MATRIXSYNTH: Search results for resynthesis


Showing posts sorted by relevance for query resynthesis. Sort by date Show all posts
Showing posts sorted by relevance for query resynthesis. Sort by date Show all posts

Thursday, December 13, 2007

Tone2 Gladiator - Revolution in Synthesis?

You be the judge

"A revolution in synthesis!

Gladiator is one of the most powerful synthesizers ever. This is a tough statement, but you should read this...

What is Harmonic Content Morphing (HCM) Synthesis?

This new synthesis method is based on a large and expandable repertoire of standard waves like pulse, unique synthetic waveforms as well as resynthesis waves like trumpets, organs, pianos and voice samples. These waves can be modified in real-time by e.g. FM modulation, altering its harmonic structure, syncing, waveshaping,...
Any modification of a wave can be modulated producing lively shimmery sounds (recall: with only one oscillator!). In total there are more than 30,000 different spectra available for combination and modulation.

Example:
You can take a Hammond organ, FM modulate the organ with a sawtooth, create a hypersaw and amplitude modulate this signal with a BPM synced vocoder drumline.

What is the advantage of Gladiator compared to other synthesizers?
* Real high-end sound quality: Analog, warm, transparent and fat
* Huge sonic range: From classic to unique science fiction
* Excellent value for money
* Low CPU and high reliability
* Gladiator can replace a complete room full of hardware
* Flexibility and expandability
* 750 professional sounds from Vengeance and others
* Gladiator was created by professional dsp scientists"

Tone2 Audiosoftware

Wednesday, August 01, 2012

MFOS 16 Step Sequencer & Raymond Scott's Circle Machine


YouTube Published on Jul 23, 2012 by NoizeToy2

"An analogue sequencer laid out in a rotary style similar to Raymond Scott's Circle Machine.

The PCB is available from www.musicfromouterspace.com and I ordered the panel from www.resynthesis.co.uk"

via Jeff E. Winner on The MATRIXSYNTH Lounge

Jeff E. Winner is the co-producer of the Raymond Scott documentary Deconstructing Dad. The Circle Machine is considered the first sequencer.

Also see:
Raymond Scott Archives Remembers Bob Moog
Bob Moog on Raymond Scott and the History of the Sequencer

Update via Dick in the comments: "Ray [Wilson] has just released the pcb's for the updated version of this - the Variclock 16 step sequencer adds an step duration knob (1-16) for each individual step. check the mfos site for the video "

Thursday, June 29, 2023

Synclavier Digital's Regen Gets Wider Release


video upload by Synclavier Digital

Regen Tutorials


Regen Quickies


You can find additional posts featuring demos of the Regen here.



Press Release follows:

"Synclavier Digital releases regenerated Synclavier® II trailblazer as timeless Regen desktop synthesizer bolstered by present-day DSP developments

NOVA SCOTIA, CANADA: soft-launched late last year to widespread critical acclaim at the Synthplex® synthesizer expo and electronic music festival hosted at the Marriott Convention Center in Burbank, CA, USA with pre-orders opening for fulfilment in 2023, timeless synthesis product manufacturer Synclavier Digital is proud to announce wider availability of Regen — released as a desktop synthesizer that is, in short, a real regeneration of New England Digital’s seminal Synclavier® II digital synthesizer that took the pro audio industry by storm when introduced in its initial incarnation in 1980 (evolving beyond that to blaze more technological trails with polyphonic sampling and, ultimately, DAW — Digital Audio Workstation — capabilities well before that term was invented, even), extended and enhanced to take advantage of the increased computing power available today to make it as compelling in a modern setting as the prohibitively pricey original did during its time (finding favour with top-tier film composers, record producers, and recording artists), while the considerable cost and size reductions associated with Regen’s present-day design criteria conversely position it well within reach of (almost) anyone — as of June 29…

