"This 440 works perfectly and comes with one floppy disk "wine country 441--1 Performance series" and power cord. This 440 has a new floppy drive, new pads, and a new slider from Wine country. The backlight does not work but the screen is still visible..."
"Sequential Circuits 6-Trak SCI Model 644 in great cosmetic condition with all of the original packaging including the original manual and footpedal! There are some very minor dings on the wood panels but it's still in far better condition than any other Six Trak I've / the technician has ever seen considering it's age! Recently given a full servicing by a professional technician, Tim of Portland Custom Shop. The Six Trak is a 6-Voice Multi-Timbral Analog Synthesizer with a 6-track sequencer with 2 banks. It also has an arpegiater with trigger in (turn the speed knob on the arpeggiator/sequencer all the way down and run your trigger signal into the footpedal in, slightly hidden but pretty nifty!) that has an up/down and programable "assign" mode. You can also save 100 user patches..."
"We've been tape and disc echo fanatics for years and have accumulated an extraordinary collection of echo units, some of which are being sold to finance other studio purchases.
We've recently sold a Binson PE603T, a mint Echorec B2 (see feedback below) and an amazing Baby Binson; we have an excellent Echorec 2 coming up for sale soon as well as valve and solid state Copicats (please see other listings) and various spring reverbs.
Offered for sale here is a valve (tube) Baby Binson disc echo from the late fifties or early sixties in reasonable cosmetic condition (see photos below) and good working order. Everything works as it should and this unit sounds good for an original Binson - the echoes are characterful and warm. I've owned this machine personally for around ten years - it has been well-maintained and looked-after during that time and has had minimal use as it was my back up machine.
We've tested this against our benchmark Baby (a fully-restored machine from Eric at ESE Music) and it performs well, though is not up the same standard (as one would expect): all echo head combinations are as even in level and tone as can reasonably be expected from a 50 year-old vintage machine such as this.
Please be aware that these units require some looking after and that regular maintenance is the key to keeping this in good working order.
The motor starts well and the disc spins smoothly, however after not being used for some time it can be noisier when first started and can take a little longer to get up to speed; this is especially likely to be the case after shipping. It recently had a new replacement transformer fitted - supplied by Binson UK.
The photos clearly show the condition - some past damage to the clear plastic disc cover and one knob has a piece missing. The input and output have been converted to 1/4 inch jack sockets and the power input is on an earthed IEC socket to comply with modern safety standards.
Binson Echorecs are amazingly-designed and engineered: where a tape echo's (ie Copicat) input sound is recorded to tape, on a Binson it is recorded onto a circular spinning disc which has replay heads poisitioned around it. It is possible to select single and repeating echoes or reverb-like swells - these units have a sound all of their own. The green Magic Eye valve glows with the level of signal and looks fantastic at night (or on a darkened stage). There is a richness to the sound of these older units - the repeats modulated by the ageing transport mechanism in a most appealing way.
Binsons were one of the must-have pieces of equipment for bands in the early sixties, alongside the Fender Stratocaster and Vox AC30. Famously-used and abused by Barrett, Gilmour, Waters and Wright of Pink Floyd in the 60s and early 70s (Binsons are very much in evidence on Live at Pompeii and can be seen on photos from many Floyd live shows), Binsons are increasingly sought-after by studios, mix engineers and producers for their unique sound.
Binsons do tend to encourage experimental noise-mongering.
The repeats are not hifi - this is after all 50 year-old technology - if you want perfect repeats, buy a digital delay.
Authentic fifties slapback echo, Hank Marvin, psychedelic Syd Barrett, Pink Floyd, Jimmy Page/Led Zeppelin: all these sounds and more can be had from this little baby.
This is set to 240v but other voltages can be selected - it may be necessary to fit a higher-value fuse for certain voltages.
For optimal performance, the jockey-wheel, motor pin and flywheel should be kept clean; the magnetic band should be regularly cleaned and oiled; the heads should be regularly cleaned.
Please be aware that it is a vintage unit and may not take kindly to being shipped. It will be well-packed, but if it's not behaving as it should on receipt, please get in touch. Please be aware that to own a machine such as this, you must be prepared to have it regularly checked over and maintained by a competent technician: it should withstand being shipped, but some calibration may be necessary."
"Six brand-new soft synths with the brilliant depth and character of classic hardware. Instantly call up inspiration from : the Yamaha CS-70M, CS-40M and CS-20M, the crazy Italian Elka Synthex, the Rhodes Chroma, the king of FM - the Yamaha DX1, the rare DK Synergy and the classic K250 revisited.
From modern prog and pop to dance, electro, hip-hop and experimental, Vintage Legends is a deep and versatile sonic resource that's sure to inspire artists working in any style.
