MATRIXSYNTH

LORENTZ Virtual Analog Polyphonic Synthesizer with Resonator for iPad

Published on Jul 31, 2015 icegearnet

iTunes: LORENTZ Polyphonic Synthesizer - iceWorks, Inc.

LORENTZ - Tweaking Sounds

iTunes: LORENTZ Polyphonic Synthesizer - iceWorks, Inc.

Virtual Analog Polyphonic Synthesizer with Resonator.

* Oscillators : Saw, Pulse, Sub, Noise
* High Pass Filter
* Low Pass Filter
* Resonator
* AMP
* Envelope Generator
* LFO
* Effects
* Chorus
* Delay
* Programmable Arpeggiator
* Inter-App Audio
* Audiobus
* MIDI
* CoreMIDI / Virtual MIDI Input
* MIDI Controller Mapping with MIDI Learn mode
* External MIDI sync"

Moog Werkstatt + MF-104Z + littleBits +Ableton

Published on Jul 31, 2015 experimentalsynth

"A quick tour of just a small slice of what is possible when you combine a Moog Werkstatt, an MF-104Z Analog Delay pedal, littleBits Synth Kit CV modules and effects from Ableton Live. Learn more at www.experimentalsynth.com"

The Harvestman Tyme Sefari Mk II Walkthrough

Published on Jul 31, 2015 CLOCK FACE MODULAR

"The Harvestman Tyme Sefari MkIIの機能を概観した字幕解説つきチュートリアルです。

最初にTyme Sefariの基本的な機能を紹介し、後でそれを応用したパッチなどを行います。

原音は、Hikari SineをTiptop Audio Z8000でシーケンスし、VCAのエンベロープにはPEGを使用しています。Piston Hondaの外部入力をでフィードバック信号の処理で使っています。

後半のドラムループは、Tiptop Audio Circadian Rhythmsで同じTiptopのドラムモジュールをシーケンスしています。

4ms QCDとエキスパンダーは、シーケンサーの外部クロックやTAP入力として、またTransportコントロールのゲート入力など色々なところで使用しています。

Patch and Demo by Kotaro Mitsuno"

FM-Synthese with DIY Synthesizer "DE.generator"

Published on Jul 31, 2015 Rolf Degen

"Simple FM_Synthese with two oscillators (modulator + Carrier)"

Example of FM synthesis visualized with an oscilloscope.

Two Days Left to Fund the AODYO SYLPHYO WIRELESS MIDI WIND CONTROLLER

Just a heads up, there are only two days left to fund the AODYO SYLPHYO on Indiegogo, and they have not yet reached their goal. If this is something you want to see happen, you might want to consider funding it vs. waiting to pick one up later.

FM Degradation Process

See the full post on Audio Cookbook.

"I composed this piece by designing software [Max for Live] to 'degrade' patches in the the Yamaha TX81Z. The degradation process occurs as shuffled parameters in the synth are randomized at a specified pace. The degradation can be interrupted at any moment by the performer. This excerpt stacks two layers of the process with some panning and reverb to add ambience."