MATRIXSYNTH: Search results for tomita


Showing posts sorted by relevance for query tomita. Sort by date Show all posts
Showing posts sorted by relevance for query tomita. Sort by date Show all posts

Sunday, May 08, 2016

RIP Isao Tomita

Isao Tomita When you wish upon a Star

Published on Jan 12, 2015 SEVILLA ANDALUCIA ESPAÑA


This is a tough one to post (ALL RIP posts are tough to post). It has come to my attention that Isao Tomita passed away last Thursday, May 5. He was 84 years old. His music was pure magic as you can see above. That video, and that performance, however brief as it was, is probably my favorite synth performance of all time. It is absolute magic.  I've posted it several times in the past but it always appears to get pulled down, so enjoy this while you can. Hopefully this one will stay up.

Tomita has been featured and referenced in countless posts here on MATRIXSYNTH. He was active in the synth world until the end.  To say he will be missed is an understatement.

You all know who he is and what he meant to the synth community.  I am so going to miss this man. Where you are Tomita-san, thank you for the magic.

http://www.isaotomita.net

Isao Tomita on Wikipedia:

"Isao Tomita (冨田 勲 Tomita Isao?, 22 April 1932 – 5 May 2016)[1], often known simply as Tomita, was a Japanese music composer, regarded as one of the pioneers of electronic music[2][3] and space music,[4] and as one of the most famous producers of analog synthesizer arrangements.[5] In addition to creating note-by-note realizations, Tomita made extensive use of the sound design capabilities of his instrument, using synthesizers to create new sounds to accompany and enhance his electronic realizations of acoustic instruments.[5] He also made effective use of analog music sequencers[2] and the Mellotron and featured futuristic science fiction themes,[3] while laying the foundations for synth-pop music[6] and trance-like rhythms.[7] Many of his albums are electronic versions and adaptations of famous classical music pieces and he received four Grammy Award nominations for his 1974 album Snowflakes Are Dancing.[3]"

Wednesday, July 21, 2010

Day 136 / How To Patch: Tomita-Style Bells


Day 136 / How To Patch: Tomita-Style Bells from Charlie Visnic on Vimeo.

"This is a modular synth patch video that I did for my creative thing a day blog at: theb-roll.com

It's from a patch I wrote down in my composition book a long time ago. It's a pretty realistic bell sound but I patch it to sound similar to those falling bell sounds that you can hear on Isao Tomita's Debussy album.

Yes, I am a nerd.

I hope you like it."

More details here.

And I think it's time for some vintage Isao Tomita on Moog. BTW, I couldn't find any good examples of the bell patch although I know I've heard it before. If anyone knows of any good examples from Isao on YouTube let me know.

Isao Tomita - Love Me Tender (Sound Only)

omysah | February 08, 2009

"1972"

Isao Tomita- Ballet of the Chicks in their Shells

marlucan | April 19, 2010

"Movimiento que pertenece a "Cuadros de una exhibición" de Moussorgsky."

And of course, don't miss Isao Tomita - When you wish upon a Star

Sunday, July 15, 2012

Isao Tomita & Hideki Matsutake of YMO Interview on RA

via Resident Advisor where you will find the full interview. A couple of excerpts:

Isao Tomita on picking up the Moog synthesizer:

"How did you come to buy one?

Isao Tomita: At first, I had no idea where to buy it. Back in 1970, when we didn't even have a fax machine, I used a telex machine to contact people in Hong Kong. I found out that the Moog company was located in Buffalo, New York. I flew over there, and was shocked to see that the main office of a cutting-edge company like Moog was located in a simple, storage-shed-type building, in the middle of nowhere. I said to myself, "They make intricate machinery in a place like this!?"

So you went there and asked to buy the Moog III P directly. How much did it cost?

Isao Tomita: Back then, one dollar was 360 yen, and the Moog synthesizer was considered a luxury item, such as a foreign car, so the tariff rate was over 200%. It cost somewhere around 10 million yen (roughly $125,000) in today's value. Also, in those days we didn't have customs brokers like we do now, and if goods had problems clearing customs, the person importing the goods had to actually be there. So at customs, they asked me what this machine was. I told them that it was an instrument, and they didn't believe me. They said, "Then, play it." [laughs]..."

On Isao Tomita meeting Hideki Matsutake:

"And around that time you met Hideki Matsutake?

