list of premade patterns, groov-e generates one-of-a-kind rhythms and note patterns using a series of decision-trees and probabilities. A NEARLY INFINITE number of possible note patterns and rhythm combinations are possible. To make things even more mysterious, these one-of-a-kind note patterns and rhythms are all temporary. Once you make the decision to generate a new drum pattern or synth sequence, the old pattern is gone FOREVER! The temporary nature of the grooves you discover makes them precious. You will NEVER hear the same combination of sounds twice while using this device. Cherish your grooves!

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6HP OF OSCILLATOR GOODNESS | TEIA Synthesizers RipWave

video upload by DANIELE

This is RipWave by TEIA Synthesizers, a compact 6HP analog VCO designed for rich sonic exploration in a small footprint!"

0:00 Intro
0:37 Transform and sine output
1:05 Triangle output
1:35 Saw output
1:07 LFO Out
1:59 Octave switch and LFO
2:17 Square output
2:37 Layering outputs and stereo VCO
2:52 Triangle + Saw
3:06 Sine + Saw
3:37 Sine + Triangle
4:06 Square + Triangle
4:43 Square + Saw
5:26 Square + Sine
5:44 Linear FM

RipWave is a compact 6HP Analog VCO designed for rich sonic exploration in a small footprint. At the heart of its design is the Transform knob: a unique, voltage-controllable parameter that shapes the character of each waveform. It offers a wide range of timbral variation, from saturation to wavefolding, harmonic morphing, and pulse width modulation, all in a single control.

Features:

Four classic waveforms: sine, triangle, saw, and pulse.
Unique Transform knob shapes each waveform differently.
Voltage-controllable Transform with dedicated CV input.
Octave switch.
LFO mode.
Linear FM input.
Triangle core.
Modern temperature and tuning stability.

Specs:

Width: 6HP
Depth: 45mm
Power consumption: 90mA +12 / 80mA -12
Eurorack Format
Doepfer power connection

Price: 195€

Dr. Endo explores LIVEN Evoke: EXPR//Residue

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

Dr. Endo – Live Set
PTN12: EXPR//Residue
---
A cinematic ambient track evoking the grandeur of a distant galactic empire, EXPR//Residue begins with a solemn tuba drone and unfolds into a slowly shifting sonic landscape.

The tuba forms the foundation of the piece—its rich tone is enhanced with a harmonic waveform to add depth, and sent through GRAIN FX to transform a simple two-note bassline into a dense, evolving low-frequency texture.

Oboe chords provide a gentle, pad-like atmosphere, blending naturally into reverb to create soft, immersive motion.
Scattered throughout the track, piano accents are pulled and stretched using the BACKTIDE function, adding expressive drag and emotional tension.

One track is dedicated to filtered noise, modulated by an LFO on the low-pass filter cutoff. This creates a storm-like undercurrent that blends beautifully with the reverb, expanding the spatial field of the mix.

This piece explores the remnants of something vast and ancient—a residue of sound and structure left drifting in space.

Yu Endo
---

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Akai S6000 MIDI Stereo Digital Sampler SN 19915-00603 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"Akai's flagship model at the time.Fully equipped with expansion boards for all slots, including optional CF card reader, ADAT board, USB board, effects board, polyphonic expansion board, and memory expansion. Comes in a valuable original box.This is an optional item that is difficult to find today.Brackets included for mounting in a 19" rack.Parameter operation and data transfer/management from PC via USB. Waveform editing is also possible, and can be used as a digital MTR by taking advantage of the abundant inputs and outputs.The controller screen has some color blurring, but the contrast setting can be changed.Because of its multifunctionality, we have not been able to check all of the functions, but we have performed a basic operation check and found that it works without any problems.There is no floppy disk, so we cannot check the disk operation, but when a disk is selected on the screen, a sound is heard and it responds."

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Roland JP-8080 Virtual Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"This is a Roland JP-8080 rackmount synthesizer module in excellent condition – a modern classic known for its powerful Supersaw waveform, lush pads, biting leads, and iconic formant filters. The JP-8080 was the rack version of the JP-8000 keyboard and became a staple of trance, house, and electronic production in the late ‘90s and early 2000s."

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Introducing Pip Filter & Pip LFO by ALM

video upload by ALM TV

"The 'Pip Filter' is a compact 4HP voltage controlled 2 pole low-pass filter with resonance and built in VCA. Here we take a look at all the features of the module.

The filter cutoff is controlled via both knob control and dual CV inputs with a built in attenuverter. Resonance is manually controlled and will reach into self oscillation with rough V/Oct tracking. A trigger input allows the filter to be pinged for percussive plucked type sounds. Finally, a built in VCA (normalled open) allows for additional independent amplitude control of the filtered signal.

The “Pip Filter’ provides a classic lowpass filter sound in a small form factor with many useful features for sound sculpting."

