MATRIXSYNTH

KORG Introduces The NEW KORG Gadget 3: Now more powerful than ever!

video upload by Korg

"More Powerful Than Ever, Quickly Turn Your Ideas Into Music
A Complete, Seamlessly Integrated Music Production Ecosystem - KORG Gadget 3 is now available!

KORG Gadget is the ideal all-in-one music production software and plug-in suite featuring over 40 small synthesizers/drum machines (“gadgets”), which can be freely combined to create music driven by a powerful yet intuitive user interface. The range of products includes the award-winning iOS version, a Mac version that includes all functions and plug-ins, and a plug-in version that can be used with your favorite DAW on Mac/PC.

KORG Gadget 3 offers an expanded variety of even more features to quickly turn your ideas into music, including two new gadgets, five insert effects (IFX), a new genre select system, and VST3 and AUv3 support. In addition, the user interface has been brushed up to make the Gadget Browser, IFX page, and Play page even more intuitive. KORG Gadget 3 is the perfect tool to quickly turn your ideas into music.

Now in its third generation, KORG Gadget 3 is more powerful than ever, the workflow is now more intuitive and easier to use than ever before and there are plenty of new features and new gadgets. Two new gadgets have been added: "Santa Ana," which makes it easy for anyone to create realistic rhythm guitar, and "Sydney," which imports long samples and manipulates loops. New features include a "Gadget Browser" that enables sound search, an improved "Play Page" with an easier-to-use scale menu, and "Genre Select" that allows you to combine your favorite patterns before starting to create a song.

The IFX features a greatly improved user interface, with graphical displays for EQ, Compression, and other sound adjustments. Five new effects have also been added, including an 8-Band EQ, Transient Shaper, Stereo Imager, Auto Pumper, and Pitch Shifter to expand the possibilities of your music production.

In addition, the iOS version now supports AUv3, allowing gadget instruments to be used in Garageband, Logic Pro, and other applications. These new features will strongly support your music production."

You can find additional details at https://www.korg.com/us/products/software/korg_gadget/

Buchla Music Easel - Low-Gain | Repair testing

video upload by LowGainElectronics

"Took far too long to get all the parts required to fix my Easel, and only and glue to actually fix it. I can finally take it home! One of the preset controls on the 218R is messed up but I’ll fix that later. Time to have some fun!"

TheHappyWombat's Omnichord inspired MIDI Controller

video upload by TheHappyWombat

"A capacitive touch-based MIDI controller inspired by the omnichord, with a slightly different control layout. The 12 keys select the root note, and the 10 buttons on the side select chord quality, up to 9th chords. The buttons latch, so you don't have to hold your hand on the keys the entire time, and you don't need to press them simultaneously either.

The sound I'm running here is the Box Harp from the Decent Sampler plugin (https://www.decentsamples.com/product...)"

#jamuary2024 06 Photophore, SampleWiz, FRMS

video upload by SynthAddict

"Quick synthy noodle... forgot to post again. This daily thing is tricky,
also been a crazy month. :-)

more iOS fun:
Photophore (arp)
SampleWiz (Novachord pad)
FRMS (bass)"

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BOO-cast - Synth of the Month: Roland SH-1

video upload by Battery Operated Orchestra

DXG Intro and Overview | Make Noise

video upload by MAKEN0ISE

Follow-up to yesterday's post. New video and the official press release are in.

"The Dual Stereo Gate (DXG) music synthesizer module is a Dual Stereo Low Pass Gate and Mixer. It follows in the footsteps of the QMMG, Optomix, RxMx, DynaMix, and LxD. Unlike its predecessors, the DXG is specifically oriented around mixing stereo signals, making it an important addition to any system containing modules like XPO, QPAS, Morphagene, Mimeophon, Spectraphon, and other stereo modules by Make Noise or others.

8hp
Shipping January 2024
MSRP $215

http://www.makenoisemusic.com"

Press release follows:

Make Noise is proud to announce the DXG!

The Dual Stereo Gate (DXG) music synthesizer module is a Dual Stereo Low Pass Gate and Mixer. It follows in the footsteps of the QMMG, Optomix, RxMx, DynaMix, and LxD. Unlike its predecessors, the DXG is specifically oriented around mixing stereo signals, making it an important addition to any system containing modules like XPO, QPAS, Morphagene, Mimeophon,Spectraphon, and other stereo modules by Make Noise or others.

Unique to the DXG is a new low pass gate circuit that does not use vactrols. This circuit is 100% analog and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years. The DXG is a completely new approach which better implements the gentle single pole filtering of a low pass gate, while also emulating the slow decay and memory of the vactrol based low pass gate. This new circuit makes possible the consistency of response necessary for versatile stereo use, while also keeping the module small and affordable so that it can be a key part of just about any modular system.