Isao Tomita: Yes. I was becoming increasingly busy around then, so I had Matsutake manage me at a music production company he was working for back then. When I started to understand which cords to connect to create the right sounds I decided I'd let some younger guys try it, so I invited Matsutake. With Moog, you have to keep the power on all day for it to work properly, so when I wasn't using it, I'd let others use it. I would use it from 8 PM to 4 AM, and then there would be a group using it from 4 AM to noon, and then another group would come in and play around with it until 8 PM.

Hideki Matsutake: I worked during the day, so I would come in and play the Moog at night, and I remember falling asleep under it. Tomita never taught us how to use the thing, so I had to learn it on my own. I've always liked playing with machines since I was a kid, so I understood the functions of the device fairly quickly, but knowing where to connect the cords to render sounds that are listenable was a completely different story..."

Full interview on RA here. via I Dream of Wires on Facebook

Wednesday, May 02, 2012

moog in Tokyo


flickr By lorenzog.

Not 100% sure, but based on the tags in the flickr shot, this one appears to be a Moog modular in Tokyo. Isao Tomita in the background. If anyone can verify where this is at feel free to comment or shoot me an email.

And one of my favorite YouTube videos (don't miss it): Isao Tomita - When you wish upon a Star

Update via the world of next tuesday in the comments: "Yes, this is Tomita's first of two Moog systems, the System IIIP along with a rare Moog Scale Programmer in front (As I understand it the regular Moog keyboard has fixed resistors for the notes, this either replaces or augments them with pots). I believe he is still actively using his augmented System 55. As far as I know this one is on display at a University. Tomita has taught master classes many years and set up a program called The Tomita Method. You can see his other Moog set up for use http://www.tomitamethod.com/index.htm I see that site seems to have stopped being updated in 2009. It is (or perhaps was) a graduate program at Shobi University near Tokyo. I would think he's still teaching there at minimum since Shobi's website continues to mention his 2011 albums under 'what's new'"

followed by: "Oh, while I've been unable to confirm it, I would assume Tomita bought this system since its more or less the one seen on the cover of Switched On Bach. A slight bit of irony because that was not Carlos' actual system for the cover photo shoot. Tomita still tells the story about how Japanese customs impounded his newly bought Moog for a lengthy time as they could not determine what it was."

Sunday, November 06, 2016

The TOMITA Memorial Museum : Isao Tomita tribute exhibition at Gakki Fair 2016


Published on Nov 5, 2016 karenevil

"I had a chance to see his Moog modular and other his belongings.
Although I could not see the show because it was so crowded ;-p"

That would be magical to see. I'm curious who currently owns the gear.

Quicco Sound, dot red, and Clavia / Nord got primo spots by the exhibit.


Update: some pics via ishibashi.co.jp


Update2: some info from the AH list: "Notice Tomita's CS80 has a CV and Gate ("T" for Trig?) mod for each voice. I also see he signed some of his instruments presumably to prove they were his in the future.

Tomita's main use of the CS80 was on the album "Daphnis et Chloe" (called "Bolero" in the US and "The Ravel Album" in parts of Europe) he also used it on "Grand Canyon" though not as obviously. I've not heard mention of his using the CS-80 as a controller for presumably his modulars. He definitely was always into looking into techniques in speeding up his painstaking multitracking process.

One of the more unusual items is what looks like a small trade show display of high quality synthesizer pots that I guess at some point Tomita was involved in the re-manufacture of. The other, more of digital fans is the Casio Cosmo prototype system. My understanding is Casio wanted to do a high end sampler and Tomita was hired as a consultant and endorser. They eventually did put out the prosumer level FZ-1 but by then other companies had carved up the sampler market."

And: "The CS80 was also used on the 1984 "Dawn Chorus" album (also known as "Canon of the three Stars"), in one of the renditions of the Villa-Lobos pieces (some brass patch)."

Friday, July 03, 2009

TOMITA STUDIO (in the late 1980s)


YouTube via synmusik. Don't miss this Tomita vid.
"There is an episode of having suddenly visited Tomita's house when Michael Jackson came to Japan. Both Synclavier is used. And, Tomita thought that he was interested about a state-of-the-art digital synthesizer. However, he was interested in Old Moog Synthesizer surprisingly, and he asked Tomita how to make the sound of the whistle of 'Snowflakes Are Dancing'."

