MATRIXSYNTH


Monday, March 21, 2016

Moog Music Pays Tribute to Keith Emerson


Moog Music sent the following out to subscribers of their newsletter. I thought I'd share it with those that aren't subscribed, as well as capturing it in the archives. Keith was legendary.

"Thank you, Keith Emerson

'In general, everything we've ever done has always been in collaboration with musicians... there's constant experimentation. Keith Emerson was the first guy that really, in a professional way, took a large modular system on stage and made it work.' - Bob Moog

The sudden loss of Keith Emerson, a beloved member of the Moog Family, has profoundly impacted us. We were shocked and saddened to lose our hero, friend and collaborator so soon.
Keith discovered the Moog synthesizer with his band The Nice in 1969. Shortly thereafter, he reached out to Bob Moog and acquired one of the first Moog modular synthesizers, which was built for the Museum Of Modern Art's "Jazz In The Garden" public performance. From then on, the names Emerson and Moog were entwined forever. Keith became the most-visible proponent of the synthesizer revolution, using the Moog loyally onstage for almost every show of his career. Emerson became the brightest name in the world of progressive rock music, his influence and creativity rivaled only by Jimi Hendrix. He was a masterful musician in many styles, but also a renowned showman who understood that elaborate theatrics would elevate the experience of the audience to a fever pitch. Part of his "show" was to faithfully include the monstrous wall of modules and cables that his Moog had become over the years, as it had developed an instantly recognizable sound that no other instrument could duplicate.

In 2015, nearly 45 years after the beginning, Moog and Emerson worked to create newly-built exact duplicates of Keith's legendary modular instrument. Matching his original Moog to painstaking details, the new EMMS (Emerson Moog Modular System) was the first artist signature-series Moog synthesizer. It was an honor to recognize the great contribution Keith Emerson has made to the long Moog history, and to his enormous influence felt still today on the world of synthesis.

Through his enduring friendship with Bob Moog, his pioneering use of the Moog Modular and his lifetime of creative collaborations with Moog Music, Keith's fingerprints are on the very DNA of electronic synthesized sound. We can say for certain, that our company would not be where it is today without Keith's prophetic contributions. Our hearts are broken knowing our journey together has come to a close.

Thank you, Keith. Your spirit will live on forever in those electric moments when technical brilliance and unconstrained expression collide."


Bob Moog and Keith Emerson, 1974 (photo credit: Greg Hochman)

Modular Jam 50


Published on Mar 20, 2016 ngarjuna

Another great track via MATRIXSYNTH Member, ngarjuna.

"Patch Notes

Bass Patch
Sequencer 1 driving
Rubicon Sine - Timbre modulated by PEG - .Mix
Rubicon Sub - .Mix
STO Sine dynamic FM'd by Maths and uVCA
.Mix into Optomix enveloped by Maths
STO Vari out into Optomix enveloped by Maths

Sync Fold Lead Patch
Sequencer 1 driving STO outputting vari out to Rubicon hard sync
Rubicon V/oct from PEG
Symmetry modulated by Rene unquant out
Rubicon sine - Timbre modulated by Wogglebug Stepped out
into Optomix enveloped by Maths, Damp modulated by PEG

Pluck Patch
Sputnik 2 getting pitch from Rene
Dynamically FM'd by Sputnik 1 via Optomix-Maths
Sputnik 2 Sine - Timbre modulated by PEG
into Optomix enveloped by Maths,
Damp modulated by Sequencer 1

EC Bass Patch
Rubicon Sub and Square PWM'd by PEG
STO Shape modulated by PEG and FM'd by its own Sub out
into Post Lawsuit Filter enveloped by Minimod EG with some pitch tracking
into AJH Minimod VCA enveloped by Minimod EG

Microbrute sequence
LFO - Filter
Env - Metal
Stereo delay added post production

Drums in Spark
Acid line tortured by Angel Lofte Audio Source Plus

Photo backgrounds courtesy of Hubble Space Telescope
and of course my trusty Tektronix 422 scope providing the trippy light show."

The TMS Modular Synthesizer System


This one popped up on a Swiss auction site ricardo.ch.

Apparently this was a one off system built by a Mr. Thoma, one of the pioneers in the Swiss experimental-electronical scene around Zurich in the late 70s / early 80s. You can find his site here: www.sounddesign.ch. TMS stands for Thoma Music System. It is listed on his equipment page here. The TMS is a Serge Modular clone he built for himself, however he did build some on request. He also has a Serge Modular. You can see it in a video further below. Unfortunately there isn't a video for the TMS on his YouTube channel.

This is one of those fascinating bits of synth history that hasn't been featured on the site before now. You never know what will come up.