Introducing Pip LFO

video upload by ALM TV

"The 'Pip LFO' is a compact 4HP all analogue low frequency oscillator with a wide frequency range, voltage control, numerous outputs, reset input and a VCO mode. Here we take a look at all the features of the module.

The frequency of the Pip LFO is set via a manual control and voltage control input. The module features a unipolar square wave output along with both bipolar and uni-polar triangle, saw and sine waveform outputs. When VCO mode is activated, the frequency jumps to audio range and will track V/Oct for approx 5 octaves. A reset input allows the LFO waveform cycle to be reset and produces hard sync functionality in VCO mode.

The Pip LFO’s compact design makes it easy to add a modulation source and an analogue voice into any system."

Oberheim TEO-5 Bass Tip | Cancel Out Your Low End for Clean Pads!

video upload by Sidetrack Walker

"Unlock a simple phase cancellation trick on the Oberheim TEO-5 to control the low end (bass region) of your patches. In this quick, voice-over tutorial, I use a lush FM pad to demonstrate how combining triangle & square waveforms thins out the bass. Use this on pads to prevent mud, or avoid it when you want a solid low-end for bass lines.

🎧 Use headphones to hear the difference.

What you’ll see & hear:
• Phase cancellation demo on a TEO-5 FM pad
• Waveform switching to show low-end attenuation
• Why this trick helps pads sit cleanly in the mix
• Why you should avoid it for bass patches
• No external FX—just the TEO-5’s raw sound with mild limiting

Whether you’re into sound design, mixing tips, or simply love the TEO-5’s character, this quick tip will add a new tool to your synthesis workflow."

Tre Modular - Quad LFO demo

video upload by Tre Modular

"We are releasing new demo videos for two of our older modules - Quad LFO and Replicant VCF. Some time has passed since we have released these two modules. We thought that they deserve brand new and shiny demo videos.

Today we reintroduce you to Tre Modular - Quad LFO.

Tre Modular – Quad LFO features four independent Low-Frequency Oscillators.

Quad LFO offers both super slow and low audio rate speeds. It ranges from 0.013Hz to 40Hz. You can use it for slow moving patches or audio rate modulation.

Another notable feature of this Quad LFO is skew/pulse width control. It is similar to one found on Korg's MS-20 Modulation Generator. Rotate the knob to morph between sawtooth, triangle, and ramp waveforms. Turn counterclockwise for sawtooth waveform and clockwise for ramp waveform and in the middle it produces triangle waveform.

At the corresponding channels square wave output this control changes the pulse width of the square wave."

GENE GX

video upload by LA Priest

"GENE GX is an all analog, polyphonic synthesizer with a class A audio path.

Inspired by the earliest polysynths of the 1970s, it is multi-timbral and completely touch sensitive.

With 7 tuneable keys on each of its 3 touch sensitive keyboards (6 main keys plus one higher octave key on the right and also a silent filter envelope trigger key on the left), Gene GX can be tuned to a huge number of standard and microtonal scales using the two independent tuning, modulation and pitch bend sections, allowing you to articulate the pitch and timbre of each group as you play.

The unique all-analog oscillator design allows four different waveform harmonics to be controlled and modulated, creating shifting waveshapes and frequency ranges.

All of this is topped off with a lovely class A transistor ladder filter."

https://geneiii.myshopify.com/

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Oberheim TEO-5 | No-Talk Synth Jam & Feature Rundown & Sound Demo

video upload by Sidetrack Walker

"Looking for a no-talking synth performance & demo that’s atmospheric as well as educational? This Oberheim TEO-5 jam blends musical flow with a hands-on, captioned overview of the synth’s most compelling features.

Whether you’re here to explore the TEO-5’s sound design potential, discover its quirks and character, or just vibe to evolving textures, this video’s got you covered.

🎧 Headphones recommended. Recorded live with no external FX (except light limiting for loudness).

🔍 What’s featured in the jam:
• Continuous arpeggiator in random mode
• On-the-fly envelope shaping
• SEM-style filter-state morphing (LP to notch)
• Through-zero FM (two intervals)
• Oscillator & waveform blending
• LFO modulation of filter & pulse width
• Internal BBD delay & reverb (w/ note on digital clicks)
• Overdrive for added bite
• And more—all woven into one hypnotic, plucky improvisation.

Captions highlight what’s happening as you listen—no talking, no cacti or cats, just sound and context."

Description and Demonstration of a Synthesizer Module based on the LM567 Tone Decoder Chip

video upload by ParadisoModular

"This video illustrates and demonstrates a module I recently designed based around the LM567 Tone Decoder IC. I show it in 'musical' action both as a frequency detector as well as an audio effect that transforms an input waveform with a controllable and dynamic subharmonic-prone 'crunch'."