Take 6 iconic vintage synthesizers, carefully restore them, create a massive array of presets and deeply multi-sample them, professionally process and master the sounds, infuse them into the industry proven UVI Engine -- giving you endless sound shaping options, then wrap the results in immaculately prepared GUIs and you've got UVI Vintage Legends.
At UVI we've been producing sound for over 20 years and designing our own software for over 12.
We've found that virtual instruments with a foundation in sampling have a more defined character and distinct sound quality than those based on digital modeling. The trouble with sample-based instruments is that they're typically lacking in expression and flexibility; one sample, one sound.
UVI hybrid instruments are more flexible than a conventional ROMpler and more authentic than a simulation, giving you the best of both worlds. Vintage Legends integrates over 30,000 samples from classic synths into the acclaimed UVI Engine, giving you the distinct character of hardware with the added control, convenience and power of a modern digital instrument.
Taking these classic tones into new sonic territory, the UVI Engine delivers massive unison spreads, abundant polyphony, thick-modeled filters, drive, reverbs, modulation, FX and much, much more. These instruments will never need to be serviced or go out of tune, and they're far easier to lug around than hardware.
SIX POWERFUL VINTAGE MACHINES REVISITED
Vintage Legends comes packed with over 800 presets expertly crafted by our sound design team, giving you a huge library of unique sounds and textures.
Each instrument features an intuitive and evocative GUI with a versatile and easy-to-navigate control set helping you to quickly shape sounds to fit your needs, transform them for wild inspiration or crack open the unit and design your own.
Timeless sounds. Infinitely customizable. Compatible with everything.
◆ UVI CS-M - Vintage Japanese Power
◆ UVI SYNTHOX - The Real Italian Stallion
◆ UVI KROMA - Premier Analog Synth
◆ UVI FMX1 - The Gem of FM
◆ UVI U1250 - Dawn of the ROM Age
◆ UVI ENERGY - Additive Fury (bonus only available in Vintage Legends)
CS-M, SYNTHOX, KROMA, FMX1 and U1250 are available as individual instruments for $99 each.
More info & screenshots : http://bit.ly/uvi_vintage-legends
COMPATIBILITY
With the free UVI Workstation 2.0.8 (required version), UVI Vintage Legends can work:
• as a stand-alone instrument, compatible with Mac & PC
• as a VST, AudioUnit, RTAS and MAS plug-in.
With MachFive 3 - make the most of all editing features included!
* Yamaha, Elka, ARP, Rhodes, Kurzweil, D.K, CS70M, CS40M, CS20M, DX1, Synthex, Chroma, K250, K1000 and Synergy are trademarks of their respective owners and are not affiliated, endorsed, connected or sponsored in any way to UVI or any of our affiliate sites; therefore do not be confused between UVI and these brands.
"Patch Chord Erthenvar+KOMA Elektronik FT201+Doepfer MAQ 16/3+PlanB Model 15 VCO+Boss RE 20 Space Echo
Audio: http://www.mixcloud.com/Dave77/patch-chord-erthenvar-koma-elektronik-ft201/"
"IK Multimedia’s AmpliTube Jimi Hendrix™ Now Available on the App StoreSM
Experience Jimi Hendrix™ tone on your iPhone, iPod touch, and iPad
December 20, 2012 – IK Multimedia, in collaboration with Authentic Hendrix, LLC, is proud to announce the release of AmpliTube Jimi Hendrix™ for iPhone/iPod touch, and AmpliTube Jimi Hendrix for iPad™, the first multi-FX modeling apps to offer genuine Jimi Hendrix™ tone for guitarists.
The AmpliTube Jimi Hendrix™ mobile Apps offer models of Hendrix’s actual amps, cabinets and effects, so that anyone can reproduce his tone or tweak it and make it their own. The presets are arranged in discography format, making it easy to dial up the right gear and settings to replicate the guitar sound from virtually any song in his catalog. Use IK’s iRig or iRig STOMP interfaces to get the best spot-on emulations of the Hendrix gear.
The Apps provide two historically accurate amp models: JH Gold (based on Marshall® JTM 45™), “the” amp that Hendrix used almost exclusively from 1968 on, and JH Dual (based on a Fender™ Dual Showman), each with a matching cabinet.
Five effects are included: Uni-V (based on Univox™ Uni-Vibe), Octa-V (based on the Roger Mayer™ Octavia), Fuzz Age (based on the Arbiter® Fuzz Face®), Noise Filter (from AmpliTube), and Wah 46 (based on the Vox™ V846 wah, and free after registration).
In the powerful Song Player window, users can directly purchase Hendrix songs such as “Hey Joe,” “Fire,” “Red House” and many others to play along with. The Song player can also load songs from the user library, or via Wi-Fi and File Sharing; and it provides a Speed Trainer and a vocal-eliminator.