Sunday, November 27, 2022

Patch of the Week: Whistle Lead (Tomita/Tangerine Dream) Using self-oscillating Filter/VCF as a VCO


video upload by AJH Synth Official

"This sound is inspired by lead sounds of the 70's/80's from Isao Tomita and Tangerine Dream (Remote Viewing), but will also be reminiscent of Kate Bush's 'All we ever wanted', and even Jeff Wayne's 'War of The Worlds' musical. It uses a filter/VCF in self-oscillation as a VCO, controlling it melodically, with envelopes and noise to help recreate the sounds. No VCO/oscillator is needed in the patch, and white or pink noise is optional, but necessary to get a Tomita-like whistle sound. Tomita originally used a Moog modular system for these sounds, so given that the AJH Synth MiniMod system and it's Transistor Ladder Filter are directly based on the early R.A.Moog version of the Minimoog, it's possible to get very close to such sounds. However, I've not tried to emulate it exactly, but you can see that the basis for this patch is very easily customisable, so it's a very useful synth patch to understand for a variety of musical applications. Patch sheet PDF can be downloaded here: https://kvisit.com/8AE/rv4G

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end, with notes below, to show you how to construct it for yourself.

Video by DreamsOfWires

Index:
00:00 Intro
00:29 Performance Example & Overview
02:22 Assembling the patch
03:14 Importance of envelope
03:42 Delayed LFO/Vibrato
05:25 Adding Glide
06:12 Adding Noise
06:56 Mod wheel control of LFO
07:36 Noise as Filter Mod source
08:16 Patch Diagram

Patch Notes:
Green dots show approximate pot and switch positions. Pots and switches that do not have green dots are not used in this patch, and should be left at their zero or off positions.
This is based on the version in the video with noise mixed in as audio, and glide applied to the keyboard CV. For variations without noise or glide, and usage with a mod controller, see the appropriate part of the video (check Index). Only a couple of connections need to be changed for these purposes.
V-Scale: Used here as a simple multiple, but since it's handling Gate signals any passive multiple could be used.
DH-ADSR: Another Contour Generators could be used instead, but the advantage with the DH-ADSR is independent control of both Decay and Release, meaning greater control. It serves as a great companion to the Contour Generators for this reason.
Dual LFO: The Tap Tempo VC-LFO module could also be used here in the same way, as it also has a built-in VCA (level control).
Ladder Filter: The Gemini 2412 would also work well here, it's tracking in self-oscillation is actually better overall. It would just need to have high resonance/self-oscillation enabled by the rear jumpers (see online manual or video user guide). The Ladder Filter struggles to track at lower frequencies, this is an authentic characteristic of the original Minimoog filter, but it's fine for the pitch/note ranges used in this video. The Sonic XV will also self-oscillate, but it's ability to track 1V/Oct is not as tight as the Gemini.
Modules used from left to right: Glide + Noise (Mk I or Mk II), V-Scale, DH-ADSR Envelope, Dual LFO + VCA, Contour Generators, Transistor Ladder Filter, Discrete Cascaded VCA."

Sunday, November 09, 2008

星に願いを


YouTube via moog3p. isao tomita

Update: found it again:
Isao Tomita - When you wish upon a Star

YouTube via 5488773
"aca isao tomita tocando su MOOG III . hermosa cancion =)"

Friday, April 04, 2014

Isao Tomita Checking out Eurorack


via Isao Tomita on Facebook

"TOMITA met the latest-model modular synthesizer."

Thursday, July 05, 2012

Video of Michael Jackson and Isao Tomita with Moog Modular & Synclavier

Michael JACKSON Play Keybord VERY RARE Bad era

YouTube Uploaded by MyAudreySony on Mar 19, 2011

A search on the right for Isao Tomita will bring up a ton of posts worth checking out again. Don't miss this one: Isao Tomita - When you wish upon a Star

Sunday, January 10, 2010

Jupiter-8 Split Example 1


YouTube via SynthManiaDotCom

"Roland Jupiter-8 sync'd to Roland TR-808. Split mode and arpeggiator are used. A quick version of Smalltown Boy and some other classic 1980s synth lines."

Jupiter-8 Split Example 2


"Roland Jupiter-8 sync'd to Roland TR-808. Split mode and arpeggiator are used. I'm playing a typical early-mid 1980s Italo-Dance style, with the powerful JP Brass sound."

Jupiter-8 Split Example 3

YouTube via SynthManiaDotCom

"Roland Jupiter-8 in Split mode. The Lower part features the beautiful JP Strings, and the Upper part a characteristic "Tomita" synth sound. Vaguely in the style of Isao Tomita's "Snowflakes are dancing" record."

Reminds me of Tomita's When You Wish Upon a Star on the Moog Modular.

