MATRIXSYNTH


Tuesday, November 17, 2020

KORG Introduces the SQ-64 Polyphonic Sequencer


Korg

Playlist:

1. “Step Up” with the SQ-64 Polyphonic Sequencer
2. Korg’s SQ-64 Polyphonic Sequencer: A Brief Overview
3. KORG SQ-64 Review and full tutorial - leploop

"There's nothing that offers the combination of CV control, MIDI & Audio sync, and polyphonic multitrack sequencing that Korg’s SQ-64 does. Compact as it may be, it gives you three tracks, each with dedicated Pitch, Mod, and Gate output, plus a fourth Drum-Sub track with a total of 16 triggers; eight gates and eight over MIDI. Each of the 64 step buttons uses graduated LEDs to show you exactly what's going on in your track, and a crisp OLED screen gives you an at-a-glance look at details. It's all packed into a rugged aluminum case roughly an inch thick for durability and portability - every step of the way"



via KORG:

"The SQ-64 is an incredibly powerful and compact Polyphonic Step Sequencer with amazing hands-on intuitive controls and deep editing options to give you all the flexibility and sequencing power needed for all your musical projects. With its 64 step pad Matrix, Crystal clear OLED display, sturdy and elegant aluminium body, a wealth of connections and a variety of modes and features, the SQ-64 will become the central piece of your music studio providing total and seamless control over all your instruments so you can focus on what matters most; your music!

Despite its compact size, the SQ-64 has unparalleled connectivity and will allow you to easily control, connect and make the most of all your analog and digital gear. MIDI IN (x1) and OUT (x2), micro USB type B, Sync IN & OUT, 3 Melody tracks each with MODULATION, PITCH and GATE outputs and a DRUM track with 8 individual trigger outputs for controlling analog synths, Eurorack, and drum machines.

Each of the Melody tracks (x3) has 16 Patterns of up to 64 steps each, and the Drum track (x1) has 16 Sub-tracks also with up to 64 steps each, that can be played, chained and edited in a variety of ways.

Melody tracks and patterns can be edited in several modes (GATE, PITCH and MODULATION) so you can alter the information sent by your sequencer on each of these steps in many interesting ways.

The DRUM track outputs can be fine-tuned to match the polarity and voltage of your connected device(s). Its audio Sync In & Out connections will allow you to seamlessly control all your other Korg gear such as the volca synthesizer series, minilogue, monologue, minilogue xd, prologue and many others!

Whether you are into Analog synths, Eurorack semi-modular synths, Digital drum machines, or do everything on your DAW with digital plugins, the SQ-64 will give you instant and precise hands-on control of each and all of these.

The SQ-64 has 64 beautifully LED-lit Step button pads that not only let you see the whole picture at once, but also allow for super-fast and satisfactory editing with its encoder knobs and dedicated mode buttons that will simplify and speed up your workflow. Each step has graduated lighting; the higher the modulation value, the stronger the button lights up to give you a clear visual on what’s going on in the sequence.

The OLED Display is crystal clear, bright and visible from any angle, so you can have access to all the information you need no matter whether you are making music at home, in the studio or playing live!

The 3 melody tracks include a MODULATION output, so every step on your sequence can be creating complex modulations on your gear of choice, greatly expanding your options and possibilities for sound creation. It has never been easier to create polyphonic chords patterns, melodies, complex poly-rhythms and modulations on the fly and record them as data on each of the 64 project slots available.

REAL-TIME CONTROL

The SQ-64 won’t just allow you to create incredible sequences; it packs several features and modes that will let you edit on the fly and play any of your gear real-time.

The 64 pad Matrix can be also be used as a Keyboard, allowing for several layouts to be used for maximum flexibility (several scales can be assigned to any of these and a number of other parameters can be easily changed)

Noise Engineering's Desmodus Versio Goes Chameleon with Custom Firmware Support



You might remember when Noise Engineering's Desmodus Versio reverb module was announced back in August, there was this little included note: "Desmodus Versio isn’t just a reverb, though: it’s a DSP platform. Its firmware can be changed via USB, so it can be transformed into a completely different effect with new firmwares coming late 2020. Are you programming savvy? Open-source support will be released later this year."

Well, it looks like that time has arrived.

via Noise Engineering

"In August 2020, we released the Desmodus Versio, Noise Engineering’s reverb. Maybe you heard about it. We were pretty excited about a lot of things about it:

It’s a pretty kick-ass reverb.

It’s a DSP platform that users can update via USB, so we could create lots of alt firmwares for people (more on that soon. Very soon.).

It’s based on an open platform, so from the beginning, we knew we wanted to open it up so people could create their own firmwares too.

So we asked the software engineers at NE to help us less programming savvy folks talk about how this works.

First thing to note: writing custom firmware requires basic understanding of the C / C++ programming language. If you are not proficient in C / C++, there are plenty of resources or even other modular platforms to get started on!

