Roland System 100M M190 - 3 Module System

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110 SN 061300 140 SN 750397 110 SN 920718

This appears to be this system minus the boxes and keyboard. The keyboard is likely paired with this listing.

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OB XD discoDSP Synthesizer REVIEW and LIVE PERFORMANCE by AGD Andrew G Dugros | Use Headphones

video by Andrew G Dugros

"This is not an in-deep review but a first contact review with this great synthesizer, the OB-XD from discoDSP. At the end of the video I've played a LIVE PERFORMANCE with Cubase and Novation SL 61 mkIII.

OB-XD overviwe (from offiial website):
OB-Xd is based on the Oberheim OB-X. It attempts to recreate its sound and behavior, but as the original was very limited in some important ways a number of things were added or altered to the original design. OB-Xd was designed to sound as good and as rich as the original. It implements micro random detuning which is a big part of that sound."

Shores of Orion : Waldorf microXT

video by Miguel d'Oliveira

"sketching a quick track with just 3 sounds from the Waldorf microXT.
(just keys and mod wheel - no other tweak: cutoff, etc...)

I think the microXT is the most underrated synth ever.
Deffo my desert island synth."

“IOLabs Flux 33 - Benjolin meets Arcane” by Friendly Noise

video by Friendly Noise

"IOLabs Flux, Spherical Sound Society Arcane, After Later Audio Benjolin V2, Steady State Fate Vortices, Befaco Rampage, Befaco Percall, Xaoc Tallin

Please make sure to listen in stereo!!

Video sections: 00:06 01
04:17 02
13:50 03
24:02 04

All sounds were recorded live with two strictly monophonic modules: Benjolin V2 and Arcane, but the use of panning and both Befaco modules results in very interesting textures, which sometimes sound like there is more than two voices at the same time.

Flux is just triggering a steady note as clock source. Density and Length are controlled in real time with the encoders and macro pots. There is only one single pattern in the whole video.

Arcane is clocked by the first channel of Flux. The output of Arcane goes into Tallin to raise the level and to add some warmth with Tallin’s internal saturation. The output of Tallin goes to the first monophonic channel of Vortices.

The voltage of Flux’ channel one is set to S/H mode and goes to the second channel of Tallin. From there it goes to Vortices in order to modulate the panning of Arcane. Since the voltage follows the triggers, every sound generated by Arcane has a different panning position, which greatly enhances the feeling of listening to a drum synthesizer.

Benjolin is a voice module, but it doesn’t have VCAs, so you need some external help to control the length of Benjolin’s sounds. This can be achieved sending the output of Benjolin to the first input of Percall. The decay length is manually controlled and the output goes to the second monophonic channel of Vortices.
The output of Flux goes also to Rampage, where the first envelope is used to generate “bit-crusher”-like sounds. The envelope output goes to the third monophonic channel of Vortices.

Finally, Benjolin’s direct output goes to the fourth monophonic channel of Vortices. The panning is also controlled by the voltages of Flux, as described above.

Some compression and reverb were added in the DAW after recording."

Buchla Easel Command 208C - Rainy Day

video by TheTrackdriver

"All sounds except the rain and birds (played back at half speed) are from the Buchla Easel Command 208C. The complex oscillator is routed through an Elektron Analog Heat for distortion and is then drenched in effects in Ableton Live."

What comes after | IDM demo with Roland D-50, SH-101, Yamaha RS7000, Toraiz Squid

video by MIDERA

"Upon writing my recent review of the Roland D-50 (here: https://www.midera-artist.com/roland-...), I decided to reach out to a friend who had bought mine, and I bought it back from him, mostly to see - does the UI really suck as bad as I thought it did?

The first thing to note - it didn't take long for this song to irritate me, so, perhaps this isn't the best track to start off with on the D-50, but as I state in my review, the sound of the D-50 is really pleasing.

So - for some reason, the D-50's interface wasn't quite as bad as I thought. For one reason or another, my brain seems better equipped to handle it. Why is that? I haven't exactly been using it for over 2 years. I think part of it is, two years of exploring other synthesizers, a pandemic, a job change, other things - I think we're just more complicated than 'sit down with X for Y hours and you'll get better.' Like, it took my daughter sitting on a bike 3 times, unmoving, to suddenly... just be biking. So much goes on behind the scenes that contribute to our abilities and knowledge.

Anyway, as I recall - The D-50 is a keeper."

Synthesizer Music Instrumental "Genesis" By Joseph Angeliss. 1994

video by Angeliss The Synth Man

Anyone that's owned a KORG Prophecy should immediately recognize the start of this one. It's the "Prophetic Steps" preset. Not sure what follows but considering it's from 1994 and you don't often hear that classic preset in synthesizer music, I thought it worth a post. Little bits of classic synth goodness here and there. It's crazy to think of the KORG Prophecy as a classic synth. I remember when it first came out in 1995 and reading about it in Keyboard Magazine, an issue I still have. It was the birth of physical modelling along with the Yamaha VL7. Clavia's Nord Lead was the first virtual analog synth to be released in 1994.

YAMAHA DX7 & DX7II ULTRA DEEP PAD

video by synths colors

Moog Polymoog Brochure Catalog

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"Original and vintage 1976 Moog Polymoog Synthesizer Catalog. 14 pages cover to cover. Big fold out pic of the Polymoog Synthesizer. This is the polymoog synthesizer catalog with the full set of controls. No punch holes, no missing pages, intact, no writing, no highlights, no stains, no stamp. Overall very clean for 45 years old. Synthesizer history from the golden age of analog synthesis. Even better if you own the actual synthesizer."

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Kawai K5000s SN 696164

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