Monday, February 16, 2009

Debussy - Danse in an Isao Tomita Style


YouTube via paulshillitomusic.

via the forum

"Electronically created version of Debussy's Dance or Danse as it is also known as in a Isao Tomita style. Another one of the pieces I created about 10 years ago, the video is a bit more abstract, again playing around with After Effects CS3, no meaning to the video just something show :-)

Synths used making this include Roland JV1080, Korg Prophecy, Waldorf wave, Yamaha AN1x , Waldorf Pulse and sequenced on Cubase."

Debussy's Arabesque No 2


"An original Electronic version of Debussy's Arabesque No.2 created in an Isao Tomita style. I created this piece about 10 years ago but after deciding to start recording again, I brought it out storage to show the world. The video was created in AE to avoid have just a slide show of photos."

Tuesday, May 02, 2023

Snowflakes Are Dancing Tomita Bell Patch Tutorial


video upload by Synthesizer Reviews // Tips // Patch Tutorials

"Snowflakes Are Dancing

Step by step tutorial on recreating the iconic bell patch Tomita used in his version of Snowflakes Are Dancing.

Inspired by and dedicated to Isao Tomita.

Modules Needed
VCO (3)
Mixer
4 Pole Low Pass Filter
Envelope Generator (2)
VCA"

Tuesday, May 28, 2013

In the Studio with Isao Tomita

『未知へのサウンド冨田勲』 600こちら情報部

Published on Nov 25, 2012 senmojib·33 videos

"NHK 600こちら情報部 特集『これがシンセサイザーだ』 より

アルバム『バミューダトライアングル』が発表された頃の冨田勲氏の"アトリエ"でのイ­ンタビュー。MOOGモジュラーの他に、ROLAND MC-8、POLYMOOG、KORGボコーダー、YAMAHAのコンボオルガン等が­見えます。神戸大学附属明石中学校に入学したかったなぁ。

以下、エンディングの字幕を、転載します。

冨田勲(46歳) 『 生まれて初めて手にした楽器は笛、少年時代 家の周りの竹を切ってきては笛を作った。かなり不完全なものだったけれど、自分の手で­作った音なんだなぁ、という喜びがった。個々の音そのものに自分の心が存在してはじめ­て一つの音楽が感じられると思う。シンセサイザーはパレットであって、色を作り出し、­絵を描き上げるのは自分自身。 』"

Googlish: "This is a synthesizer" from "NHK 600 More Information section feature

Interview in "Atelier" of Tomita Isao time of the album "Bermuda Triangle" was announced. In addition to the MOOG modular, combo organ, such as ROLAND MC-8, POLYMOOG, KORG vocoder, the YAMAHA is visible. I wonder I wanted to enroll in Kobe University Akashi junior high school.

Following, I will reprint, the subtitle of ending.

Isao Tomita (46 years old) made ​​a whistle to come off the bamboo flute around, the boyhood home instrument when I had it in my hand for the first time in my life ". It was quite incomplete, but I wanted that joy, So there a sound which I made with their own hands. I think that it is felt music of one the first time my heart is present in the sound itself of the individual. Synthesizer is a palette, creating a color, raise painting myself. ""

Thursday, January 24, 2013

"LULLABY FOR TOMITA" ARP2600 PATCH TUTORIAL BY KIP KUBIN


"LULLABY FOR TOMITA" ARP2600 PATCH TUTORIAL BY KIP KUBIN from Kip Kubin on Vimeo.

"I've always loved Tomita...most do. To me one of the hardest sounds to emulate is voice and choir of which he is master.

So I set out to create a solo voice that could be 'played' on the ARP with no keyboard or sequencer and this is what I came up with."

Sunday, November 30, 2008

Isao TOMITA


YouTube via moog3p
"Isao Tomita (冨田 勲, Tomita Isao), is a renowned Japanese electronic music composer."

Wednesday, January 31, 2007

Isao Tomita MOOG Seminar


Click here for more info (in Japanese) and shots of a Tomita MOOG Seminar. Here is a Google translated link.

"冨 rice field teacher crossing many ten years, MOOG which is pursued. There are also circumstances of time, as for the part where this time you talked is just portion in the midst of experience of the enormous quantity which 冨 rice field teacher has, but it is possible to mention the possibility MOOG where various new expressions become possible with device circumstance having you could point to the very much good experience. Everyone of the staff, and the Tokyo National University of Fine Arts and Music student participating to the latest seminar lastly the mark souvenir picture was photographed, but it seemed that has the deep reflection in music of everyone MOOG and 冨 rice field teacher."

Gotta love Google translation. The point of this post is there is a seminar on synths in Japan with non other than legendary synth artist Isao Tomita. I wonder if there are any in other countries. If you know feel free to comment.