Ok, onward.



UNDER THE HOOD - DAISY!

If you look at the back of your Versio module, you should see a mounted yellow board with a micro-USB port. This is the Daisy Seed, an embedded audio platform created by Electrosmith. It is the main processing unit on the Versio hardware, i.e., where programs are downloaded, or 'flashed.'

We opted for the Daisy platform for a lot of reasons, but the biggest was that it would be the best customer experience. At the time that the Daisy Seed became a contender for us, we had been developing, in parallel, a similar board (called George). Moving to the Daisy Seed board allowed us to speed development, decrease cost for our users, and take advantage of the large (and growing) community behind the Daisy ecosystem

Daisy is powerful and handles stereo in/stereo out with ease with up to 24-bit, 192 kHz audio processing, 64 MB SDRAM, and 8 MB of flash memory. Got an idea that you want in Eurorack? If any embedded processor can handle it, it’s probably this one."

Click here for additional details on Noise Engineering website.

The following is a demo by Cinematic Laboratory of the Ampla Versio, an 'all in one' VCA, VCFA, ADSR with chorus running on the Desmodus Versio.

The Bat Verb | Part 04 | Ampla Versio firmware | Desmodus Versio


Here is the full playlist:

The Bat Verb | Noise Engineering Desmodus Versio videos by Cinematic Laboratory
Cinematic Laboratory

https://www.noiseengineering.us/shop/desmodus-versio

Playlist:

1. The Bat Verb | Part 01 | Noise Engineering Desmodus Versio
I am always curious when Noise Engineering comes with something new and they never disappoint. I love reverbs. I am lucky to have the Erbe-Verb, Milky Way, Z-DSP, Clouds and ZVERB but I was pretty confident the Desmodus (Vampire Bat) Versio (Versatile) would add something new to my collection. And it did. This is just a first-patch so there will be a part 2 soon. Trust me, this video is only scratching the surface.

Note: I wrote that the DV doesn't have a High Pass filter but that's not true. It has a filter that is neutral at 12:00 and becomes high pass CW and low pass CCW. What I mean it doesn't have a filter that makes sure the very low frequencies (below 80Hz) aren't 'reverberated' (high pass) which can go totally out of control and drives the module above the digital 0dB brick wall. Digital distortion is not pretty and you should be aware of it before going live. I also need to add that it happened only once during the making of this video. Just remember that infinite reverb and ultra low frequencies can cause serious trouble that goes way beyond 'mud'.
2. The Bat Verb | Part 02 | Noise Engineering Desmodus Versio
Desmodus Versio is a reverb - with a built in delay and distortion - and lots of other cool ways to turn your room upside down and fold a cathedral. DV's first batch had a little bug (I totally missed it), but NE's been working around the clock to create a fix and roll out the 'flash your DV' website. This also shows us how easy it is to install new firmware or future applications (which are coming soon). I am not sure, but I think the code will be open source so we can write our own reverbs and FX. I'll definitely dive into that when more info is available.
3. The Bat Verb | Part 03 | Desmodus Versio + Lyra-8
I had this idea of running the Lyra-8 through the Desmodus Versio and see what would happen. Then I realized it helped me (a lot!) to tune the Lyra-8 while playing live. So this video showcases the 'beyond infinity' setting on the 'regenerate' knob, where the reverb trail just plays on forever - but you can still hear a bed of the notes you've played - and add more. It can get pretty magical.
4. The Bat Verb | Part 04 | Ampla Versio firmware | Desmodus Versio
Noise Engineering promised to bring new firmware / applications to the Desmodus Versio reverb. Because it's not a reverb, it's a platform. This means you can completely change the application inside the module. Today NE released Ampla Versio, an 'all in one' VCA, VCFA, ADSR with chorus. In stereo. And this one is a worthy addition to the 'never too many' VCA's.
5. The Bat Verb | Part 05 | Imitor Versio firmware
"Noise Engineering has just released a new firmware for the Desmodus Versio, the 'versatile imitator'. It's a twelve tap delay with tempo sync, delay timing skew, circular stereo panning, distortion, tralis that rise and fall, shimmer and harmonically related pitch shifting. POB has done an excellent walkthrough on all features (see link in video), so I'll just focus on how it sounds in various patches. the IV is also available as a dedicated module with its own faceplate, and faceplates can be ordered for your DV if you're planning on permanent use.

Please note the IV is a delay that's designed to be discovered so make sure to spend some time with it. I noticed it features a lot of sonic textures which are also found on some of the best delays around. So this one may be the droid you've been looking for in just 10 HP. Highly recommended!"

Portabella Jam


verstaerker

"Jam with Potabella sequenced by Analoge Solutions Generator , Digitakt, Peak, Easel and Analog Heat"

what's the difference between the prophet 5 reissue and the prophet 6?