Friday, April 10, 2015

VINTAGE 1973 MINIMOOG FILTER / VCA / MIXER IN EURORACK FORMAT

Note: Auction links are affiliate links for which the site may be compensated.

via this auction
"This module was custom built for me by Tony Allgood of Oakley modular design and sounds stunning ! It is an original vintage minimoog filter board from my early minimoog and not a copy ! I have a full set of schematics from Tony and I also have recordings of this module on my soundcloud with a macbeth oscillator driving it.Please get in contact if you would like to hear recordings. this will only work with eurorack modulars but could be re panelled to work with dot com format as the included power supply also has +/-15v

The panel was made by the very excellent resynthesis using original moog modular metalwork. the module is quite deep at 17cm so will not fit in a shallow case unless the board is turned around which could be done. the patchbay module gives all the various ins and outs andd some additional extra functions including pedal inputs. Tony also built me a custom power supply which is included and runs both +12/-12v and +15/_15v as well as the miming filter. there is plenty of power to run some more modules as well so could all be used to power a small system with additional modules. I also have two custom modified Ernie Ball pedals not included which control cv to the filter."

Tuesday, April 19, 2016

A Synclavier for Max/MSP in the Works


Spotted this one on sequencer.de. Note this appears to be a one man personal project:

"Taymur Streng is working hard on a Synclavier that works on and with Max/MSP. This is still “work in progress” since it is a lot of work for just one person.

Seems like the Synclavier had the following concept on FM, please post if you know it better:

there is one OSC that modulates up to 36 “Harmonics” Oscillators. all of these OSCs have their own frequency and that modulating OSC has a ratio. All of them got an extended 6-parameter-envelope. There are 4 layers available.

there is more synthesis functions like 2 versions of resynthesis (the original has one algorithm). And of course the 36 OSCs are for additive synthesis as well. also there is a simple wavetable concept.

so much for the synth-section (not counting in samples, that are also possible).

I had only a short time on a real Synclavier, so just tell me if there’s something to add or correct. Taymur knows a lot – but we would love input (if helpful).

could take a while,…"

Thursday, September 18, 2014

MFOS 16-Step Analogue Sequencer


Published on Jul 12, 2013 snarfusmaximus

"A brief demonstration of the Music From Outer Space 16-step analogue sequencer on my Moog/DotCom format modular synthesiser. This was recorded in April 2013 and I have made a couple of minor modifications since.

The front panel was bought from Re:Synthesis and the parts from Elby Designs. Want to build one for yourself? Links below:

Music From Outer Space - http://www.musicfromouterspace.com
Re:Synthesis - http://www.bigbluewave.co.uk/resynthesis
Elby Designs - http://www.elby-designs.com"

via Victor Sumin on The MATRIXSYNTH Lounge

Thursday, September 25, 2008

Ogun

"Ogun can produce exceptionally rich metallic and shimmering timbres, although it's not limited to this genre. Ogun’s distinctive synthesis engine can generate more than 32,000 harmonics, modulated by high-level ‘harmonic mapping’ functions, that hand tonal control directly to the user. Try the VSTi demo and experience Ogun in your favorite host.

Key features:
Massive additive synthesis engine (up to 32,767 harmonics).
Realistic metallic timbres through harmonic randomization or timbre analysis (resynthesis).
Fast, precise tonal shaping through multipoint envelopes (of Sytrus fame).
Advanced Unison engine.
XY modulation pad for live expressive control.
Effects: Filter, Chorus, Delay, Reverb and EQ
Space-saving GUI."
http://www.image-line.com/documents/ogun.html

Tuesday, August 17, 2010

Spoiled reality (Plogue Bidule)


YouTube via GruithuisenCityMan | August 17, 2010

"Hello ! My name is Frederic Gerchambeau. I have made this movie and this music. The music has been made entirely with Plogue Bidule in one take. No samples were used. These are FFT/iFFT resynthesis based synth sounds. Enjoy !
http://www.myspace.com/fredericgercha..."

