Kurzweil K250 synth FULLY RESTORED with Pedal Board

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Pics of the inside below.

"Up for auction a Kurzweil K250 synthesizer in fully working, fully RESTORED condition. it looks awesome, works the same.

Keyboard:

K250 has an unique full height wood keyboard which is built on the same way as a piano with balance-beams. It was cleaned with the passion, every wooden key was checked, adjusted and lubricant was added to the mechanics. It fills like new when you play it with right action and the response.

Technical:

Keyboard is running OS6 and has all motherboard sockets populated with sound banks. These are Soundblocks A, B,C, D. It also has QLS interface installed, and QLS -to- Macintosh cable is included. I can make an Apple Macintosh with the programs and sound sets for K250 if required.

Front panel has all sliders cleaned up and the LCD display was replaced to VFD one. it looks nice and bright.

Power Supply was also cleaned (looks as brand -new) and was completely recapped. It runs very stable.

Other details:

K250 comes with its original stand, which is hard to find item, and the ORIGINAL shipping box which has a palette directly attached(yes, it's fun box). It was stored in the box most of its life and has minimal wear. This also means that I can ship it anywhere without additional packaging. But the shipment will come in two packages anyways, - huge box on palette with K250 and Power supply (incl. manuals) in another separate box.

You'll receive:
1. Kurzweil K250 in the original box
2. Original keyboard stand
3. Power Supply (combined with foot pedals)
4. Many Manuals
5. QLS cable to connect it to Macintosh"

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Sequential Circuits Prophet 600 Analog Keyboard Synthesizer SN 559

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"6 voice poly analog synth.

Everything works...very clean."

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Alesis Andromeda A6 SN (21)A60500470

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Jen Synthetone SX-1000 with Original Box

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Note the font on the box is different than the font on the synth. Also the box has a dash followed by a space in SX- 1000, while the synth omits the dash. Kind of interesting from a design and branding perspective.

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Control Synthesis DB9 Deep Bass Nine

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Thomas Henry VCF/VCA (21st century synthesizer)

Published on Oct 21, 2015 fonitronik

"Short rough and uncut Demo:
Prototype for a DIY Eurorack module for Thomas Henry's VCA-VCF from hos book 'A Synthesizer For The 21st Century'"

Serge - June 14, 2015

Serge - June 14, 2015 [Part 02] Published on Oct 21, 2015 batchas

"Serge Modular System.
Scrotum Lab: SWAMP, VCO-555, Resonant Equalizer"

Serge - June 14, 2015 [Part 01]

Published on Oct 21, 2015

"Serge Modular System.
Scrotum Lab: SWAMP, VCO-555, Resonant Equalizer"

BugBrand Modular - Morphing Terrarium

Published on Oct 21, 2015 batchas

"Morphing Terrarium being modulated by Utility VCO:
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Modulating the Morphing Terrarium with it tonight was fun."

MPC Touch Overview

Published on Oct 21, 2015 AkaiProVideo

"The MPC Touch has arrived. Check out this video to see all the new features that make the Touch the most immersive beat production experience to date."

Alessandro Cortini's All Buchla Music Easel Releases Forse 1-3 Now Available on Vinyl

You'll find them here (demos previously posted):

Forse 1 | Forse 2 | Forse 3

"All pieces were written and performed live on a Buchla Music Easel, in the span of one month. I found that the limited array of modules that the instrument offers sparked my creativity.
Most pieces consist of a repeating chord progression, where the real change happens at a spectral/dynamic level, as opposed to the harmonic/chordal one. I believe that the former are just as effective as the latter, in the sense that the sonic presentation (distortion , filtering, wave shaping, etc) are just as expressive as a chord change or chord type, and often reinforce said chord progressions.

Of all the years with Nine Inch Nails the period spent writing and recording the instrumental record Ghosts I-IV is probably the one which changed my approach to music making the most. After that record I started getting more into instrumental composition, although I tried to approach it in a different way. While we had a vast array of tools and instruments at our disposal then, I decided to approach my pieces limiting myself to one instrument only, as I found myself being more decisive when faced with a limited creative environment."