J3PO

"In this video, we take a deep dive into the key differences between the Sequential Prophet 5/Prophet 10 (Rev 4) Reissue and the Sequential Prophet 6. This video focuses on the sound and functionality of the two synthesizers; where they differ and where they overlap.

Chapters:

00:12 - Introduction
00:58 - Part 1: Prophet 6 "main" differences
04:03 - Part 2: Prophet 5/10 "main" differences
06:48 - Part 3: "direct" sound comparisons (similar patches)
27:17 - Part 4: patches that begin to reveal inherent differences
32:44 - Part 5: Prophet 6 "unique" patches
39:31 - Part 6: Prophet 5/10 patches, demonstrating raw "tone" & "timbre"
48:55 - Part 7: Conclusion and Final Thoughts

The two synthesizers were recorded directly into Pro Tools at 48khz with Universal Audio Apollo preamps. No external FX were used in the recording of the sounds unless where noted in the video. The two synths were leveled in terms of gain as carefully as possible to create the most unbiased listening environment.

Three things to note when viewing this video:

1. I use the terms "Prophet 5" and "Prophet 10" interchangeably, as the only difference between the two synths is that the Prophet 10 has five additional voices.

1. Though I contributed to some of the "factory" presets for the Sequential Prophet 5/10 (rev 4), we are not comparing "factory" presets in this video. I have crafted all the presets in this presentation to show you as carefully as possible how similar the synths can sound, and how vastly different they can sound.

2. We will not be discussing any of the technicalities of "what's under the heard" in terms of components, but rather, focusing on sound and functionality, and the experience. For technical information, please visit www.sequential.com."

Minimoog History 1971-1981 (by synthpro)


synthpro

"Hey Guys,

Today, I thought I would take a little time to document some of the changes across the minimoog production from 1971-1980.

Serial #s reviewed is as follows:

R.A Moog SN: 1037 built 3/71
Early Moog Music SN 1548 Built 6/8/72
Moog Music SN 6768 Built 1/29/75
Late Moog Music SN 13061 Build date unknown

Here is the link for the musonics minimoog: [posted here]

I did forget to finish explaing the Pitch/Mod Wheel changes:
3/1971- 7/1972 used the clear wheels

7/ 1972-1973 used the blocky white wheels, (here is a video explaing these style wheels: [Alan's below]

1974-1/1975 used the smooth edged cream wheels

1975-1981 used the ribbed wheels found on most moog models

1982 went back to clear wheels as a special edition run


Thanks for watching, and for the support!

Sincerely,
Jareth"

Alan's 72 Minimoog Restore (by synthpro)
synthpro

"Hey Guys,

This is a video going over Alan's 72 minimoog and pointing out some design changes that happened within a months period between June 8th 1972 to July 14th 1972

Thanks again Alan, was a pleasure getting this minimoog back into good health for you.

Thanks to all that watch my videos as well!!!

Sincerely,
Jareth"

Oberheim OB-8 Keyboard Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

"Never gigged out. Home studio use only. All contacts have been individually cleaned. Two broken rubber contacts have been replaced. All others are intact and unbroken. All keys are original. Lowest "D" key had a broken "retainer ear" that has been repaired. Parallel battery installed doubling memory retention longevity. All LEDS work. All original programs work. All Rotary Pots cleaned and operational. "

Casio CZ-3000 61 Key Digital Phase Distortion Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

Modal Electronics adds the COBALT8X and COBALT8M to their Line-up



The three octave COBALT8 just announced on October 29 has two new siblings, the 5 octave COBALT8X, and the desktop COBALT8M.

The COBALT8X picutred to the left looks pretty sharp with the iPad editor sitting on top.

Both the COBALT8X and COBALT8M appear to have the same engine as the COBALT8. Below are some audio demos. See this post for details.

Click the pics for full size shots.



Sequential Artist Spotlight Interview with In-Flight Movie



You can find the interview on Sequential's website here.

"In-Flight Movie are a synthwave band from Oxford. They combine 1980s style arrangements with film inspired soundscapes. In-Flight Movie like to play everything live using analogue gear and electronic drums to take a tour of the dark and nostalgic places that old school synths can take us.

We chatted with In-Flight Movie on how they use the Prophet Rev2 in their music"

---
You can find additional posts featuring Sequential's Spotlight series here.

Berlin School on Waldorf Iridium, Slim Phatty, Virus C: "Dwarf Nebula"


Brittle stR music

"Some space music, Berlin School style. The Iridium does the pad and the space warbles; the Phatty does the bass; the Virus does the higher arpeggios; sequencing from Korg Gadget. If you've been to this channel before, you may notice the Iridium replaces the Hydrasynth! The Hydrasynth is a superb piece of design but I found its sweet spots too elusive. This isn't a cover version: I just stole the title from Frank Zappa!"
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