Friday, January 28, 2011

Tone2 ElectraX - "simply Unlimited" Software Synth Now Available


"Available now: ElectraX - simply Unlimited!

We are pleased to present our new sonic warrior: ElectraX!

ElectraX means not only having four powerful synthesizers in one interface - it’s the next generation of high-end audio equipment.

Explore the vast musical universe of multi-synthesis oscillators, analog modeled filters, chaotic fractals, samples, psychoacoustic processing, flexible modulation and an immense sonic range.
Combine multiple polyphonic or monophonic synthesizers and 13 different synthesis methods to create incredible results.
All this comes with an easy-to-use interface, high-end sound quality and remarkable low CPU usage for an instrument as feature-rich as ElectraX.
The comfortable preset management provides instant access to a large library of sounds by professional designers.

Oscillators
At the heart of ElectraX are the multi-synthesis oscillators with up to 18 oscillators per voice. With ElectraX you combine classic synthesis types like Virtual Analog, FM, Phase Distortion, Ultrasaw, Sync, Waveshaping, Wavetables, AM, and completely new oscillator types. It also opens unheard acoustic possibilities with its exclusive Fractal synthesis, which can be used to mimic the behavior of organisms or analog circuits.

Saturday, December 15, 2018

SAMPLIGHT 2X + VST (CMI IIX Emulation) quick preview


Published on Dec 15, 2018 Aly James

"Short preview of my upcoming SamPlight 2X+ VST which accurately model the whole Fairlight CMI IIX
The playing itself involves 16 Times oversampling and zero interpolation + analog circuit emulation.
All the quirks of the original are there, including some "JUSTIFY" glitches, loop points scanning artefacts etc..There were some refinement on the usability but do not expect a super fast modern workflow, I tried to kept it as close as can be for a reason!

What is currently done:

PAGE 2 - DISK CONTROL(done: load and save real original .VC files and attached .CO files, version 4.3 and 4.4 including MODE 1 params aka FFT, loading .IN aka Instruments files is in the works..)

PAGE 3 KEYBOARD CONTROL(almost done)

PAGE 4 HARMONIC ENVELOPES(done)

PAGE 5 WAVEFORM GENERATION(done but needs some additional GUI work)

PAGE 6 WAVEFORM DRAWING(done but needs some more work)

PAGE 7 CONTROL PARAMETERS(done)

PAGE 8 SOUND SAMPLING(done, include importing .WAV Files for resampling through the emulated circuitry)

PAGE D WAVEFORM DISPLAY(done, include some other views like POLAR view in addition to the iconics Fairlight ISO an LINEAR views)

PAGE F USER DEFINED FUNCTIONS(done but needs some GUI work)

Lot of things are added within the limitation of what the Fairlight could have done with some extra memory:

- FM Synthesis capabilities, including using waveform memory as a modulator.

- Spectrum Convolution (convolve between 2 spectrum)

- Spectrum Resynthesis manipulation(Harmonic Frequency bins offsets per Harmonic etc..)

- Two ways TimeStrech ( the CMI IIX allowed to increase the duration of the waveform memory only, now you can also reduce it)

More about it soon!"

http://www.alyjameslab.com

Thursday, May 11, 2023

MAKEN0ISE Introduces the Spectraphon!


Brett Naucke performs on the Spectraphon! video upload by MAKEN0ISE

"Brett Naucke performs new patches at Drop of Sun!

Asheville-based musician and Make Noise Records alumnus Brett Naucke performs three new patches on our brand new module— the Make Noise/soundhack Spectraphon— at the great Drop of Sun Studios here in Asheville, NC!

We are THRILLED to finally share our latest collaboration with Tom Erbe (soundhack), The Spectraphon! For more information on this dual spectral oscillator, head to: https://makenoisemusic.com/modules/sp...

