Analogue Systems - RS-290/RS-295 Sampler/Delay + Expander

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via NOISEBUG Reverb

"Analogue Systems RS-290 Sampler/Delay is a voltage controlled delay and sampler module.

Stunning 46.9khz, 16bit, 5.5 second long stereo echo and delay with user assignable control of MIDI, analogue clocks, triggers, and CV Calculates the correct delay time to the incoming tempo. 50 user memories to create personal comb filter, flanging, chorus, pitch shifting and echo programmes. Can recreate bbd and tape echo effects and up to 29 seconds available in mono mode. 2 modes of delay are available Tape Delay and the recently developed Digital Delay. In sample mode the user can voltage control and trigger the source material in ways unavailable until now. Using the RS295 optional expander samples can be dumped and retrieved using Sys Ex dumps.

Power consumption: 360mA

Depth: 115mm

HP : 36

The RS-295 expands the RS-290 sampler/delay by a MIDI interface and a second assignable controller. Using the RS-295 samples can be dumped and retrieved using SysEx dumps. The module is connected to the RS-290 by a flat ribbon cable. See RS-290´s operation manual.

Depth: 20mm

HP : 6"

Analogue Systems - RS-130 Programmable Scale Generator

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via NOISEBUG Reverb

"The Programmable Scale Generator exceeds the possibilities of an ordinary quantiser module.

While a quantiser usually is chromatic only and with a little luck it allows major and minor scales, a programmable scale generator like the RS-130 makes it possible to freely program scales beyond the customary semitone scale with all their derivates. Scales with quarter-note or eighth-note intervals are possbile which is important e.g. for indian or oriental music. Two modes determine when quantisation takes place: in "free run" it happens only when input voltage changes. In "gate" mode quantisation happens when the RS-130 receives a gate signal.

Six quantisation modes are available:

- Quantiser: Acts as a normal chromatic quantiser for semitones

- C major scale: when offset = 0 and no CV at the transpose input it creates only a C major scale (C, D, E, F, G, A, B)

- C minor scale: when offset = 0 and no CV is present at the transpose in, only a C minor is created (C, D, Eb, F, G, Ab, Bb)

- C major Arpeggio: when offset = 0 and no CV is present at the transpose in, only a C major arpeggio is created (C, E, G)

- C minor arpeggio: when offset = 0 and no CV is present at the transpose in, only a C minor apreggio is created (C, Eb, G)

- user memory mode: creates user programmed scales.

When setting a fixed voltage with the offset control (0-2V, ie. two octaves offset), you apply a fixed transposition to the scale. Any possible scale can be set when you use the transpose CV inputs in addition. At each quantisation process a trigger signal will fired at the trig out which you can use for clocking a sequencer or a launching envelopes.

Power consumption: 110mA

HP : 24"

Analogue Systems - RS-140 MIDI/CV Converter

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via NOISEBUG Reverb

"The RS-140 converts MIDI messages into control voltages and due to its numerous analog outputs it gives you plenty of possibilities to control your modular system with MIDI.

Besides the usual CV and gate outputs in addition it offers flexible controller outputs and it´s big backlit display and four function buttons make it easy to use. In the CV menu you can set the voltage characteristic of the CV outputs (either 1V/octave or 1.02V/oct as the Minimoog had), the note range of the pitchbend wheel and the modulation depth of the internal LFO. This LFO can be synchronized to MIDI Clock, has several wave forms and MIDI-controlled level. Both CV outputs carry the same signal and they are active buffered. Each trigger socket can output a gate, a trigger or a S-trigger (for old Moogs), either as multi trigger or single trigger. Alternatively you can output the MIDI clock that´s rate can be divided down in 9 settings. Controller: each controller output can be assigned to one of 128 Control Change commands, the pitch bend wheel, velocity or aftertouch (plus the internal LFO for controller output 1). Besides that you can set one of four output voltage ranges (0 bis 5V; -5V bis 0V; -2,5V bis 2,5V und -5V bis 5V). All settings can be saved in the non-volatile memory and you have 64 memory slots. Each of them can be recalled by Controlb Change messages.