The Apps are equipped with a single-track recorder that can be expanded to 4 or 8 track self-contained studios with mixers and master effects, for the iPhone and iPad Apps respectively.
Pricing and Availability:
AmpliTube Jimi Hendrix™ for iPhone/iPod touch or iPad are available on the App Store℠ for $14.99 / €13.99. Owners of AmpliTube can obtain the Hendrix models through In-App Purchase after updating to the latest version.
For more information, please visit:
www.ikmultimedia.com/hendrix
www.ikmultimedia.com"
Remember, you can run your synths through these as well.
"What's New in Version 2.0.0
• Scale Lock
• Note Hold Function
• Battery Indicator
• Accelerometer as a Mod Source
• Audiobus Compatibility
• Load/Save MIDI CC maps
• Sonoma Audiocopy/Audiopaste integration
• Double-Tap to delete Path points
Now Available in the Animoog Store:
• New 4-Track recorder (for iPad 2 or above)- Now you can record, edit, loop, import from iTunes and export to Soundcloud all from within the Animoog world. As a gift to Animoog users, the 4-Track recorder is completely free through Dec 31, 2012.
• Grateful Dead Expansion Pack- An incredible new Timbre/Preset pack created from a live performance by the Grateful Dead at the Carousel Ballroom on 2/14/68"
"SubBoomBass RE has been carefully crafted to provide you with the tools to create fresh new bass lines. It includes unique tuned drum percussion samples which are great for Hip Hop and RnB basses but can also be used to add rhythm flavour to your tracks.
Also check out the innovative 'Wave-sequence' feature which will open up brand new sonic possibilities for your music.
Other features included are two effects slots which can be modulated using midi from any of the synthesizer parts."
Click here for all posts on SubBoomBass including overview and demo videos.
"A first composition with Animoog 2 and my Eigenharp Alpha. I'm using a single sound patch in Animoog that totally changes based on how I touch the keys on the Eigenharp. The sound ranges from something akin to a polyphonic theremin to percussive glass sparkles as well as everything in between. This patch was based on one of Animoog's Acoustic Expansion Pack patches.
Animoog 2 has improved its MIDI handling tremendously and together with an iConnectMIDI interface, I'm able to send the Eigenharp expression data to Animoog at full rate without any decimation. Creating and playing music with Animoog is now a very emotional experience. Currently this only reacts to polyphonic aftertouch, but I'm hopeful that Moog might ultimately add full support for Voice-Per-Channel MIDI, maybe even at 14-bit resolution.
Animoog sounds amazing to me and is amongst the top software synths I've played."
The Eigenharp reminded me of a Christmas tree so I'm giving this one the holidays label.
"We've been tape and disc echo fanatics for years and have accumulated an extraordinary collection of echo units, some of which are being sold to finance other studio purchases.
Binson Echorecs are amazingly-designed and engineered: where a tape echo's (ie Copicat) input sound is recorded to tape, on a Binson it is recorded onto a circular spinning disc which has replay heads poisitioned around it. It is possible to select single and repeating echoes or reverb-like swells - these units have a sound all of their own. The green Magic Eye valve glows with the level of signal and looks fantastic at night (or on a darkened stage). There is a richness to the sound of these older units - the repeats modulated by the ageing transport mechanism in a most appealing way.
Binsons were one of the must-have pieces of equipment for bands in the early sixties, alongside the Fender Stratocaster and Vox AC30. Famously-used and abused by Barrett, Gilmour, Waters and Wright of Pink Floyd in the 60s and early 70s (Binsons are very much in evidence on Live at Pompeii and can be seen on photos from many Floyd live shows), Binsons are increasingly sought-after by studios, mix engineers and producers for their unique sound. 
This is set to 240v but other voltages can be selected - it may be necessary to fit a higher-value fuse for certain voltages.
"Six brand-new soft synths with the brilliant depth and character of classic hardware. Instantly call up inspiration from : the Yamaha CS-70M, CS-40M and CS-20M, the crazy Italian Elka Synthex, the Rhodes Chroma, the king of FM - the Yamaha DX1, the rare DK Synergy and the classic K250 revisited.
Take 6 iconic vintage synthesizers, carefully restore them, create a massive array of presets and deeply multi-sample them, professionally process and master the sounds, infuse them into the industry proven UVI Engine -- giving you endless sound shaping options, then wrap the results in immaculately prepared GUIs and you've got UVI Vintage Legends.
UVI hybrid instruments are more flexible than a conventional ROMpler and more authentic than a simulation, giving you the best of both worlds. Vintage Legends integrates over 30,000 samples from classic synths into the acclaimed UVI Engine, giving you the distinct character of hardware with the added control, convenience and power of a modern digital instrument.
SIX POWERFUL VINTAGE MACHINES REVISITED