Moog Muse Firmware v1.4 Update

video uploads by Moog Music

Playlist:

1. Muse | New Global Modulation

In this video, we explore how to access the new global modulation options added to Muse's MOD MAP in v1.4 firmware.

Firmware v1.4 introduces a wealth of new modulation options: six new global modulation sources (two global LFOs, two global envelopes, and two global random trigger sources) and 23 new modulation destinations—including the much-requested ability to modulate every delay parameter, down to each individual character function.

These new options exponentially expand the sound design possibilities on Muse, opening the door to entirely new sonic landscapes and microcosms to explore.

2. Muse | Per-Timbre Sequencer Probability

In this video, we explore how to use the new per-timbre probability options added to Muse's sequencer in the new v1.4 firmware.

While firmware v1.4 expands Muse's sequencer capabilities in many ways—perhaps the most powerful enhancement is the ability to dial in different generative behaviors per timbre. This enables incredibly deep and detailed methods of introducing probability into your compositions, allowing Muse's sequencer to act as an improvisational partner.

Randomness is a powerful tool for adding surprise and movement to your music, and Muse's sequencer offers a compelling way to incorporate interesting musical twists and turns into your exploration of sound and compositional form.

3. Muse | Dynamic Chorus

In this video, we explore how to use some of the new features in Muse firmware version v1.4 to create dynamic chorus and interactive diffusion patches.

Muse firmware v1.4 allows for modulation of all parameters of the DIFFUSION DELAY using the six new global modulation sources. We first look at how to create a basic chorus sound by using short delay times in the DIFFUSION DELAY and modulating the delay times very gently using the global LFOs.

(Note that PITCH-SHIFT should be selected as the time mode in the DIFFUSION DELAY "More" menu to enable pitch artifacts reminiscent of those found on beloved analog BBD or tape delays.)

We also look at how to integrate Muse’s expressive controls, such as the Mod Wheel, keyboard Aftertouch, and Macro knob to control various parameters of both chorusing and diffusion. A twist on our patch uses the global envelope generators to increase the chorusing rate over the duration of our notes, which will function differently depending on if multi-trig is enabled or disabled for the global envelopes.

4. Muse | Fading Modulation

In this video, we explore how to use some of the new features in Muse firmware version v1.4 to create modulation routings that fade over the course of a note’s duration.

Muse firmware v1.4 introduces a handful of new functions to the MOD MAP which allow you to fade in or out a modulation routing over time. We take a modulation routing that uses global LFO 1 to modulate both delay times in the DIFFUSION DELAY and apply the new fade functions to fade the chorus effect over time.

FADE A fades the modulation in from the onset of a note, while FADE D fades modulation out from the start of a note. FADE R sustains the modulation routing for as long as a note is held and then fades it out when notes are released. Finally, FADE AR applies both an attack and release envelope to the modulation, combining our fade in/out behavior into one handy function. For all fading functions, the amount sets the time of the fade from shorter to longer.

5. Muse | LFO Envelope Mode

In this video, we explore how to use the envelope mode added to Muse's LFOs in the v1.4 firmware.

Firmware v1.4 introduces a bevy of new features to Muse, unlocking countless exciting modulation possibilities. LFO envelope mode is one powerful addition that allows the LFOs to behave more like an envelope.

When you press a key, the LFO will run through a single cycle of its waveform and then pause. When combined with some of the unique user waves found in LFOs 1 and 2 (and now global LFOs 1 and 2, as well), envelope mode enables a wide range of new, key-triggered movements to enhance your sound design experience with Muse.

FM Synthesis - A Practical Tutorial Guide

video uploads by ChrisLody

"Here's something I've been meaning to get round to starting for ages, a practical guide to FM synthesis. In my experience FM tutorials usually over explain all the wrong things and rarely get as far as the important things like the predictable way operator ratios change the waveform and frequency responses. So I've tried to approach things from an entirely practical view point showing you how to make saw, square, noise etc with filter like responses."

Playlist: 1. FM Synthesis - Practical Tutorial 1 : Ratios, Basic Waveforms, Low Pass and High Pass Sounds

0:00 Intro
2:53 How the meters works
3:23 Operators and Algorithms
3:58 Carriers and Modulators
4:29 MEGA Synthesis envelope generator
5:48 Reface DX envelope generator
6:56 Adjusting algorithms and operators
8:35 Making a basic organ sound
9:47 Saw feedback
10:47 Square feedback
11:48 1:1 modulation (saw sounds)
13:03 Low pass like sweeps
14:12 1:2 modulation (square sounds)
15:34 2:1 etc modulation (band pass sounds)
16:37 Ratio chart
17:10 Quick demo bass patch
18:20 Summing up