Power consumption: 200mA

Depth: 90mm

HP : 24"

Sound Of: Modor DR-2 Digital Drum Machine Algorithms/Models

video by Sound Provider

"In this rather long video I tried to present you all the algorithms of the Modor DR-2 one by one, a drum machine that does not have many demos on the net to give you an idea of the variety of sounds it produces. I really like this drum machine which some algorithm allow to create rare or unique sounds like with the Claps or theRattle Model (Check the Time Line at the end of the description)

I focused mainly on the models here and I don't show or very little the more advanced functions like accents, random variations, compressors, reverse function...

I am recording now a lot this superb Drum Synth for the next sound bank for sound Provider ( https://www.sound-provider.eu/​ ) and also for my personal tracks.

For those interested I have posted a shorter video of the machine on a Techno demo here : [posted here]​

Otherwise I wanted to apologize, I realized during the editing that I had left a snare drum in the back that we sometimes hear in the background.

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E-MU Planet Phatt - Model 9091 Synth Module

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via this auction

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Sputnik Modular Spectral Processor DEMO raw sounds

video by brandon logic

"processing a square wave and drum sounds from Plaits"

LMNC Making Up Synth Songs Live And On The Spot On Analog Modular Synths

video by LOOK MUM NO COMPUTER LOOK MUM NO COMPUTER

"I did a talk today at @Thomann Music​ keys and frequencies event! here is some of the performance bits and bobs from the talk, and one later showing the @Arturia​ keystep pro's functions."

DIY analog synth project ( Introducing the Ad-vantage 02m)

video by Adamski A.

"I've been working on this one on and off for a couple of weeks. Finally finished it . Walkthrough and sound demonstrations to come.
features:

.2 analog VCOs both with -1 and -2 sub oscillators all 4 waveforms mixable per osc.
.Noise geneartor.
. FM on both VCOs
. Sync on both VCOs
.PWM lfo per osc with manual blend.
. 2 x SEM style Voltage Controlled Filters in series with FM Keytracking, Master Cutoff , and VCA feedback drive.

. Full ADSR envelope generators.
1 x Main Lfo with 5 waveforms
. Glide
. Vibrato with 2 waveform options.
1 x VCA with velocity input.
All signal path modules have many modulation options for pure sonic mayhem."

Leipzig V3 Sound Demo (Extended!)

video by rezfilter

"The new Leipzig V3 synthesizer has arrived for 2021.

Taking its cues from the legendary and distinctive Leipzig line of synthesizers, the V3 is truly 'evolutionary' and now features the same convenient footprint as our acclaimed Impulse Command desktop synthesizer - while capturing the same raw, ballsy, complexly rich sound as its Leipzig predecessors.

Version 3 combines features from both the Leipzig-SK as well as the mountable Leipzig v2, including patch points for additional sound design and connection possibilities. For example, you can drive the synth via an external CV sequencer or patch it to other modules in your Eurorack case.

This demo features a variety of sound samples (patched and unpatched, sequenced and unsequenced) from the Leipzig V3. Watch this space for more videos and visit our website for more detailed information."

DX5 playing Kraftwerk "Autobahn" (Mix Edit version) cover

video by DX5

"Cover based on the Mix version, not the original one. I just played it on my own way including variations in the rhythm pattern, etc. Some sections have been changed at the end to make it shorter than the 9 min version. As I had to switch between sounds just before playing the next sections, some missing notes can be found.

Gear used:
Roland MRS-2 Promars (3th lead sound and bender w/ resonance sounds)
Korg DW8000 (Glassy sound)
Access Virus TI Snow. Vocoder and lead sound
Kurzweil PC1x as MIDI controller, triggering the Virus

Composed by Ralf Hütter, Florian Schneider, Emil Schult.
Performed here by DX5 Jose Maria Bara"