Model:Cycles — This is Tone

Published on Mar 8, 2020 Elektron

"This is Tone. A simple but powerful and fully controllable two operator FM voice. All sounds made with #ModelCycles Tone."

Easy Programming pt 1 - Ambient Orchestral // Korg Wavestate Tutorial

Published on Mar 7, 2020 Ron Cavagnaro

Intro 0:00
Changing to Init Performance 0:39
Amp ADSR 1:00
Reverb 1:22
Selecting Samples 1:33
Crossfading Two Samples Improv Demo 2:24
Adding More Two Sample Steps 3:20
Soloing Sample Step 4:21
Setting Loop End To Four Steps 4:45
Crossfading Four Samples Improv Demo 5:07
Changing Sample Steps 5:53
Pitch LFO 6:40
Extended Improv Demo 7:05
Changing The Octave for each Sample Step 10:01
Changing Time Duration 11:00
Extended Ambient Orchestral Improv Demo 11:18

Update:

Easy Programming pt 2 - Cinematic Pianos & Plucks // Korg Wavestate Tutorial

Published on Mar 8, 2020 Ron Cavagnaro

intro 0:00
Init Performance 0:32
Changing Mode To Single Multisample 0:45
Setting AMP ADSR And Velo Sensitivity 1:14
Acoustic Piano Improv Demo 1:47
Adding New Layer 2:37
Changing Octave of Layer 3:38
Banjo and Acoustic Piano Improv Demo 3:56
Adding A Third Layer 4:32
Changing Octave and Volume of Layer 5:18
Banjo, Acoustic Piano, and Glass Bell Improv Demo 5:33
Making More Changes 6:03
Adding A Fourth Layer 6:48
Four layer single Multisample Demo 6:55
Changing Each Layer To A Pluck Sound 7:31
Adding Reverb 7:48
Cinematic Pluck Sound Demo 8:17

Arp 2600FS / SQ-1 / RE-201

Published on Mar 7, 2020 studio snippets

THE ANSWER IS, Music for Synthesizer, Korg Prologue, Analog Hybrid

Published on Mar 7, 2020 Bob I. Gomez

"Music for synthesizer performed on the Korg Prologue. Variation on The Answer. The basis of the tune remined me of the music they play for Final Jeopardy.
User preset 494 MC2. Melo Cirkit."

Sequential Circuit P600 unheard Megadrone. sounds

Published on Mar 7, 2020 SYNTHGURU *

"Sequential Circuits Prophet 600 Megadrone,
sounds from a classic polysynth.Headphone suggested"

KERMIT MKIII : AUDIO DEMO

Published on Mar 7, 2020 Robotopsy Robotopsy

"Audio demo of the Kermit MKIII from Industrial Music Electronics.
Every sound source comes from the Kermit MKIII only...... well except the Kick drum in the first patch that comes from the HDMKIII.

Patch:01
Main Tempo from DC1 Drumcomputer from Soundmachines
All Kermit MKIII's output channels goes to two Bionic Lester MKIII before going to Two Double andore MKII's VCA Audio input
Constant Kick with the Hertz Donut MKIII triggered by the DC1
Kermit MKIII's Preset CV is in trig random mode so each trig generates a random patch of the unit.
Bionic Lesters MKIII are also in Trig Random mode
Sequencing with Stillson Hammer MKII + Pressurepoints + Z8000

Patch:02
Kermit MKIII's preset CV and attenuater are in Morph
Each channels of the Kermit goes to Bionic Lester MKIII before going to the Evin 209 Matrix mixer.
2 mix of the Evin goes to the Tyme Sefari MKII for droning
1 mix goes to the Bionic Lester v1 for optimum bass booster and aliasing madness before going to the optomix for Kick Bass.
The last mix of the Evin goes to the Polyvok Filter ( VCF ) before going to the DAMKII for some click percussions.
Reverbs - EQ - Compressor - Filters with Ableton LIVE

Patch:03
Kermit Channel A for Audio
Kermit Channel B as envelope assigned to the Amplitude of channel A to act as VCA Env combo
Kermit Channel C modulate waveform of channel A
Kermit Channel D modulate the waveform of channel B
Stillson Hammer MKII for Sequencing Kermit's channel A and B
Kermit's channel A output is splitted to the Bionic Lester MKIII A input before the Tyme Sefari MKII then the Tyme Sefari MKII's output back to the Bionic Lester MKIII B input.
Using Stillson Hammer v1's gates to the A Sound Of Thunder and Bionic Lester MKIII's CV inputs.

I'll explain the lasts patch later I got to pee.........."

Arp Odyssey: "Busy City"

Published on Mar 7, 2020

"Short piece (MIDI) on the Arp. Full duophony. I recorded the full work 3 times: once as seen on the video, and two more times with the filter in a fixed position. Two other recordings were made: just the bass, and just the upper.

PS recording a work twice through is very common with synth recordings i.e once with the filter fixed for a strong bass, and the primary take with filter sweeps etc. It is especially common on synths where filter/resonance removes bass content (i.e the fixed filter recording maintains bass presence).

Best
Kris"

Gone In A Day

Published on Mar 7, 2020 davidryle

"I had some fun with INSTRUo Harmonaig and a few select 5U modules.

The modulation to the Harmonaig (Inversion and Voicing) was with a pair of STG Soundlabs Voltage Mini Store modules.

The main transpose sequence was from a Mini Sequencer built by Synthetic Sound Labs.

The pattern gate selection and VMS stepping were done with the STG Time Divider.

Some magic mojo was stirred in with the selection of dotted notes against straight notes. The Trigger Sequencer was the Moon Modular 563. It sent gate timings to the four voices run through the SSL Octal VCA and AD/AR Expander.

The four oscillators were a Mos Lab 901 bank, DDVCO, SSL 1200 and Q106.

Filters included Yusynth Arp 4072, Dotcom Q107 in high pass mode and Mos Lab 904-A.

The final reverb is the Z-DSP from TipTop Audio with a 'Halls of Valhalla' card."

Jam with Roland VP-03, Digitone, Digitakt, Roland SH-01A

Published on Mar 7, 2020 Ian R

"A little jam with some digital friends. Got the VP-03 back out for some strings and choir sounds, I'm always glad I held on to it. Enjoy and thanks for watching!"

Improv #15 (Sleepers Awake!) for VCS3, Arp 2600, Moog Voyager, Mellotrons and Singing Bowls.

Published on Mar 7, 2020 R. Reger

"Improvised soundscape for mostly analogue instruments."