"This Korg MS-20 mini is in excellent condition and sounds absolutely stunning! It was my first synthesizer and truly taught me the wonders of analog synthesis with its semi-modular patchbay. This mono synth is great for leads, excels at bass, makes very interesting ambient sounds, and has killer white noise. The filters sound uniquely Korg, both HF and LF having resonance of their own to push the limits of sound design. The keys themselves have seen little play and are in fantastic shape as I either sequenced this machine via Ableton Live over USB or from my Analog Four via CV.
As much as I love this synthesizer, it hasn't really been a part of my workflow since purchasing an Analog Four, Moog Minitaur, and Korg Minilogue. Hate to see this thing not being used so selling to someone who will give this synth the love it deserves. Comes with original box, power supply, 10 patch cables, and 1/8 inch TRS to 1/4 inch TRS cable."
"Brandnew PULTEC clone KLARK TEKNIK EQP-KT on CYCLONE ANALOGIC TT-303 BASS BOTT and ARTURIA DRUMBRUTE. The accompaniing line by ELEKTRON ANALOG FOUR -- all in mono line fro reasons of simplicity. But you can well hear how effective the KLARK is acting on the material."
"Chiptune Soundpack for the Elektron Analog Keys/Four is the ultimate set of chiptune sounds. This package of 128 presets is for everyone who loves classic video game sounds. It’s the perfect preset package to transform your Elektron Analog Keys/Four into a chiptune composing monster. These sounds along with the powerful Elektron sequencer, and parameter locks are just what you need to create great classic game music.
Chiptune Soundpack explodes with cool arps, FX, hollow leads, noisy drums, crunchy basses, and more. This package also features a convenient layout starting with basses, leads, keys, FX, and so on, listed by order of type and arranged alphabetically.
There are 128 sounds in total packaged into 1 .syx file ready to be opened by your Elektron Analog Keys/Four."
Tone is a quad, voltage controlled filter with low pass and band pass outputs. Its four channel architecture enables the intuitive patching of shimmering, polyphonic textures.
The 24dB slope provides a warm, buttery character. Self oscillation allows each channel to double as a sine wave oscillator with v/oct tracking across four octaves. Cascade OTA topology. A perfect match for the Chord.
Quad voltage controlled filter
24 dB slope
Simultaneous low pass and band pass outputs
Self oscillation with v/oct tracking across four octaves
"Every sound in this song was made on the Roland SH-101. In this episode of 'The Grid' I feature the SH-101 playing various different instruments including kick, snare, hi-hat, bass, leads, pads, etc. The mini composition is called 'Yellow Birch'."
"MITØ (derived frøm "mitøsis") is a 6 channel trigger sequencer that specializes in swingin', divide'n, n' pølyrhythm'n. With the turn øf a knøb, the user can select which divisiøn øf the incøming cløck (BANG!) is øutput frøm the cørrespønding jack (all the way left: divide by 16, all the way right: divide by 1). Each channel is equipped with it's øwn mute switch, alløwing the user tø turn each individual sequence øn and øff while øther channels keep chuggin' and cløckin' aløng. Gløbal swing can be cøntrølled with the amøeba knøb in the tøp right hand cørner øf the mødule. Beneath the amøeba, a gløbal pulse width feature alløws the user tø lengthen and shørten pulse length øf all 6 channels at the same time. This feature is particularly useful when paired with the Muskrat & Kriket, ør any øther mødule that reacts prøpørtiønally tø incøming pulse length. Last but nøt least, the RESET input will set all divisiøn cøunts back tø zerø tø square up yøur grøøve. Each channel will be held HIGH as løng as the incøming vøltage is HIGH. This RESET capability alløws yøu tø get even møre ødd metered grøøves as it is nøt dependent øn the internal cløck øf MITØ.
All features øn MITØ can be cøntrølled with bipølar CV, alløwing før a wide range øf mødularity and flexibilty. When paired with the Deviant, each knøb øn the mødule becømes the anchør pøint øf the grøøve. As the randøm vøltages frøm Deviant shift arøund, creating rhythmic variatiøns by adding and subtracting CV, the pøsitiøn øf the knøb will dictate høw busy ør relaxed the grøøve is. Før playability sake, this patching apprøach is what led tø the decisiøn tø have the pøts as øffsets rather than attenuatørs øn MITØ. Everything frøm simple pøly-rhythmic structures tø nønsensical spewing and sputtering are nøw at yøur finger tips with this løvely duø.
Sømething we cønsidered when cøding the mødule was avøiding the use øf averaging tø determine master cløck tempø. In a perførmance setting when averaging is used, it øften translates tø the mødule taking a few pulses tø calculate the øverall cløck speed. With MITØ, the divisiøns are calculated in an "analøg" fashiøn, step by step with each individual cløck pulse."
"This Korg MS-20 mini is in excellent condition and sounds absolutely stunning! It was my first synthesizer and truly taught me the wonders of analog synthesis with its semi-modular patchbay. This mono synth is great for leads, excels at bass, makes very interesting ambient sounds, and has killer white noise. The filters sound uniquely Korg, both HF and LF having resonance of their own to push the limits of sound design. The keys themselves have seen little play and are in fantastic shape as I either sequenced this machine via Ableton Live over USB or from my Analog Four via CV. 