For more info on Brett and his work, be sure to check out:
https://www.bnaucke.com/
https://open.spotify.com/artist/2MFjL...
https://brettnaucke.bandcamp.com/

This video was filmed at, recorded by and mastered by Drop of Sun Studios here in Asheville, NC. For more info on Drop of Sun, head to:
https://dropofsun.com/
https://www.instagram.com/_dropofsun_/"



via Make Noise

The Make Noise/soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of soundhack. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touché, but it takes a physical form more resembling the classic analog dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO.

The Spectraphon is the first module to be built by Make Noise on its new digital hardware platform. This hardware, engineered by Jeff Snyder and Tony Rolando, provides more i/o at higher resolutions, and a lower noise floor than we have ever had access to in a digital module, allowing us to unleash Tom Erbe’s DSP code to a previously unattainable degree.

The Spectraphon has two nearly identical sides, A and B, which oscillate in one of two ways: Spectral Amplitude Modulation (SAM), or Spectral Array Oscillation (SAO). In SAM, instead of oscillating at all times like an analog VCO, sound at the Spectraphon’s input is used to modulate the amplitude of a set of harmonics. In SAM the Spectraphon can be sequenced and frequency modulated like any VCO. At any time the current spectrum can be used to create an Array for later use in SAO mode where the Spectraphon oscillates at all times, with the spectrum at the Odd and Even harmonic outputs being drawn from those stored Arrays.

The Slide and Focus controls are mode-dependent: in SAM, they determine how the Spectraphon responds to sound at the input for Spectral AM, while in SAO, they are used to modulate the Array. In either mode (SAM or SAO), the Partials control works as a combined amplitude and timbre gate for the Odd and Even harmonic output and the FM Bus will create high definition internal frequency modulation from the opposing side of the Spectraphon. The two sides can also interact via the internal FM Bus, the Follow and Sync modes, and by patching them together.

Monday, July 29, 2019

1998 Ensoniq Fizmo, Transwave Two Oscillator Synthesizer SN 10536

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"1998 Ensoniq Fizmo Synthesizer, in perfect working order and in excellent condition. The Fizmo was the ultimate and short-lived attempt by Ensoniq to create a truly powerful and unique experimental machine. Transwave synthesis lies at the heart of the Fizmo, pulling from layers of varied loops within wavetables of sound data, allowing for real-time, dynamic response and decay modulation. Heard in use by bands such as the Faint and Eat Static, this versatile, hidden gem is perfect for creating ambient, atmospheric textures that are completely tweakable and interactive.

The Fizmo is a 48-voice synthesizer which uses 2nd-generation Transwave technology to create organic, interactive sounds unlike any other synth available at the time. Every programming function has its own dedicated knob or button, and there is a limited but useful four-character LCD display. The Fizmo features an Arpeggiator and 24-bit VLSI effects with 41 algorithms and a Vocoder. There are 2 oscillators available for each of the 4 presets allowing for 8 unique oscillators at the same time, each with individual LFO and Noise generators. The built-in Arpeggiator has 118 presets which can be easily edited to your liking, and 26 real-time control/editing knobs make mutating your sound a pleasure. All controls may be recorded in real-time to an external sequencer.

Friday, September 07, 2012

Re:Synthesis Custom hexinverter sympleSEQ Panel


via Moritz Scharf on Facebook

"The faceplate finally arrived!
As I promised – here's a picture of the beauty!
Ben did such a wonderful job!
http://www.bigbluewave.co.uk/resynthesis/index.htm"

Wednesday, February 23, 2011

PPG Waveterm A + Wave 2.2 pt.2


YouTube via retrosound72 | Feb 23, 2011 |

Also added to the Part 1 post here.

"vintage synth demo by RetroSound

PPG Waveterm A and Wave 2.2 Wavetable Synthesizer from the year 1982.

The Waveterm is the heart of the legendary PPG system and based on an old german computer called Eltec Eurocom II with Motorola 6809 processor.