Pmfoundations MIDI-SEQ-8 - 8 Gate 8 CV Android Controlled Eurorack MIDI Player


Note this is the first Pmfoundations post on MATRIXSYNTH. We have a new maker in town! Their first offering is a DIY MIDI-SEQ-8 eurorack module.

"The MIDI-SEQ-8 is a step sequencer that uses our AndroidTM app to directly play MIDI files through your analog synthesizer over USB.

The convenience of a smartphone or tablet driven sequencer instead of a traditional and expensive hardware sequencer.

Our hardware module is Eurorack size and only 8HP wide, leaving room in your rack for other modules.

If you are a composer, create your own MIDI sequences, backing tracks or songs on your synthesizer, and play back from your phone."

DSI SEQUENTIAL PROPHET 6 // 2nd // TWEAKING S&H CHORDS


Published on Mar 21, 2016 LESINDES

"S&H now in sync on the Hipass with reso. That's fun! PLUS a bit POLY MOD."

Escalas y modos con Novation Circuit


Published on Mar 21, 2016 Hispasonic

The scale modes on the Novation Circuit. This one is in Spanish, but non-Spanish speakers should be able to follow as well. Be sure to catch my extensive overview and review of the Novation Circuit if you haven't already.

"Escalas y modos, un recurso musical tan antiguo como eternamente vigente. Revisamos conceptos y aprovechamos Novation Circuit para ilustrarlos por su capacidad de modificar patrones ya grabados cambiando su escala/modo."

Googlish:

"Scales and modes, as old as eternally existing musical resources. We review concepts and Novation Circuit advantage to illustrate its ability to change patterns already recorded changing scale / mode."

https://us.novationmusic.com/circuit/circuit
Novation Circuits on eBay | Novation Circuits on Amazon

Tiptop Audio Records BLACK SHAPE - Doom Room


BLACK SHAPE - Doom Room from Tiptop Film on Vimeo.
www.tiptoprec.com
www.tiptopaudio.com

Artist: BLACK SHAPE (Piero Fragola, Mattia Tuliozi)

Title: Doom Room

Vocal: Piero Fragola, Guitar: Fabrizio Canale

Title Album: TTAR VA 0002

Character Design/ Animation/ Direction by: Piero Fragola, Matteo Giampaglia

Release Date: 09.02.2016

Label: Tiptop Audio Records

Genre: Techno

Mastering by Tommy Bianchi @ White Sound Mastering Studio

Distribuited by Wordandsound

The videoclip for the song "Doom Room" by the duo Black Shape comes from a collaboration between painter Matteo Giampaglia and graphic designer Piero Fragola. It is a work completely hand-drawn and animated digitally.

The dexterity and the dirty mark of the real drawing rise on the rhythms and the notes of the track.

The subject is a lysergic journey: the protagonist is a fictional character, whose traits are not defined (is he a human? or a little alien?). At the end of his travel he will find himself, ironically. His nightmares set, in the darkness of reason and civilization, a feature of neglect and global pollution. The deformed imagery of the drawings deals with those elements that apparently seem to be negative, such as the monsters, that instead have the positive function of cleaning the environment.

Hallucination and cuteness in a black and white frenzy.

Introducing WIGGLE, the Dynamic Waveshaping Synthesizer


Published on Mar 13, 2016 2nd Sense Audio


"2nd Sense Audio presents WIGGLE, a synth plug-in aimed to assist electronic musician in creating expressive sounds with its distinctive dynamic waveshaping engine and intuitive user interface.

WIGGLE Highlights:

Casio VZ10m - Some Factory Presets


Published on Mar 21, 2016 SynthDan1

"Here are some factory presets played on the Casio VZ-10m phase distortion synthesizer.

From Virtual Synth Explorer: 'The VZ-1 takes a hybrid approach to its sound generation. Where the CZ line used Phase Distortion Synthesis and the Yamaha DX line used Phase Modulation (incorrectly advertised as FM), the VZ-1 uses Phase Distortion for ring modulation and waveform generation but true Frequency Modulation Synthesis to generate harmonics. The end result is a unique and hauntingly space-age sounding synthesizer with many smooth "twangy" textures - but it can also be very harsh and noisy when complex phasing is employed. Thumping bass-lines and sweeping pads are its strongest points but it is also very capable of analog-ish brass and strings.'"

Kawai K5000S Synthesizer with Original Box & Extra Sound Libraries

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Kawai K5000S synthesizer in very good condition.

Ships in original box.

Comes with original owner's manual and sound disks.

Very good cosmetic and working order. The LCD makes a minor humming sound when powered on."

PREVIOUS PAGE NEXT PAGE HOME


Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH