THE INPUTS ARE Q- ACCENT- GATE- SLIDE- VCF- VCF CUT OFF-VCA-CV THESE ARE FOR USE WITH A MIDI-CV CONVERTER , ANALOG SYNTH OR TB-303.
THE OUTPUTS ARE EG- ACCENT- SLIDE- SQUARE- SAW- VCF THESE COULD BE PATCHED TO AN EXTERNAL FITER OR EFFECTS UNIT OR TB-303.
TOGGEL SWITCHS :
ACCENT - UP NORMAL, DOWN ACCENTS ON ALL NOTES .
SLIDE- UP NORMAL, DOWN SLIDE ON ALL NOTES.
WAVEFORM MODULATION- SAW, SQUARE.
RESONANCE- UP NORMAL , DOWN REAR VCF INPUT.
POTENTIOMETERS;
DECAY- FROM OFF TO STANDERD.
RESONANCE- ADDS Q LEVEL.
X-MOD- MODULATION LEVEL.
OVERDRIVE- VOLUME CONTROL OF VCO TO FILTER .
POTS COME WITH 303 TYPE KNOBS TO RETAIN ORIGINAL LOOK.
LEDS: THREE NEW LEDS SHOW PROGRAMMING ACCENT, SLIDE, BEND.
ACIDLAB KIT COMES WITH FACEPLATE OVERLAY- 4 KNOBS- 4 POTS-4 SWITCHES- 3 LEDS- 8 INPUTS- 6 OUTPUTS- COLOR CODED INSTRUCTIONS WITH WIRES- ALL RESISTORS- CAPS- DIODES- POT MOUNTS- REAR STICKER- YOU GET ALL PARTS NEEDED TO UPGRADE YOUR ROLAND TB-303, THIS KIT GIVES THE TB-303 A NEW VINTAGE LOOK WITH THE ABILITY OF MODULAR SYNTHESIS FOR NEW SOUND TEXTURES AND CONTROL."
Note this is not the same acidlab that makes the Miami, Bassline and Bombass 1&2. That would be http://www.acidlab.de/.
"Synth spotting: Elektron Monomachine, Acidlab Bassline (full analog 303 clone), Acidlab Miami (full analog 808 clone), Presonus 16.0.4 digital mixer w/ compression, gate. Monomachine is the main clock and triggers the Acidlab synths."
"tr727 is master, midi goes to miami, from there din to 909 from there midi to bassline from there din to 606, it all works with no glitch or delay in timing. I chose this "exotic" wiring on purpose to demo the whole "hook up some din sync" thing. Some live programming is hard to do with one hand sorry! at the end you can see the 909 and the miami both in shuffle mode, really great."
"This is the newest versionV2 with the black sides...
Details
The analog drum circuitry is the of the 808 but built with modern components, yet the sound is very close to the original.
The Miami has the same instruments with the same parameters like the original, just the BassDrum has enhanced control ranges (e.g. the decay time is 2-3x longer).
BassDrum: Level, Tone and Decay
SnareDrum: Level, Tone and Snappy
LowTom / LowConga (selectable): Level, Tuning
MidTom/ MidConga (selectable): Level, Tuning
HiTom / HiConga (selectable): Level, Tuning
RimShot / Claves (selectable): Level
HandClap / Maracas (selectable): Level
CowBell: Level
Cymbal: Level, Tune and Decay
Open HiHat: Level, Decay
Closed HiHat: Level
The sequencer has six different operation modes and offers memory for 192 patterns, organized in 12 patten groups with each 16 patterns. One pattern can be up to sixteen steps long.
Published on Nov 6, 2013 AudioCentralMagazine·175 videos
"Sherman Filterbank 2 is destroying/filtering the fairly hot signal of Acidlab MIAMI drum machine. Both filters are in lopass mode, with high resonance and envelope and FM and AM and LFO and the whole enchilada on a free run fiddling session over the front panel. No music, just real time varying Sherman controls against MIAMI drum machine."
Published on May 19, 2013 AudioCentralMagazine·143 videos
"The mighty GRP A4 Synthesizer receives audio out from MIAMI Acidlab; signal goes into RingMod (with VCO 2), Env Foll (for VCFs articulation and Gate extraction). A small touch of AutoPan for animation..."
"incredible drumachine !!! sorry for the bad quality ... the first time I play with mfb schlagzwerg and I send just 2 sequences on dotcom portable22 and module 102 roland... and synchronize vostok sequencer with schlagzwerg... awesome, the schlagzwerg controls all, he's the master... no digital effect... hum... I need a compressor............................... a camera.......................... and a second SCHLAGZWERG XD !!!!!!!!!!!!!!
"analog session / no computer used (only for recording) ! you see 2 miami acidlab, a schlagzwerg mfb, 3 portable 22 dotcom, vostok analoguesolutions, 1642 VLZ3 mackie and my hands 83'"
"Acidlab.de Bassline (TB clone) is distorted with EHX Muff pedal; Acidlab.de MIAMI analog drum machine is distorted thru EHX MetalMuff. Plain and simple."