- creation of Waves and Wavetables
- fourier analysis / resonator
- additive synthesis
- 8 bit Sampling for the WAVE 2.2
- sequencer / event generator
- storage of sounds on 8" disc

this second WT-A demo video shows a few samples from The Waveterm A library, sample edition and resynthesis. You hear only pure waveforms, no sounds."

Wednesday, May 19, 2010

Native Instruments Introduces DEEP FREQ

"Berlin, May 19th, 2010 - Native Instruments today introduced DEEP FREQ, a powerful effects processing suite for use with KORE 2 and the free KORE PLAYER. Complementing the acclaimed DEEP RECONSTRUCTIONS and DEEP TRANSFORMATIONS packages, DEEP FREQ focuses on intense and intricate frequency manipulation to transform audio material in innovative and inspiring ways.

Created by expert sound designer and producer Denis Gökdag, DEEP FREQ provides 150 sophisticated multi-effect combinations based on the powerful sound processing engines of ABSYNTH, GUITAR RIG and REAKTOR integrated in KORE. Through complex combinations of filters, resonators, frequency shifting, resynthesis, granular synthesis and other advanced algorithms, DEEP FREQ can fundamentally alter and reshape the tonality of beats, melody lines, vocals and any other audio material with spectacular and unconventional results.

Despite the complexity of the underlying effect configurations, the operation of DEEP FREQ is entirely straightforward due to the KORE user interface. The unified parameter mapping within KORE 2 and KORE PLAYER gives immediate, intuitive control over the sonic characteristics of the effects, making DEEP FREQ an especially efficient and immediate sound shaping tool for musicians, producers and DJs.

DEEP FREQ available for download purchase in the NI Online Shop for $79/69 EUR.

Additional information on DEEP FREQ is available at
www.native-instruments.com/deepfreq"

Tuesday, March 13, 2018

NSynth Super - An Open Source Hardware Neural Synthesizer From Google


Published on Mar 13, 2018 Google

[Update: You can now find an order form on Auxren's website here for assembled PCBs minus the case.

Update2 via Koryo Williamson in the comments: "I'll post STEP and STL files for cases that more resemble the active UI version. Xometry, Protolabs, DIY 3D print and such."

Update3: Just a side not for those interested: the neural synthesis brings the Hartmann Neuron to mind, and the resynthesis aspect brings the Technos Axcel and the Axcel2 to mind.]

Playlist for the videos above:
1. Making music with NSynth Super
London-based producer Hector Plimmer, explores new sounds generated by the NSynth machine learning algorithm - using NSynth Super an open source experimental instrument.
2. Making music using new sounds generated with machine learning [featuring Robotspeak]
NSynth Super is an open source experimental instrument. It gives musicians the ability to explore completely new sounds generated by the NSynth machine learning algorithm.

Note NSynth was first mentioned in this post with Andrew Huang.

"NSynth Super is part of an ongoing experiment by Magenta: a research project within Google that explores how machine learning tools can help artists create art and music in new ways.

Wednesday, September 26, 2018

PPG Wave 2.2 / Waveterm A System (1982) Resynthesis, Sampling, Fourier Analysis, How to video


Published on Sep 25, 2018 RetroSound

"(c) 2018 vintage synthesizer demo by RetroSound

How to video:
Sampling with the PPG Wave System from 1982.
The video shows the sample analysis and programming of new wave and wavetables for the PPG wave 2.2 Synthesizer.

The Waveterm is the heart of the legendary PPG system and based on an old german computer called Eltec Eurocom II with Motorola 6809 processor.

- creation of Waves and Wavetables
- fourier analysis / resonator
- additive synthesis
- 8 bit Sampling for the WAVE 2.2
- sequencer / event generator
- storage of sounds on 8" disc"

Wednesday, June 12, 2019

HMMPatternGenerator - New Pattern Generator for Kyma 7.25


HMMPatternGenerator from Symbolic Sound on Vimeo.