Unlike previous low pass gates made by Make Noise, all the DXG’s inputs and outputs are stereo. Each set of inputs is normalled so that the left input can be used for a mono signal, sending a copy to both left and right outputs. The Auxiliary inputs are also a stereo pair with mono normalization. These normalizations allow for the DXG to be used as a simple three channel stereo mixer, with one or two of the channels additionally being used for dynamics control and note event generation. The Aux inputs can be used to chain together larger decentralized mixes using additional DXG modules, or X-PAN, Optomix, modDemix etc.

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ARP Foundation's ARP 2500 For the Masses Is Funded

via The ARP Foundation

"Last November on #GivingTuesday the Alan R Pearlman Foundation asked for your help, and launched an IndieGogo campaign to raise funds to complete the restoration of what will become the only publicly-accessible ARP 2500 synthesizer in the USA, and to bolster its ARPs For All Program in preparation for the 2500’s arrival.

Read Full Press Release [posted here]

Thank you!
The Alan R. Pearlman Foundation would like to thank everyone who donated to our ARP 2500 Indiegogo fundraiser so far. We're delighted to announce that we have reached (and surpassed) our goal of $6000 with a current total of $6,445 We greatly appreciate the support and donations from all our backers. Thanks to you, our new (ish) ARP 2500 will soon be available for anyone to experience! We are grateful to you all.

Delivery to our ARPs For All project space in Boston is scheduled for February.

There is still time to donate to our campaign

If you would like to contribute to our mission of making legendary synthesizers available to anyone, please donate here.

Special thanks go to Cherry Audio for their gracious support and ongoing sponsorship. In case you haven't heard, they recently produced an EXCELLENT software recreation of the classic ARP Pro Soloist, and donated a portion of the profits in the month of December to our Fundraiser.

Also a huge shout out to the gang at ProSynth Network for rallying the gang, and for Linda and Phil of CMS for helping us make this dream come true for not only for us but most importantly, for the synth community. See our ARP 2500 for the Masses Campaign!"

1972 muSonics Moog Sonic V Signed by Bob Moog in 1987

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Musonics (properly spelled "muSonics", per its trademark), was a synth manufacturer that existed briefly in the late 1960s. It is notable for the fact that its owner, Bill Waytena, bought Moog Music from Bob Moog in 1970. Waytena created Musonics in 1967 or '68, with the idea that he would market a synth as a home entertainment device, a market that Waytena saw as much larger than the professional musician market. He hired ex-Moog employee Gene Zumchak to design a synth called the Sonic V. However, the synth did not sell, and Waytena reasoned that it needed a well-known brand name for marketing purposes. In 1969 he learned that Bob Moog's existing company, R. A. Moog, was in financial trouble, and arranged to buy the company from Moog in 1970. He then merged Musonics with it. Thus, Waytena became the owner of the first incarnation of Moog Music. The merged companies were first called Moog/Musonics, changing to Moog Music in 1972. The Sonic V was Musonics' only product prior to the merger. Post-merger, Bob Moog took the design and made a few improvements, fitting it into an integrated flight case design that had been proposed during theMinimoogprototyping stage. This became theSonic Six, a model that Moog himself subsequently often used for public lectures and demonstrations. The Sonic V is virtually the same but it has the diode ladder filter, same as found in the EMS VCS3. People that have owned both the Sonic V and the Sonic 6, claim there's something special about the way the Sonic V sounds. This is currently being carefully restored as this one is signed by Bob Moog, dated 2/87, there were less than 100 of these ever made and far few of those are probably still even around. This is also getting a cinch jones conversion to cv/gate."

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Jean-Jacques Perrey & Harry Breuer – The Happy Moog! - Vinyl

video upload by ZacJust3Letters

"Jean-Jacques Perrey & Harry Breuer – The Happy Moog!

Label: Pickwick/33 Records – SPC 3160
Format: Vinyl, LP
Country: US
Released: 1969
Genre: Electronic
Style: Synth-pop

A1 Space Express
A2 Short Circuit
A3 Paris 2079
A4 In A Latin Moog
A5 Moog Foo Young
B1 Re-Entry To The Moon
B2 Saturn Ski Jump
B3 In A Happy Moog
B4 Blast-Off Country Style
B5 March Of The Martians"

BTW, if you like Jean-Jacques Perrey, check out Jean acques Perrey et son Ondioline, put together by Gotye. You can find addtiional posts featuring Jean-Jacques Perrey here.