Tuesday, November 22, 2005

Alesis ION Demos by Kenneth Elhardt

Demos have moved here.

Via Kenneth Elhardt on AH. Enjoy.

"In a recent catalog I recieved, I noticed that the Alesis Ion was now
selling for $600. I had a 10% coupon for 8th Street, so at $540 it was just
too good of a deal to pass up. I bought one at the end of october. 2 weeks
later I had created a bunch of sounds on it and then recorded the demos
below. Since I like the music of Ennio Morricone, I decided to use that as a
vehicle to demo some realistic accoustic imitations. I don't have any
printed music scores, so I did it by ear, improvised stuff, and threw
together elements from different movies just to create a eclectic mix.

The only equipment used was an Ion + expression pedal, + sustain pedal + EQ,
+ reverb. I also played the whole thing on that little tiny keyboard because
the Ion wouldn't work properly with my 88 note RD-1000 piano. That's just
one of the many limits, cut corners, disappointments, and just outright
unacceptable behaviors on this lowcost synth. However there are many great
things about it, and physical construction is surprising good. A list of
sounds modeled is listed after, plus some other short demos follow.

Note that I have only heard these on clear detailed headphones and have no
idea what it sounds like on crappy computer speakers or dull sounding
monitors. There is some background noise in places, especially the acoustic
guitar parts. Please try to ignore that. I've found that a second listen
through makes it less noticable."

(3:33) Running time.
http://home.att.net/~synth6/Alesis_Ion_Western.mp3

Instruments in order of when they make their first appearence.

01) Kettle Drum

02) Bass Drum

03) Tenor Recorder

04) Mellotron Choir (filters modified with envelope to make it say "Wah",
and NO, the lame and useless Ion vocal filters were not used)

05) Alto Recorder

06) Acoustic Guitar (nylon string rythm guitar)

07) Whistling

08) Telecaster Electric Guitar

09) Acoustic Guitar (brighter sound, somewhere between a nylon and steel
string rythm guitar)

10) Trumpet

11) Trombones

12) French Horn

13) Snare Drum

14) Mellotron Male/Female Choir (sacrificed vocal clarity for density of
sound)

-------------

(2:20) Here is an attempt to model Tomita's mellotron choir sounds. He seems
to have two types, a typical "aah" sound and also a murky and sometimes non
distinct one consisting of "ooh" sounds on some notes, humming on others,
and almost synthetic vocal throat sounds with no vowels on others. The first
Ravel part shows four subtle patch variations ranging from delicate vocal
sounds to forceful "aah" sounds. The second part is trying to sound like his
murky type, though it's still a work in progress. That's followed by a
typical Tomita effect.
http://home.att.net/~synth6/Ion_Tomitas_Mellotron.mp3

(1:11) You only need to listen to this if you want to hear two snippets from
the above demo inserted into a real Tomita recording. He does the "ooh" and
"hmm" parts, I do the "aah" parts.
http://home.att.net/~synth6/Ion_Real_Fake_Real_Fake.mp3

(0:18) Here is an Ion recorder modeled with such realism and detail in
timbre and breathy attack, that it is indistiguishable from the real thing.
It can play side-by-side or replace recordings of real instruments without
anybody having a clue. Assuming your wires aren't crossed, my recorder is
playing in the left channel and the real one is in the right. I'll do a full
recorder demo later.
http://home.att.net/~synth6/Ion_Recorder_Compare.mp3

(1:37) This is orchestral power brass. It provides rather realistic and huge
brass sounds ranging from ppp to fff. This demo shows the trombone range,
followed by the high trombone/trumpet range, then the tuba section, then
octave brass - sounding large with just 4 notes, then french horn, then G.S.
Patton.
http://home.att.net/~synth6/Ion_Brass.mp3

Sunday, August 30, 2009

Isao Tomita - When you wish upon a Star

Re-
Uploaded on Dec 23, 2011 CharmedOrc·212 videos
YouTube via 5488773.  previously posted, but taken down.

"aca isao tomita tocando su MOOG III . hermosa cancion =)"

Pure magic.

Wednesday, May 05, 2021

Tomita Whistle Patch Tutorial


video by Synthesizer Reviews // Tips // Patch Tutorials

See this post for the original.

"This is my attempt at recreating the iconic Whistle patch created by Isao Tomita.

Most people with Eurorack or 5U Systems can easily emulate the patch. I couldn't find a step by step tutorial online so I made this.

Some notes that are unclear from my video.

The mixer knobs ended up being
LFO turned up to 1.3
Pitch Envelope turned up to 2.3

I also have set up a VCA for keyboard velocity."
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