Generate sequences based on the patterns discovered in your MIDI files

CHAMPAIGN — June 12, 2019 — Symbolic Sound today released a new module that generates endlessly evolving sequences based on the patterns it discovers in a MIDI file. HMMPatternGenerator, the latest addition to the library of the world's most advanced sound design environment, is now available to sound designers, musicians, and researchers as part of a free software update: Kyma 7.25.

Composers and sound designers are masters of pattern generation — skilled at inventing, discovering, modifying, and combining patterns with just the right mix of repetition and variation to excite and engage the attention of a listener. HMMPatternGenerator is a tool to help you discover the previously unexplored patterns hidden within your own library of MIDI files and to generate endlessly varying event sequences, continuous controllers, and new combinations based on those patterns.

What can HMMPatternGenerator do for you?

Tuesday, December 23, 2008

Ensoniq Fizmo Rack

via this auction via the forum.
"The Fizmo is a 48-voice synthesizer which uses 2nd-generation Transwave technology to create very organic sounds unlike any other synth available. Every programming function has its own dedicated knob or button. The Fizmo features an Arpeggiator and 24-bit VLSI effects with 41 algorithms, including a Vocoder and the ability to process incoming audio through the Vocoder and effects.

Transwave synthesis uses wavetables of sound data with layered variations in harmonic structures such that their timbres progress naturally from one end to the other. This allows for sounds to modulate over time, or by velocity, wheel, pressure, or any number of other options.

There are 2 oscillators available for each of the 4 presets allowing for 8 unique oscillators at the same time, not to mention individual LFO and Noise generators for each Osc. Another wonderful feature is the ability to stack up to four individual presets together into one sound and map them across the keyboard. This synth is very capable of some very complex sounds.

The built-in Arpeggiator has 118 presets which can be easily edited to your liking, and 26 real-time control/editing knobs make mutating your sound a pleasure. All controls may be recorded in real-time to an external sequencer.

Performance features
* five F-I-Z-M-O real-time control knobs
* four dedicated Sound buttons allow convenient selection, layering and key range assignment of presets
* 17 dedicated Sound and Effect editing knobs
* all four zones can play local sounds or external MIDI sources
* 48 dynamically assigned voices
* four-pole dynamic digital low-pass resonant filters with key tracking (33 settings, including fractional scaling)
* three envelope generators that can be modulated by velocity, key scaling, and response to release velocity
* 22 modulation sources, 8 modulation destinations
* one LFO (seven waveform choices can sync to Arpeggiator or external MIDI clock)
* variable rate noise generator can sync to Arpeggiator or external MIDI Octave, semi-tone, and fine tuning
* pitch tracking (33 settings, including fractional scaling)
* 45 ROM pitch tables (256 steps per semi-tone resolution)
* glide mode, glide time
* mono/poly playback
* programmable pitch bend range
* sustain on/off

Ensoniq Fizmo Specifications:
#Polyphony - 48 voices
#Oscilators - 4 MB of 16-bit internal wave ROM, featuring Transwaves (created through digital synthesis and resynthesis technologies); 2 osc for each of 4 presets - total of 8 simultaneous - 58 waveforms
#LFO Time - 8 LFO's (7 waveform choices, can sync to Arpeggiator or external MIDI clock)
#Filters - Resonant LP & BP 4 pole filters. Non-Resonant 2LP+2HP, 3LP+1HP, 2LP+2LP, 3LP+1HP filters.
#Efects - 41 digital VLSI 24-bit effects (8 Global Reverbs, Chorus, Flanger, DDL, Distortion, Tunable Speaker, Chatter Box, Vocal Morph, Auto-Wah, Vocoder); Processes incoming audio
#Memory - 128 ROM sounds, Up to 128 RAM, 64 Presets
#Control - MIDI (up to 4 polyphonic channels)"