2. FM Synthesis - Practical Tutorial 2 - Pad Example, Vibrato, Tremolo, Wubs and Wonk!, Reface DX

0:00 Coming Up
0:30 Intro
0:43 FM Diagrams - Quick saw patch
1:10 Non-integer ratios
3:37 Non-integer ratios with decay
4:10 Moving individual operators with the LFO (Vibrato and wonk)
5:42 Creating Tremolo
6:16 Wub-wubs!
6:35 "2x OSC" Algorithm detuned saws
7:23 Detuning operators away from each other
8:14 Liven Mega - Mild Pad
9:27 Pad example diagram
9:48 Pad example on Reface DX

3. FM Synthesis - Practical Tutorial 3 - How operator stacks work, truth about modulation, Reface DX

0:00 Coming Up
0:14 Intro
0:30 Additive synthesis vs FM
1:32 "Modulation creates sidebands"
1:54 Calculating 1-10 sidebands example
4:15 Calculating 1-1 sidebands example
5:40 Calculating 1-2 sidebands example
6:33 Calculating 1-5 sidebands example
7:29 Summarise 2 OP sidebands
7:48 1-1-10 sideband example
8:58 5-5-1 sideband example
9:24 2-1 with feedback example
10:20 Stacked modulator summary
11:00 "Disgusting Bass" example

4. FM Synthesis - Practical Tutorial 4 - Rate & Level Scaling, Velocity Expression, Reface DX, FB01

0:00 Coming Up
0:15 Intro
1:14 Aliasing noise
2:36 Level Scaling
4:32 Rate Scaling
5:40 Velocity Sensitivity
7:02 Funky Clavinet Example
10:36 Editing the Yamaha FB-01
11:28 Yamaha FB-01 weirdness
14:40 FB-01 Clav examined

Moog Moogerfooger MF-108M Cluster Flux SN 3318

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

"The Moog MF-108M Cluster Flux is a limited edition Moogerfooger that gives you chorus, flange, and vibrato effects driven by rare vintage analog Bucket Brigade Device chips. A descendent of the original Moog modular synthesizers, Cluster Flux's modulation mojo is shaped by a multi-waveform LFO section with tap tempo and MIDI clock sync. CV and MIDI control of main parameters let you conjure stunning effects quite different from those of other chorus type devices."

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Radical Frequencies dawless jam 145bpm

video upload by Radical Frequencies Modular

"Patch: The bass is the alpha pulse waveform from Dpvco into Diode Dream Vcf. Listen at the last 20 seconds of the video where I open the Alpha pwm pot (the beta vco triangle is internally connected as the PW modulator of alpha vco) and the opening of the filter cutoff for producing this fat warm analog pwm bass !
The goa style melody lead comes from admvco saw through the Scota Vcf !
All drums are from different sources mostly analog and I mix them through the RF audio cv mixer using the transistor output."

Wave editing - the powerful hidden feature of the Kodamo EssenceFM

video upload by j bowman

You can find the comparason video referenced here, and Additional j bowman Kodamo posts here.

"Unlock the Power of Wave Editing on the Kodamo EssenceFM | Hidden FM Sound Design Secrets

Discover the powerful hidden feature of the Kodamo EssenceFM in this deep-dive tutorial on wave editing—an advanced yet underutilized tool that will revolutionize your FM sound design synth workflow. Whether you're a seasoned sound designer or just diving into the world of FM synthesis, this video explores the creative potential of wave folding, custom waveform creation, and spectral shaping unique to the EssenceFM.

In this video, you'll learn how to harness wave editing to build dynamic, evolving patches, push the limits of traditional FM synthesis, and unlock textures no other synth can replicate. Perfect for synth enthusiasts, FM programming pros, and Kodamo EssenceFM users looking to go beyond presets and create truly viral sound design.

📌 Keywords covered: Kodamo EssenceFM, FM, sound design synth, wave editing, wave folding, FM synthesis, custom waveforms, synth tutorial, viral synth video, advanced sound design."

FruFo - Wavetable LFO & Knob Recorder for Eurorack Synthesizer by NoisyFruitsLab

video upload by NoisyFruitsLab

"FruFo is a wavetable LFO and knob recorder.

Stunning RGB and OLED visualization with high frame rates

External clock or TAP tempo with accurate BPM detection.

Adjust incoming clock resolution and tempo divider to your needs.

The knob recorder can be used free running or with an external clock for quantized recording.

Control the tempo of the recording with an encoder with thru zero crossing or use the multiplier to speed up or slow down by divisions.

Loaded with multiple waveforms that can be blended charmingly and result in a giant wavetable.

Covering most common waveforms with some experimental ones including random slope and stepped.

RGB LEDs with smooth blending for each waveform.

Attenuator menu for CV ins, CV out and incoming clock resolution.

Covering a frequency range from 0.01Hz to 7500Hz (Low passed)

Easy updatable over USB C"