"So I've moved back into Columbia for my second year and am just finally getting able to have a real setup in my dorm room! I've been taking the tech mentor program at EARS in nyc on week nights and today we had an 8 hour repair in which Jeff helped me rebuild the power supply of the arp and fix a problem with the arp sequencer's tempo control. Man do 2 ARP 2600's look great stacked on top of each other!
I've got the arp 2600's being sequenced by the arp sequencer which is being driven by the Acidlab Miami pulse (all driven from ableton clock). I've also got the Acidlab doing most of the drum parts and the the roland tr 909 doing some claps and a few hh hits."
YouTube via pac209 "sequences from SH 101 and x0xb0x main line made with pro 08+efx-500+boss se-70 additional sound by plan b model 15, tiptop audio z3000 and livewire AFG" acidlab miami at 1:33
YouTube Uploaded by scienceclubmusic on Mar 14, 2011
"HYPER INTERLACED for her pleasure Testing out the OSC303 from dinsync.info with the TipTop Audio Happy Ending kit. CV and Gate are coming from MC-202. Oscillator is going through the synthesizers.com Q107 filter, which is pretty good IMO. Using dotcom envelope and amp modules, and Ibanez TS-808 as well. Miami is clean."
1. Grp VCO Euro Rack
"The Grp VCO Euro Rack. 00.00 = Octave 01.10 second VCO 01.26 waveforms 02.20 two oscillators 03.20 hard sync 04.36 fm lin & exp 06.38 three oscillators 07.36 sub oscillator"
2. Grp Synthesizer 24 dB Low Pass Filter
"The Grp Synthesizer 24 dB Low Pass Filter Euro Rack. 00.31 = Cutoff & Resonance 01.02 pole select 02.34 distortion 03.09 envelope & lfo modulation 04.41 resonance cv modulation with lfo 06.07 audio rate frequency modulation from vco sine wave."
3. Grp 12 dB State Variable Filter
"Grp Synthesizer 12 db State Variable Filter Euro Rack. 00.17 Cutoff, Resonance & Env Amount 01.34 Input overdrive 02.00 mode selection w. lfo mod 03.18 resonance enveloped 04.09 distortion & resonance 05.50 add sub oscillator 07.19 short envelope 08.18 auto oscillation 09.57 notch."
4. Grp Voltage Controlled Amplifier Euro Rack
"Grp Synthesizer Voltage Controlled Amplifier in Euro Rack Format. On this video: changing linear & exponential response, audio rate AM, initial gain."
5. Grp Envelope Follower Euro Rack
"Acidlab MIAMI goes into Grp Envelope Follower Euro Rack. Gate out fires an ADSR for lowpass filtering MIAMI sound; Env Foll out goes to SVF BandPass Filter for emphasizing snare & hats."
6. Grp Fixed Filter Bank Euro Rack
"Fixed Filter Bank is receiving three sligthy detuned saw oscillators."
7. Grp Stereo Out Module
"Grp Stereo Out Module is receiving a kick (LP full resonance enveloped) on CH 1, a snare (noise highpassed plus click) on CH 4, seq 1 saw&sqr on CH 2 and seq 2 sqr wave on CH 3. Ch 2 and 3 are hard panned L-R; ch 1 and 2 have pan pot control. WARNING! on this video, L and R are INVERTE (nice, isn't it? :-D ). Sequences courtesy of Grp R24 Step Sequencer 8x3."
8. Grp Sample & Hold Euro Rack
"Grp Sample & Hold is controlling: VCF Cutoff, VCO Frequency (w. e w.o. hard sync), sh clock rate, smooth/stepped."
9. Grp Synthesizer Low Frequency Oscillator
"Four Grp Low Frequency Oscillators; each one drives VCA Gain amplifying a filtered oscillators. LFO rates are uncorrelated and each LFO can vary its waveform from ramp to triangle and from triangle to saw."
10. Grp Envelope Generator Euro Rack
"From left to right: first eg on PWM, second eg on cutoff frequency, third eg on cutoff frequency (with double ratcheting gate), fourth eg on amplifier."
11. Grp Mixer Euro Rack
"The inverted Oscillator ("-" out of the left mixer) is subtracted (e.g., added with minus sign) to lowpass filter output... instant high pass filter. :-)"
"A plain vanilla listening test of Acidlab.de Bassline clone (on right audio channel) against a vintage Roland TB-303 Bassline (on left audio channel). Analog drums courtesy of MIAMI drum machine. The two Acidlab units are under MIDI Clock from Doepfer Dark Time (here, only as clock source); the TB-303 is under Sync Out from MIAMI. Some fiddling with parameters on both bassline(s)."
OVERDRIVE- VOLUME CONTROL OF VCO TO FILTER .
