MATRIXSYNTH

ENKL Monophonic Synthesizer VST/AU/IOS Audio Demos

iTunes: Enkl - monophonic synthesizer - Klevgränd Produktion AB

via Synth Anatomy

Bach to Moog - Craig Leon Live in London

Published on Apr 24, 2015 CraigLeonVEVO

Music videos by Craig Leon performing Bach to Moog. (C) 2015 Sony Music Entertainment

Playlist:
Craig Leon - Bach to Moog - Craig Leon Live in London
Bach to Moog - Craig Leon Live in London - Siciliano from the Violin Sonata No. 4 in C ...
Bach to Moog - Craig Leon Live in London - Toccata and Fugue in D Minor, BWV 565

KORG volca and BOSS DR-110 - ポンポコサンバ

Published on Apr 28, 2015 Masami Hashimoto

"Arranged by BakaOscillator.
volcaとDR-110で狸小路商店街の歌を試みる。"

KORG ARP Odyssey Demo2 h264p 001

Published on Apr 28, 2015 BGvideo2480

"More working with theOdyssey"

Marooned by Mark Mosher

"Instrumentation: 90% Nord Lead 4 Synthesizer (performance instrument with all original signature sounds), 5% Octatrack (performance sampler for original field recordings/samples and on-the-fly sequencing), and 5% Tenori-On (performance instrument and on-the-fly sequencing)

Music inspired by Louis and Bebe Barron

Artistic process inspired by Joan Miro, Clyfford Still, and Darwin Grosse

(c)(p) 2015 Mark J. Mosher (BMI) - CC-BY-NC"

"Marooned is an original cinematic electronic soundscape. I think of it as a score for a film yet to be made. An Earth ship crashes on a massive moon and the only hope for the crew's survival is making it across a harsh landscape to an alien outpost for a first, and uninvited, encounter.

This soundscape is in the same universe and is a prequel to my alien invasion concept album series Reboot, I Hear Your Signals, and Fear Cannot Save Us. Unlike the first three albums which contained shorter composed and often groove-based songs, this album contains a single long-form recording combining electronic tonalities and abstract expressionist music.

This work is an example of live sonic storytelling and was recorded in one pass (with no prerecorded sequences, overdubs, or edits) after weeks of improvising and rehearsal.

1 DESCENT
0:00 Approach
0:59 System Failure
1:30 Crash, Ejection, Blackout

2 ON THE SURFACE
2:08 Regaining Consciousness
4:14 Being Scanned

3 OUTPOST IN SIGHT
5:06 The Traverse

4 ENTER THE OUTPOST
7:10 Point of No Return
8:04 Solving the Airlock Puzzle
8:53 Moving Through the Darkness
9:30 The Trap

5 CAPTURED
10:47 March to Chamber

6 INSIDE OUR HEADS
15:00 Extracting Secrets of Man and Machines

7 DREAMING OF HOME
18:22 Extracting our Dreams
credits
released 28 April 2015

Written, performed, programmed, and produced by Mark Mosher

Cover photo and design, liner notes, and graphical score by Mark Mosher

Instrumentation: 90% Nord Lead 4 Synthesizer (performance instrument with all original signature sounds), 5% Octatrack (performance sampler for original field recordings/samples and on-the-fly sequencing), and 5% Tenori-On (performance instrument and on-the-fly sequencing)

Music inspired by Louis and Bebe Barron

Artistic process inspired by Joan Miro, Clyfford Still, and Darwin Grosse

(c)(p) 2015 Mark J. Mosher (BMI) - CC-BY-NC

www.markmoshermusic.com"

Update:

Excerpts from Mark Mosher "Marooned" Live Textures Ambient Showcase

Published on Apr 28, 2015

https://markmosher.bandcamp.com/album...

"I performed 'Marooned', a my 20-minute cinematic electronic soundscape in 7 movements, on April 26th, 2015 at the Textures Ambient Showcase at the Mutiny Information Cafe in Denver. This is 3m30so video of excerpts from that show shot with a GoPro I had on a bookcase behind me.

Marooned is an original cinematic electronic soundscape. I think of it as a score for a film yet to be made. An Earth ship crashes on a massive moon and the only hope for the crew's survival is making it across a harsh landscape to an alien outpost for a first, and uninvited, encounter.

This soundscape is in the same universe and is a prequel to my alien invasion concept album series Reboot, I Hear Your Signals, and Fear Cannot Save Us. Unlike the first three albums which contained shorter composed and often groove-based songs, this album contains a single long-form recording combining electronic tonalities and abstract expressionist music.

This work is an example of live sonic storytelling and was recorded in one pass (with no prerecorded sequences, overdubs, or edits) after weeks of improvising and rehearsal.

B&W photo in video by Chris Sessions chrissessions.com/"

Rodent at Celebrate Everything LA

Rodent at Celebrate Everything LA from Muff Wiggler on Vimeo.

New ADDAC504 Probabilistic Generator - Overview Videos

ADDAC504 Probabilistic Generator - Part 1 from ADDAC System on Vimeo.

ADDAC504 Probabilistic Generator - Part 2 from ADDAC System on Vimeo.

"This is a complex Gate / CV generator based on probabilities.

Modules Knob Functions
Each of the 5 Knobs have 3 diferent functions, each of these these can be accessed through the Menu/Trigger push-button.

Here’s the functions:

Knob 1:
%1 = Gate 1 Probability
5TG = Fifth Output Type: Trigger/Gate
N1 = Note 1 Tuning

Knob 2:
%2 = Gate 2 Probability
T.SIZE = Trigger Size
N2 = Note 2 Tuning

Knob 3:
%3 = Gate 3 Probability
DIR = LOCK Mode Direction: Backwards/pendulum/forward
N3 = Note 3 Tuning

Knob 4:
%4 = Gate 4 Probability
S.SIZE = LOCK Mode Sequence Size: up to 16 steps
N4 = Note 4 Tuning

Knob 5:
SWING X = Clock Swing X: 1 to 16
Y = Clock Swing Y: 1 to 16
N5 = Note 5 Tuning

Gate Outputs Behaviour
At every clock input, based on the four knobs probability settings, the module will select one active gate out, only one of the five gates will be active at all times. All Gate outputs can also behave as a Trigger instead, Trigger size can also be adjusted.

The knobs set the probabilities of each gate to be chosen, here's an example of how this operates

With all first four knobs at 12 o'clock the first Gate has 50% of being the chosen one, the remaining 50% of the times will be passed through the next knobs. So Gate 2 at 12 o'clock has 50% of the remaining 50% left by setting one, which leaves it with 25% chance of being the chosen one, the remaining 25% will be passed through Knob 3 which will have 12.5% chance of being the chosen one, the remaining 12.5% will be sent to Setting 4 which will have a probability of 6.25%. The remaining percentage left by the 4 Settings will always be the probability of Gate 5, in this case the remaining 6.25%.

Here's a couple more examples.

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