Friday, October 28, 2022

Meet the New Synclavier Regen Hardware Synth

After 30 years… a Synclavier synth! What’s new and how it competes // Regen Tutorial & Review
video upload by loopop

TIMELINE:
0:00 Intro
1:50 Overview
3:55 Interface
7:50 Build & I/O
10:20 vs Go! & V
11:35 Preset nav
13:40 Red vs blue
14:00 Timbre ctrls
15:15 Effects
16:50 Note FX
17:00 Arpeggiator
17:50 Note filter
18:20 Filter env
18:55 Oscillator
19:30 Samples
20:25 Multisamples
21:45 Chop & loop
23:25 Subtractive
25:00 Additive
27:50 Frames
28:55 Resynthesis?
29:50 Modulator/FM
31:30 FM to sample
32:30 Osc chorus
32:50 Envelopes
34:40 Partial xfader
35:40 LFOs
36:30 Mod matrix
39:05 MIDI mapping
40:05 Settings
40:25 Pros & cons
45:00 More sounds?



via Synclavier

Synclavier Regen

Synclavier Digital is proud to announce its new product, Synclavier Regen. Drawing on the rich history of the Synclavier, while simultaneously breaking new ground in what’s possible in a desktop synthesizer. Stop dreaming, start creating. Synclavier Regen is waiting to be your new companion for sound. Additive synthesis, subtractive synthesis, and sampling have all been given equal reverence in this unique hardware Synclavier .

The new buck in the Synclavier stable
Synclavier Regen is the newest in an auspicious line of Digital FM synthesizers. Designed for desktop use, it contains the power of the Synclavier II DSP engine, enhanced and optimised. Full colour screen, liquid-like touch controls, high fidelity audio output coupled with a sound design powerhouse makes this the synth you always dreamed of.

Regen supports additive synthesis for full control of 24 harmonics. We’ve now added subtractive synthesis to the Synclavier synthesis engine, especially for Regen, allowing creation of super saws, PCM square waves, and noise generation. Or you can use samples for your carrier waveform.

And these different waveform generators can be mixed. You have up to 12 partials to use in your sound design creation with crossfades assignable to inputs such as velocity, pressure, mod wheel, and of course, keyboard.

Regen is loaded with content to get you inspired fast. There are over 250 timbre presets including 6 newly-commisioned artist timbre libraries. On top of that, there are 2 exclusive sample libraries with over 300 new samples and one mega library with over 700 original samples from the NED era.

When you’re done exploring the factory content, you’ll have fun with the sound design possibilities. You can layer up to 12 partials with different sound generators (additive, subtractive, samples) then apply dynamic effects per partial. It’s truly an expressive instrument, both to program and to play. Polyphonic aftertouch and MPE is fully-supported and there’s a sophisticated modulators section where you can apply responsive curves to properties driven by pressure, velocity, mod wheel position, and so on.

The Daddy of digital synthesis is back with a punch. Results are immediate. The DC-coupled audio outputs really kick on basslines and percussion. The pad sounds shine with that satisfying FM that is so unique on Synclavier. And now there’s a bunch of other effects, such as reverb and bit crush to play with.

Features
255 Regen timbre presets
700+ samples of royalty-free factory content
Additive waveforms, subtractive waveform generator and multi-sample patchlists
12 partials to build your sounds.
12 tracks for multi-timbral playback or stacking (layering) of sounds.
4 USB ports for keyboards and other peripherals plus one USB port for connection to DAW. And 5-pin MIDI standard (TRS).
2 full-colour high resolution screens
Senstive liquid-like touch swiper and 12 selector pads.
Multiple effects per track, including chorus, reverb, vibrato, tremolo, arpeggiator, bit crush, and multi-mode filter.
High fidelity DC-coupled audio out (stereo XLR or TS) with 130dB of dynamic range.
Patent Pending

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